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    Daniel Greene Interview ()
    #1251 Copy

    Daniel Greene

    And is this [Secret Project Two] targeted towards a more YA audience? General? Or does it not really have an audience?

    Brandon Sanderson

    General audience. This is general audience. I kind of pitched it to my fans; it's kind of, I'm doing the "when he first arrives in the past and he doesn't remember how he got there," I'm kind of playing with the Jason Bourne style plot. But it's like Jason Bourne mixed with Hitchhiker's Guide to the Galaxy mixed with Timeline by Michael Crichton and just a little bit of Harry Dresden.

    Daniel Greene Interview ()
    #1252 Copy

    Daniel Greene

    It sounds like it [Secret Project Two] has incredible potential for a series; has that been in your head at all? Or is this a one-shot?

    Brandon Sanderson

    Oh, yeah. I am not going to turn this into a series, myself. But I brainstormed a lot of the ideas for this with Dan Wells, and so I can absolutely see Dan writing... And the fictional author of the Handbook itself, the in-world book, is a character that Dan and I have both used in our books. This guy, Cecil G. Bagsworth III, interdimensional explorer. He's the author of The Frugal Wizard's Handbook; he's actually a shared character of Dan and mine. If people like this book, I would expect that Dan'll want to take a crack at doing some other Frugal Wizard-adjacent story.

    Daniel Greene Interview ()
    #1253 Copy

    Brandon Sanderson

    Years ago, a title popped into my head. And it was called: The Frugal Wizard's Guide to London. And I'm like, "Wow, that's a good title. It feels too Harry Potter-esque; I don't know what I'll do with that." But once in a while, you get one of those titles. And, as a writer, you're like, "I need to find a book for that title." The Way of Kings was another one.

    The Frugal Wizard idea was really fun to me. And then, over Covid, one of the things I often do when I am going to bed is I just tell myself a story as I'm going to sleep. This is something I've done since I was a kid; I have insomnia, and this is just a way to pass the time. And one of the things I was telling stories in my head about was people doing time travel disaster tourism. I did a whole podcast with Dan on this. This is just the idea of: what if you were to have a story where someone could travel into the past to a kind of famous event and not have to worry about changing the future? If you could just take that element away and just have fun with doing tourism in the past?

    And this matched with that sort of title; I'm like, "The Frugal Wizard, what if that were a reference to the idea that people can travel the dimensions and go to different time periods?" And the Frugal Wizard's a person who wrote guidebooks for if you want to, for instance, go back to the Titanic. And it's like, "The Frugal Wizard's Handbook for How to Survive the Titanic," if you want to go have that experience. So Secret Project Two is actually somebody who goes back to medieval England for reasons that are mysterious in the book. I haven't revealed them yet. But it's The Frugal Wizard's Handbook for Surviving Medieval England.

    And part of the joke is that the Frugal Wizard's handbook's got an interesting voice. It's Hitchhiker's Gudie-esque, where the main character is getting these entries explaining the world to him, and they are written in a voice that is very distinctive, shall we say.

    Daniel Greene Interview ()
    #1254 Copy

    Daniel Greene

    There's a feeling of passing time within the Cosmere. We're seeing Mistborn jump forward ages; Stormlight Archive is now introducing new tech. And you're also just kind of dabbling into science fiction outside of the Cosmere with things like Skyward. Is there gonna become a time where sci-fantasy is a better description of what's going within the Cosmere as your writing progresses? Or is this, to you, always firmly gonna be a fantasy series.

    Brandon Sanderson

    No, I think you're probably right. I've told fans for years, what I'm pushing toward is something a little more Star Wars-esque in the larger worldbuilding, where you're going to many different planets, and there's both a science fiction and fantasy mix. One of my favorite movies (despite how it's aging worse and worse) is The Fifth Element. And I like that blend a lot of science fiction and fantasy. I suspect that there will always be places where I'm doing straight-up true fantasy in the Cosmere, that it will give me enough opportunities to go to planets where some of this tech just hasn't reached yet and do fantasy stories. But the main through-line of the Cosmere is pushing toward sci-fantasy.

    Daniel Greene

    And that kind of leads to a question where: does the complete opposite end of the spectrum attract you within the Cosmere? Writing something that is hard science fiction, maybe something more in the vein of a Star Trek than fantasy at all? Or is it more just gonna be sci-fantasy?

    Brandon Sanderson

    I could see myself doing something Star Trek, which is... I would call Star Trek hard fantasy, but it's, like, the lightest of hard fantasy. I could see myself doing that. I could see myself doing military science fiction. But true, Arthur C. Clark style hard science fiction, is not something I'm equipped really well to write. I could do it; it would take a lot of work and a lot of help from professionals, so it's not impossible. But writing the Cosmere version of Red Mars is just not something that's really in my wheelhouse. I'll leave that to the Kim Stanley Robinsons of the world and those who are really good at the actual science. There's a reason why I make up half of my science, and it's because that's what interests me and I find fun.

    While I won't ever say no to anything that I might write in the future, I think that one's fairly unlikely.

    Daniel Greene Interview ()
    #1255 Copy

    Daniel Greene

    You said you'd like to die in every adaptation. Is there a particular death from a story you'd love to have? Like, Syl thrown through you at a distance? Or is there a death that stands out from the Cosmere that really should be Sanderson?

    Brandon Sanderson

    You know, the only really dramatic one that I think of is Vin and Zane's assault on the keep in book two of Mistborn. There's, like, a semi-lobby-sequence-from-Matrix-esque sequence in Mistborn Two. That's one of the ones where I'm like, "I oughtta be on that wall when they come passin' by." But, no, I haven't really otherwise thought "hmm, who should I be." I want to not be distracting. I don't want to be, like, one of the guys who dies in the bridge crews that's all very dramatic, and things. I want real actors for those. Peter Jackson died in a really fun way in the third Lord of the Rings film, right? He's all done up in makeup so you can barely tell it's him, but he does a very good death, and that's inspiration to me. That's my kind; the behind-the-scenes guy who gets to get shot by a bunch of arrows. I want to be there; that's what I aspire to.

    Secret Project #4 Reveal and Livestream ()
    #1256 Copy

    Brandon Sanderson

    And there we are, Secret Project 4, The Sunlit Man. What to say about this? Well, as I finished up the other batch of secret projects, there was one that I really wanted to write. As I’ve said before, the other secret projects were written as gifts for my wife. Secret Project 1 and Secret Project 3 in particular were targeted specifically at her as an audience, with Secret Project 2 happening just because I needed something at the moment, and I still gave it to her as a gift. And yet this fourth one is something I’ve been wanting to do for years. And to explain that, let me tell you a little bit of a story.

    The very first piece of the Cosmere that I wrote consciously as a piece of the Cosmere happened somewhere in my early 20s. I had written a story before that would have some elements that became part of the Cosmere. Dalinar was in that, for example. But the first time that I wrote something that you would call Cosmere-aware was a short story about Wit, then called Topaz, who woke up on a brand-new planet in a connected universe—I didn’t have the term Cosmere yet. But his goal was to figure out how the magic worked on this planet and see if he could recruit the people there into a faction that was part of an intergalactic war that looked like it was looming, just trying to recruit people for a certain task that he wanted to do. The idea was that I wanted to write a sequence of stories where each one was him waking up on a new planet and trying to recruit the people there, and in so doing, figuring out how the magic worked on their planet.

    This is the first seed of actual Cosmere, and I do not have that story anymore. Actually, I only got one chapter into it. It was too big for me to make work at that point in my career. I always in the back of my head thought, “I want to do a sequence of stories like this.”

    As the Cosmere developed through Elantris and Warbreaker and Mistborn and The Way of Kings, I decided that Wit was the wrong person to be doing this story with. And that doesn’t preclude me from maybe someday doing it, but I like Wit’s travels instead being as they are represented in Secret Projects 1 and 3, where he’s telling the stories after the fact. It’s a different sort of theme from what I’d imagined of the more brutal, gritty, figure-out-the-magic-system, race-against-time sort of story that I’d developed earlier.

    And it became clear to me that the best way to do that story would be with Hoid’s apprentices. There are three of them, of which Sigzil is the one you know the best. And I realized that I wanted to do this story. This was years ago that I first started contemplating this, over a decade ago that I started working on what is the story of Wit’s apprentices and their explorations of the Cosmere. I liked that idea because they were in different places in their lives than Wit was. And so, I really wanted to someday tell Sigzil’s story. He began to lock into the Cosmere in a specific way.

    For those who are wondering, this does take place moderately far into the Cosmere’s future. This is not a spoiler for Stormlight 5, in that I intend it to be read before Stormlight 5. But you will find out in Stormlight 5 what caused this whole thing to happen. If it’s a spoiler, it’s not for much in the future of Stormlight. The division point will happen pretty soon here. And this is Sigzil’s story, here called Nomad. He will come out of this book with a different name. And he has a role to play in the future of the Cosmere.

    I realized as I was finishing Secret Project 3, that when I finished it, there wouldn’t be a lot of time left before I knew I would have to be working on the new Stormlight book, and that I would have to set secret projects aside. And so, I sat down and decided I was really going to push myself to write this last one because I’ve really wanted to get it done in that slot between projects that I knew I had to work on for contractual reasons. Because if I didn’t, I worried I’d never get around to it. You guys know I’ve been talking about some stories like The Silence Divine for many years and not found time to write them. And so, since I was excited for this story, and wanted to get it done, I knew that if I didn’t sit down and write it now, it would probably be years before I’d have another opportunity. And so, I pushed a little extra hard.

    This is the secret project that I really didn’t just kind of do floating in my free time, that I sat down and dedicatedly said, “I am going to get this done.” And it was therefore the most difficult of the writes to do. But I really felt like not only did I need to get it done, I felt like it needed to be part of the secret project Kickstarter that I was planning, because I wanted to give all of you one very familiar book. Obviously it’s doing—well, maybe not obviously. Hopefully it’s doing some things that you find really interesting and different because it’s a different kind of viewpoint. It’s a different type of narrative. The goal for this one was some pretty fast action, with things continuing relentlessly, being chased by the sun itself.

    But at the same time, I wanted a narrative that felt like the books I had done before because the previous secret projects you’ve gotten are all pretty different from my normal narrative voice or narrative style. And I just felt like you deserved, after putting up with me doing some bizarre things, something a little more familiar. And so, I wanted to get this into the secret project.

    The inspiration for the world, I should talk about a little bit, you might hear me talk about on the podcast that I do with Dan Wells. I had this idea for this planet that was a ball that was rolled around on another planet. It’s really weird. It never would have worked. But that was years ago I had this idea, and I discarded that part of it, and I kind of became focused on the idea of a land where you had to keep moving or else. And I liked this idea of powerful sunlight. It’s going to require some work to make the physics actually function. The weather patterns on this planet would not be conducive to life, I don’t think. They’d be even less conducive to life unless I make some shenanigans happen with some Cosmere aspects I can play with.

    So, regardless, this was the story I really wanted to tell, and that worldbuilding felt really exciting to me. It reinforces this idea that Sigzil has to keep moving. And I wanted to play a little bit more with the Threnodites. There were just a lot of really fun things happening that I thought would make this story really interesting and exciting to write and to read.

    So, there you are. This is The Sunlit Man. It is the fourth and final of the secret projects. And thank you so much for hanging around for what I’m going to guess was the longest of the readings that I’ve done so far, but I really wanted to get you to that scene with Wit.

    Secret Project #4 Reveal and Livestream ()
    #1257 (not searchable) Copy

    Brandon Sanderson

    The Sunlit Man

    Chapter One

    Nomad woke up among the condemned.

    He blinked, prone, his right cheek to the dirt.  Then he focused on the incongruous sight of a plant growing in front of him.  Was he dreaming?  The fledgling sprout quivered and shook, heaving up from the earth.  It seemed to stretch with joy, the pods of its seeds parting like arms after a deep sleep.  A stalk emerged from the center, testing the air like a serpent’s tongue, then stretched to the left.  Toward the dim light shining from that direction.

    Nomad groaned and lifted his head, mind fuzzy, muscles sore.  Where had he Skipped to this time?  And would it be far enough away to hide from the Night Brigade?

    Of course it wouldn’t be.  No place would hide him from them.  He had to keep moving.  Had to…

    Storms.  It felt good to lay here.  Couldn’t he just stop for a while?  Stop running for once?

    Rough hands grabbed him from behind and hauled him to his knees.  The jolt shook him from his stupor, and he became more aware of his surroundings: the shouting, the groaning.  Sounds that had been there all along; he’d just been numb to them in his post-Skip grogginess.

    The people here, including the man who grabbed him, wore unfamiliar clothing.  Long trousers, sleeves with tight cuffs.  Shirts with high collars, all the way up to the chin.  The man shook him, barking at Nomad in a language he didn’t understand.

    “Trans…translation?” Nomad croaked.

    I’m sorry, a deep voice said in his head.  I have insufficient Investiture to establish a local Connection.

    Damnation.  Nomad wouldn’t be able to understand the local tongue yet.  He winced at the breath of the shouting man.  He wore a hat with a wide brim, tied under the chin, and thick gloves.

    It was dark out, though a burning corona of light rose from the horizon.  Just before dawn, he guessed.  And by that light, sprouts were growing all across this field.  Those plants…their movements reminded him of home.  A place without soil, but with plants that were so much more vigorous than on other worlds.

    They weren’t the same, though.  They didn’t dodge as the men stepped.  The plants were merely growing quickly.  Why?

    Nearby, people wearing long white coats pounded stakes into the ground—then others chained down people who didn’t have those coats.  Both groups had a variety of skin tones, and wore similar clothing.

    Nomad couldn’t understand the words anyone was shouting, but he recognized the postures of the condemned in those being chained down.  The cries of despair from some, the pleading tones in others.  The abject resignation in most.

    This was an execution.

    The man holding Nomad shouted at him again.  Nomad just shook his head.  That breath could have wilted flowers.  The man’s companion—dressed in one of those long white coats—gestured to Nomad, arguing.  Soon, the first of his two captors made a decision.  He grabbed a set of manacles off his belt, moving to cuff Nomad.

    “Yeah,” Nomad said, “I don’t think so.”  He grabbed the man’s wrist, preparing to throw him and trip the other men.

    But Nomad froze.  His muscles, they locked up—like a machine that had run out of oil.  He stiffened in place, and the men pulled away from him, surprised by his sudden outburst, calling out in alarm.

    Nomad’s muscles unlocked and he shook them, feeling a sudden and sharp pain.  “Damnation!”  His Torment was getting worse.  He glanced at his still-frightened captors.  At least they didn’t seem to be armed…

    A figure emerged from among the others.  Everyone else was swathed in clothing—male or female, they showed skin only on their faces.  Even their sleeves were tight, and their gloves thick.  But this newcomer was bare chested, wearing a diaphanous robe that was split at the front, over thick black trousers.  He was the only person on the field not wearing gloves, though he did wear a golden set of bracers on his forearms.

    And he was missing most of his chest.

    Much of the pectorals, rib cage, and heart seemed to have been dug out—burned away, leaving the remaining skin seared and blackened.  Inside the cavity, the man’s heart had been replaced by a simmering ember.  It pulsed red when wind stoked it—as did similar pinpricks of crimson light among the char.  Black burn marks spread out from the hole across the man’s skin—as far as a few specks on his face, which occasionally glittered with their own much smaller cinders.  It was like the man had been strapped to a jet engine as it ignited—somehow leaving him not only alive, but still burning.

    “Don’t suppose,” Nomad said, “you fellows are the type who enjoy a comical misunderstanding made by a newcomer to your culture?”  He stood and raised his hands in a non-threatening way, ignoring the instincts that told him—as always—that he needed to be running.

    The man pulled a large bat off his back.  Like a police baton, but more begrudging in its non-lethality.

    “Didn’t think so,” Nomad said, backing up.  A few of the chained up people watched him with the strange, yet familiar, hope of a prisoner—the one that was happy someone else was drawing attention for once.

    The embered man came for him, supernaturally quick, the light at his heart flaring.  He was Invested.  Wonderful.

    Nomad dodged to the side, barely.

    “I need a weapon, Aux!” Nomad snapped.

    Well summon one then, my dear squire, said the voice in his head.  I’m not holding you back.

    Nomad grunted, diving through a patch of grass that had sprung up in the minutes since he’d woken.  He tried to make a weapon appear, but nothing happened.

    It’s your Torment, the knight helpfully observed to his moderately-capable squire.  It has grown strong enough to deny you weapons.

    Nomad dodged back again, while the ember man slammed his baton down in another near miss—making the ground tremble at the impact.  Storms.  That light was getting brighter.  Covering the entire horizon in a way that felt too even.  How…how large was the sun on this planet?

    “I thought,” Nomad shouted, “that my oaths overrode that aspect of the Torment!”

    I’m sorry, Nomad.  But what oaths?

    The ember man prepared to swing again, and Nomad took a deep breath, then ducked the attack and body-checked the man.  As soon as he went in for the hit, though, his body locked up again.  Muscles freezing.

    Yes, I see, the knight mused.  Your Torment even appears to prevent physical altercations now.

    He couldn’t even tackle someone?  It was getting bad.  The ember man cuffed Nomad across the face, throwing him to the ground with a grunt.  Nomad managed to roll and avoid the baton and, with a groan, heaved himself to his feet.

    The baton came in again, and by instinct, Nomad put up both hands—catching it.  Stopping the swing cold.

    The ember man’s eyes widened.  Nearby, several of the prisoners called out.  Heads turned.  Seemed like people around here weren’t accustomed to the sight of a person going toe-to-toe with one of these Invested warriors.  The ember man’s eyes widened further as—with teeth gritted—Nomad stepped forward and shoved him off balance, sending him stumbling backward.

    Behind the creature, blazing sunlight warped the horizon, molten, bringing with it a sudden, striking heat.  Around them, the strangely fecund plants started wilting.  The lines of people chained to the ground began to whimper and scream.

    Run, a part of Nomad shouted.  Run!

    It’s what he did.

    It was all he knew, these days.

    He turned to start dashing away, but found another ember man behind him, preparing to swing.  Nomad tried to catch this attack too, but his storming body locked up again.

    “Oh, come on!” he shouted as the baton clobbered him right in the side.  He stumbled.  The ember man behind finished Nomad off by decking him across the face with a powerful fist, sending him down to the dirt again.

    Nomad gasped, groaning, feeling soil and rocks on his skin.  And heat.  Terrible, building heat from the horizon.

    Both ember men turned away, and the first thumbed over his shoulder at Nomad.  The two timid officers in the white coats hastened over and—while Nomad was in a daze of pain and frustration—manacled his hands together.  They seemed to contemplate pounding a spike into the earth and pinning him there, but rightly guessed that a man who could catch the bat of an Invested warrior would just rip it out.  So they hauled him over to a ring that had been affixed to a section of stone, instead locking him there.

    Nomad fell to his knees in the line of prisoners, sweat dripping from his brow as the heat increased.  His instincts screamed at him to run.

    Yet another piece of him…just wanted to be done.  How long had the chase lasted?  How long had it been since he’d stood proud?

    Maybe just let it end, he thought to himself.  A mercy killing.  Like a man mortally wounded on the battlefield.

    He slumped, soreness in his side pulsing, though he doubted he’d broken anything.  His body didn’t respond to hits the same way other people’s did.  When others broke, he bruised.  Fire that would fry others only singed him.  And his body could heal from most secondary wounds in a matter of hours.

    He was Invested enough to keep him alive through a great deal of punishment.  At times, he wondered if that was blessing, or just another part of the Torment.

    The light continued to increase, almost blinding.  That smoke in the distance…was that the land itself starting on fire?  By the light of the sun?

    Damnation.  Damnation itself was rising over the horizon.

    The nearby officers—including the ember men—finished locking down the prisoners and started running to a line of machines.  Hoverbikes, maybe?  Nomad had seen enough of those on various worlds to recognize the general shape, even if this specific architecture was unfamiliar to him.  So he wasn’t surprised when fires blasted underneath the first of these, raising it in the air a half dozen feet or so.  They were large machines, capable of seating six people, so maybe “bike” wasn’t the right term, despite the open top.

    What did it matter?  He looked toward the ever increasing light as the plants—vibrant only minutes ago—browned and withered.  He thought he could hear the pops of the fires in the distance as full-on sunlight advanced, like the front of a once familiar storm.

    Thing was, even though he hated much about his life, he didn’t want to die.  Even if each day he became something more feral…well, feral things knew to struggle for life.

    A sudden frantic desperation struck him, Nomad began pulling and railing against the chains.  The second of the four hoverbikes took off, and he knew—from the speed of the advancing sunlight—that they were his only hope of escape.  He screamed, voice ragged, flailing against the steel, stretching it—but unable to pull it free.

    “Aux!” he shouted.  “I need a Blade!  Transform!”

    I’m not the one holding you back on that count, Nomad.

    “That light is going to kill us!”

    Point: it is going to kill you, my poor squire.  I am already dead.

    Nomad screamed something primal as the third hoverbike took off, though the last one was having troubles.  Perhaps he—

    Wait.

    “Weapons are forbidden to me.  What about tools?”

    Why would they be forbidden to you?

    Idiot! he thought to himself, summoning Auxiliary—a shapeshifting metal tool that, in this case, became a crowbar upon his request.  It formed in his hands as if from white mist, appearing out of nothing.  Nomad got it hooked into the ring on the stones below, then threw his weight against it.

    SNAP.

    He lurched free, hands still manacled, but with two feet of slack between them.  He stumbled to his feet and dashed toward the last of the hoverbikes right as the fires finally ignited underneath it.

    In that moment, he summoned Auxiliary as a hook and chain—which he immediately hurled at the back of the bike.  It hit as the machine took off.  By his command, once Auxiliary locked on, the hook fuzzed briefly and sealed—making a solid ring around a protrusion on the back of the bike.  The other end of the chain locked onto Nomad’s manacles.

    Sunlight reached him.  An incredible, intense, burning light.  People in the line burst into flame, screaming.

    But in that moment, the slack on the chain pulled tight.  He was yanked out of the sunlight before he was more than singed—the speeding bike towing him after.

    He was taken away from certain death.  But toward what, he had no idea.

    Chapter Two

    Nomad slammed to the ground side-first, dragged with frightening speed after the bike.

    He ripped through barriers of withered plants, slammed repeatedly against rocks, dirt grinding against his skin.  But again, Nomad was built of strong stuff.  Where another man’s arms might have been twisted free of his sockets—their skin flayed as plant detritus became like razors in the high speed—he stayed together, and managed to even turn and put the brunt of the damage on his thighs and shoulder.  Though the clothing of his rough jacket got ripped away, his skin held.

    He wasn’t immortal.  Most modern weapons—storms, even many primitive ones—could kill him with enough effort.  But he didn’t wear out quickly, didn’t scrape easily.  So, while the flight wasn’t particularly comfortable for him, neither was it deadly.  Plus, any complaint he might have had about the jarring treatment was burned away by the sweltering heat behind.

    He closed his eyes, trying to banish a greater pain.  The memory of the yells of the unfortunate people from moments ago, when the sunrise had hit.  Turning them to the ash in moments.

    Some of them had been screaming at him for help.  Once he’d never have been able to ignore that.  Eyes closed, he tucked in, protecting his face from the jolting chaos of his flight.  Millions, perhaps billions, of people died each day around the cosmere.  He couldn’t stop that.  He could barely keep himself alive.

    It hurt, regardless.  Even still, after years of torment, he hated watching people die.

    Still, he had survived the light—and he was moving again.  Motion made him feel stronger, better.  More in control.  Soon, the sky darkened again, and the sunlight vanished behind the horizon—sinking as if at dusk, though in this case, nomad was the one moving.  Fast enough to round the planet ahead of the rising sun, staying ahead of the dawn.  An enormous planetary ring rose from the opposite horizon—a wide disc that reflected the sunlight.

    Planet must have a slow rotation, the knight observed to his sometimes erratic squire.  Note how these ships can outrun it easily.

    Nomad had little opportunity to enjoy the return to safe darkness, though he did catch a few glimpses of the people on the bike looking back at him with befuddlement.  Several tried to pry loose his chain, but at such speeds—and with him as a weight on the end—they would have had difficulty even if he hadn’t sealed the loop.  He wondered if perhaps they’d stop to deal with him, but they just kept on flying after the other bikes, never more than a few feet off the ground.

    Eventually, the ships slowed, then stopped.  Nomad came to rest in a patch of wet soil, appreciating the sensation of something soft for once in his life.  He groaned and flopped over, clothing a mess of rips and tatters, skin beaten and battered, hands still manacled.  After a moment of agony—spent trying to appreciate the fact that at least no new pains were being added—he turned his head to see why they’d stopped.

    A floating city moved through the twilight landscape just ahead.  An enormous plate, lifted by hundreds of engines burning underneath it.  Nomad had been on flying cities before, even one on a planet near his homeland, but rarely had he seen one so…ramshackle.  A mottled collection of single story buildings.  Like an enormous slum, somehow raised up—but only thirty or forty feet high above the ground.  Indeed, it seemed like getting that much lift was straining the city’s engines, barely giving it enough height to navigate the landscape’s features.

