Fernican
At any point, did you contemplate the possibility that Yumi would actually die at the end of the book? Or did you know from the beginning that she would survive?
Brandon Sanderson
I contemplated it. This was a tough one for me, because the more artistic ending and more appropriate to the source material that was an inspiration to me is the ending where she dies. And Yumi’s been a Cognitive Shadow all along.
But why did I make the change? There’s a couple reasons that I decided to go that way. It’s not like I made a change; don’t take it like that. It’s not like I had an outline for one, and I went the other way. The outline always went this way, but there were times when I was building that outline. And there’s a couple reasons.
Number one: this is a gift for my wife. And as a gift for my wife, I want the ending that she will love.
Number two is: we do have this sense in our society that sadness is artistic. And I’ve rejected that notion, that artistry must be sad. You can see it very clearly in what we give awards to. Sad endings can be very artistic; but you know what has a really fantastic happy ending? Lord of the Rings. Granted, there’s some bittersweetness to it, but you know what? Frodo has been through hell. That’s the bittersweet part; he can never really be part of society again. But they all make it. Lord of the Rings wouldn’t be better if the fire just killed Sam and Frodo at the end. You know what? It’s better that they make it. And I’m okay with sometimes being like, “This is the ending that I want.”
And the last reason, one of the best comps for Yumi is obviously Your Name. I mentioned that in the epilogue. I made some very deliberate choices to make Yumi read differently from Your Name. The story I wanted to tell is: what if you had to watch someone else doing your job poorly; and you, kind of as a ghost, had to learn to coach them along. I also wanted these two to be bound together, so that the romance worked as a romance between them. Your Name is really awesome for its ending; it has one of these kind of more uncertain endings. I won’t say it’s happy; I won’t say it’s sad. More uncertain. It’s really appropriate for Your Name, because the two characters didn’t really know each other, ever. They knew each other’s lives and friends and families, but they didn’t actually have a chance to really get to know one another, and the ending to Your Name is a perfect nod to that. It’s a chef’s kiss sort of ending for that specific story, where two people didn’t actually know each other, but knew so much about each other. And I love that aspect of Your Name. I needed a different ending for this, because it is a very different style. It’s two people who actually got to know each other.