    This wasn’t some high-flying, soaring edifice of modernity.  It was a desperate exercise in survival.  He looked back, into the distance, where the light had faded on the horizon to be almost invisible.  Yet, he could see it peeking, the preglow of dawn.  Looming.  Like the date of your execution.

    “You have to remain ahead of it, don’t you,” he whispered.  “You live in the shadows because the sun here will kill you.”

    Storms.  An entire society that had to keep moving, outrunning the sun itself?  The implications of it set his mind working, and old training—the man he’d once been—started to worm through the corpse he’d become.  How did they feed themselves?  What fuel powered those engines, and how did they possibly have time to mine it while moving?

    And speaking of mines, why not live in caves?  They had metal, obviously, to spare.  Otherwise they wouldn’t have chained those poor sods to the ground.

    He’d always been inquisitive.  Even after he’d become a soldier—and turned pointedly away from the life of a scholar—he’d asked questions.  Today, they teased him until he beat them back with a firm hand.  Only one of them mattered.  Would the power source that ran those engines be enough to fuel his next Skip?  Get him off this planet before the Night Brigade found him?

    The bike engines roared to life again, and they rose upward this time slowly.  Climbing toward the city—leaving him to dangle under the last of the four, weighing it down, the engines underneath throwing fire his direction and heating his chain.  Auxiliary could handle it, fortunately.

    Once the bikes reached the surface level of the city, they didn’t park in the conventional way.  They moved in sideways and locked into the side of the city, their engines remaining on, adding their lift to that of the main engines.

    Nomad dangled by his hands and chain, his pains fading as he healed.  From this vantage, he could see lumps of barren hills and muddy pits, like sludge and moors.  The city had left a wide trail of burned, dried out dirt behind it.  Probably wasn’t difficult for those bikes to track their way home, with a scar like that to follow.  He found it odd how well he could see.  He blinked, sweat and muddy water dripping into his eyes, and looked up at that ring again.

    Like most, it was actually a collection of rings.  Brilliant, blue-and-gold, circling the planet—sweeping high in the air, extending as if into infinity.  They pointed toward the sun, and tipped at a faint angle, reflecting sunlight down onto the landscape.  Now that he had a chance to study it, a part of him acknowledged how stunning the sight was.  He’d visited dozens of planets, and had never seen anything so stoically magnificent.  Mud and fire below, but in the air…that was majesty.  This was a planet that wore a crown.

    His chain started rattling, then shook as someone began to haul him upward.  Soon, he was grabbed by his arms and heaved up onto the metallic surface of the city, into a crooked street lined with small, squat buildings.  A collection of people chattered and gestured at him.  He ignored these, though, and studied the five others at the back—people with embers in their chests.

    They stood with heads bowed, eyes closed—embers having cooled.  Two were women, he thought, though the fire that had consumed their chests had removed any semblance of breasts…leaving behind just that open hole stretching two handspans wide, bits of the ribs poking through the charred skin, embers where the hearts should have been.

    The rest of the people were dressed as he’d seen below: high collars that reached all the way to the chin, swathed in clothing, each wearing gloves.  A dozen or so of them wore the white coats, formal, with open fronts but insignias on the shoulders.  Officers or officials.  The rest wore muted colors, and seemed to be civilians, maybe?  Some of the women had on skirts, though many preferred long, skirt-like jackets, the fronts open and revealing trousers underneath.  Many—both men and women—wore hats with wide brims.  Why did they wear those when there was barely any light?

    Don’t think about it, he thought, exhausted.  Who cares?  You’re not going to be here long enough to pick up anything about their culture.

    Many of them had pale skin, though some had darker skin like him. The crowd soon stilled, then lowered their eyes and backed away, parting to make way for some newcomer.  Nomad settled back on his heels, breathing in and out deeply.  The newcomer proved to be a tall man in a black coat—and eyes that glowed.

    They simmered a deep red color, as if lit from behind.  The effect reminded Nomad of something from his past, long ago—but this was less like the red eyes of a corrupted soul, and more like something that was burning inside the man.  His black jacket glowed as well, but only on the very edges, with a similar red-orange color.  Looked like he had one of those embers at his chest as well, though that was covered over with thin clothing.  It didn’t seem to have sunk as deeply into the skin as with those other ember people, etiher.  He still had the shape of his pectorals.

    His glow was mirrored on many of the buildings: the rims of walls glowing as if by firelight.  It gave the city a feel like it had been aflame just recently, and these were its ashes.

    The man with the glowing eyes raised a thick gloved hand to quiet the crowd of people.  He took in Nomad, then nodded to two officers and pointed, barking an order.  The officers fell over themselves to obey, scrambling to undo Nomad’s manacles.

    They backed away, nervous, as soon as the manacles were off.  He rose to his feet, making many of the civilians gasp, but didn’t make any sudden moves.  Because storms.  He was tired.  He let out a long sigh, pains having become aches.  He told Auxiliary to stay in place as a chain; he didn’t want them to realize he had access to a shape-changing tool.

    The man with the glowing eyes barked something at him, voice harsh.

    Nomad shook his head.

    The man with the glowing eyes repeated his question, louder, slower, angrier.

    “I don’t speak your tongue,” Nomad said, voice rough.  “Give me a power source, like one from the engines of those bikes.  If I absorb that, it might be enough.”

    That depended on what they were using as a fuel—but the way they managed to keep an entire city floating, he doubted their power source was conventional.  Fueling a city like this with coal seemed laughable.  They’d be using some kind of Invested material.  If he could get some, he could maybe start accomplishing something here.

    The leader, finally realizing that Nomad wasn’t going to respond to him, raised his hand to the side—then carefully pulled off his glove, one finger at a time.  People gasped, though the move revealed an ordinary, if pale, hand.

    The man reached forward and seized Nomad by the face.

    Nothing happened.

    The man seemed surprised by this for some reason.  He shifted his grip, taking Nomad by the side of the face.

    “If you lean in for a kiss,” Nomad muttered, “I’m going to bite your storming lip off.”

    It felt good to be able to joke like that.  His distant, once master would be proud of him.  In his youth, Nomad had been far too serious, and had rarely allowed himself levity.  More because he’d been too embarrassed, and frightened, by the idea of possibly saying something cringeworthy.

    Get dragged through the dirt enough times—get beaten within the inch of your life, to the point that you barely remembered your own name—well, that did wonders for your sense of humor.  Basically all you had left at that point was to laugh at the joke you had become.

    People were really amazed by the fact that nothing happened when the glowing-eyed man touched him.  The man took Nomad one final time by the chin, then let go and wiped his hands on his coat before replacing his glove, his eyes—like the burning light of firemoss—illuminating the front brim of his hat and the too-smooth features of his face.  He might have been fifty, but it was hard to tell, as he didn’t have a single wrinkle.  Seemed there were advantages to living in perpetual twilight.

    One of the officers from before stepped up and gestured at Nomad, speaking in hushed tones.  He seemed incredulous, pointing toward the horizon.

    Another of the officers nodded, staring at Nomad.  “Sess Nassith Tor,” he whispered.

    Curious, the knight said.  I almost understood that.  It’s very similar to another language I’m still faintly Connected to.

    “Any idea which one?” Nomad growled.

    No.  But…I think…Sass Nassith Tor…  It means something like… One who Escaped the Sun.

    Others behind repeated the phrase, taking it up, until the man with the glowing eyes roared at them to stop.  He looked back at Nomad, then kicked him square in the chest.  It hurt, particularly in the state Nomad was in.  This man was definitely Invested, to deliver a kick so solid.

    Nomad grunted and bent over, gasping for breath.  The man seized him in gloved hands.  Then smiled, realizing—it seemed—that Nomad wouldn’t fight back.  The man enjoyed that idea.  He tossed Nomad to the side, then kicked him again in the chest, his smile deepening.

    Nomad would have loved to rip that smile off with some skin attached.  But if fighting back would make him freeze, then the best thing to do seemed to be to play docile.

    The leader gestured to Nomad.  “Kor Sess Nassith Tor,” he said with a sneer, then kicked Nomad again for good measure.  A few officers scrambled forward and grabbed him under the arms to drag him off.

    He found himself hoping for a nice cell.  Someplace cold and hard, yes, but at least some place he could sleep and forget who he was for a few hours.

    Such blissful hopes were shattered as the city started to break apart.

    Chapter Three

    The entire city began to vibrate and shake.  Cracks appeared in the metal street beneath Nomad, though as he panicked, his captors just calmly stepped across them and pulled him to a building by the side.

    The city continued to shake and split.  It…it wasn’t breaking.  It was disassembling.  It shattered into hundreds of pieces, each chunk raising up on its own jets.  And each chunk having a single building on it.  Each chunk…was a ship.

    Earlier, he’d remarked on how the hoverbikes had locked into place along the street, adding their thrust to the city.  In a daunting moment, he realized that every section of the city was similar.  It wasn’t one big flying city; instead, hundreds of ships had joined together to make it.

    Most of them were modest in size; the “single family home” version of a starship.  A great number were smaller than that, built like tugboats, with wide decks and a single cab on top.  Some few were larger, carrying buildings that were wide like audience halls or warehouses.  They all had fairly wide, flat decks that could be joined together to make the streets.  As they flew off, railings rose out of those decks and walls opened up to reveal windshields and control cabs.

    He got the impression that this city hadn’t been built as a cohesive whole that could also be disassembled—rather, this was a hodgepodge of individual vehicles that could work together.  That helped explain the city’s eclectic nature.  The place was like…like a caravan that, for sake of convenience, could combine its separate pieces to form a temporary city.

    The fact that it worked so well together was incredible.  Responding to shouts and instructions Nomad couldn’t understand—and Auxiliary failed to translate—many of the ships flew off into the distance, about some activity.  Nomad squinted, and noticed that several were spreading something out to the sides.

    Seeds, he realized.  They’re planting seeds.  Or…dusting the ground with them.  A piece of this bizarre world began to fall into place.  That sunlight itself must be Invested, like on Taldain.  That would explain the fast-growing plants, maturing almost instantly as they absorbed the highly-potent pre-dawn light.

    This society had a harvest every day.  They would sew crops and reap them mere hours later, before fleeing back into the darkness.  Was that light from the rings sufficient, or did they need to get in close, run the edge of the deadly sunlight?

    He had to fight back his curiosity with a bludgeon.

    You make, he thought at himself, a terrible cynic.

    The ship he was on didn’t join those sowing for the harvest; it joined a large group of ships that flew down toward the ground.  Several others here had “buildings” that reached up two or three stories, largest he had seen.  They landed in a wide ring on the muddy ground.  His ship came down and locked in next to a domineering one with several tiers of balconies on the front.

    The man with the glowing eyes stepped up onto one of these, settling into a seat.  Nomad inspected the muddy ring as lesser ships moved to lock in on top of one another, creating tenement-like structures, four or five ships tall.  He felt a sinking feeling he recognized this setup.  It was an arena.  While the farmers went out to work, the privileged were setting up on the front decks of their ships to enjoy some kind of display.

    He groaned softly as his captors affixed his forearms with a golden set of bracers, just like the ones that the ember people wore.  Once these were in place, his captors hauled him to the front deck of their ship.  When he tried to resist—taking a swing at one of them by instinct—he locked up.  They tossed him down some twelve feet below into a patch of rancid, waterlogged earth.

    It wasn’t the first arena he’d been in, but as he pulled his face from the muck, he decided it was almost certainly the dirtiest.  Several larger, shipping-container-like vessels landed and opened their front doors.  Officials in white coats forced out three tens or so people in ragged clothing, forcing them down into the mud of the ring.  Nomad sighed, pulling himself to his feet, trying to ignore the stench of the mud.  Considering what he’d been through the last few weeks, he figured the mud was probably trying to do him the same favor.

    These people cast into the ring did not seem like the fighting type.  Poor souls looked almost as tattered as he felt.  They stumbled and tripped as they tried to walk through the thick mud, which stained their clothing.

    No weapons were offered.  So, Nomad thought, not a gladiatorial arena.  They weren’t here to fight…but they might be here to die.  Indeed, another door opened, and three of the ember-hearted people strode out, carrying whips.  A ship floated down overhead—the heat of its engines uncomfortable—and dropped down several large crates and other detritus, each hitting with a thump in the mud.  Obstacles.

    The ember-hearts came in running.  The crowd cheered.  The unarmed peasants scattered, frantic.

    Delightful.

    Nomad jogged through the mud.  It only came up to his ankles, but it was treacherously slick, and had a habit of sticking to his feet with a surprising suction.  He skidded toward one of the larger boxes, fully six feet tall.  Peasants scattered like hogs before a whitespine, but Nomad heaved himself up onto the box by his fingertips.

    He figured that if he made himself the most difficult target of the bunch, the ember hearts would chase easier prey first.  That might give him time to figure out some storming way out of this situation.  But as soon as he got onto the box, a pair of white-knuckled hands appeared behind him, and a figure hauled itself up after him.  Ember burning at the center of her heart, eyes fixed solely on him, her lips snarling.  She had short black hair streaked with silver, and her face was scored along the right cheek with a long, thin line of blackness that glowed in the center.

    While the other two ember hearts carried whips, this one held a long, wicked machete.  Damnation.  Why come after him?  Nomad glanced up toward the throne above.  Where the man with the glowing eyes watched with interest.

    Do you think, the knight asked his faithful squire, he wants to see what you can do?

    “Maybe,” Nomad whispered, backing away from the ember heart. Except…the look in those glowing eyes earlier.  The way he’d been upset when the others talked about Nomad…

    No.  This wasn’t a test.  The man with the glowing eyes wanted Nomad to be killed in public.  Wanted him humiliated and defeated in full display of everyone.

    The ember woman came in swinging at Nomad, so he turned and ran, leaping from the top of the enormous crate toward a smaller one.  Here, he rolled purposefully off and down into the mud, pretending to scramble and find something there.  As the ember woman came leaping down toward him, he heaved upward with a newly-formed crowbar—deliberately not trying to hit the woman, but only deflect the machete.

    His body didn’t lock up.  So long as he was focused only on a defensive posture, it seemed that he could resist.  He shoved the ember woman aside, causing her to lose her balance and slide in the mud.  She was up a second later, glaring at him in a feral way.  She didn’t seem shocked by the sudden appearance of his weapon, and he’d tried to hide how he’d obtained it with his roll and fall.  He hoped that those watching above would assume he dug it from the mud somehow; that it was some piece of junk left by some other passing group.

    Growling, half her face covered in mud, the woman came scrambling for him.  Behind, one of the poor peasants had been backed into a corner.  An ember man had grabbed her and hauled her aloft toward the sky with one arm.  The crowd yelled in delight while the woman screamed in a panic, though she didn’t seem to have been hurt.

    Nomad dodged back, once, twice, three times—narrowly avoiding strikes from the ember woman, who moved with supernatural speed and grace.  He had more trouble than she did with the mud.  Despite being on the run for years, soil still felt unnatural to him.  It was wrong to not have solid stone underfoot.

    A second person was caught, Nomad blocked another blow from the machete—then barely stopped himself from hitting at the woman with a backswing.  Storms, it was hard to restrain himself from actually fighting.  But he also couldn’t just dodge forever.  Eventually, those two other ember people would come for him.

    He hit the woman’s machete extra hard on the next clash—knocking the weapon free from her muddied hand.  As she howled at him for that, he turned and ran, hooking his crowbar on his belt—covertly making a small loop to secure it.  He didn’t look to see if she followed, instead leaping up a set of smaller boxes, then hurling himself up toward the tallest one, some fifteen feet high.

    He barely grabbed the top with the tips of his fingers.  He tried to haul himself up—but unfortunately, his hands were slick with mud, and he started to fall free.

    Until a gloved hand caught him by the wrist.  There was a man on top of the box already, one of the peasants, a fellow who was a tad heavyset, with pale skin and dimpled chin.  With a determined expression, the man heaved, pulling, helping Nomad get the rest of the way up.

    Nomad nodded to the mud-covered man, who gave him a gap-toothed smile in return.  He glanced at Nomad’s weapon, then asked a question—sounding confused.

    Something about…you killing? Aux said. I’m sorry.  I can barely make out any of this.  You need to get me some Investiture.

    “Sorry, friend,” Nomad said to the man, “can’t answer.  But thank you.”

    The man joined him in watching the arena.  Another captive was giving the ember people some troubles, dodging well, scrambling through the mud.  It took two, eventually, to capture the poor woman.

    The ember woman who had been fighting Nomad—however—still ignored all other prey.  She strode carefully around the large box, planning her ascent.  As one more person was captured, the rest of the peasants gave up running, falling to their knees or leaning against a wall, puffing in exhaustion.

    The ones who had been captured were herded toward a different ship, screaming and crying—though notably, not fighting back.  Curious.  From the way they acted, Nomad got the sense that…

    “That group who were caught first are another set of condemned, Aux,” he guessed.  “To be left for the sun.”

    So… Auxiliary said in his head.  This was some kind of elaborate game of tag?  To determine who’s next in line to be executed?

    “That’s my best guess,” Nomad said.  “Look how relieved the others are not to have been caught.”

    Relieved, yes, the knight said to his squire.  But also…sad.

    Auxiliary was right.  Many of the survivors turned pained eyes toward the ones who had been taken.  One man even screamed in a begging posture, falling to his knees, gesturing.  As if offering himself instead.  These captives all knew each other.  The ones who had been taken were friends, maybe family members, of those who had survived.

    Nomad’s ally started to climb down.  But the contest wasn’t completely over.  Not yet.  Though the two other embers had moved off after corralling the condemned, the third one—the woman with the silver in her hair—-began leaping up the set of blocks toward Nomad’s vantage.

    She wouldn’t stop until he’d been killed, he was certain of it.  Well, then.  Time to see if he could trick his  Torment.  He waited, tense, as the ember woman approached.

    Nomad? Auxiliary asked.  What are you doing?

    “How heavy an object can you can become?” he asked.

    Currently?  Mass of metal weighing about a hundred pounds or so.  I can’t get heavier unless you deliver appropriate Investiture.  But why?

    He waited until the ember woman was nearly upon him—leaping for his box from the next perch over.  At that moment, Nomad hurled himself right toward her.  He raised Auxiliary over his head—worrying that he’d have to reveal his secret—and created a barbell of the appropriate weight.  Nomad held it right in front of him, as if to swing it.

    In response, his  Torment sensed he was trying to do harm.  His arms locked up.  But the ember woman still slammed right into the large chunk of iron, gasping as the two of them smashed together mid-air.

    He became, essentially, another dead weight.  They both plummeted to the mud below, and he landed on top of her, his barbell hitting her in the chest, his elbow smashing her in the neck.  The twin weights drove her down into mud.

    When Nomad stumbled to his feet, she remained down, eyes open—but stunned.  Her ember fluttered, like an eye blinking from exhaustion.

    The crowd grew deathly soft.

    “Doesn’t happen often, does it?” Nomad shouted, turning toward the leader with the glowing eyes, seated on his balcony at the head of the arena.  “Someone defeating your soldiers.  Why would it ever happen, though?  These are Invested warriors, and you pit them against unarmed peasants!”

    The man didn’t reply of course.  Storms, Nomad hated bullies.  He stepped forward, as if to challenge the bastard.  As he did, however, a shocking coldness swept through him, originating at his wrists.

    He looked down at the bracers he’d been given.  They were leeching his body heat straight out.  Leaving him cold, his muscles lethargic.  He breathed out, his breath misting.  He looked up at the glowing-eyed man—who held a device with several buttons on it.

    “B-bastard,” Nomad said through chattering teeth.  Then fell over face-first into the mud, unconscious.

    Chapter Four

    When Nomad woke this time, he found himself manacled to a wall.  No…it was the side of a ship, one of those still forming the arena.  It seemed he hadn’t been out for very long, though it was impossible for him to tell with no sun in the sky.  Just those dramatic, sweeping rings.

    He tried to move, but was held tight against the side of the ship by both wrists and both ankles.  The crowd was still in place, rowdy, though a small ship with a podium and four ornate columns on the sides had settled into the center of the arena.  Glowing Eyes stood upon it, addressing the people, stoking their enthusiasm.

    “Auxiliary,” Nomad growled.  “Did I miss anything relevant?”

    They moved the boxes out of the way, he replied.  Then strapped you here.  I’m trying to make sense of that speech, but I haven’t caught more than a word or two.  Some of this is about you.  And…an “example?”

    “Lovely,” he said, struggling against the chains.

    I don’t think they realized or saw what you did with me, Auxiliary continued.  With the barbell, I mean.  The angle was wrong.  So I turned into a crowbar again when they picked you out of the mud.  They took me, then tossed me aside, assuming I was nothing important.  I’m still out in the mud, off to your left.

    Well, that was something.  Those bonds on his wrists were tight, but Auxiliary could become all kinds of odd shapes.  He might be able to work something out with the tool.  But if he wasn’t in immediate danger, then there was no reason to reveal what he could do.  So for now, Nomad considered other methods.  Perhaps if he broke his thumb, he could get his hand out, then let it heal.  Unfortunately, he healed fractures much more slowly than bruises.

    The ember man’s voice rose to a crescendo, gesturing to Nomad.  Damnation.  Even if he could get out, he still had those bracers on that froze him.  And he was still surrounded by enemies, and couldn’t fight.  What good would it do to get a hand free in such a situation?  He growled, struggling at his bonds.

    You might be in trouble this time, Auxiliary said.

    “You think?

    Do I think?  I’m not sure.  Depends on your definition.

    “You know, I liked you much better when you were alive.”

    And who is to blame for that?

    Nomad snarled and raged against the chains.  His attention was finally drawn away from his predicament, however, as several officials led a ragged captive up to the podium ship.  One of the white coats carried a long spear, but the other had a rifle.

    Nomad’s eyes lingered on that.  A rifle?  The first modern weapon he’d seen here.  Were those rare?  He finally thought to inspect the captive, and realized it was the woman who had been doing so well earlier avoiding escape.  The one that had taken two ember people to catch.

    “That woman…” Nomad said.  “She was one of the better fighters—or at least, better dodgers—in the arena earlier.  Perhaps because she fought well, they’re going to reward her?”

    Glowing eyes gestured to the woman, and the crowd roared.  He slapped her on the shoulder in an almost congratulatory way, smiling.  But then, the captive woman started to struggle harder, and Nomad got a sinking feeling.

    Not my problem, he thought to himself.

    Glowing Eyes waved to the side, and one of the guards handed him the spear.  Glowing Eyes whipped off a sheath, revealing that the spearhead itself had a glowing ember at the tip—so bright, it left a trail in Nomad’s vision.

    The captive screamed.

    Glowing Eyes rammed the spear into the woman’s chest.

    Nomad had just the right angle to see what happened next.  Glowing eyes yanked out the spear, leaving the ember behind.  The officials scattered in a panic, though Glowing Eyes remained, unconcerned.  The beleaguered captive fell to her knees, screams intensifying as glowing heat flared at her core.  Sparks and jets of flames sprayed out, like from a fire suddenly stirred up, individual motes scoring the skin of her arms and face—leaving streaks that continued to glow even after the central fire in her chest quieted.

    The woman finally slumped to the side, eyes not closing.  She just lay there, staring sightless, a quiet flame at her chest lighting the floor of the podium in front of her.

    Well, Auxiliary said, I guess we know where those cinder-hearted people come from now.

    “Agreed,” Nomad said, feeling sick.  “My guess is that they picked the captive who was most agile—most skilled at avoiding capture—to be elevated like that.”

    A stretch, perhaps, but logical enough.

    Nomad took a deep breath.  “That might give us an opportunity.  You think whatever powers those spears would be enough to let us Skip off this planet?”

    He hungered to get ahead of the Night Brigade for once.  If he jumped from this planet quickly, then to another, he could build up a lead on them.  He might finally be able to catch a breather.

    No, I’d say it isn’t powerful enough for a Skip, Auxiliary said.  Should be powerful enough to establish you a Connection to the planet, though.  You’d finally be able to understand what people are saying.  Might power me up a little as well.  Let me get bigger, heavier, for a little while at least.

    As the guards returned to drag off the newly-made ember woman, glowing eyes strode back onto the podium and someone approached with two more spears.  Glowing Eyes took one and whipped the sheath off, revealing a second glowing tip—like metal heated super-hot, but somehow never cooling.  The crowd shouted and cheered even louder.

    “I’ll bet,” Nomad said, “he’s going to use one of those on me.  He tried to get me killed, but his people failed.  So now he’s going to try something else.”

    Ah, Auxiliary said.  Yes, that’s reasonable.  Why isn’t he worried that you’ll turn against him once you’re given powers?

    “I suspect he counts on the freezing bracers to control the others, and he just proved to himself they work on me.”

    Seems dangerous.

    “Agreed,” Nomad said.  In this case, the situation wouldn’t play out as Glowing Eyes wanted.  If he touched the spear tip to Auxiliary, or even Nomad potentially, they’d be able to absorb the power from it.  One of the few valuable sides of his Torment—Nomad had an unusual ability to metabolize nearly any kind of Investiture, though he often needed Auxiliary to facilitate.

    Right.  But why are there two spears?

    “They’ll want to do me last,” Nomad said.  “As the big finish.  So I assume there is another poor captive to be…”

    He trailed off as they pulled a second person up onto the podium.  It was the gap-toothed man who had helped Nomad earlier.  As soon as he saw the poor fellow, Nomad realized it made sense.  He’d just been theorizing that they turned the best fighters into ember-people.  This fellow might be a little overweight, but he’d managed to elude the ember people better than the others—and had even gone out of his way to help Nomad who was aggressively being targeted.

    The man’s grit had earned him a terrible reward.  The crowd cheered as Glowing Eyes raised the second spear.  The poor captive screamed a piteous sound, pulling against his captors, trying desperately to escape.

    Not my problem, Nomad thought, closing his eyes.

    But he could still hear.  And somehow, in shutting out the light—there within the blackness of his own design—he felt something.  Of the person he’d once been.  And words he’d once spoken.  In a moment of glorious radiance.

    Damnation, he thought as the man’s terrified shouts shook him to the core.

    Nomad forced his eyes open and ripped his right hand out of the bonds—down through the manacle, his supernatural strength shattering the thumb and ripping the skin along the sides of his hand.  He raised his bleeding hand above his head to the side, then summoned Auxiliary from the mud.

    He whipped his hand forward then, throwing Auxiliary to spin—flashing and glorious—through the air.  Aux slammed into one of the pillars on the podium right next to Glowing Eye’s head: a six-foot long, glittering sword.  Auxiliary’s truest form.  It sank into the pillar up to Auxiliary’s hilt, then hung there, quivering.

    The crowd hushed.

    Huh, Auxiliary said in his head.  I thought you couldn’t do that anymore.

    He intentionally hadn’t aimed for Glowing Eyes, as to not be a threat—and not trigger the Torment.  But it had been a while since Nomad had seen the full Blade, been able to access it in its glory.  The crowd hushed, and as Nomad hoped, Glowing Eyes gaped at the sword—forgetting his captive.  The gap-toothed man huddled in the grips of the officers, but hadn’t been touched by the spear, not yet.

    Nomad resummoned Auxiliary, and tried to form the Blade again.  He failed.  The Torment seemed to have slipped that once, but now it was adamant.  No weapons.  Instead, Nomad raised Auxiliary high in the form of a tall poll—his thumb screaming in pain, but a bracer formed at the bottom of the tool holding it in place and letting him grip it with his unbroken fingers.  He formed a wrench next, then a crowbar.

    Glowing Eyes watched the weapon, a visible hunger in his wide, glowing eyes.  He stumbled off the platform, carrying the spear.  Fixated on Nomad.

    “Good,” Nomad whispered.  “Good.  You want this.  Come, try to take me as one of your embers.  Then you can command me to give you the weapon, right?”  He met those glowing eyes, daring them forward.

    The man approached, then paused, then held the spear in front of him threatening as he got closer.

    “You…can absorb that, right?” Nomad asked.

    Yes, Auxiliary said.  Just form me as a receptacle—or even just a standard shield—on your chest as he stabs, and I’ll recycle the energy.

    Glowing Eyes hesitated a few feet from Nomad.

    “Come on, you!” Nomad shouted.  “Stab me!”

    Instead, the man put the white hot spear tip near Nomad’s eye and demanded something.

    “I don’t speak idiot,” Nomad said.  “Just stab me!”

    The man waved at Nomad’s hands, speaking again, more stern.

    He wants you to show him—the knight explained to his sometimes-dense squire—how you summon the tools.

    So instead, Nomad summoned a nice dollop of spit—spiced by the mud that crusted his lips—and delivered it right into the bastard’s glowing eye.  The spittle hissed, as if on a hotplate, and the man stepped back, growling.  He lowered his spear, causing the crowd to cheer.

    Here we go, Nomad thought.

    At that moment, one of the nearby ships exploded.

    Chapter Five

    Nomad cried out in frustration as Glowing Eyes turned around toward the sound, then began shouting as he strode—tall and unflinching—back toward the podium.

    Weapon fire—blasts with a distinctly red-white heat—rained from the sky.  Glowing Eyes shouted something else, and ember people—a good two hundred of them—came running out of holds onto the rims of ships.  Then, as one, their embers began to dull—their bracers, it seemed, activating. Even Nomad’s did something, buzzing a little bit and shaking. Then, the ember people began dropping like toddlers at nap time, falling off of perches down into the mud, or just slipping down where they were.  It didn’t affect him, he wasn’t sure why.

    But Glowing Eyes spun, obviously shocked by this turn of events.  He’d summoned them but had not expected them to all suddenly fall unconscious.  The image of that happening to them would have been comical.  However, Nomad couldn’t bask in the moment, as the ship he was chained to began moving, hovering up and away from the arena floor.  It got just about five feet before a blast hit it from above.  A violent explosion ripped it apart, ejecting the part with Nomad on it off of the rest of the disintegrating vessel.

    On the plus side, Nomad dropped back to the ground.

    Unfortunately, a small chunk of the ship—smoking and throwing sparks—came with him.  He hit the ground, still mostly chained in place, and the metal chunk fell right on top of him.  He grunted, body protesting the treatment.  Invested or not, he suspected if he hadn’t fallen into soft mud—able to squish around him beneath the weight—he’d have been crushed.

    As it was, he got stuck there in the muddy darkness, a huge weight on top him—his thumb still broken and healing slowly—as a firefight broke out above.

    Oh, come on, he thought.  He could hold his breath for practically forever—with his highly Invested soul renewing his cells much in the same way that sun made the plants grow in quick speed.  But his chances at stealing not only that spear, but the rifles he’d seen, seemed to be fleeing by the moment.

    Nomad, the knight said to his exceptionally lazy squire, this is no time to take a rest.

    Nomad gurgled an annoyed reply through the mud.

    Yes, that was a joke on my part, Auxiliary said.  Proof that I’m not completely mirthless since my death.  But…to be more serious…you should probably try to get out of this.  That sunrise is going to arrive eventually.  I tasted the strength of it earlier.  Stay long in that light, and you’ll be vaporized.  And I don’t have the strength to make a shield that could resist that kind of punishment.

    Some kind of explosion shook the ground, vibrating Nomad.  One hand, unfortunately, was still manacled to the chunk of wall.  He could pull it free, maybe, but would probably break his thumb or wrist at the same time.  Which seemed like a bad idea.  His right hand was still kind of useless, though starting to heal.

    Fortunately, he could feel air on his legs, as well as move them.  His ankles were sore.  He got the impression that the bonds there had been ripped free in the blast, and that the chunk of metal holding him down was covering only his top half.

    Right then.  Time for some complex visualizations.  He could summon Auxiliary in practically any shape he could imagine.  He tried a knife, first—but that wouldn’t work, even though Nomad insisted he was making a tool, not a weapon.  So he needed something else.  He thought back to his days as an aspiring scholar—that seemed like so, so long ago—and imagined a jack for lifting something heavy.

    Auxiliary appeared next to his right hand in the appropriate shape, with the front of the jack just underneath the piece of metal.  Though Nomad didn’t have much maneuverability, he was able move his free hand onto the specifically-designed crank and move it a few times.  Not much different than doing weight lifting at the gym.  It was enough to inch the metal up a little to the side.

    Clever, Auxiliary thought at him.  Glad to see some of the old you shining through.

    Fresh air flowed in as he turned the fallen piece of metal into—essentially—a lean-to, with him underneath.  That gave him some increased maneuverability, allowing him to slide both knees underneath him.

    With supreme effort—barely managing in the mud—he gave an extremely powerful heave and flipped himself (and the chunk of metal) over onto his back.  The maneuver planted the chunk of metal down into the mud behind him, and left him lying on top of it—one manacle still in place—staring upward.

    Ships buzzed around.  There wasn’t as much weapons fire as he’d imagined—these ships didn’t seem to have on-board guns.  The blasts that were happening were from dropped bombs, and the gunfire he’d seen was all from people on the decks bearing rifles.  The ships also couldn’t get very high; the highest he saw them flying was fifty or sixty feet.  These weren’t jet fighters—more like hovercraft with a little extra oomph.

    All through the arena, plants had started sprouting.  Just weeds, but it was dramatic how quickly this barren pit of mud was becoming a field.  Most of the ships forming the arena had launched into the air, and Glowing Eyes was nowhere to be seen—though many of his ember hearts still lay in the mud, where they’d fallen.

    Nomad formed Auxiliary as a pair of bolt cutters, and tried to maneuver to get his other hand free.  But he couldn’t get leverage with his broken thumb.  If he made the bolt cutters large enough to work on the manacle, they were too big for him to grip in one broken hand.  But if he made them small enough to hold, he couldn’t make enough force to to cut through the metal.  And the Torment continued to forbid him a knife or a sword, even though it had worked just earlier.

    As Nomad slipped in the mud, a sleek hover-bike-like ship came roaring down, frying plants with its jets.  Two people jumped free, a man and a woman.  The man carried a rifle, and the woman wore skirts, but neither had the uniform coat of the guards he’d encountered before.  They were the aggressors, it seemed.  The ones who had attacked Glowing Eyes and his group.  Enemies of his enemies, dared he hope?

    “Hey!” Nomad shouted as they dashed past.  “Hey!”

    The woman glanced at him, but the man continued searching the ground for some reason.  Nearby, a ship went roaring past, the small “deck” crowded with people in dirty clothing.  It made off into the distance.

    It’s a rescue, Nomad realized.  Those were captives from earlier.  That’s what’s happening here.  These ships are here to save these people.

    Hey!” he shouted louder.  “Help me!”  He held up the bolt-cutter, waving for them.

    The two people continued to ignore him, and he couldn’t for the life of him figure out what they were looking for in these weeds.  Though nearby, someone sat up out of the grass.  One of the ember men.  He looked lethargic, still, but…

    “Whatever you did to them is wearing off!” Nomad shouted.

    The rescuers continued—frantic—searching through the growing grass until…  The man shouted.  His companion joined him, and together they heaved something up from the grass.  A muddy figure.

    The ember woman that had hunted Nomad during the game earlier.  He recognized her easily, with that silver mixed into her hair, the single glowing mark on her cheek.  She looked dazed, disoriented as the two hauled her back toward their hover bike.  They walked right past Nomad.

    “Storm you!” Nomad said, struggling again in his bond, pulling at.  “At least look at me!”

    They didn’t, instead loading their captive onto their bike.  He didn’t miss some manacles there, too, which they used to lock her in place.  They didn’t trust this ember woman.  Perhaps they were taking a captive for some kind of ransom?

    Well, Nomad would need to break his other hand to get free.  Damnation.  He was already handicapped enough.  He didn’t fancy being trapped her without the ability—

    The man among the two rescuers suddenly screamed, a blast of energy hitting him on the shoulder.  He stumbled back, and the next shot vaporized his entire head.

    The body slumped to the weeds as the woman cried out in anguish, barely thinking to take cover behind her bike.  Overhead, a ship lowered down—the one with a large podium on the back.  Four Pillars.  Glowing Eyes—face lit by the heat inside of him—stood on the edge, a rifle in hand, sighted.  He fired again at the woman, blasting off a small part of her long, four-seater hoverbike.

    She huddled in the shadow of the vessel, facing Nomad.  She managed to grab her companion’s fallen rifle, but when she ducked up to try firing, Glowing Eyes almost took her head off with an expert shot.  She, in turn, only got a few wild shots off that came nowhere near to hitting.  She tried firing again, and was even further off.

    “You need my help,” Nomad said, gesturing to the bolt cutters.  “Come on.”

    She glanced back at him.

    “Come on,” he said, wiggling his fingers. “Come on!”

    She said something unintelligible.  Then, noticing he didn’t understand, she held up the rifle.

    “Yeah, I know how to fire one,” he said, nodding.  “I’m better at aiming than you seem to be.”

    Liar, Auxiliary said.

    “It’s not a lie,” he said.  “I am a good shot.”

    You’ll lock up the moment you touch a gun.

    “She doesn’t understand anyway,” he said, nodding eagerly to the woman.

    On the other side, Glowing Eyes was forced to turn and deal with some other ships buzzing him—dropping explosives to try to catch his ship.  In that distraction, the woman rescuer finally scrambled over to him and took the bolt cutters.  She struggled with them though, throwing her weight onto them.  But the manacle was made of strong stuff.  And before she could get him free, Glowing Eyes turned his attention back toward them from his hovering platform in the near distance.

    “Go!” Nomad said, pointing at him.

    The woman ducked back under cover, and Nomad twisted, dismissing Auxiliary—then immediately summoning him again as a shield on his arm.  That intercepted the shots Glowing Eyes fired.  Nomad huddled to his knees, taking shelter behind his shield, one hand still trapped beneath him.

    The woman huddled beside her own ship as—on top of it—the ember woman groaned.  She was waking up.

    “The gun,” Nomad said, pointing and waving.

    Hesitant, eyes distrustful, the woman tossed it to him as another barrage of fire came down from above.  He didn’t dare dismiss the shield, but he could alter its shape—giving it a long set of spikes on the bottom, which he could ram down into the earth and let go.  He huddled beside this and then awkwardly moved the rifle—broken thumb screaming in pain—around toward the lock holding his hand on the wall.

    You’re going to blow your hand off, Auxiliary warned.

    “Eh,” Nomad said.  “I’ve got two.”

    He fired.  And, as he’d hoped, it blew apart the device and let him pull his hand free.  He grabbed the shield and moved up close to the woman’s ship, huddling beside her.

    “Hey Aux,” he said.  “How hard would it be for me to steal this thing?  Have you seen how they start the engines?”

    You’re despicable, he said.  This woman just saved you.  And you’d steal her ship?

    “Engines.  How do I start them?”

    I haven’t seen.

    Blast.  Well, he needed to get rid of Glowing Eyes.  Nomad set up with the rifle right beside where the ember woman was strapped.  She glared at him and growled as he deliberately told himself he was going to fire the rifle not at any person in specific, just kind of randomly.

    It worked, though only if he aimed very far away.  He blasted the air, and it was enough to frighten Glowing Eyes back for a moment.  Still, the woman who had saved him glared at Nomad, shouting something and waving her hands.

    I believe she’s mad, Auxiliary said, about your bad aim.

    “Lady,” Nomad said, “I’m having a really bad day.  If you’re going to scream at me, could you at least do it a little softer?”

    She grabbed the gun back from him, then fired, keeping Glowing Eyes at bay for now.  Then she gestured at the ship and spoke.

    I believe she’s offering to take you, Auxiliary said, if you use the shield to protect her from behind as she flies.

    That would do.  Except…

    Nomad paused, scanning the field full of quickly growing tall grasses.  The podium had been right over there, hadn’t it?  He thought he saw something in the grass there.

    Damnation.  Cursing himself for a fool, Nomad held up Auxiliary for cover and dashed that direction—ignoring the woman’s cries of surprise.  There, in the muddy ground near where the center of the arena had been, he found the gap-toothed man.  Mostly buried in the mud, leg twisted the wrong direction, bleeding from the face from what looked like it might have been a kick.  Perhaps delivered by the soldiers who had thrown him free when the fighting had started.

    The poor man looked up, seeing Nomad.  And as bombs fell and a line of glowing automatic rifle fire hit the ground nearby—tossing up soil and burned grass—something sparked in the man’s eyes.  Hope.

    Nomad seized the man by the arm and heaved, ripping him out of the muddy soil and throwing him across his shoulders.  Unable to keep Auxiliary up with that weight, Nomad dropped the shield and dashed through the battlefield, the weight of forgotten oaths on his shoulders.  He Somehow avoided being shot as he reached the hoverbike and threw the man into one of the seats.

    The man, tears in his eyes, whispered something.  Nomad didn’t need to know the language to sense the gratitude in them.

    That was uncharacteristic of you, Auxiliary said as Nomad summoned him again as a shield.

    “He reminds me,” Nomad said, “of an old friend.  That’s all.”  He looked to the woman, who was still taking cover beside the bike, and gestured toward his shield.

    She growled something at him, then held up three fingers, counting down.  At zero, he leaped up onto the top of the hover bike and expanded his shield, getting it around himself and her.  He also watched, with care, as she fired the machine up.  Unlike the others, which doubled as buildings, this was one of those that seemed intended only to be a vehicle.  It had two seats on each side of a large fuselage in the center.

    The top left position seemed to be the driver’s seat.  She pulled a lever and hit a button, then paused, looking toward the corpse of the man who had gotten his head shot off earlier.

    “Fly!” Nomad said, nudging her as more blasts hit his shield.  Another enemy ship was coming in around, having noticed them.  Worse, the other ember people were all getting up, rising from the field of grass like Awakened corpses.  Several turned toward them—particularly as the one they had tied to the back left seat of the hover bike began shouting and raving.

    Finally, the woman lifted them off and sent them in a low flight just above the grass, following others of her group that—together—were fleeing with their rescued captives.

    For a moment, Nomad thought they’d escaped.  He saw Glowing Eyes watching from a distance, standing tall on his podium ship, apparently fiddling with the device that should have frozen nomad by his bracers.  It still didn’t work.

    The man didn’t need to give chase personally, though.  Because in moments, several ships landed to gather people with embers in their chests. Those gave chase.  Most of the friendly ships that had performed the hit-and-run were far ahead, almost out of sight.  But Nomad’s vessel was the lone straggler, trailing far behind the others.

    So, of course, those ships of ember people targeted him.

    Chapter Six

    Nomad tapped on the pilot’s shoulder and thumbed backwards.  She said something he was quite certain was a curse, then leaned down lower.  He reached for her rifle, but she put a protective hand on it and glared at him.

    Great.  He could just kick her free and take the machine; he was relatively certain he could fly it.  But then she pulled up, gaining elevation.

    Something about getting away from the dirty ground, up into the sky toward those rings… It had an effect on him.  Wind against his face, landscape shrinking down below.  That reminded him of better times.  Pure crisp air acting like a moral decongestant.

    He smiled at that thought.  It was wordplay like his former master would have liked.  And maybe there was something to be said for the thinner air up here.  Maybe he had been, after all, a little bit airsick…

    Nah.  That was absolutely going too far.

    Still, he kept his shield in place, and didn’t try to steal the bike.  Instead, he focused on the enemies behind.  They crowded onto two sleek war vessels.  Long and flat, with small cabs, the machines resembling actual fighter jets—though they had decks on the front, where ember people hung on to poles, standing otherwise in open air.  Their embers stoked in the wind, growing brighter, like headlights.  Their postures seemed determined, eager.

    And they were gaining.  How had these rescuers expected to pull off their raid when flying inferior ships?  They had to know they’d get chased down eventually.

    A sharpshooter in a white coat leaned out of the cab of one of the warships, then took aim.  Nomad raised Auxiliary as a shield noticing that the sharpshooter wasn’t one of the ember people.  Those seemed to only be given melee weapons.

    The sharpshooter fired.  Not at Nomad or the pilot, but just behind them, at the fuselage of the bike itself.

    The pilot cursed, looking back past him.  Nomad made his shield turn transparent to let her see—because the sharpshooter fired again in the same spot, blasting off a piece of the bike.  Exposing something underneath, glowing bright.  Nomad, sensing the pilot’s panic, scrambled back a little and blocked the next shot—which exploded into sparks against the shield.

    Nomad glanced at where the sharpshooter had been firing.  A housing that contained a brightly glowing chunk of stone…or maybe glass?  Roughly the size of a grenade, it had the same red-orange glow as the embers, the engines, and the very blasts of the guns were firing.

    “Power source?” Nomad guessed, blocking another shot.

    Almost assuredly, the knight said almost assuredly.

    “Think that is powerful enough to get us off of here?

    Not even close, the knight said with flat disbelief at his squire’s lack of perceptive abilities.  But you should absorb it anyway.  Well, once we land.  Unless you’d rather said landing be a little more abrupt than is normally desirable.

    “Noted,” he said.

    Ahead of him, the pilot leaned down even lower behind a short windshield, the throttle—least, that was what he guessed the lever was—smashed forward as far as it would go.  The gap-toothed man that Nomad had rescued clung to his seat, eyes wide, hair fluttering the wind.

    Nomad glanced ahead of them, hoping to see some kind of defensive force up there.  A fortress, or a line of fighters waiting for them to arrive.

    Instead, he picked out a deep blackness.  Above, the rings of the planet had moved in the sky, away from them.  Rather, by flying this fast forward, Nomad’s ship was getting behind the rings.  The back sides were dark, not reflecting sunlight.  And those shadows ahead…

    That was the full dark of the planet, perhaps?  True night.  Away from even the frail light of the rings.  Storms.  How small must this planet be, if flying such a short time could round them so quickly?  They were not only outpacing the rotation of the planet, but dramatically changing their orientation compared to the rings.  That indicated small rings, but an even smaller diameter of the…

    Eh, who cared.

    The sharpshooter had pulled back, but the enemy ships were pulling up even closer—and the ember people on them were hooting and shouting.  They crowded the front of their platforms, preparing to jump as soon as their ships got close enough to Nomad’s.

    So, the knight asked, how are you going to survive this without fighting?

    “I’m hoping the  Torment will relax a little,” he said.  “Maybe it will have pity on me?”

    Good luck with that, the knight replied with an exhaustive amount of skepticism.

    Nomad grunted, still keeping his shield in place.  The transparent metal let him watch the approaching ember people as four prepared to leap.  Even if he could fight, he’d have had trouble handling four at once—particularly with four more coming up on the second ship behind.

    Fortunately, he had one advantage.  Everything he’d seen so far indicated that these beings didn’t expect resistance.  Especially not from someone as strong as they were.

    So Nomad took a deep breath, then stood up, dashed along the length of the hover bike, and jumped.

    Wind against his tattered clothing.

    An infinite expanse above.

    Distant land below, looking up, aspirational.

    It felt familiar.  Nomad and the sky weren’t currently on speaking terms.  But they’d been intimate for some time in the past, and he still knew his way around her place.

    He felt…stronger now.  Where he’d struggled to make the leap onto that box earlier in the day, this time he soared.

    Even the ember people seemed amazed by the distance he got with that leap, soaring over their heads, hitting their platform right behind them with enough force to shake the vessel.  He turned with a grin, summoning Auxiliary as a sword…

    Oh, right.  No swords.

    …summoning Auxiliary as an extra large wrench.  He pointed it at the four ember people.  Then charged them.  They made way for him, sidestepping and surrounding him.  He didn’t swing, though.  He spun toward one of them and formed Auxiliary as a shield right as they attacked.  He blocked the blow, then threw the ember-heart back, before spinning and blocking the next attack.

    He anticipated each attack with alacrity—though having a huge, transparent, moldable shield was a tad of an advantage.  He had to be careful not to push them back too aggressively, though, lest his Torment activate.

    Nomad, the knight warned, check the other ship.

    He glanced to the side, seeing that the second vessel had almost caught up to the escape vessel.  He blocked a final blow, then turned and shoved between two ember people, leaping the distance to that other ship, just barely grabbing it on the side.

    He formed Auxiliary as a ladder, hooked to the side of the vessel, then quickly scrambled up the face the surprised ember people on this one.  The pilot turned in shock as well, causing the platform to veer to the side—toward its companion ship.  That, in turn, let the four ember people there—now wholly focused on Nomad—jump the distance between the two ships.  Putting all eight in position to fight him.

    Perfect.

    In a battle of one against many, chaos favored him.  A trained military squad might have easily surrounded and pinned him, but these didn’t fight with coordination.  They each came at him, shouting and angry.  They were quick and strong, but their general advantage over others had taught them the wrong lessons.  They felt they felt they didn’t need to fight as a team.  He’d seen it dozens of times.

    He rolled to the ground, skidding and coming up with his shield blocking the machetes and maces that managed to track him.  Other ember-people stumbled or tripped one another in their eagerness to get to him.  He jumped to his feet, throwing one man back into several others, then leaped over closer to the cockpit at the back of the long deck.

    Through the open window, he saw the driver in her white coat—watching him with a panicked expression.  She hit a button, and a blast shield went up between them, sealing the cab off.  Fortunately, he wasn’t after the pilot.  Because, set into the floor of the deck, Nomad spotted a similar hatch to the one that had been blown off the hover bike.

    He rammed Auxiliary as a crowbar into the locking mechanism, and popped off the hatch—revealing the power supply.

    Ah…the knight said with begrudging admiration.  That’s nasty.

    Nomad reached in and ripped the power cell out as the ember people tried to rush him from behind.  But the ship—now without power—dropped beneath them.  Nomad got off one last good jump, hurling himself toward the second of the warships.

    Behind, the ember people howled as they fell.  The unfortunate ship plowed into the wet, muddy ground below right as Nomad landed on the companion warship.  He leaned out over the side, looking down.  Here, the ground seemed as muddy and wet as it had been at the arena.  Maybe rain fell in the darkness.  Then, as the planet rotated that landscape toward the sun, the reflected light—and Investiture—of the rings made things grow.  Finally, the sunrise approached, burning it all away.

    What a strange life these people had, always a few hours from total annihilation.  No wonder they didn’t trust one big, indivisible ship to carry them.  He too would have preferred a lot of little engines—that much more redundancy.  Not to mention the chance to eject your home from the others and move on ahead if something went wrong with the community.

    Remarkably, down below, ember people seemed to be climbing from the wreckage of the other ship.  Damnation.  Those things were hard to kill.

    He raised his shield and turned toward the cab of his particular ship, where the driver was accompanied by a sharpshooter.  She had raised the gun at him, and he just smiled, stepping toward them.  She fired, and each blast bounced off his shield.  Then, predictably, they tried to raise their own blast shield.  So he tossed Auxiliary at the window—jamming him into the mechanism as it tried to cover up the window.

    Nomad advanced.  Completely unarmed, of course—and worse, completely unable to harm these two.  But they didn’t know that.  He pointed at their gun, then glared at them.  It seemed that people on this planet were, on average, shorter than ones from his homeworld.  For while he’d often felt short there compared to towering Alethi, here he was the tall one.

    Intimidated by the strange man holding an energy core in his fingers, the sharpshooter obeyed Nomad’s demand.  She lowered the gun, then—in response to his miming—opened the side door of the cab and tossed it out.

    She stepped back, raising her hands.  The pilot kept at his controls, but as Nomad seized the gun, the man tried spinning his ship.

    When they came back up, the sharpshooter was in a jumble on the floor.  The pilot had kept his place.  Nomad stood where he had before, Auxiliary having formed a boot on his foot with gripping portions melded into the natural holes between plates in the steel.  His heart thumped quickly in his chest, as he hadn’t been certain that would work.  But he covered his discomfort with a smile and raised the energy core to his face, then breathed in.

    It had taken him months to get the trick of that.  He was certain that the “breathing in” part was psychological, and he didn’t need it.  But he’d learned, with time, how to feed on Investiture.  An after-effect of the burden he’d once carried, the thing that had given him his Torment.

    Either way, he easily absorbed the energy of that fragment of the sun—a ball of molten light, which wasn’t the least bit hot in his fingers.  As he took the Investiture in, the entire core went to slag, its energy drained.

    Inside of his head, Auxiliary sighed in satisfaction.  That’ll do, the knight told his unwashed companion.  Give me a few minutes, and I’ll have you Connected to this land.  Their words should start making sense then.

    Nomad nodded.  He raised his gun at the driver, covering the way his arms locked up by making it seem like he was standing there, stoic, ready to fire.  The pilot grew even more pale at the sight.  Nomad lowered the gun as soon as his muscles relaxed, then nodded to the side.

    The pilot obediently took him in close to the fleeing hoverbike.  Nomad nodded, then pointed at the pilot and gestured dramatically backward with as much of an ominous expression as he could form.  He tried to make the implication as clear as possible.  I’d better not see you following.

    Nomad jumped between ships, and it seemed the pilot had understood.  Because he immediately turned and fled back toward the other ships that were giving chase in the distance.  Those were, as Nomad had hoped, too far to reach them in time.  The landscape was growing even darker, and ahead, he saw rainfall masking the air further.

    Up here, speeding toward it, that sheet of rainfall reminded him of another tempest back home.  A place he missed dearly, but he could never visit again, lest he lead the Night Brigade to people who loved him.

    The gap toothed man was staring at him in awe. The woman flying the ship glanced back.  Then paused. Her eyes went wide as she saw the one ship fleeing, the other one nowhere in sight.  Storms.  Hadn’t she been watching?  Had she only now just noticed what he’d done?  Judging by her expression, that was indeed the case.

    He sighed.  By this point, he had gotten accustomed to the way many outsiders looked.  He didn’t think they were “child-like” because of their odd eyes; in fact, he had come to see that there were nuances in all kinds of ethnicities.  He knew Alethi with eyes as open and wide as a Shin, while he’d met offworlders who could have passed for Veden—even within a population of people who otherwise wouldn’t have.

    Still, he couldn’t help thinking they looked a little bug-eyed when they made expressions like she did at seeing what he’d done.  Well, to each their own.  He moved forward to the seat to her right.  Once there, though, he stumbled—foot catching—and dropped his rifle over the side of the vessel.

    He scrambled and reached for it, then came up empty-handed and shrugged.

    She said something to him, sounding frustrated.

    “Yeah,” he said, settling down in the seat across from hers, “I bet you’re annoyed I lost a gun.  Those don’t seem plentiful around here.  Ah, well.”  He sighed and shook his hand, where his thumb—during the minutes of fleeing—seemed to have finally knit back together.  It was working fine, and the pain had faded, the scrapes on the sides of his hand healed.  “Don’t suppose, you’ve got anything good to drink?”

    He said this in Alethi on purpose.  His own language was about to get intermixed with the Connection to this planet—and he’d learned from previous experiences that he should train himself not to speak in his own tongue, lest it slip out in the local dialect.  That was how Connection worked; it would make his soul think he’d been raised on this planet, so its language came as naturally to him as his own once had.

    Since he had a habit of talking to himself—and since he generally didn’t want people listening in on him and Auxiliary—it was better to just get into the rhythm of speaking Alethi to her and to himself.

    Regardless, the pilot of his ship could only stare at him as they hit the darkness of the planet’s true night.

    Chapter Seven

    The rain in here wasn’t nearly as bad as that of a storm back home.  Just a quick wash of cold water, and then into the darkness.  The sprinkle lasted less than a minute, though they soon passed through another one.  He guessed that those omnipresent clouds made for near-constant showers in this dark zone.

    “Must be quite spectacular,” he said to Auxiliary, “when the sun rolls around and vaporizes all of this.  Superheated water, coursing through the air, until suddenly—bam.  Darkness.  No light.”

    Indeed, the knight replied to his squire’s strange rambling.  It’s been a long while since we’ve been on a planet with a persistent storm.  Remind you of home?

    “In all the wrong ways,” Nomad said.

    The ship had consoles with lights to let the driver know what she was doing, so they weren’t completely blind.  But there didn’t seem to be headlights on the thing, and the lack of even a token canopy or roof made him think that people didn’t fly these things into the darkness often.

    That made sense.  This woman’s force attacked a presumably more dangerous power in a rescue mission.  He’d joined some sort of guerrilla force, perhaps—one that hid in the darkness others feared to enter.  A small nation of raiders, perhaps?

    But how had their people been taken in the first place?  And if they were consistently doing this kind of work, why hadn’t they devised lights for themselves or altered their ships to fly in the darkness and rain?

    So he walked back his assumptions, returning to what he knew for certain, then working forward again.  Thinking methodically, logically.  That part of him was still inside, the part that had pushed for evidence and statistics even when his friends had laughed.  He was still the same person, all these years later.  Just like a hunk of metal was, technically, the same substance after being forged into an axe.

    They’re not raiders, he decided.  They’re refugees.  They were attacked by that larger group, then went into hiding.  Now, they’ve dared strike back to rescue their friends.

    A working theory only, but it felt right.  What he couldn’t figure out was the reason they’d kidnapped an ember person.  To experiment on, or perhaps…

    Or, yeah.

    I’m an idiot, he thought, looking at the pilot—who was flying by the light of her instruments—and noting her black hair, going silver prematurely.  The shape of her youthful features, which mirrored those of the woman tied up behind.

    The ember woman was a family member.  Probably a sister, judging by their relative ages.  He should have seen it earlier.  These people had been attacked, captives taken, and some of them had been subjected to terrible torment.  This pilot next to him had rescued one.  Dangerous business, judging by how the ember woman—still chained up in the back—continued to howl and growl, light from her chest glowing blood-red in the darkness.

    But who was he to judge?  He was just here to steal a ship, then find a power source strong enough to get him off this planet.  Though first, he figured he’d let this woman feed him and give him something to drink for saving her hide.

    He felt the Connection happening as they soared further into the darkness.  But the confirmation came as the woman spoke on her radio.  “Beacon?” she said.  “This is an outrider, requesting signal alignment.”

    “Rebeke?” a man’s voice asked.  “Rebeke Salvage, that you?”

    “If it is agreeable,” she said, “it is me.  Code for admittance is thankfulness thirteen.”

    “Good to hear your voice, girl,” the voice replied, words nearly lost to Nomad in the howl of the wind.  “Is Divinity with you?”

    Rebeke’s voice caught as she replied.  “No.  He fell.”

    Silence through the line.  Finally, the man continued, “May his soul find its way home, Rebeke.  I’m sorry.”

    “My brother chose this risk,” she said, voice still catching.  “As did I.”

    Nomad glanced across the center of the ship, toward her.  This Rebeke looked young to him, suddenly.  Barely into her twenties, perhaps.  Maybe it was the tears.

    “Zeal,” Rebeke said.  “I’m…bringing someone.  If it pleases you to respond with temperance, I would appreciate it.”

    “Someone?” the voice said.  “Rebeke…is that why you fell behind?  Did you go for your sister, explicitly against the will and guidance of the Greater Good?”

    “Yes,” Rebeke whispered.

    “She’s dangerous!  She’s one of them.”

    “We exist because of Elegy,” Rebeke snapped, voice growing stronger.  “She lead us.  She inspired us.  I couldn’t leave her, Zeal.  She’s no danger to us as long as she remains bound.  And maybe…  Maybe we can help her…”

    “We’ll talk about this when you return,” Zeal replied.  “Signal to Beacon has been granted.  But Rebeke…this was reckless of you.”

    “I know.”  She glanced at Nomad, who was making a great show of leaning back, eyes closed, pretending he didn’t understand.  “I’ve got someone else too.  A…captive?”

    “You sound uncertain.”

    “I rescued him from the Cinder King,” she said.  “But something’s wrong with him.  He can’t speak right.  I think he might be slow in the head.”

    “Is he dangerous?”

    “Maybe?” she said.  “He helped rescue Thomos, who I had missed spotting in the grass.  Tell his family we have him.  But before that, this stranger pretended to be a killer to get me to free him, then wasn’t much use in the fighting.”

    Not much use?

    Not much use?

    He’d brought down two enemy ships without being able to even fight back.  He forced himself not to respond, but Damnation.  Was she lying, or…  Well, she hadn’t seen him back there, maybe?  But she’d noticed him carrying a rifle after the other ships vanished.  Where did she think he’d gotten that?

    Have you noticed the names, the knight asked curiously?

    “Elegy,” he said in Alethi, “Divinity. Zeal. Yeah, I did notice.  Do you think…”

    Threnodites, the knight replied, modestly confident in his wise assessment.  An entire offshoot culture.  Didn’t expect that.  Did you?

    “No, but I should have,” he said.  “The clothing, it’s similar.  Wonder how long ago they diverged?”

    Did you guess that the captive was this woman’s sister?

    “That I did pick out,” he said, thoughtful.  “Threnodites.  Don’t they…persist when they’re killed?”

    They turn into shades, under the right circumstances, the knight explained to his dull-minded squire.  Who really should remember almost being eaten by one.

    “Right,” he said.  “Red eyes.  Complete lack of memories.  I feel like we would have seen those, though.  Shades come out in the darkness, and we’ve been in nothing but darkness since getting here.”

    Perhaps this group split off before the Shard’s death—and the event’s after-effects—took them.

    Nomad nodded thoughtfully, though the persistent night of this region—without even the rings glowing in the sky to orient him—felt more pernicious now.  As if he were soaring through space itself, with nothing below or above.  Eternal darkness.  Perhaps populated only by the spirits of the dead.

    He was pleased, then, when some fires appeared up ahead—the light of blazing engines underneath a city.  In this darkened, rain-filled landscape—with misty showers and tall black hillsides—they had to be practically upon the place before it became visible.  All things considered, it was fairly well hidden in here, even with those blazing engines.

    Rebeke flew the ship up and locked it into place at the side of the city—the place known as Beacon, he assumed.  Despite its name, it was running impressively dark.  He spotted a few lights here and there, but only small ones, always soft red.  The engines underneath would be masked so long as they kept low, among the hills.  And if they didn’t shine lights on the top, there was a chance people searching for them could pass overhead and never spot the place.

    He didn’t get a good sense for Beacon’s size, though the way their ship just settled in and became another part of its surface made him think it probably had the same architecture as the one he’d been on before.  A few people waited for them in the blowing drizzle, lit by the deep red hand-lantern the lead man carried.  Stern and dour, Nomad pegged him immediately as the man named Zeal, the one they’d spoken to the radio.

    He was surprised, then, when Zeal’s voice came from the mouth of the very short man at his side.  Not even four feet tall, the small man had a normal sized head, but shorter arms and legs than your average person.

    “Rebeke,” he said.  “What you’ve done is dangerous.”

    “More dangerous than your plan?” she said.  “Did you recover it, Zeal?”

    He seemed thoughtful as he, instead of responding, studied Nomad.  “Is this the stranger?  What is his name?”

    “I was not graced with such information,” Rebeke said.  “He doesn’t seem to be able to understand the words I speak.  As if…he doesn’t even know language.

    Zeal made a few motions with his hands, gesturing at his ears, then tapping palms together.  He…thought maybe Nomad was deaf?  A reasonable guess, Nomad supposed.  No one else on this planet had tried that approach.

    So, Nomad spoke to him in Alethi, trying to act confused and gesturing while he talked.

    The tall man with Zeal had moved to help Thomos, the man with the gap toothed expression.  By now the poor fellow was listing, semi-conscious, held to the bike by only his belt.  Several others rushed him off, presumably for medical attention.

    “Take good care of him,” Nomad said in Alethi.

    “What is that gibberish?” the taller man said, moving back to Zeal’s side and raising his lantern.  The fellow was so thin, so tall, he kind of resembled a light post.  Particularly in that long black raincoat, closed at the front.

    “He’s always making such noises from his mouth,” Rebeke said.

    “Curious,” the tall man replied.

    Zeal looked toward the locked-in hover bike, then approached slowly.  The tall man joined him, as did Rebeke, all three standing and staring at the ember hearted woman tied there, growling.

    “Elegy,” Zeal said.  “Elegy, it’s us.

    This provoked only more growling.  Zeal sighed.  “Come.  We must petition to the Greater Good, and supplicate them for your sake.  Adonalsium-Will-Remember-Our-Plight-Eventually shall see to her, best he can.”

    The tall man nodded.

    Wait.

    His name was Adonalsium-Will-Remember-Our-Plight-Eventually?  That was the best one he’d heard yet.  Nomad really needed to keep a list of these Threnodite names.

    “Oh,” Zeal added, “and find quarters for Rebeke’s guest, if you would, Adonalsium-Will-Remember-Our-Plight-Eventually.  Grant unto him one of the tacships without local access controls, if it pleases you to do this task.  He looks as if he would savor a bath and a bed.”

    Zeal and Rebeke started off together down the street, and Zeal turned on a red flashlight to lead the way.  A bed and a bath did sound good.  But knowing what was going on here sounded better.  So Nomad started off after the other two.

    Adonalsium-Will-Remember-Our-Plight-Eventually, of course, hastened over to take his arm and gently try to lead him away.  Nomad smiled calmly, then pried his fingers free and continued.  When the man tried harder, Nomad yanked free more forcibly.

    It was belligerent, yes.  Maybe a great way to get into trouble.  Perhaps they’d attack him, and he’d have an excuse to steal that hoverbike.  He probably should have just done that, but…well, he was feeling charitable.  So he just continued after the other two, tailed by a nervous Adonalsium-Will-Remember-Our-Plight-Eventually.

    Rebeke and Zeal entered a building—well, a ship with a larger building on the deck—along the roadway.  Nomad stepped in after them, not letting the door close.  He found a small antechamber with simple black walls, and Adonalsium-Will-Remember-Our-Plight-Eventually crowded in after.

    “My greatest repentance, Zeal,” the tall man said, chagrined.  “He just…won’t go with me.”

    “Maybe we should present him to the Greater Good,” Rebeke said.  “It could be agreeable to them to see him, and perchance they might know what manner of person he is.”

    “It is agreeable to me,” Zeal finally said.  “You can trust him to us, Adonalsium-Will-Remember-Our-Plight-Eventually.”

    “What if he’s dangerous?” the tall man whispered.  “Rebeke said…he might be a killer.”

    “Those are frorens on his wrists, Adonalsium-Will-Remember-Our-Plight-Eventually,” Zeal said.  “Presumably, ones that the Cinder King hasn’t yet had chance to reset.  I think we shall be well.”

    Nomad had almost forgotten the bracers he was still wearing.  He managed to keep from looking down at them as they were mentioned.  This all but confirmed his earlier assumption—that these people had been able to take out the ember-hearted with some kind of hack or system exploit in the manacles.

    After Adonalsium-Will-Remember-Our-Plight-Eventually left to go deal with the chained-up woman, Rebeke pushed open a door at the front of the small antechamber—and finally, he entered a properly lit hallway.  It was almost blinding, though the electric lights in the ceiling were turned relatively low.

    There were no windows, of course.  That small antechamber had been a lightlock.  Meant to keep people from spilling the building’s light out onto the street, allowing them to keep moving invisibly in this darkness.  A quick glance showed him that the wall into the lightlock was made of less sturdy wooden material, when the floor and ceiling were metal.  That antechamber had been added recently.

    The windows covered over with thick cloth agreed with that assumption.  Yes, they were almost certainly a people who’d recently gone on the run, hiding in this darkness.

    He joined the other two in crossing the hallway, and didn’t miss that Zeal kept a close eye on him—with hand in pocket, perhaps on a device intended to freeze Nomad again.  Right then.  He wasn’t sure how these things worked on his wrists, but he’d have to be careful not to push the boundaries too much.  They led him into a room at the end of the hallway, and he entered eagerly, to meet the ones they called the “Greater Good.”

    It turned out to be three elderly women.

    Chapter Eight

    Old women?  That wasn’t as exciting as he’d hoped.  But, hey, maybe one was secretly a dragon.

    The three ladies sat at a table, taking a report from a burly man with a beard that could have hosted a fine topiary, if it had been trimmed.  He had a blast mark on one arm, the jacket there burned.  Obviously, another member of the raid.  Nomad could tell from the actions of the others that these women were in charge, though they weren’t wearing anything regal—just common black dresses, with gloves like everyone else, and hats even when indoors.

    “Confidence,” Rebeke said to the first and tallest of the women.  “Compassion.”  This was the shortest of them, and most frail in appearance.  “Contemplation.”  A woman thicker of girth, with black hair—obviously dyed—curled up on the top of her head in underneath her hat.  “I have recovered my sister.”

    “So we’ve been told,” Contemplation said, rubbing her chin.  “I believe you were told not to.”

    “I was.”

    “And you lost your brother,” Confidence said.  “One sibling sacrificed for the rescue of another?”

    “We couldn’t—” Rebeke said, though the short woman they called Compassion had risen.  Walking on unsteady feet, she stumbled over and grabbed Rebeke in a hug.

    Rebeke lowered her head, stray locks of silvery hair falling around her face, and held on.

    The room fell silent.  It was probably heartwarming or something.  Nomad was more interested in the kettle of tea on the table.  He grabbed a chair and pulled it over, then got himself a drink.  He dripped water on the floor from his sodden clothing as he did so.

    The tea was cold.  But otherwise, not bad.  Little too sweet, maybe.

    Everyone in the room stared at him.  So he leaned back and put his boots up on the table.

    The fellow with the beard pushed them off.  “What manner of person is this, with such terrible manners?” he demanded.

    The man trailed off as Nomad stood.  He’d grown accustomed to being taller than people, now that he’d left home.  There, he’d often felt dwarfed by his companions—but traveling the cosmere had taught him that people from his homeland were practically giants by the standards of others.

    Even as a shorter man from his homeland, he had a good half a foot on anyone in this room.  Granted, they didn’t seem a particularly tall people, but still.  With his clothing ripped, they undoubtedly could see his muscles—earned, not simply a result of his Invested status.

    The bearded man took him in.  Then backed off, letting Nomad settle down.  He pointedly put his feet back up on the table, rattling the teacups of the three older women.

    “As we took Thomas to the healers,” Zeal said, pulling over his own chair.  “He kept muttering something, delirious.  That he’d seen a man touch the sunlight, and live.”

    He’d seen that, had he.  Nomad had almost forgotten his moment of feeling the sunlight before being yanked out of it. He would have assumed Thomas hadn’t seen, but perhaps the prisoners had been forced to watch the executions.  Nomad’s estimation of that man with the glowing eyes went down even further. That was a distinctive act of cruelty.

    “Sunlit,” Contemplation said.  “A sunlit man.”

    “If it pleases the Greater Good, I disagree,” Rebeke said getting her own seat at the increasingly crowded table.  “Accept this observation: if he were the sunlit one, he’d be helping us, not acting like…this.

    “He speaks gibberish,” Zeal said.  “Like a baby, not yet weaned.”

    “Does he now,” Contemplation said.  “Curious, curious…”

    “If it pleases you, I thought perchance you’d be able to say what manner of man he was,” Rebeke said.  “And honestly…he insistently followed us in here.  We’d probably have to freeze him to get him to leave.”

    “Maybe he’s a killer!” the bearded man said, grabbing his own chair and settling in, leaning forward.  “Our own killer!  Did you see how he glared at me!”

    That…was not how Nomad had expected this man to respond to his presence.  The bearded fellow was smiling, eager.

    Rebeke shook her head at the bearded man.  “If he was a killer, I think I’d know it, Jeffrey Jeffrey.”

    Jeffrey Jeffrey?  He liked that one too.  “Hey Aux,” he said in Alethi, “what do you…”

    Oh, wait.  Right.  Auxiliary wasn’t around.

    Everyone stared at him.

    “Such odd words,” Compassion said.  “I offer this thought: do you suppose he’s perchance from a far northern column?  They speak in ways that, on occasion, make a woman need concentrate to understand.”

    “If it pleases you to be disagreed with, Compassion,” Contemplation said, “I don’t think this is a mere accent.  No, not at all.  Regardless, before these newcomers entered, we were Discussing Jeffrey Jeffrey and his frustration that his rescue mission was co-opted not by one, but two separate operations.  We will deal with Rebeke and her recklessness later.  For now, Zeal, can I…be granted the blessing of seeing the object your team recovered?”

    The short man reached into his pocket and withdrew something wrapped in a handkerchief.  Outside, the wind seemed to be picking up, rain beating more furiously.  Rapping on the metal ceiling like nervous fingers on a bell, demanding service.  All of them ignored this, however, as Zeal unwrapped a metal disc—almost as wide as a man’s palm—with an odd symbol on the front.

    One that Nomad could read, but which he absolutely hadn’t expected to find on this planet.  Storms.  What were Scadrians doing here?

    “It’s real…” Contemplation said, resting her fingers on it, feeling at the grooves in the metal.

    “If it is not offensive,” Confidence said, “let me speak with bluntness.  Do we know this is actually real?”  The tall, elderly woman took the disc.  “It could be a replica.  Or the legends could be false.”

    “If it is not bold of me to say,” Zeal replied, “I offer  dissent.  It would not be fake.  Why would the Cinder King have cause to think anyone would steal it?  Few even know about his pet project.”

    “But can we operate it?” Compassion asked.  “Can we find our way in, past the ancient barrier?”

    “We don’t even know,” Confidence said, “if the legends are real.  Yes, perhaps the Cinder King believes them.  But I offer this contrast: what proof is there that these mythical lands beneath the ground exist?  A place untouched by the sun?  I will speak with firm conviction: I will not lead this people in confidence without evidence.

    “Sometimes,” Contemplation said, “no evidence can be found.  I offer that we must move by faith alone, for a time.”

    “I find that offering difficult and strange to mark your tongue, Contemplation,” Confidence said.  “What of science and reason?  Your callings?”

    Contemplation took the disk and held it reverently, her face—though aged—was marked with lines of joy, her eyes alight and dancing as if with a fire of their own.  Her deep black hair might have been seen as vanity by some, but Nomad—instead—found it a token of self-confidence.  She knew how she liked to look.  And didn’t care that others knew it was artificial.  Because in expressing herself, the artificial became more authentic than the original.

    “Even in science,” Contemplation said, “faith plays a role.  Each experiment done, each step on the path of knowledge, is achieved by striking out into the darkness.  You can’t know what you will find, or that you will find anything.  It is faith that the answers exist that drive us.”

    She looked to the others in the room, skipping Nomad, but including Rebeke, Zeal, and Jeffrey Jeffrey.  The heed she paid them proved that not only just the leaders were important to this society.

    “It is a wild hope, these stories of a land untouched by the sun,” Contemplation admitted.  “But we must ask ourselves.  How long will we survive in this darkness?  Elegy was right to move us here, but it was an act of desperation.  And even now, our people wilt.  We cannot grow food.  We lose more ships and laborers every time we try to venture into the dawnlands.

    “I offer this grim truth: we will die out here.  Yet, undoubtedly, if we return to our previous column, we will be consumed by the Cinder King.  We haven’t the knowledge of warfare and killing to fight him; we have not been graced by such brutal and carnal instincts.

    “Yet, I offer further grim insight: he will never be taken by surprise again in a raid like this one today.  His cinder killers will stand alert, prepared in wisdom against our further antics of malfeasance.  The Cinder King will nary again allow a clever hack of their frozen bands, and his people will nary again let themselves become so distracted by their games that they relax their guard.

    “Today is our greatest victory as the People of Beacon.  But I offer, in contrast to that peak, today is the day that we begin to fade.  We will die without a solution.  And so, I ask.  Confidence, is a little faith—a little time spent chasing a mythical reward—not worth the chance that we can avoid our fate?”  She turned the disc over.  “We should, by duty of our current accomplishments, test this key.  And Zeal’s team should be commended in his willingness to steal it for us.”

    “I offer this:” Confidence warned, “the Cinder King will chase us for this.”

    “If it pleases you to be contradicted,” Compassion said softly, “he would chase us anyway.  He desires greatly to destroy us.  And that sense of purpose will have been bolstered by today’s events.  He must destroy us, now.  Lest more of his people question how far his authority actually extends.”

    Nomad listened with interest to the exchange.  They seemed to know that the key-seal could open a door.  Even, they seemed to understand a little of what they might find beyond.  The winds raged stronger, rocking the city.  He wondered if, in their need to hide from pursuit, they’d let themselves move closer to the edge of the storm, nearer where the sunlight first vanished, leaving a tempest of humidity and air pressure.

    How odd, to think of a land where instead of being chased by a storm, the people snuck up on its tail and hid among the edges of its cloak.

    Regardless, Nomad’s earlier arrogance—his barbarity in shoving his way into this room—suddenly seemed shameful.  Yes, he had moved on from the man he’d once been, a man who had been overly concerned with propriety and the right way of things.  He knew that, like a teen leaving home for the first time, that he went too far in asserting himself.  He rebelled against the man he’d once been, and in his selfishness, became a man who would blunder about like a blind chull.

    Nomad moved his boots off the table, feeling a loathing for himself that—remarkably—even he couldn’t blame on his circumstances.  Not this time.  He stood up and—surprising the people in the room—strode to the door and pushed his way out.  Through the hallway, through the lightlock.

    And into the storm.

    Chapter Nine

    Walking into a storm wasn’t something commonly done on Nomad’s homeworld.  Yet, he’d traveled the cosmere enough by this point to know that in most places, even a violent storm on other planets was nothing compared to what he’d once known.

    Indeed, the wind buffeted him here—but did not lift him from his feet.  The rain pelted him, but not threaten to scour away his skin.  Lightning rumbled in the sky, but did not strike with such frequency that he feared its touch.  He did wish he had something more than this ragged clothing, stolen from the cavern planet where he’d been most recently.  That did little to keep away the chill.  But then again, most of the coldness he felt right now came from within anyway.

    He started down the cold street, metal floor slick beneath his boots.  At least those were holding up.  He’d learned long ago during his travels: skimp on shirts if you have to, but never on footwear.  He made his way vaguely in the direction of the edge of the city, though he had to go slowly, waiting for rumbling lightning to illuminate the path.

    The frail lights he’d seen earlier had vanished.  People were inside, locked up, hunkered down before the rain.  That was universal.  Whether on a planet where the rainfall could dent metal plates, or on one where it barely left you damp, people fled a storm.  Perhaps they didn’t like being reminded that no matter how grand their cities, they were motes in the grand expanse of planetary weather patterns.

    He’d come out here hoping he’d feel better in the rain.  Hoping that it pelting him would feel like the embrace of an old friend—that the wind’s howl would, instead, sound like the chatter of men having stew at fireside.  But today, those memories came harsh into his mind.  The winds made him remember who he had been.  A man who would have died before treating people as he’d done so today.

    No, the storm did not offer him refuge.  As much as he liked the rain—as much as it felt right to him—memories were too painful right now.

    He finally arrived back at the place where they’d left their hover bike, attached to the city’s side and lending its thrust to the rest.  Bold, to keep this place in the air during a literal thunderstorm.  Still, the air didn’t seem as electric as it might have in another storm—and he didn’t see any strikes.  Just a general rumbling in the air, with clouds glowing here and there.

    By that light, he saw that the ember-hearted woman had been removed from her bonds in the back seat.  And cleverly, the ship had been altered, panels placed above each seat, protecting the leather from the elements and making the bike fit in to the surface of the city.  With the windshields folded down and the panels in place, the oversized bike resembled a thick rectangle of steel, bolted to the edge of Beacon.  Like how a multitool might look like a box before the implements were folded out.

    That made him worry as he crawled to the edge of it—careful not to be swept off into the darkness by the wind, and he felt around the bottom of the side.  Fortunately, there, he found the rifle he’d stowed.  Masked by a stumble to convince Rebeke that he was clumsy, he’d dropped it—then used Auxiliary as a metal bracket to latch it into place underneath the hover cycle.

    He raised the rifle to his shoulder, hand slick with rainwater.  The mechanism he’d formed from Auxiliary to hold the gun in place vanished.

    And so, the knight said dramatically, his clever plan was fully executed.  And his dull-minded squire was now armed with a weapon he couldn’t fire.  For some reason.

    “They’d have disarmed me when we arrived,” he said.

    And again…such a clever plan…to get a weapon that one can’t use.  All it took was stranding me alone in the rain, to be soaked all the way through—then doing the same to yourself, by the looks of you.

    “I needed a shower anyway,” Nomad said, wiping the water from his face, then running his fingers through the tight curls of his hair.  He knelt, rifle in hand, feeling with his free fingers at the panels covering up the seats of the cycle.  Could he get these off?

    Did he want to?

    The lightning flashes left after-images in his mind of a man he’d once been.  A man that, in all honesty, he didn’t want to go back to being.  Naive.  Overly concerned with rules and numbers.  Locked down by responsibility in a way that had slowly constricted him with anxiety, like barbed wire on his soul.

    He didn’t like who he’d become.  But he didn’t miss who he’d been either, not really.  He’d lived, grown, fallen, and…well, changed.  There had to be some kind of third option.  A way not to hold up his former life on a pedestal, but also not to be a personified piece of garbage.

    What if he did climb onto this cycle and vanish into the darkness?  What would that get him?  Here, he had people that seemed—in a small way—willing to trust him and let him in.  Maybe because they were desperate.  Probably because he hadn’t given them much choice.

    Beyond that, though, he got a sense that they weren’t practiced in fighting or killing.  Yes, they’d pulled off a daring rescue.  For that, he commended them.  But he’d seen the panicked way the captives had responded to the ember people—and the same sense mirrored in the way that everyone treated him.  This was not a people accustomed to violence.

    In many places, struggle for survival brought out the most brutal in people.  Yet here, he saw something remarkable.  Was it possible that being forced to always move—being forced to work together for survival—had forged this people into a society that didn’t have time to kill one another?  That perhaps this planet had created people who weren’t weak—that sun wouldn’t abide weakness—but also who were not brutal?

    If he wanted a power source strong enough to get him off-world, he would need allies.  And he got the feeling that going to the Cinder King for help wasn’t gong to turn out well.

    He stepped back from the cycle, putting the rifle to his shoulder.  And then, he felt something.

    A tugging on his insides.  A kind of…strange warmth.  The storm seemed to slacken, the rain falling off.

    Damnation.  It wasn’t possible.  Not here, on this world.  This was a common storm, not a mythical tempest his homeland.  Things didn’t happen in the darkness of common storms like they did…

    Hey, the knight asked confusedly, what are we doing?  Nomad?  What’s our next step?

    He saw a light to his left.  Further along the rim of the city.  Drawn to it, like he was a weary traveler and it a welcome cookfire, he started walking.  That…was a figure, wasn’t it.  Holding something that glowed in his fingers, a sphere.  Wearing a uniform, facing away from Nomad, standing and looking out through the darkness.

    Storms.  It couldn’t be.  It couldn’t.

    Ignoring Auxiliary’s second prompting for an explanation, he walked further.  Haunted by what he might find.  Worried that he was going mad.  Yet desperate to know.  Could it…

    “Kal?” he asked into the storm.

    The figure turned, revealing a hawkish face and an eminently punchable grin.

    “Aw, Damnation,” Nomad said with a sigh.  “Wit?  What the hell are you doing here?”

    Chapter Ten

    “What?” Wit said, dusting off his blue uniform—which seemed untouched by the rain.  “A master can’t check in on his favorite student now and then?”

    Nomad was certain the man wasn’t really there.  This was an illusion, but why now?  How had he…

    “Auxiliary?” Nomad demanded.  “Did you reinforce my Connection to Wit when you were playing with my soul earlier?”

    Since I am dead, the knight replied with a huff, I don’t really have to care if you’re angry at me or not.

    Oh, storms.  That’s what had happened.  Auxiliary had reached through the distance between and let Wit Connect to Nomad again.

    “So,” Wit said, looking him up and down, “that’s a…curious outfit.”

    “It’s what you get,” Nomad said, “when you’re dragged behind a speeding hover-cycle for a half hour.”

    “Chic,” Wit said.

    “I don’t have time for you, Wit,” Nomad said.  “The Night Brigade is out there.  Hunting me.  Because of what you did to me.”

    “You may have saved the cosmere.”

    “I absolutely did not save the cosmere,” Nomad snapped, finding a pebble in his pocket—mud washed away—he threw it through Wit’s head.  The illusion rippled then restored.  “I might have saved you though.”

    “Same difference.”

    “It’s not,” Nomad said.  “It’s really not.”  He stepped closer to Wit’s projection.  “If they catch me, they’ll be able to connect the Dawnshard to you.  And then, they’ll be on your tail.”

    Wit didn’t respond.  He clasped his hands behind his back and stood up straight, a trick he’d taught Nomad years ago to convince an audience you were thinking about something very important.

    “You’ve had a hard time of it lately,” Wit said, “haven’t you, apprentice?”

    “I’m not your apprentice,” Nomad said.  “And don’t pretend to care now.  You didn’t do anything when my friends and I were dying to arrows all those years ago.  I went to Damnation then, and you sat around playing a flute.  Don’t you dare presume to imply you care about me now!  I’m just another tool to you.”

    “I never did get a chance to apologize for…events on Alethkar.”

    “Well, it’s not like you had opportunity to,” Nomad said.  “After frequently talking to my superior officer, asking him to pass messages to me.  After living together in the same city for years, and never stopping by.  You left me to rot.  And it ate you away from the inside, didn’t it?  Not because you care.  But because someone knew what you really were, then had the audacity not to die and simplify your life.”

    Wit actually looked down at those words.  Huh.  It wasn’t often that one could stab him with a knife that hurt.  Took familiarity.  And truth.  Two things that Wit was far too good at avoiding.

    “There was a boy, once,” Wit began.  “Who looked at the stars and wondered if—”

    Nomad deliberately turned and walked away.  He’d heard far, far too many of this man’s stories to care for another.

    “I was that boy,” Wit said from behind.  “When I was young.  On Yolen.  Before this all began—before god died and worlds started ending.  I…  I was that boy.”

    Nomad froze, then glanced over his shoulder.  The rain had slowed to a drizzle, but droplets of it still interrupted Wit’s figure.  He glowed softly, visible even in the darkness, and his substance rippled at the rain’s interference.  Like he was a reflection on a puddle.

    He didn’t often speak of his past.  Of…those days, long ago.  He claimed, often, to not remember much about his childhood.  A time spent in a land of dragons and bone-white trees.

    “Are you lying?” Nomad called to him.  “Is this a fabrication?  The perfect hook designed to reel me in?”

    “No lies, not right now,” Wit said, looking up at the sky.  “I can remember…sitting on a rooftop.  Looking up into the sky, and wondering what the stars were.  And if people lived on those points of light.

    “I assumed I’d never know.  The town philosophers had talked themselves hoarse arguing the matter, as was often their way.  Talk until you can’t talk any more, and then hope someone will buy you a drink to keep the words flowing.”  He looked to Nomad, eyes twinkling.  “Yet here I am.  Eons later.  Walking between the stars, learning each one.  I got my answers, eventually.  Yet…I’d guess that by now, you’ve seen more of the cosmere than even I have.”

    “So it’s a blessing?” Nomad asked, gesturing.  “This Torment you’ve given me?”

    “Every Torment is,” Wit said, “even mine.”

    “Wonderful.  Very comforting.  Thanks for the chat, Wit.”  Nomad continued his way.  As he walked, he found Wit appearing further along the rim in front of him, turning to watch him pass.

    “You always wanted the answers,” Wit said to him.  “That’s why I took you on.  You thought you could find them, tease them out, write them down and catalogue the world.  So certain you could find every one, if you just tried hard enough…”

    “Yes, I was an idiot, thank you.  Appreciate the reminder.”

    Wit, of course, appeared just ahead of him again.  Though he was fading, his form becoming transparent.  The little burst of connection Auxiliary had used to make this meeting happen was running out, blessedly.

    “It’s a good instinct,” Wit said, “to look for answers.  To want them.”

    “They don’t exist,” Nomad said with a sigh, stopping to look to Wit.  “There are too many questions.  Seeking any kind of explanation is madness.”

    “You’re right on the first point,” Wit said.  “Remarkable to think that I discovered the secret to the stars themselves.  But then found questions abounding that were even more pernicious.  Questions that, yes, have no answers.  No good ones, anyway.”  He met Nomad’s eyes.  “But realizing that changed me, apprentice.  It’s not—”

    “It’s not the answers but the questions themselves,” Nomad interrupted.  “Yes, blah blah.  I’ve heard it.  Do you know how many times I’ve heard it?”

    “Do you understand it?”

    “Thought I did,” he said.  “Then my oaths ended, and I realized that destinations really are important, Wit.  They are.  No matter what we say.”

    “Nobody ever implied they lacked importance,” Wit said.  “And I don’t think you do understand.  Because if you did, you’d realize: sometimes, asking the questions is enough.  Because it has to be enough.  Because sometimes, that’s all there is.”

    Nomad held his eyes.  Fuming for reasons he couldn’t explain.  Exasperated, though at least that part was normal when Wit was involved.

    “I’m not going back,” Nomad said, “to who I was.  I don’t want to go back.  I’m not running from him.  I don’t care about him.”

    “I know,” Wit said softly.  Then he leaned in.  “I was wrong.  I did the best with the situation I had, hoping it would prevent calamity.  I ruined your life.  And I was wrong.  I’m sorry.”

    How…odd it was to hear him be so forthright, so frank.  Sincere.  Completely sincere.  Storm that man, how did he keep being surprising?  Even after all this time.

    Nomad turned to go, for real this time, as Wit was vanishing.  He stopped, and waited for the final word.  Wit always had some kind of final word.  This time, though, the man just gave Nomad a wan, sorrowful smile, then faded to nothing.  Perhaps he knew there was nothing more useful he could say, and so had fallen silent.  If so, it was probably the first time that had happened in Wit’s life.

    Nomad sighed.  He expected a wisecrack from Auxiliary, but the spren stayed silent as well.  He usually did when Wit was around—he knew Nomad often felt double-teamed in situations like that.

    “Damnation,” Nomad said, “we need to get off this planet.  And I know how we can do it.”

    How? the knight asked, wondering if Nomad had missed the entire point of an important conversation.

    “The people running this place found an access disc that looks very familiar.  Scadrian writing on it.  And you can bet, if there’s a power source on this planet powerful enough to get me off world, it will be with them.”

    Ahhh… Auxiliary said.  So what do we do?

    Nomad stalked back to the building he’d left behind, picking it out easily because he’d left the door cracked on accident.  He stomped back inside, trailing water, rifle under his arm.  He burst in on the people, still in conference, his arrival causing them to stumble back in surprise and worry.  Not a single one reached for a weapon.

    Yeah, they were doomed.  But maybe they could get him where he needed to go before they fell.  He grabbed the access disc off the table, holding it up, and spoke in their tongue—perfectly, without accent.

    “I know what this is,” he said.  “Key to a large metal door, probably buried somewhere, right?  With similar writing on it?”  He tossed the key onto the table, where it hit and flipped, clattering against the wood.  “I can get you inside.”

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    Isaac Stewart

    We're announcing tonight that the artist for Secret Project number three is Aliya Chen. She is currently a visual development artist and illustrator in the animation industry, working for studios such as Netflix and Riot Games. She's a long-time fan of science fiction and fantasy. Stormlight is her all-time favorite series for years. She says it's such a huge honor to be working with Brandon and Dragonsteel.

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    vernastking

    The medieval England that you envision in this story [Secret Project Two] is a rather interesting take based on what we have seen. It seems to be pre-Norman conquest to me. What did you look to in creating this particular setting? And why did you choose this era as opposed to another period?

    Brandon Sanderson

    Couple of reasons. Good question, by the way. I'm somewhere in the 700s with this, maybe inching to the 800s, but it's my own kind of... The place that I stopped, the very next interlude, the next section from the in-world book that you would get to read is a FAQ that says "why are things in this world so different from what I understand about the historical record?" And the answer is a long-winded and hopefully somewhat amusing take on "it's another dimension: some things are gonna be different, some things are not gonna be different, that's a selling point." I did that because, despite knowing a bit about the Anglo-Saxon era, I am not an expert. I am not George RR Martin-level of understanding of the historical nuances of... I'm not a medievalist. I am a storyteller. And so while I'm fascinated about that time period, I really like it, I picked that period in part because the what-ifs of |what if the Norman invasion hadn't happened| is one of my favorite sort of what-ifs. I like that era because of the... The contrast between civilization and untamed wilds is so interesting to me. I just like a lot of things about that time period. And so when I decided that Frugal Wizard was not going to actually be the Titanic... If you didn't know, the first idea I had for this was "time travel back to the Titanic, and you are trying to stop the Titanic from sinking, while someone's secretly among the crew is also a time traveler from the future who is trying to make sure it does sink," and it's like a competition. Can you save the Titanic? The twist would have been that you don't know that there's somebody else there. You're just there to save the Titanic or something like that. There's an evil jumper. But regardless, I didn't want to do that. Number one, Titanic: a little overdone. Number two, I am much better, even though I'm not a good medievalist, I'm much more of a medievalist than I am a scholar of the Titanic. And getting the things right with the Titanic would just be like "grr." So I'm like, "All right, what time period could I write in that I could fuzz a little bit by having it be in another dimension but that would be exciting to me and that I would be able to not embarrass myself in the first draft until we actually get a medievalist to look at it?" And the answer was pre-Norman conquest, late Anglo-Saxon England. 

    You may still get that Titanic book because Dan loves all kinds of disasters and misery and he may... Again, Cecil is a shared character of ours, and so it's totally possible that you'll get The Frugal Wizards's Handbook for Surviving (or for Sinking) (or for Saving) the Titanic at some point in the future.

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    Jofwu

    You mentioned that three of the four stories were for your wife and one was for yourself. Was this one for Emily, and if so could you elaborate on why you picked to write this "for her"?

    Brandon Sanderson

    [Secret Projects] One, Two, and Three I wrote as gifts for her, but if I'm going to be perfectly honest, One and Three were written with her in mind, and Two was written because I wanted to do another Secret Project and surprise her again. I don't think that Emily specifically loves this style of story, though Three was written specifically because I was looking for a style of story that Emily really likes to read. And One was written based on a prompt that she was kind of involved in creating and was me wanting to write... Tress is basically me saying "I'm going to write a book for Emily before I met her, who is just going to able to pick up and love a book. What am I going to put on that book?|"And Secret Project Three is a book for Emily right now. That's kind of how they are. Two was "I want to surprise her again. That was really fun. I am going to write another book and I'm going to give it to her for Mother's Day," I think it is when I gave it to her, and this one she didn't know I was writing. Others she did and read along with me and things like this, and this one was just like "You get another book! Here you go!" But to be perfectly honest, this one is a little more for me because it's the deviation I wanted. Four is for me in a different sort of way. Four is written in a "This is something the Cosmere needs that I've been planning to write for a long time that I have scheduled to write, and I don't know when I'll ever get to write it, so I'm going to write it now." That's gonna make you assume it's a book I've told you about before, but it's not! Everyone is going to be like "It means that he wrote this one, he wrote that one." It's actually not. But it's covering something else I've wanted to do with the Cosmere for a long time, and when we get to Four, I'll explain to you why and how. This one is loosely, very loosely based on the first Cosmere story I ever wrote. Not Dragonsteel; because I didn't know Cosmere back then, I was just writing a story back when, Teenager Dragonsteel. But the first time I actually wrote something involving a connected universe. And this one is in direct lineage of that one.

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    Clark Nichols

    Does the Frugal Wizard provide a selection of different realities to choose from?

    Brandon Sanderson

    You will find out later on when you read more of the "guidebook," which has lots of interesting offers for you, that most people buy the cheap version, which is "we give you whatever we have." You don't get to really choose; you just get three promises. Your three promises are: intelligible English, no current world-wide pandemic, and roughly in the time period with a tech level pre-gunpowder". I think those are the three promises that they make. And if you want to buy a specific dimension, they have a whole roster of what they have right now, you could go browse through. And there'll probably be, at any given time, several hundred that they've fully investigated, and they'll say things like, "Hey, there's a version of Chaucer living in this one." So you could go to get that. Or it's like, "Oh, look at this one. Gunpowder was invented earlier, and it's Roman times on the British Isles, but they have gunpowder." You would be able to pick those. Those would be luxury experiences, much more expensive that you could buy that dimension if you want. Most are the Wizard Wildcard Dimensions (trademark). And those are just, they went and made sure that the three things they want are contained therein, and then you buy one and you just get a random, and it could be anywhere between whenever the Middle Ages started, vaguely 200 or 300 AD, all the way up to 1200 AD to 1400 maybe, just kind of somewhere in there, you're gonna get something, you're not sure what it's gonna be, and you will be able to understand them but, there may or may not be actual references to what you're expecting or knowing. If you want to purchase your own Wizard Dimension from the Frugal Wizard Company and you want a specific experience, you may want to hold out until they've got a dimension they've investigated that matches what you want. But they will also very happily sell you ones that don't match those three criteria, because they got a bunch of those. Those are steeply discounted.

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    Amira Kessem

    ​What percentage of fantasy vs sci-fi is Frugal Wizard?

    Brandon Sanderson

    I would say 50-50-ish. I would say 50-50, but in-world they would say it 's all sci-fi. Just like Anne McCaffrey said the Dragonriders of Pern are science fiction, not fantasy. And these dragons teleport and fly and breathe fire. Yeah, but it's science fiction. And are telepathic. All I'm saying is that Dragonriders of Pern can be classified as straigh-up science fiction if you want; so could this. I would classify Dragonriders of Pern as fantasy novel with science fiction roots that changes to science fiction as the series progresses. But still stays partially fantasy, and I would say Frugal Wizard has a foot in each of those genres.

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    Freddie Washington

    If you die in an alternate dimension [in Secret Project Two], do you die in your home dimension as well?

    Brandon Sanderson

    The way that this works is: you are physically picking up and leaving, so you don't leave behind a version of yourself. Now, if you go to a dimension where there is another version of you, it's like you were twins; there's two of you with different life experiences. You are two different individuals in that case, and you could each die, but you aren't hacking in like in the Matrix, where you're putting on something. You are actually physically leaving and going to another dimension.

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    heavyraines17

    Loved the first few chapters, getting a great ‘Hitchhiker’s Guide to the Galaxy’ vibe from the Frugal Wizard’s Handbook. In that vein, what are your Hitchhiker’s Guide to the Galaxy two word reviews for planets in the Cosmere?

    Brandon Sanderson

    Scadrial- almost livable

    Stormlight- bring raincoat

    Nalthis- good food

    Threnody- stay away

    Sel- not visited, they can't get there

    First of the Sun- cute birds

    There's some for you

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    Conor Chamberlin

    I want to draw fan art of Painter. Would early Tokyo be a good reference for his world?

    Brandon Sanderson

    Early modern Tokyo, maybe. You could go Meiji era, right end of Meiji era, probably, and be alright. We are entering the modern early era. If you're looking at early 1900s Tokyo, you'll be fine. Or late 1800s, you'll probably be fine.

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    Trex6

    In the preview chapters you mention fay as self aware invested beings along with seons and spirits. Will these beings appear in an upcoming project already announced (example: Secret Project Four, Kingmaker, etc.) or instead in one of the secret stories you’re still keeping close to your chest? Or have you not decided where to put them yet?

    Brandon Sanderson

    It is one of those, definitely. It is not in Secret Project Four.

    Like all things in the Cosmere, you should assume in this case that I am picking a word in English that best represents the concept. For instance, when I say the word "fay," I am not saying specifically creatures straight out of our mythology from Scottish and Irish lore. Anymore than if I call something an "ottoman," I am not implying the Ottoman Empire existed in the Cosmere. And if I use something that has a Latin root, I am not implying Latin exists. These are just best practice translations. I picked that word very carefully when I wrote this to kind of indicate to you that there is a place where they might just call them "fay." But that is not Hoid referencing our world. Most of you knew that already, but I just want to reiterate that concept for people.

    It is not Secret Project Four but it is one of those other things you mentioned.

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    SleepoPeepo

    Hoid’s narration includes references to both Roshar (spheres and chulls) and Scadrial (rice). Can we assume then that the person being told the story has spent time on both planets, or at least has detailed knowledge of them both?

    Brandon Sanderson

    Yes. Excellent question. The answer is yes, you can assume that.

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    Insane_Pupil

    In [Yumi and the Nightmare Painter] chapter five, Hoid talks about being “frozen in time” and mentions it being an “ailment”—implying that this is at least somewhat involuntary. Does this have anything to do with why Hoid has been alive for so long? Is there anything you can tell us about the terms of his intermittent frozen state?

    Brandon Sanderson

    RAFO. Plot point in the book.

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    Jofwu

    Can you elaborate on why you picked the name Virtuosity? As in, what does it mean to you and how does it fit in to the Cosmere?

    Brandon Sanderson

    So Virtuosity is specifically relating to artistic talent and artistic sense. I actually was just debating between Artistry and Virtuosity, and I settled on Virtuosity after a decently long debate; it's one of the reasons I haven't canonized this one yet. It is the last big hole. (I know there is one I haven't revealed that you guys kind of know what that one's general Intent is so this is the last big one to reveal, as I believe. I think there is only one, and I think you know part of that one. Maybe I am wrong. I'll have to go back and see; it's hard to remember what you guys know and what you don't know sometimes.)

    I wanted to get this one into the Cosmere so that we basically have all sixteen, now. The big decision was: what do I call them? And at the end, Virtuosity just rang to me in the same way Odium did, and so I picked that one. This is the Shard of artistic intent, and artistic talent, and artistic appreciation.

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    X-Thorin

    If inter-dimensional travel exists in this story [Secret Project Two], could they eventually travel to the Cosmere’s universe? Or do these worlds exist in different multiverses?

    Brandon Sanderson

    You will get to a point in the book where they kind of explain probability and the idea that theoretically anything is possible. They could not travel to the cosmere. What is theoretically possible is they could travel to a dimension that, by coincidence, matches the cosmere one-to-one, but it would not be the cosmere. But the chances of them being able to find that are so infinitesimally small that the atoms in this room, the oxygen atoms, all bouncing to one side of the room and suffocating us all is more likely, I would guess. But even if they did, it would not be the cosmere, it would just be be coincidentionally an identical version of the cosmere that just through random happenstance popped up.

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    Neon Borealis

    The story [Yumi and the Nightmare Painter] uses the Fibonacci sequence several times as a recurring element related to art (and the golden ratio). Given that nightmares need "over a dozen" feedings to materialize and the number 13 features heavily on Yumi's rituals, would you say that 13 is related to Virtuosity in the same way that 16 is to Preservation and 10 is to Honor?

    Brandon Sanderson

    Wow. Good guess.

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    Grendergon

    In [Yumi and the Nightmare Painter] chapter two, Yumi uses the phrase "Warden-nimi." Is there a connection between this and Szeth's use of "sword-nimi" in Stormlight? Or is Hoid just using a phrase that his audience would be familiar with.

    Brandon Sanderson

    He is using a phrase that his audience would be familiar with. But (asterisk), there's maybe a little bit more. When he is using the word "nimi" he is using the Shin word intentionally, right? But there's some more there. He's chosen to use a Shin phrase on purpose.

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    Cheyenne Sedai

    All three secret projects we've seen so far have been different in terms of voice than your usual books. For Brandon; how did this change in voice change your stories and the world you depict in these secret projects? Is there anything you implemented that you would like to bring into other books you write?

    Brandon Sanderson

    Yeah, that's an excellent question. That's part why I do voice like this. To experiment with different things. Project 2, Frugal Wizard, has a kind of funny ephemera book like Hitchhikers Guide to the Galaxy. I like playing with ephemera, which is a fancy word for in world books and such that's included as part of the book, and I think that my experiments with ephemera are useful there. My experiments there with that one, playing with historical settings, is also very useful for me.

    On the other two it is figuring out Hoid's voice. That is the thing that will probably be most useful in the future as I work out how I want him to tell Dragonsteel, which is his backstory. Neither of these is the right voice. Yumi is closer but at the same time I wanted to have something like this. I always wanted to write something with this fairy tale feel to it, and fairy tale is the wrong term. It's like modern fairy tale, like the Princess Bride is the er-example of this but even Harry Potter one. These sort of quips in narrative that give it a feel of a narrator telling you a story, the Hobbit has this as well. I liked that. I liked the feel of that. It's a sort of different kind of story telling, it has a sort of classic feel to it and I liked doing that.

    Emily Sanderson

    And with both of these I feel like there were times where you were like 'Is this too much Hoid? Too little Hoid? Does this work?' And I could really tell why you were doing it and if it was too distracting to the story or not.

    Brandon Sanderson

    Now here is the really interesting thing. The beta readers can not agree on this. There is no consensus on if their is too much Hoid or not enough, if it is distracting or the best thing about the book. Some of you I will warn will find the voice too distracting. I'm doing what I can, particularly in Yumi where I am pulling back a little bit where I'm putting Hoid interjections in parentheses and stuff like that. It doesn't work in Tress. Tress is so much in his voice, that whenever I add parentheses it's like; 'Why did I parenthesize this one when everything is so strongly in his voice?'

    Emily Sanderson

    It was interesting reading them because you didn't tell me that was what was going on. I had to figure it out. It was interesting to see when I figured it out; 'Wait a second this is in the Cosmere, wait a minute Hoid is telling this story' was kinda fun. It's been interesting to see people's reaction to that.

    Brandon Sanderson

    The readers reading the early chapters and be like 'Hey wait a minute!' That is a lot of fun. Very satisfying to me. That they can pick out Hoid's voice that easily. Means I'm doing my job right.

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    sodapoptheelf

    "Medical nanites" are mentioned. Does Secret Project Two take place in the same continuity as The Original?

    Brandon Sanderson

    I do not have it in the same continuity right now. Now, whether The Original happens on a dimension that's analogous, then you start getting into, "Well, anything could be connected once you're going to interdimensional travel and things." I would say that the only conscious thing that I'm doing to connect to anything else I've written is using Cecil's name, and even that's a little tongue-in-cheek.

    Peter Ahlstrom

    Could this be connected to Apocalypse Guard?

    Brandon Sanderson

    I am doing another book series that has interdimensional stuff. There's a decent chance that when I revise Apocalypse Guard I will be like "You know what, I should only have one interdimensional travel series," and I might intentionally connect those. But for right now, the only intentional connection I have made is using Cecil's name. And saying it's the same personality, the same Cecil.

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    Chip Groover

    Did you write the full pages of The Frugal Wizard book and then cut them off? Do you know the missing words on those pages?

    Brandon Sanderson

    I wrote to the end of a paragraph and then cut them off. So I didn't write beyond that. I knew it would be there, but I wanted the paragraph to feel as naturalistic as possible.

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    Questioner

    Are you ever going to write yourself as a cameo in one of your books?

    Brandon Sanderson

    Unlikely. There might be some cameo like Robert Jordan did for himself, where he wrote himself as a statue, a ter'angreal. I'm not going to pull a Clive Cussler and things like that. Stephen King did it too. I'm highly unlikely to do that. The Alcatraz referencing me was probably... Or the fact that in Wheel of Time, where I wrote my sword in, that Wilson gave me, out of Robert Jordan's collection, that was a nice little cameo-style thing. I might do something like that sometime.

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    Steel _inquisitor66

    Could someone go back to ancient history with a butt load of technology and become "a god" among the people of that time?

    Brandon Sanderson

    Yes. In fact, that's the basic premise. You willl eventually get to why they're being called wizards and why Cecil calls them wizards, and it's basically that. That a wizard is just a wise person who has access to information and things. So, yes, that is what people are using these dimensions for in these books, and it should horrify you a little bit. That is why I wrote some of it in a light-hearted vein, to be like "Alright this is horrifying. Let's make sure you understand that part of this is satirical."

    Secret Project #2 Reveal and Livestream ()
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    Evelyn Basham

    What kind of dimension would you buy?

    Brandon Sanderson

    I would secretly buy a bunch of very fantastical dimensions and then write books of history based on the things I learned from them and then publish them to great success, and... Oh wait I'm giving away my secrets.

    No, what would I actually do? Where would I actually want to go? I would most want to go to prehistoric times, if I could get such a dimension, and actually be able to go see the ancient world in a way that does not involve me stepping on a butterfly and making everyone communist. That would probably be my number one. And the second one would probably (maybe this would actually be number one, I don't know) would be, like, life of Christ era. Right? But then that raises all sort of theological implications if this sort of thing were real, so that's an interesting question.

    Secret Project #2 Reveal and Livestream ()
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    LewsTherinTelescope

    Cecil G. Bagsworth III is a rather specific name. Is the author of the in-world Frugal Wizard's Handbook the same one that is Alcatraz's editor?

    Brandon Sanderson

    Yes. This is the same individual.

    Cecil is a joke among myself and Dan and several others of our writing group. Cecil is also the editor of A Night of Blacker Darkness, canonically. That's one of Dan's books. And so, Cecil is an individual that I've wanted to be filling out and using, and he is an interdimensional explorer and things like that. He is the person that is being referenced, but he is-

    Karen Ahlstrom

    I suppose if Alcatraz is in a different dimension, then he wouldn't have to be necessarily...

    Brandon Sanderson

    The same Cecil?

    Karen Ahlstrom

    Well, no. The era that Alcatraz appears to be in-

    Brandon Sanderson

    Yes, it doesn't have to be in... Regardless, I'm referencing the same individual. That's an easter egg that I don't intend you to read much more into than "Brandon loves this name and there's this weird interdimensional explorer that shows in his and Dan's books," and we actually have a picture of him, a real photograph of Cecil that will be used in this books. Look forward to that; Cecil was at my wedding, in a top hat and monocle. So you will get to have a picture of Cecil, who is based off of a person that we know.

    Cecil G. Bagsworth III, and of course there is also Stet Cannister. He's a space hero that grew out of our joking at Leading Edge and our writing group. And Cecil grew out of that as well.

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    Christian Hoffer

    Could you tease any potential crossover characters that are going to appear in these books? Obviously, Hoid (a character who has appeared in all of Sanderson's Cosmere novels to date) is at the center of Secret Project One.

    Brandon Sanderson

    So, Secret Project Four features a character from one of my books who has never had their own book, who is not Hoid, that readers will recognize. This has been a character who has had viewpoints, but no book.

    It's not a main character, but it is somebody who's had some viewpoints and is very related to a main character. So, that's Secret Project Four. And Secret Project One has at least one more character who has been mentioned in a book before, but who has never appeared on screen, right? Stuff like that.

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    Juan Jesus (aka Guinruneh)

    When you wrote The Way of Kings... do you know who was going to be Thaidakar?

    Brandon Sanderson

    When I started it, I had two options for myself, depending on what I decided to do with Secret History and things like that. I wasn't 100% sure that the thing that happened in Secret History, that I would be able to write, so I had a backup plan in case that didn't happen in the Cosmere. So, there is a world where Thaidakar is TenSoon imitating somebody else. If I didn't do all the stuff that happened in Secret History. But since I did have a chance to do that, and I did decide to go with that, then I went with plan A, which was the original plan.

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    Devlee12

    Would a big block of cheese stop a Shardblade? All I can think of is how hard it is to cut cheese with a knife no matter how sharp it is because the cheese can form a suction to the sides of the blade and make it way harder to cut. Would that be a problem for a Shardblade?

    Brandon Sanderson

    When I first designed Shardblades all the way back when, I added in my head a little bit of extra de-friction-izing to the Shardblade blade itself, and some little bit of magick-in going on to allow them to actually cut at the level I want them to. Because it's not just cheese that would do that. Cutting through stone, even if you have the sharpest thing in the earth, that stone... It doesn't work as easily as it would if you were just extra sharp. And so, Shardblades are magically good at cutting, to the point that they would cut through a block of cheese as easily as they would cut through something else. Or a wheel of cheese, a giant thing of cheese. Any editorial additions to this?

    Peter Ahlstrom

    Dalinar does, when he's using the Shardhammer to cut the latrine. He does talk about-

    Brandon Sanderson

    It does get wedged in, and you can wedge in and hang from it, but I think cutting any stone, unless you have a little bit of extra magic on it, I don't think it would work. Maybe I'm wrong, maybe it actually would.

    Because I wanted Adolin to be able to hang off of it or people, when they build it like that. I particularly think when you cut a block and it actually falls, then it's gonna still put pressure on the blade. But when you slice into a rock, you're not getting rid of any of the stone with a blade. Where does that extra stone to make the hole go? Magic! That's where we're getting into magic-level sort of stuff, because I'm just not convinced that no matter how sharp you were, that you would be able to-

    Peter Ahlstrom

    Does it go to the Cognitive Realm, or the Spiritual Realm?

    Brandon Sanderson

    RAFO! Shardblades are magically good at slicing so we can actually have Shardblades that cut through stone. That's your answer. And so it would work on cheese the same way.

    Secret Project #2 Reveal and Livestream ()
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    CheddarCheeseCurds

    Will there ever be a cosmere cookbook, with official recipes for foods from each world, or the best Earth approximation?

    Brandon Sanderson

    We get this occasionally. I always say it's a possibility but it's not very high up on our list right now.

    Karen Ahlstrom

    Deana Whitney has actually been working on this and has a series of articles on tor.com. It's not recent, that I've heard about, but she asked me what kind of food they have on Scadrial and I gave her a list, because types of food is a thing that I have a list of, and I can just copy and paste, and there you go, Deana.

    Brandon Sanderson

    I'm going to have to make those weirder and weirder, to make it more and more difficult.

    Secret Project #2 Reveal and Livestream ()
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    bluenomads

    Did you use your traditional outlining process when working on the secret novels, or were they mostly discovery written?

    Brandon Sanderson

    Depends on the secret novel. Two was discovery written much more than the others were. The others were my kind of standard practice, which is: write a few chapters, then go back, construct an outline, come back. I would say Three and Four took the most intricate outlining for various reasons, different reasons in each case. One required a lot less, but it wasn't a fully discovery written book. Two was the most discovery written.

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    Brandon Sanderson

    So one of the things that's nice about these projects (and I did this pretty intentionally) is that they do not require as much continuity editing as our other projects.

    Karen Ahlstrom

    He says that, but there are several things that have greater implications than he might have imagined in the first place.

    Brandon Sanderson

    Well, I'm aware of those things.

    Karen Ahlstrom

    And they need a lot of documentation.

    Brandon Sanderson

    Secret Project Four has a lot of extra stuff that needs to talk about.

    Karen Ahlstrom

    I'm thinking of One. Yeah. I spent a lot of time on One.

    Brandon Sanderson

    But what I don't necessarily need as much of is the beta readers giving me detailed feedback on a character arc, relating to how the character was in a previous book.

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    Isaac Stewart

    Last week, we made an announcement that the first Secret Project was going to be illustrated by Howard Lyon, and this week we would like to announce who the second Secret Project is being illustrated by. And that is Steve Argyle! He did a lot of the renders for the Kickstarter for us. He did the cover for Secret Project number three, that's up there, and the cover for Secret Project number two. So, Secret Project number two, he will be illustrating

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    Questioner

    What was the craziest continuity mistake that Brandon has ever made? Have there been any that made you laugh?

    Karen Ahlstrom

    Yeah. It's hard to remember specific ones. One of my favorites is when he was doing the flashbacks in one book and there was a cute little kid running around, grabbing daddy's legs and stuff, and I had to say "Brandon, this child wasn't born for another two years. You can't have him in this scene".

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    Quiltyhil

    Did you hear a specific accent in your head for the main character? For instance, when you started reading I thought the main character might be from England.

    Brandon Sanderson

    I did not give him a British accent. In the book he's not from England, but that is not so relevant that, y'know, I couldn't hire someone British to read the book, but I was just trying to give him an interesting accent. I hear in my head for the others an accent, but I chose not to try it [when reading the chapters] and you should all be thankful for that.

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    Brandon Sanderson

    So, that is the start of Yumi and the Nightmare Painter. Now the analysis.Where did this come from? Well, you can probably tell this is another Hoid story. I wanted, after I wrote Secret Project one, to try a different style of voice for Hoid. Project One has a modern fairytale vibe, like Princess Bride–and I like that. I think it turned out really well. I’m proud of it, and I’ll probably use that voice again sometime.

    But I also wanted to have access to a different kind of voice for Hoid. (Or several different voices.) Part of the reason I’m doing all this is to figure out how I want to write Dragonsteel, his origin story, which will be first person. So I wanted to test out other narrative voices that Hoid might use in telling stories. For Secret Project three, I specifically wanted one where Hoid was using more of a traditional narrative style.

    To explain it another way, I wanted him to tell a story that felt less fairytale and more dramatic. Yumi and the Nightmare Painter became that next exploration. I’m not sure it’s the voice he’ll use in Dragonsteel yet, but it’s much closer–and I love how this one worked for this specific story. It is, as I’ve said, my favorite of the four secret projects.

    The original premise for this story came from a story I read long ago. Before I hired Peter Ahlstrom to be my assistant (now he’s my Editorial Director and VP of Editorial) he worked translating Manga. Before he did this professionally, he was doing fan editing on a manga site–and one of the manga he worked on was called Hikaru No Go.

    Now, I’m not a big reader of Manga. I do try to do some dabbling in all kinds of media, so I’ve read some–but in general, I don’t consider myself well read in the manga field. But Peter was a good friend, and he was working on this, so I wanted to support him. I therefore started reading that manga–and I actually found the story to be fantastic. It’s a story about a young man who finds a possessed Go board, then an old master of the game rises as a ghost to teach him how to play.

    I wondered what it would be like to be in the mind of that ghost, trying to teach someone new to do something that he loved so much (and were an expert in.) To give a mild spoiler for the next few chapters of Yumi, Painter is now going to be seen by everybody as her. Even though he sees himself as himself (he feels his body is his own) everyone else (other than Yumi) sees him as her. Yumi, in turn, has gone incorporeal. So…to find a way out of this mess..he needs to do her job in her world. She, in turn, is going to have to learn to do his job for him in his world, as they discover once they sleep, they jump to his world and she is seen as him.

    This whole idea is that both of them are going to have to learn one another’s magic systems–and live one another’s lives–while trying to figure out what went wrong to put them in this state. I’ve seen this done before, kind of–but most stories do an actual body swap. I felt like I wanted to go another direction; Yumi and Painter aren’t experiencing one another’s bodies–just one another’s lives. (I feel the trope of “I’m in someone else’s body” has been done quite a bit in various ways before, and so I decided to try something else.)

    That is my primary inspiration for this story. You might see little echoes of Your Name as well in this, as well as other similar stories. That’s intentional. Beyond that, another inspiration is Final Fantasy X, my favorite Final Fantasy. In fact, Yumi’s named slightly after Yuna, the main character of that. One of the things I loved about that game was the idea of fantastical jobs using magic. I’ve always wanted to dive into doing a story with some kind of fantastical job, or maybe two. Something cool (yet somehow still mundane) involving the sorts of work one could only do in a fantasy world.

    Because it was originally inspired by a Manga, I decided to kind of use a little bit of Korean culture, a little bit of Japanese culture, mixed in with some other things.

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    Brandon Sanderson

    Yumi and the Nightmare Painter

    Chapter One

    The star was particularly bright that night when the nightmare painter started his rounds.

    The star. Singular. No, not a sun. Just one star. A bullet hole in the midnight sky, bleeding pale light.

    The nightmare painter lingered outside his apartment building, locking gaze with the star. It had always felt friendly to him. Many nights, it was his only companion. Unless you counted the nightmares.

    After losing his staring match, he turned down the street, which was silent save for the faint hum of the hion lines. Ever-present, they flowed through the air—twin bands of pure energy, thick as a person’s wrist, about twenty feet above the street.

    One line was an indecisive blue-green. You might have called it aqua, but if so, it was an electric variety. Or teal, perhaps. Turquoise’s pale cousin, who stayed in listening to music and never got enough sun.

    The other was a vibrant fuchsia. If you could ascribe a personality to a simple line of light, this was perky, boisterous, blatant. It was a color you only wore if you wanted every eye in the room to judge you. A tich too purple for hot pink, it was—at the very least—a comfortably lukewarm pink.

    The residents of the city of Kilahito might have found my explanation unnecessary. Why put such effort into describing something everyone knows? It would be like describing the sun would be to you. Yet, you need this context for—cold and warm—the hion lines were the colors of the city. Needing no pole or wire to hold them aloft, they ran down every street, reflecting in every window, lighting every denizen. Wire-thin strings of each color split off to each structure, powering modern life. They were the arteries and veins of Kilahito.

    And just as necessary, albeit in a different way, was the young man walking beneath them. He’d originally been named Nikaro by his parents—but by tradition, many nightmare painters went by their title to anyone but their fellows. Few internalized it as he had. So we shall call him as he called himself. Simply, Painter.

    You’d probably say Painter looked Veden. Similar features, same black hair, paler skin than your average Alethi. He’d have been confused to hear that comparison, as he’d never heard of such lands as those. In fact, his people had only just begun to think about whether or not their planet was alone in the cosmere. But we’re getting ahead of ourselves.

    Painter. He was a young man, still a year from his twenties, as you’d count the years. His people used different numbers, but for ease, let’s call him nineteen. Lanky, dressed in an untucked buttoning grey-blue shirt and a knee-length coat, he was the type who wore his hair long enough to brush his shoulders because he thought it took less effort. In reality, it took far more, but only if you do it right. He also thought it looked more impressive. But, again, only if you do it right. Which he didn’t.

    You might have thought him young to bear the burden of protecting an entire city. But you see, he did it along with the hundreds of other nightmare painters. In this, he was important in the brilliantly modern way that teachers, firefighters, and nurses are important. Essential jobs that earn fancy days of appreciation on the calendar, words of praise in every politician’s mouth, and murmurs of thanks from people at restaurants. Indeed, discussions of the intense value of these professions crowd out other, more mundane conversations. Like ones regarding salary increases.

    Painter didn’t make much as a result; just enough to eat and have some pocket cash. He lived in a single-room apartment provided by his work. Each night, he went out to his task. And he dis so, even at this hour, without fear of mugging or attack. Kilahito was a safe city, nightmares excluded. Nothing like rampaging, semi-sentient voids of darkness to drive down crime.

    Understandably, most people stayed inside at night.

    Night. Well, we’ll call it that. The time when people slept. They didn’t have the same view of these things that you do, as his people lived in persistent darkness. Still, during his shift, you’d say it felt like night. Painter passed through hollow streets alongside overstuffed apartments. The only activity he spotted was from Rabble Way: a street you might charitably call a “low end merchant quarter.” The long, narrow street lay near the perimeter of town, naturally. Along it, the hion connections had been bent and curved into signs. These hung out from shop after shop, like hands waving for attention.

    Each sign—letters, pictures, and designs—was created using only two colors: aqua and magenta. Art drawn in two, continuous lines. Yes, they had another source of light. Light bulbs, as common on many planets. Kilahito often used them indoors. But the hion just worked, no need for machinery or replacement, so many relied on it, particularly outdoors.

    Soon, Painter reached the edge of the city. The end of hion. One final street wrapped Kilahito, and beyond that was the shroud. An endless, inky darkness that that besieged the city, and every one on the planet.

    It smothered the city like a dome, driven back by the hion—which could also be used to make passages and corridors between cities. Only the light of the star shone through the shroud. To this day, I’m not a hundred percent certain why. But we are close to where Virtuosity splintered herself, and I suspect that has had an effect.

    At the perimeter of the city, just in front of the shroud,, Painter folded his arms, confident. This was his realm. Here, he was the lone hunter. The solitary wanderer. The man who prowled the endless dark, unafraid of—

    Laughter tinkled in the air to his right.

    He sighed, glancing to where two other nightmare painters strolled the perimeter. Akane wore a bright green skirt and buttoning white blouse, and carried the long brush of a nightmare painter like a baton. Tojin loped beside her, a young man with bulging arms and a flat features. Painter had always thought Tojin looked incomplete, as if the Shards had taken an unfinished person and rounded up.

    They laughed again at something Akane said. Then they saw him standing there.

    “Nikaro?” Akane called. “You on the same schedule as us again?”

    “Yeah,” Painter said. “It’s, um, on the chart… I think?” Had he actually filled it out this time?

    “Great!” she replied. “See you later. Maybe?”

    “Uh, yeah,” Painter said.

    Akane walked off, heels striking stone, paintbrush in hand, canvas under her arm. Tojin gave Painter a little shrug, then followed, his own supplies in his large painter’s bag. Painter lingered as he watched them go, and fought down the urge to go chasing after.

    He was a lone hunter. A solitary wanderer. An….unescorted meanderer? Regardless, he didn’t want to work in a pair or a group, like a lot of the others did.

    It would be nice if someone would ask him. So he could show Akane and Tojin that he had friends too. He would reject any such offer with stoic firmness, of course. Because he worked by himself. He was a single saunterer. A…

    Painter sighed. It was difficult to maintain a properly brooding air after an encounter with the Akane. Particularly as her laughter echoed two streets over. Being a nightmare painter might not have been as…solemn a job as he made it out to be.

    It helped him to think that it was. Made it feel like less of a mistake. Particularly during those times when he went to bed, and regretted the decisions that had forced him into a life where he’d spend the next six decades on this street every night, backlit by the hion. Alone.

    Chapter Two

    Yumi had always considered the appearance of the day star to be encouraging. An omen of fortune. A sign that the primal hijo would be open and welcoming to her. In fact, the day star seemed extra bright today—glowing a soft blue on the eastern horizon as the sun rose in the west.

    A powerful sign, if you believed in such things. There’s an old joke that notes lost items tend to be in the last place one looks. By converse, omens tend to appear in the first place people look for them.

    Yumi did believe in signs. She had to—as though she rarely spent time thinking about them these days, an omen had been the single most important event in her life. The one that had appeared right after her birth. The one that had marked her as Chosen by the spirits.

    She settled herself on the warm floor of her wagon as her attendants, Chaeyung and Hwanji, entered. The bowed in ritual postures, then fed her with maipon sticks and spoons—a meal of rice and a stew that had been left on the ground to cook.

    Yumi sat and swallowed, never so crass as to try to feed herself. This was a ritual, and she was an expert in those. Though, she couldn’t help feeling distracted. Today was nineteen days past her nineteenth birthday.

    A day for decisions. A day for action.

    A day to, maybe, ask for what she wanted?

    It was a hundred days until the big festival in Torio City, the grand capital, seat of the queen. The yearly revel of the country’s greatest art, plays, and projects. She had never gone. Perhaps…this time…

    First, she had duties. Once her attendants finished feeding her, she rose. They opened the door for her, then hopped down out of the private wagon. Yumi took a deep breath, then followed, stepping into sunlight and down into her clogs.

    Immediately, her two attendants leaped to hold up enormous fronds to obscure her from view. Naturally, people in the village had gathered to see her. The Chosen. The yoki-hijo. The girl of commanding primal spirits. (Not the most pithy of titles, but it works better in their language.)

    This land—Torio—couldn’t have been more different from where Painter lived. Not a single glowing line—cold or warm—streaked the sky. No apartment buildings. No pavement. Oh, but they had sunlight. A dominant red-orange sun, the color of baked clay. Bigger and closer than your sun, it had distinct spots of varied color on it—like a boiling breakfast stew, churning and undulating in the sky.

    This crimson sun painted the landscape…well, just ordinary colors. That’s how the brain works. Once you’d been there a few hours, you wouldn’t notice the light was a shade redder. But when you first arrive, it looks striking. Like the result of a bloody massacre which everyone is too numb to acknowledge. It also provides dynamic descriptions for poets telling stories, so there’s that.

    Hidden behind her fronds, Yumi walked on clogged feet through the village to the local cold spring. Once at the spring, her attendants slipped her out of her nightgown—a yoki-hijo did not dress or undress herself—and let her walk down into the slightly cool water, shivering at its shocking kiss. A short time later, Chaeyung and Hwanji followed with a floating plate holding crystalline soaps. They rubbed her with the first, then she washed. Once with the second, then she washed. Twice with the third. Three times with the fourth. Five times with the fifth. Eight times with the sixth. Thirteen times with the seventh.

    You might think that extreme. If so, have you perhaps never heard of religion?

    Yumi’s particular flavor of devotion, fortunately, did have some practical accommodations. The later soaps were only such in the broadest definition—you would consider them perfumed creams, with a deliberately moisturizing component.

    (I find them particularly nice on the feet, though I’ll probably need them for more parts of my body once I arrive in the Torish version of hell for abusing their ritual components for bunion relief.)

    Yumi’s final rinse involved ducking beneath the water for a count of a hundred and forty-four. Underneath, her dark hair flowed around her, writhing in the current of her motion as if alive. The forced washing got her hair extremely clean—which was important, as her religious calling forbade her from ever cutting it, so it reached all the way down to her waist.

    Though it wasn’t required of the ritual, Yumi liked to look up through the shimmering warm water and see if she could find the sun. Fire and water. Liquid and light.

    She burst out of the water at the exact count of one forty four and gasped. That was supposed to get easier, she’d been told. She was supposed to rise, serene, renewed and reborn. Instead, she was forced to break decorum today by coughing a little.

    (Yes she saw coughing as “breaking decorum.” Don’t even ask about how she regarded calling a someone by their first name.)

    Ritual bathing done, it was time for the ritual dressing, also done by her attendants. The traditional sash just under the bust, then the larger white wrap across the chest. Loose undergarment leggings. Then the tobok, in two layers of thick colorful cloth, with a wide bell skirt. Bright magenta, for the ritual day of the week.

    She slipped on her clogs again. Then somehow stepped in them, natural and fluid. (I consider myself a reasonably adroit person, but Torish clogs—they call them getuk—always felt like bricks tied to my feet. They aren’t necessarily hard to balance in—they’re only six inches tall—but they grant most outsiders the graceful poise of a drunk chull.)

    With all of that, she was finally ready…for her next ritual. In this case, she needed to pray at the village shrine to seek the blessings of the spirits. So, she again let her attendants block sight with their fronds, then walked out around to the village flower garden.

    Here, vibrant blue blossoms—cup-like, to catch the rain—floated on thermals. They hovered around two feet off the ground. In Toria, plants never dared touch the ground, lest the heat wither them away. Each flower had wide leaves at the sides, catching the air—like lilies, with fine, dangling roots that absorbed nutrients from the air.

    Yumi’s passing caused them to swirl and bump against one another. The shrine was a small structure, wood, mostly open to the air but with a latticed dome. Remarkably, it also floated gracefully a few feet off the ground—this time, by way of a lifting spirit underneath. It took the shape of two statues with grotesque features, facing one another. One vaguely male, one vaguely female, separate parts—thought they’d come from the same spirit. One crouched on the ground, while one clung to the bottom of the shrine.

    Yumi approached among the flowers, the soft thermals causing her skirt to ripple. Thick cloth didn’t rise enough to be embarrassing; just enough to give shape and flare to the bell of her costume. She again took off her clogs as she reached the shrine, then she stepping up onto the cool wood. It barely wobbled, held firm by the strength of the spirit.

    She knelt, then began the first of the thirteen ritual prayers. Now, if you think this description of her preparations took a while, that’s intentional. It might help you understand—in the slightest way—what it was to live Yumi’s life. Because this wasn’t a special day, in terms of her duties. This was normal. Ritual eating. Ritual bathing. Ritual dressing. Ritual prayers. And more.

    Yumi was one of the Chosen, picked at birth by omen, granted the ability to influence the hijo, the spirits. It was an enormous honor among her people. And they never let her forget it.

    The prayers, and following meditations, took around an hour. When she finished, she looked out toward the rising sun—slots in the shrine’s wooden canopy decorating her in alternating lines of light and shadow. She felt…lucky. Yes, she was certain that was the proper emotion. She was blessed to hold this station, one of the very fortunate few.

    Duties done for the moment, she relaxed—though she thought she probably shouldn’t have—and contemplated the world the spirits provided. The warm sun, of vibrant red-orange, shining through brilliant clouds yellow, crimson, violet. A field of hovering flowers, trembling as tiny lizards leaped from one to the other. The stone underneath, warm and vibrant, the source of all life, heat, and growth.

    She was a part of this. A vital one.

    Surely this was wonderful.

    Surely this was all that she should ever need.

    Surely, she couldn’t want more. Even if…even if today was lucky. Even if… Perhaps, for once, she could ask?

    The festival, she thought. One day to visit, wearing the clothing of an ordinary person. One day to be normal.

    Rustling cloth and the sound of wooden shoes on stone caused Yumi to turn. Only one person would dare approach her during her meditation: Liyun, a tall woman in a severe black tobok with a white bow. Liyun, her kihomaban, a word that meant—in their language—something between a guardian and a sponsor. We’ll use the term warden for simplicity.

    Liyun stopped a few steps from the shrine, hands behind her back. Ostensibly, she waited upon Yumi’s pleasure, a servant to the girl of commanding primal spirits. (Trust me, the term grows on you.) And yet, there was a certain demanding air to even the way Liyun stood.

    Perhaps it was the fashionable shoes—clogs with thick wood beneath the toes, but long heels behind, with a sleek feel. Perhaps it was the way she wore her hair, cut short in the back, longer in the front—evoking the shape of a blade at each side of her head. This wasn’t a woman whose time you could waste, somehow, even when she wasn’t waiting for you.

    Yumi quickly rose. “Is it time, Warden-nimi?” she said, with enormous respect.

    Yumi and Painter’s languages shared a common root, and in both, there was a certain affection I find it hard to express in your tongue. They could conjugate sentences, or add modifiers to words, to indicate praise or derision. No curses or swears existed among them, interestingly. They would simply change a word to its lowest form instead. I’ll do my best to indicate for you this nuance by adding the word Highly or Lowly in certain key locations.

    “The time has not quite arrived, Chosen,” Liyun said. “We should wait for the steamwell’s eruption.”

    Of course. The air was renewed at the steamwell’s eruption, so better to wait a few minutes, if it was near. But that meant they had time. A few, precious moments with no scheduled work or ceremony.

    “Warden-nimi,” Yumi said, gathering her courage. “The Festival of Reveals. It is near.”

    “A hundred days, yes.”

    “And it is a thirteenth year,” Yumi said. “The hijo will be unusually active. We will not…petition them that day, I assume?”

    “I suppose we won’t, Chosen,” Liyun said, checking the little calendar—in form of a small book—she kept in her pouch. She flipped a few pages.

    “And we’ll be…near Torio City? We’ve been traveling in the region.”

    “And?”

    “And… I…” Yumi bit her lip.

    “Ah…” Liyun said. “You would like to spend the festival day in prayer of thanks to the spirits for granting you such an elevated station.”

    Just say it, a part of her whispered. Just say no. That’s not what you want. Tell her.

    Liyun snapped her book closed, watching Yumi. “Surely,” she said, “that is what you want. You wouldn’t actively desire to do something that would embarrass your station. To imply you regret your place. Would you, Chosen?”

    “Never,” Yumi whispered.

    “You were honored,” Liyun said, “of all the children born that year to be given this calling, these powers. One of only fourteen currently living.”

    “I know.”

    “You are special.”

    She would have preferred to be less special—but she felt guilty the moment she thought it. Why would she second guess the spirits?

    “I understand,” Yumi said, steeling herself. “Let’s not wait for the steamwell. Please, lead me to the arena. I am eager to start my duties and call the spirits.”

    Chapter Three

    The most terrifying thing about nightmares is how they transform.

    I’m talking about regular nightmares now, not the kind that get painted. Terror dreams—they change. They evolve. It’s bad enough to encounter something frightening in the waking world, but at least those mortal horrors have shape, substance. That which has shape can be understood. That which has a mass can be destroyed.

    Nightmares are a fluid terror. Once you get the briefest handle on one, it will change. It fill the nooks of the soul like spilled water filling cracks in the floor. Nightmares are a seeping chill, created by the mind to punish itself. In this, a nightmare is the very definition of masochism. Most of us are modest enough to keep that sort of thing tucked away, hidden.

    And on Painter’s world, those dark bits were strikingly prone to coming alive.

    He stood at the edge of the city—bathed from behind in radioactive teal and electric magenta—and looked out at darkness. Stiff, like a reflective surface, it shifted and flowed. Like molten tar.

    The shroud. The blackness beyond.

    Nightmares unformed.

    There were trains that traveled the hion lines to other, distant cities. His parents lived in one, less than a day’s travel away from the larger metropolis of Kilahito, where he’d come to take work. So he knew other cities existed, that this one wasn’t alone. Yet, it was difficult not to feel isolated while looking into that endless blackness.

    It stayed away from the hion lines. Mostly.

    He turned to the right and walked along the perimeter for a short time, passing the outer buildings of the city—built in a line, like a shield wall, with narrow alleyways between. But it was made of buildings, and wasn’t an actual wall. Walls didn’t stop nightmares, so a solid fortification would merely prevent people from stepping out onto the perimeter.

    In Painter’s experience, nobody came out here but his kind. The regular people stayed inside; even just one street inward felt infinitely more safe to them. They lived as he had, in his youth. Trying so very hard not to think about what was out there. Seething. Churning. Watching.

    Now it was his job to confront it.

    He didn’t see anything at first—no signs of particularly brave nightmares, encroaching upon the city. The signs could be subtle, however. So he kept walking on the perimeter. His assigned beat was a small wedge of the city moving inward several blocks, but the outside portion was the widest—and most likely to show a sign of a nightmare.

    As he walked the road outside the city, he continued to imagine that he was some lone warrior, doing his rounds. Instead of, essentially, a pest exterminator who had gone to art school.

    On his right, in toward the city, he began passing the capstone paintings. He wasn’t certain where the local painters had gotten the idea, but these days—during dull moments on patrol—the painters tended to do some practice work on the outer buildings of the city. The walls facing the shroud, naturally, didn’t have windows. So they made for large, inviting canvases.

    Not strictly part of the job—these paintings couldn’t be turned in as proof of work done—each was a certain personal statement. He passed Akane’s painting, depicting an expansive flower. Black paint on the whitewashed wall.

    His own was two buildings over. Just a blank white wall, though if you looked closely, you could see the failed project beneath, peeking through. He’d need to whitewash it again, to make sure that wasn’t visible. But not tonight, because finally, he caught signs of a nightmare. He stepped closer to the shroud, but didn’t touch it, of course.

    Yes…the black surface here was disturbed. Like paint that had been touched when near to drying, it was…upset, rippling. It was difficult to make out, as the shroud didn’t reflect light, like the ink or tar it otherwise appeared to be. But Painter had trained well.

    Something had left the darkness here and started into the city. He got his brush from his large painter’s bag, a tool as long as a sword. He always felt better with it in hand. Then he shifted his bag to his back, feeling the weight of canvases and ink jar inside. Then, he struck inward—passing the whitewashed wall that hadn’t quite covered up his old painting.

    He’d tried four times so far. This last one had gotten further than most of his attempts—a painting of the star. He’d started it once he’d heard the news of an upcoming voyage, intended to travel the darkness of the sky. A trip to the star itself, taken by scientists, using a special vessel and a hion line launched to a place incredibly distant.

    Because contrary to what everyone had assumed, the star wasn’t just a spot of light in the sky. Telescopes had revealed that it was a planet. Occupied, according to their best guess, by some other people. A place whose light, somehow, cut through the shroud.

    The news of the impending trip had briefly inspired him. But he’d lost that spark, and the painting had languished. How long had it been since he’d covered it over? A month, at least.

    On the corner of the wall near the painting, he picked out steaming blackness. The nightmare had passed this way, and had brushed the stones here, leaving residue. It evaporated slowly, shedding black tendrils into the night. He’d expected it to take this path, of course; they almost always took the most direct way into the city. But it was good to confirm.

    Painter crept back inward, reentering the realm of hion light and its twin colors. Laughter echoed from somewhere down to his right, but the nightmare probably hadn’t gone that direction. The pleasure district was where people went to do anything other than sleep.

    There, he thought, picking out some black wisps on a planter up ahead. The shrub grew toward the hion lines, the planet’s source of raw, nourishing light. So as Painter moved down the empty roadway, he walked through plants in boxes that looked as if they were reaching arms up in silent salute.

    The next sign came near an alleyway. On the ground this time—an actual footprint. The nightmare had begun evolving, picking up on human thoughts, changing from formless blackness to something with a shape. Only a vague one, at first, but instead of a slinking, flowing black thing, it probably had feet now. They rarely left footprints even with this kind of shape, though, so he was fortunate to have found one.

    He moved onto a darker street, where the hion lines were fine and thin as they flowed overhead. In this shadowy place, he remembered his first nights doing this alone. Despite extensive training, despite mentorship with three different painters, he’d felt exposed and raw trying it on his own. Like a fresh scrape, exposed to the air. His emotions, his fear, close to the surface.

    That fear was layered well beneath callouses of experience now. Still, he gripped his shoulder bag tightly in one hand and held his brush out like a sword as he crept along. There, on the wall, was a handprint—with too-long fingers, and what looked like claws. Yes, it was taking a form. Its prey must be close.

    Further down the tight alley, pressed between two buildings like hands pushing to trap him, he found it. Near a bare wall, a thing of ink and shadow, some seven feet tall. It had formed two long arms that bent too many times, the elongated fingers pressed against either side of the stone wall—and its head had sank through the stone to look into the room inside.

    The tall ones always unnerved him, particularly when they had long fingers. He felt like he’d seen such things in his own, fragmented dreams—figments of terrors buried deep inside that only surfaced when he saw one like this. His feet scraped the stones, and the thing heard, withdrawing its head, wisps of formless blackness rising from it. As if it were ash from a fire, still smoldering.

    No face, though. They never had faces—at least, not unless something was going wrong. Instead, these just displayed a deeper blackness on the front of the head. One that dripped dark liquid, like tears—as if the head were wax that had been melted from being too close to the fire.

    Painter immediately put on his protections, thinking calm thoughts. This was the first and most important training. The nightmares, like many predators that fed on minds, could sense emotions and thoughts. They searched for the most powerful, raw ones to feed upon. So in this case, a placid mind was not of much interest.

    The thing turned and looked back through the wall. This building had no windows, which was foolish. In removing them, the occupants trapped themselves more fully in the boxes of their homes. Nightmares, though, paid little attention to walls. This one had stretched through the stone. All people did by giving up windows was feed their claustrophobia, and perhaps make the jobs of painters more difficult.

    Painter moved carefully, slowly, taking a canvas—a good three feet by three feet piece of thick cloth in a frame—from his shoulder bag. He sat it on the ground in front of him. His jar of paint followed—black, and runny, like ink. A blend designed to give excellent gradations in the grey and black. For nuance. Not that Painter himself bothered much these days.

    He dipped the brush in the ink and knelt above his canvas, then hesitated, looking at the nightmare. The blackness continued to steam off of it, but its shape was still fairly indistinct. This was probably only its first or second trip into the city. It took a good dozen trips before a nightmare had enough substance to be dangerous—and they had to return to the shroud each time between to renew, lest they evaporate away.

    So, by the looks of it, this one was fairly new. It probably couldn’t hurt him.

    Probably.

    And here was the crux of why painters were so important, yet so disposable, all at once. Their job was essential, but not urgent. As long as a nightmare was discovered and dealt with in its first ten or so trips into the city, it could be neutralized. That almost always happened.

    Painter was good at controlling his fear with thoughts like these. Another part of his training—very pragmatic. Painter tried to consider what it looked like, what its shape could have been. Supposedly, if you picked something that sparked your imagination, you’d have more power over the entity. But he had trouble with this. Rather, during the last few months, it had seemed like more trouble than it was worth.

    So today, he just settled on the shape of a small bamboo thicket and began painting. The thing had spindly arms, after all. Those were kind of like bamboo.

    He’d practiced a great number of bamboo stalks. In fact, you could say that Painter had a certain scientific precision in the way he drew each segment—a little sideways flourish at the start, followed by a single long line. Then you let the brush linger a moment so that when you pulled it back, the blot you left formed the end knob of the segment. You could create each efficiently in a single stroke.

    It was efficient, and these days, that seemed most important to him. As he painted, he fixed the shape in his mind—a central, powerful image. And as usual, he drew the thing’s attention with such deliberate thought. It hesitated, then pulled its head back out through the wall, turning toward him, face dripping its own ink.

    It moved toward him, walking on its arms, but those had grown more round. With knobbed segments.

    Painter continued. Stroke. Flourish. Leaves made with quick flips of the brush, blacker than the main body of the bamboo. Similar protrusions appeared on the arms of the thing as it drew closer. It also shrank upon itself as he painted a pot at the bottom. As always, the image captured the thing. Diverted it. So that, by the time it reached him, the transformation was fully in effect.

    He never lost himself in the painting these days. After all, he told himself, he had a job to do. And he did that job well. As he finished, the thing even adopted some of the sounds of bamboo—the soft rattle of stalks beating against one another, to accompany the omnipresent buzz of the hion lines above.

    He sat back, leaving a perfect bamboo painting on his canvas, mimicked by the thing in the alleyway, leaves rustling softly and brushing the sides of the walls. Then, with a sound very much like a sigh, it dispursed—trapped as it was, it couldn’t flee back to the outskirts of the city and rejoin the shroud to regain strength. Instead, like water trapped on a hot plate, it just…evaporated.

    Soon, Painter was alone in the alleyway. He packed up his things, sliding the canvas back in the large bag with three other unused ones. Then went back on patrol.

    Chapter Four

    The local steamwell erupted right as Yumi was passing—at a safe distance—on the way to the Place of Ritual.

    A glorious jet of water ascended from the hole in the center of the village. A furious, superheated cascade which reached forty feet at its highest—a gift from the spirits deep below. That was a decent height for this region.

    The homes were built a good distance back, of course. In a ring around the steamwell. Like oh so many things in life, you wanted to be close—but not too close. Steamwells were life in this land. So long as you didn’t fraternize.

    The water—the part that didn’t escape as steam—rained down on large bronze trays, set up in six concentric rings around the geyser. Elevated from the ground to keep them cool, the metal funneled the water down the slope toward the nearby homes. There were some sixty of those in the town—with room to grow, judging by how much water the steamwell released.

    You needed that water to thrive in the land. Rain was rare, and rivers…well, one can imagine what the superheated ground did to prospective rivers. Water wasn’t rare in Yumi’s land, but it was concentrated, centralized, elevated. The air nearest the Steamwells was humid, nourishing migratory plants and other lively entities. You often found clouds above the steamwells, offering shade and occasional rainfall.

    Further out from the city, though, were the searing barrens. Wastelands where the ground was too hot even for plants; the stone here could set clogs afire and kill travelers who lingered. In Torio, you traveled only at night, and only upon hovering wagons—pulled by flying devices created by the spirits. Needless to say, most people stayed home.

    The loud pelting of drops against metal basins drowned out the murmurs of the watching crowds. For now Yumi could be seen—bathing finished, prayers proffered—and her attendants followed with fronds lowered, the ritual sign that the gathered townspeople could gawk at her.

    She kept her eyes lowered, and she walked with a practiced step—a yoki-hijo must glide, as if a spirit herself. She was glad for the sound of the steamwell, for though she didn’t mind the whispers and murmurs of awe, they did sometimes…overwhelm.

    She quickly reminded herself that the people’s awe wasn’t for her, but her calling. She needed to remember that, needed to banish pride and remain reserved. She most certainly needed to avoid anything embarrassing—like smiling. Out of reverence for her station.

    The station, in return, didn’t notice. As is the case with many things that people revere.

    She passed homes, most of which were in two tiers: one section built against the ground to benefit from the warmth and heat. Another built on stilts, with air underneath to keep it cooler. Imagine two large planter boxes built against one another, one elevated four feet, the other resting on the ground. Most all of them had a tree or two chained to them. Stocky, only about eight feet from tips of branches to bottom of their wide, webbed roots. Of course, these hovered about two feet in the air, riding the thermals.

    Lighter plants hovered high in the sky, throwing down variegated shadows. During the daytime, you only found low plants in places like gardens, where the ground was cooler. That, and where humans worked to keep them nearby, so they didn’t float away, or get floated away. Torio is the only land I’ve ever heard of with tree rustlers.

    At the far side of the town was the kimomakkin, or—as we’ll use it in this story—the Place of Ritual. A village usually had only one, lest the spirits get jealous of one another. A few flowers floated nearby, and when Yumi entered, her passing caused them to eddy and spin in behind her. They immediately shot up high into the sky. The place of ritual was a section of extra hot stone, though not nearly on the level of the outlands. You’d have found it as hot as walking on sand in the summertime—hot enough to be dangerous, but not in most cases deadly.

    Here, heat was sacred. The village people gathered outside, their clogs scraping stone, parents lifting children. Three local spirit scribes settled on tall stools to sing songs that, best I can tell, the spirits don’t even notice. I approve of the job nonetheless. Anything to gainfully employ more musicians. It’s not that we’re unable to do anything else; it’s more that if you don’t find something productive for us to do, we’ll generally start asking ourselves questions like, “Hey, why aren’t they worshipping me?”

    Everyone waited at the perimeter of the Place of Ritual, including Liyun. The songs started, a rhythmic chanting accompanying simple percussion of wooden sticks on wooden pans. A flute in the background, all of it growing more audible as the steamwell finished relieving itself and stumbled back off to sleep.

    Inside the Place of Ritual was just Yumi.

    The spirits deep underground.

    And a whole lot of rocks.

    The villagers spent months gathering them, setting them out through the city, then deliberating over which ones had the best shapes. You may think your local pastimes are boring, and the things your parents always forced you to do mind-numbing, but at least you didn’t spend your days excited by the prospect of ranking rock shapes.

    Yumi put on a pair of knee pads, then knelt in the center of the rocks, spreading her skirts—which rippled and rose in the thermals. Normally, you did not want your skin to brush the ground. Here, there was something almost intimate about kneeling. Spirits gathered in places warm. Or, rather, warmth was a sign they were near.

    They were unseen as of yet. You had to draw them forth—but they wouldn’t come to the beck of just anyone. You needed someone like Yumi. You needed a girl who could call to the spirits.

    There were many ways that worked, but they shared a common theme: creativity. Most self-aware invested beings—be they called fay, seon, or spirit—respond to this fundamental aspect of human nature in one way or another.

    Something from nothing. Creation.

    Beauty from raw materials. Art.

    Order from chaos. Organization.

    Or in this case, all three at once. Each yoki-hijo trained in an ancient and powerful art. A kind of deliberate, wonderous artistry, requiring the full synergy of body and mind. Geological reorganization on the micro-scale, involving gravitational equilibrium.

    In other words, they stacked rocks.

    Yumi selected one with an interesting shape and carefully balanced it on end, then removed her hands and left it standing—oblong, looking like it should fall. The crowd gasped, though nothing arcane or mystical was on display. This was a result of instinct and practice. She place a second stone on the first, then then two on top at once—balancing them against one another in a way that looked impossible. The two incongruous stones—one leaning out to the right, the other precariously resting on its left tip—stayed steady as she pulled her hands away.

    There was a deliberate reverence to the way Yumi moved, positioning rocks, then seeming to cradle them for a moment—stilling them, like a mother with a sleeping child. Then she’d pull her hands away, and leave the rocks as if a breath away from collapse. It wasn’t magic. But it was certainly magical.

    The crowd ate it up. If you think their fascination to be odd, well…I’m not going to disagree. It is a little strange. Not just the balancing, but the way her people treated the performances—and creations—of the yoki-hijo as the greatest possible triumphs of artistry.

    But then again, there’s nothing intrinsically valuable about any kind of art. That’s not me complaining or making light. It’s one of the most wonderful aspects to art—the fact that people decide what is beautiful. We don’t get to decide what is food and what is not. (Yes, exceptions exist. Don’t be pedantic. When you pass those marbles, we’re all going to laugh at you.) But we absolutely get to decide what counts as art.

    If Yumi’s people wanted to declare that arranging rocks surpassed painting or sculpture as an artistic creation…well, I personally found it fascinating.

    And the spirits agreed.

    Today, Yumi created a spiral, using the artist’s sequence of progress as a kind of loose structure. You might know it by a different name. One, one, two, three, five, eight, thirteen, twenty-one, thirty-four. Then back down. The piles of twenty or thirty rocks should have been the most impressive—and indeed, the fact that she could stack them so well is incredible. But she found ways to make the stacks of five or three delight just as much. Incongruous mixes of tiny rocks, with enormous ones balanced on top. Shingled patterns of stones, oblong ones hanging out precariously to the sides. Stones as long as her forearm balanced on their tiniest tips.

    From the mathematical descriptions, and the use of the artist’s sequence, you might have assumed the process to be methodical. Calculating. And yet, somehow, it felt more a feat of organic improvisation than it did one of engineering prowess. Yumi swayed as she stacked, moving to the beats of the drums. She’d close her eyes, swimming her head from side to side as she felt the stones grind beneath her fingers. Judged their weights, the way they tipped.

    Yumi didn’t want to just accomplish the task. She didn’t want to just perform for the whispering, excitable audience. She wanted to be worthy. She wanted to sense the spirits, and know what they wanted of her.

    They deserved so much better than her. They deserved someone who did more than Yumi’s best. Someone who didn’t secretly yearn for freedom. Someone who didn’t—deep down—reject the incredible gift she’d been given.

    Over the course of several hours, the sculpture grew into a brilliant spiral of stacks. Yumi outlasted the drumming women, who fell off after about two hours. She continued as people took children home for naps, or slipped away to eat, and even long enough that Liyun had to duck away to use the facilities, then hastily return.

    Those watching could appreciate the sculpture, of course. But the best place to view it was from above. Or below. Imagine a great swirl made up of stacked stones, evoking the feeling of blowing wind, spiraling, yet made entirely from rock. Order from chaos. Beauty from raw materials. Something from nothing. The spirits noticed.

    In record numbers, they noticed.

    As Yumi continued through scraped fingers and aching muscles, they began to float up from the stones beneath. Teardrop shaped, radiant like the sun—a swirling orange and blue—and the size of a person’s head. They’d rise up and settle next to Yumi, watching her progress, transfixed. They didn’t have eyes—they were little more than blobs—but they could watch. Sense, at least.

    Spirits of this sort find human creations to be fascinating. And here, because of what she’d done—because of who she was—they knew this sculpture was a gift. As the day grew dark, and the plants began to drift down from the upper layers of the sky, Yumi finally started to weaken. By now, her fingers were bloodied—the callouses scraped away by repetitive movement. Her arms had moved from sore, to numb, to somehow both sore and numb.

    It was time for the next step. She couldn’t afford a childish mistake like she’d suffered in her early years: that of working so hard that she collapsed unconscious before binding the spirits. This wasn’t simply about creating the sculpture or providing a pious display. There was a measure of practicality attached to this day’s art, like a rider in a contract.

    Feeling too tired to stand, Yumi turned from her creation—which contained hundreds of stones, the plies at the side of the yard depleted. Then she blinked, counting the spirits who surrounded her, each in its glory—in this case, looking a little like an series of overly large ice cream scoops that had tumbled from the cone.

    Thirty-seven.

    She’d summoned thirty-seven.

    Most yoki-hijo were lucky to get six. Her previous record had been twenty.

    Yumi wiped the sweat from her brow, then counted again through blurry eyes. She was tired. So (lowly) tired.

    “Send forth,” she said, voice croaking, “the first supplicant.”

    The crowd agitated with excitement, and people went running to fetch friends or family members who had fallen off during the hours of sculpting. A strict order of needs was kept in the town, adjudicated by methods Yumi didn’t know. Supplicants were arranged, with the lucky five or six at the top all but guaranteed a slot.

    Those lower down would usually have to wait another year or more for another yoki-hijo to grant their needs. As spirits usually remained bound for five to ten years—with their effectiveness waning in the latter part of that—there was always a grand need for the efforts of the yoki-hijo. Today, for example, there were twenty-three names on the list, even though they’d only expected a half dozen spirits to arrive.

    As one might imagine, there had been a fervor among the members of the town council to fill out the rest of the names. Yumi was unaware of this. She simply positioned herself at the front of the arena, kneeling, head bowed—and trying her best not to collapse sideways to the stone.

    Liyun allowed the first supplicant in, a man with a head that sat a little too far forward on his neck, like a picture that had been cut in half, then sloppily taped back together. “Blessed bringer of spirits,” he said, wringing his cap in his hands, “we need light for my home. It has been six years, and we have been without.”

    Six years? Without a light at nights? Suddenly, Yumi felt even more selfish for her attempt to escape her duties earlier. “I am sorry,” she whispered back, “for failing you and your family these many years.”

    “You didn’t—” The man cut himself off. It wasn’t proper to contradict a yoki-hijo. Even to try to compliment them.

    Yumi turned to the first of the spirits, who inched up beside her, curious. “Light,” she said. “Please. In exchange for this gift of mine, will you give us light?” At the same time, she projected the proper idea. Of a flaming sun becoming a small glowing orb, capable of being carried in the palm of your hand.

    “Light,” the spirit said to her. “Yes.”

    The man waited anxiously as the spirit shivered, then divided in half—one side glowing brightly, with a friendly orange color, the other becoming a dull blue sphere. So dark, it could be mistaken for black, particularly at dusk.

    Yumi handed the man the two balls, each fitting in the palm of one hand. He bowed and retreated. The next requested a repelling pair, like was used in the garden veranda, to lift her small dairy into the air—and keep it cooler and let her make butter. Yumi complied, speaking to the next spirit in line, coaxing the spirit to split into the shape of two squat statues with grimacing features.

    Each supplicant in turn got their request fulfilled. It had been years since Yumi had accidentally confused or frightened off a spirit—though these people didn’t know it, and so each waited in worried anticipation, fearing that their request would be one where the spirit turned away.

    It didn’t happen, though each request took longer to fulfill, longer to persuade, as the spirits grew more detached from her performance. And each request took a little…something from Yumi. Something that recovered over time, but in the moment, left her feeling empty. Like a jar of jelly tea, being emptied scoop by scoop.

    Some wanted light. A few wanted repelling devices. The majority requested flyers—hovering devices about two feet across. These could be used to help care for crops during the daytime, when they soared high and out of the reach of the farmers—and needed to be watched by the village’s great crows instead. There were some threats the crows could not manage, and being able to interact with them at height was a huge benefit, so a good fleet of flyers was a necessity for most settlements.

    One could make basically anything out of a spirit, provided it was willing and you could formulate the request properly. To Torish people, using a spirit for light was as natural—and as common—as candles or lanterns might be among others. You might consider wasteful of the great cosmic power afforded them, but theirs was a harsh land where the ground itself could literally boil water. You’ll just have to forgive them for making use of the resources they had.

    Getting through all thirty seven spirits was nearly as grueling as the art itself—and by the end, Yumi continued in a daze. Barely seeing, barely hearing. Mumbling ceremonial phrases by rote and projecting to the spirits with more primal need than crisp images. But eventually, the last supplicant bowed and hurried away with his new spirit saw. Yumi found herself alone before her creation, surrounded by cooling air and floating lilies that were drifting down to her level as the thermals cooled.

    Done. She was…done?

    Each bound spirit had reinforced her sculpture, the stones of which would now resist tipping as if they’d been glued in place. As the bond weakened, and the stones eventually started to drop over the years, the powers of the spirits would respond in kind. But in general, the more spirits you bound in a session, the longer all of them would last. What she’d done that day was unprecedented.

    Liyun approached to congratulate her on the work so well done. She found, however, not a magnificent master of spirits—but an exhausted nineteen year old girl, collapsed unconscious, her hair fanning around her on the stone and her ceremonial silks trembling in the breeze.

    Chapter Five

    The nightmares had originally come from the sky.

    Painter had heard the stories. Everyone had. They weren’t quite histories, mind you. They were fragments of stories that were likely exaggerations. They were taught in school regardless. Like a man with diarrhea in a sandpaper factory, sometimes all available options are less than ideal.

    I watched it rain the blood of a dying god, one account read. I crawled through tar that took the faces of the people I had loved. It took them. And their blood became black ink.

    Those are the words of a poet who, after the event, didn’t speak or even write for thirty years.

    Grandfather spoke of the nightmares, another woman had written years later. He doesn’t know why he was spared. He stares at nothing when he speaks of those days spent crawling in the darkness, that terror from the sky, until he found another voice. They met and huddled, weeping together, clinging to one another—though they had never met before that day, they were suddenly brothers. Because they were real.

    And then, this one, which I find most unnerving of them all: It will take me. It creeps under the barrier. It knows I am here. That one was found painted on the wall of a cave, roughly a hundred years later. No bones were ever located.

    Yes, the records are sparse, fragmentary, and feverish. You’ll need to forgive the people who left them; they were busy surviving an all-out societal collapse. By Painter’s time, it had been seventeen centuries—and so far as they were concerned, the blackness of the shroud was normal.

    But they’d only survived because of the hion: the lights that drove back the shroud. The energy by which a new society could be forged—or, in the parlance of the locals, painted anew. But this new world required dealing with the nightmares, one way or another.

    “Another bamboo?” Sukishi said, sliding the top canvas from Painter’s bag.

    “Bamboo works,” Painter said. “Why change if it works?”

    “It’s lazy,” Sukishi replied.

    Painter shrugged. His shift finished, it was time to turn in his paintings at the foreman’s office. The small room was lit by a small hanging chandelier. If you touch opposite lines of hion to either side of a piece of metal, you can make it heat up. From there, you were just a little sideways skip away from the incandescent bulb. As I said, not everything in the city was teal or magenta—though with hion outside, there generally wasn’t any need for street lights.

    Sukishi marked a tally by Painter in the ledger. There wasn’t a strict quota—everyone knew that encountering nightmares was random, and there were more than enough painters. On average, you’d find one nightmare a night—but sometimes, you went days without even seeing one.

    They still kept track. Go too long without a painting to turn in and questions would be asked. Now, the more lazy among you might notice a hole in this system. In theory, the rigorous training required to become a painter was supposed to weed out the sort of person who would just paint random things without actually encountering any nightmares. But there was a reason Sukishi hesitated and narrowed his eyes at painter after looking at the second canvas, and revealing a second bamboo painting.

    “Bamboo works,” Painter repeated.

    “You need to look at the shape of the nightmare,” Sukishi said. “You need to match your drawing to that, changing the natural form of the nightmare into something innocent, non-threatening. You should only be drawing bamboo if the things look like bamboo.”

    “They did.”

    Sukishi glared at him, and the old man had an impressive glare. Some facial expressions, like miso, required aging to hit their potency.

    Painter feigned indifference, taking his wages for the day and stepping back out onto the street. He slung his bag over his shoulder—with his tools and remaining canvases—and went searching for some dinner.

    The Noodle Pupil was the sort of corner restaurant where you could make noise. A place where you weren’t afraid to slurp as you sucked down your dinner, where your table’s laughter wasn’t embarrassing because it mixed like paint with that coming from the next table over. Though less busy on the “night” shift than during the “day,” it was still somehow loud, even when it was quiet.

    Painter hovered around the place like a mote of dust in the light, looking for a place to land. The younger painters from his class congregated here with the sort of frequency that earned them their own unspoken booths or tables. A double-line of hion outlined the broad picture window in the front, glowing, made it look like a futuristic screen. Those same lines rose like vines above the window, spelling out the name in teal and magenta, with a giant bowl of noodles on top.

    (Technically, I was a part owner in that noodle shop. What? Renowned, interdimensional storytellers can’t invest in a little real estate now and then?)

    Painter stood outside, absorbing the laughter, like a tree soaking up the light of hion. Eventually, he lowered his head and ducked inside, looping his large shoulder bag on one of the prongs of the coat rack without looking. Fifteen other painters occupied the place, congregated around three tables. Akane’s table was in the back, where she was adjusting her hair. Tojin knelt low beside the table, solemnly adjudicating a noodle-eating contest between two other young men.

    Painter sat down at the bar. He was, after all, a solitary defense against the miasma outside the city. A lone warrior. He preferred eating alone, obviously. He wouldn’t even have stopped in, save for his tragic mortality. Even solemn, edgy warriors against darkness needed noodles now and then.

    The restaurant’s keeper flitted over behind the bar, then folded her arms and kind of hunched over as she stood, mimicking his pose. Finally, he looked up.

    “Hey, Design,” he said. “Um…can I have the usual?”

    “Your usual is so usual!” she said. “Don’t you want to know a secret? I’ll wrap it up and put it in your noodles if you order something new. But I’ll also tell you, because the paper will get soggy if it’s in the noodles too long, and you won’t be able to read it anyway.”

    “Uh…” Painter said. “The usual. Please?”

    “Politeness,” she said, pointing at him, “accepted.”

    She…did not do a good job acting human. I take no blame, as she repeatedly refused my counsel on the matter. At least her disguise was holding up. People did wonder why the strange noodle-shop woman had long, white hair, despite appearing to be in her young twenties. She wore tight dresses, and many of the painters had crushes on her. She insisted, you see, that I make her disguise particularly striking.

    Or, well, I should say it in her words. “Make me pretty so they’ll be extra disturbed if my face ever unravels. And give me voluptuous curves, because they remind me of a graphed cosign. And also because boobs look fun.”

    It wasn’t an actual body—everyone kind of learned their lesson on that—but rather a complicated wireframe Lightweaving with force projections attached directly to her cognitive element as it manifested in the physical realm. But as I was getting pretty good at the technical side of all this, you can pretend it functioned the same as flesh and blood.

    With Painter there, I could see what was happening—so I’ll admit to some pride regarding way Painter’s eyes followed Design as she walked over to begin preparing his meal. Granted, he did overdo it—his eyes lingered on her the entire time she worked. But don’t judge him too harshly. He was nineteen, and I’m a uniquely talented artist.

    Design soon returned with his bowl of noodles, which she set into a circular nook carved into the wood. The hion lines—one connected to either end of bar—ran heat through the element at the bottom of the bowl, to keep the broth warm on chill Kilahito nights.

    From behind, laughter and chanting heated up as the noodle-competition progressed. Painter, in turn, broke his maipon sticks apart and ate slowly, in a dignified way, befitting one of his imaginary station.

    “Design,” he said, trying not to slurp too loud. “Is…what I’m doing important?”

    “Of course it is,” she said, lounging down across the bar from him. “If you all didn’t eat the noodles, I think I’d run out of places to store them.”

    “No,” he said, waving to his bag, still hanging from one arm of the restaurant’s curiously-shaped coat rack. “I mean being a nightmare painter. It’s an important job, right?”

    “Uh, yeah,” Design said. “Obviously. Let me tell you a story. Once upon a time there was a place with no nightmare painters. Then the people got eaten. It’s a short story.”

    “I mean, I know it’s important in general,” Painter said. “But…is what I’m doing important?”

    Design leaned forward across the bar, and he met her eyes. Which was difficult for him, considering her current posture. That said, some of you may have heard of her kind. I suggest, if you have the option, that you avoid trying to meet a Cryptic’s gaze. Their features—when undisguised—bend space and time, and have been known to lead to acute bouts of madness in those who try to make sense of them. Then again, who hasn’t wanted to flip off linear continuity now and then, eh?

    “I see what you’re saying,” she told him.

    “You do?” he asked.

    “Yes. Noodles seven percent off tonight. In respect for the service of your brave painting services.”

    It…wasn’t what he’d been talking about. But he nodded in thanks anyway. Because he was a young person working a vitally important, relatively low-paying job. Seven precent was seven percent.

    Design, it should be noted, only gave discounts in prime number increments. Because, and I quote, “I have standards.” Still not sure what she meant.

    She turned to see to another customer, so Painter continued slurping down the long noodles in warm, savory broth. The dish was quite good. Best in the city, according to some people, which isn’t that surprising. If there’s one thing you can count on a cryptic to do, it’s follow a list of instructions with exacting precision. Design had little vials of seasoning she added to the broth, each one counted to the exact number of grains of salt.

    Halfway through the meal, he looked to the side as Akane stepped up to the bar to get some drinks. He looked away. She was gone a moment later, carrying cans of something festive to the others.

    He ate the rest of the noodles in silence. Finally, Design noticed he was almost done. “Rice?” she asked.

    “Yes, please.”

    She added a scoop soak up the rest of the broth, and he ate it down.

    “You could go talk to them,” Design said softly, wiping at the counter with a rag.

    “I tried that in school. It didn’t go well.”

    “People grow up. It’s one of the things that makes them different from rocks. You should—”

    “I’m fine,” he said. “I’m a loner, Design. You think I care what others think of me?”

    She cocked her head, squinting with one eye. “Is that a trick question? Because you obviously—”

    “How much?” he said. “With the discount?”

    She sighed. “Six.”

    “Six? A bowl normally costs two hundred kon.”

    “Ninety-seven percent off,” she said. “Because you need it, Painter. You sure about this? I could go talk to them, tell them that you’re lonely. Why don’t I go do it right now?”

    He laid a ten kon coin on the counter with a quick bow of thanks. Then, before she could push him further to do something that was probably good for him, he grabbed his bag from among the others hanging on the rack. He’d always found the statue coatrack a strange addition to the restaurant. But it was a quirky place. So, why not have a coat rack in the shape of a man with hawkish features and a sly smile?

    Unfortunately, I had been quite aware of my surroundings when my ailment first struck. I had screamed inside when Design—thinking me too creepy otherwise—had spray painted me copper. Then, ever practical, she’d added a crown and several large bandoliers with poles on them for holding more bags or coats.

    (As I said, I said I owned the restaurant. Part, at least. She ransacked my pockets for the money to build the place. I didn’t run it, though. You can’t do that when you’ve been frozen in time.

    For your information, I have it on good authority that I made an excellent coat rack. I prefer not to think of it as an undignified disposal of my person, but rather me pulling off an incredible disguise.)

    Painter stepped outside, heart thumping. A faint mist in the air gave the street a reflective sheen—an empty passage, lights hanging above, and then seeming to coat the ground below.

    He breathed in, and out, and in again. And there, having fled from Design’s offers, he found it harder to maintain the fabrication. He wasn’t a loner. He wasn’t some proud knight, fighting the darkness for honor. He wasn’t important, interesting, or even personable. He was just one of likely thousands of unremarkable boys without the courage to do anything notable—and worse, without the skill to go underappreciated.

    It was an unfair assessment of himself. But he thought it anyway, and found it difficult to stomach. Difficult enough that he wanted to retreat back toward his easy lies of self-imposed solitude and noble sacrifice. Unfortunately, another part was beginning to find those attitudes silly. Cringeworthy. With a sigh, he started off toward his apartment, his large painter’s bag across his shoulder and resting against his back.

    At the first intersection, though, he spotted a tell-tail sign: whisps of darkness curling off the stone at the corner. A nightmare had passed this way recently.

    That wasn’t too surprising. They were still in the poorer section of town, near the perimeter. Nightmares passed this way with some regularity. Another painter would find this one, eventually. He was off shift. Hands in pockets, absorbed by his personal discontent, he walked on past the corner. If he hurried home, he could still catch the opening of his favorite drama that would be broadcast through the hion viewer.

    A light rain blew through the city, playing soft percussion on the street, making the reflected lines of light dance to the beat. Those dark wisps began to fade from the corner of stone. The trail going cold.

    Two minutes later, Painter returned, stepping through a puddle and muttering to himself that the first part of the drama was always a recap anyway.

    Chapter Six

    Yumi awoke on the floor of her wagon, a blanket over her. The chill air of night had won its daily battle, driving back the deep heat of the stones beneath. She had been bathed, dressed in her formal sleeping gown, and placed here. Surrounded by flower petals in a circle, along with a ring of seeds for luck. Starlight cut around her in a square, reaching in through the window to gawk.

    Sore, still somehow exhausted despite her hours of sleep, Yumi huddled in her blankets. The stone floor was comfortably warm. They lowered the wagon at nights, to touch the ground and draw forth its heat. You always wanted a home to touch the stones in some way for warmth at night—or for cooking in the day. People on other worlds don’t know what they’re missing; there’s a unique comfort to being able to lay down, drape a blanket over yourself, and bake in the floor’s own radiance. It was almost like the planet itself was feeding you life and strength.

    Yumi huddled there for some time, trying to recover. She knew she should have felt pride at her accomplishment, and virtually any other person would have.

    But she just…felt tired. And guilty because of her lack of proper emotions.

    And more tired, because guilt of that sort is exceptionally difficult to carry. Heavier than the rocks she’d moved earlier.

    Then ashamed. Because guilt has a great number of friends, and keeps their addresses handy for quick summons.

    Heat seeped up around Yumi, but didn’t seem to be able to enter her. It cooked her, but she remained raw in the middle. She stayed there until the door opened. You might have heard clogged footsteps approaching first, but Yumi didn’t notice.

    The figure in the doorway—in the deep of night, it was little more than a drop of ink on black paper—waited. Until finally Yumi looked up, realizing she’d been crying. The tears hit the floor and didn’t immediately evaporate.

    “How did I do today, Liyun?” Yumi finally asked.

    “You did your duty,” Liyun replied, voice soft, yet rasping. Like ripping paper.

    “I…have never heard of a yoki-hijo summoning thirty-seven spirits in one day before,” Yumi said, hopeful. It wasn’t her warden’s job to compliment her. But…it would feel good…to hear the words nonetheless.

    “Yes,” Liyun said. “It will make people question. Were you always capable of this? Were you holding back in other cities, refusing to bless them as you did this one?”

    “I…”

    “I’m certain it is wisdom in you, Chosen,” Liyun said. “To do as you did. I am certain it is not you working too hard, so that the next town in line gets a much smaller blessing, and therefore thinks themselves less worthy also.”

    Yumi felt sick at the very thought. Her arms dangled at her sides, because moving them was painful. “I will work hard tomorrow.”

    “I am sure you will.” Liyun paused. “I would hate to think that I trained a yoki-hijo who did not know how to properly pace herself. I would also hate to think that I was such a poor teacher that my student thought it wise to pretend to be unable of reaching her full potential, in order to have an easier time of her job.”

    Yumi shrank down further, wincing at the throbs of pain from muscles in her arms and back. It seemed that even in great success, she did not do enough.

    “Neither is true, fortunately.”

    “I will tell Gongsha Town,” Liyun said. “They can look forward to a visit from a strong yoki-hijo tomorrow.”

    “Thank you.

    “May I offer a reminder, Chosen?”

    Yumi glanced up, and kneeling where she was, the perspective made Liyun seemed to be ten feet tall. A silhouette against the night, like a cutout with blank space in the middle.

    “Yes,” Yumi said, “please.”

    “You must remember,” Liyun said, “that you are a resource to the land. Like the water of the steamwell. Like the plants, the sunlight, and the spirits themselves. If you do not take care of yourself, you will squander the great position and opportunity you have been given.”

    “Thank you,” Yumi whispered.

    “Sleep now, if it pleases you. Chosen.”

    It takes real talent to use an honorific as an insult. I’ll give Liyun that much; it’s professional courtesy, from one hideous bastard to another.

    Liyun shut the door with a click, and Yumi looked down, continuing to kneel. But she didn’t go back to sleep. She felt too much. Not just pain, not even just shame. Other, rebellious things. Numbness. Frustration. Even…anger.

    She hauled herself to her feet, walking across lukewarm stone floor of the wagon to the window. But from here, she could see the rice bushes, which had lowered from the sky as the thermals cooled. A starlit collection of hundreds of individual plants, spinning and drifting lazily near the stone, their gas pockets slowly reinflating—one under each of the four broad leaves, with a cluster of seeds growing on top. It wasn’t actually rice, as you’d call it on Scadrial. The local word was mingo. But it boiled up close to the same—except for the deep blue-purple color—so we’ll use the more familiar word.

    As Yumi watched, a burst of rice bushes jetted into the air, some dozen plants catching a rogue night thermal. Then they drifted lazily back down, where small creatures scurried underneath—looking for something to nibble on, and avoiding serpents. Both prey and hunter slept in trees during the heat. If they were fortunate, or unfortunate depending on the perspective, they picked different trees.

    A gust across the field made it shiver and sway to the side, but night farmers moved along, waving large fans to keep the crops contained. Somewhere distant in the town, a giant crow cawed. (They aren’t as big as everyone says; I’ve never seen one the size of a full grown man. More like the size of a seven or eight year old.) A village corvider soon hushed the animal with soothing words and a treat.

    Yumi wished she had someone to comfort her. Instead, she rested aching arms on the windowsill and stared out at the placid crops, turning lazily, occasionally jetting into the air. A tree leashed to the side of the building shivered in the breeze, its branches casting lines of shadow across Yumi’s face.

    She could maybe just…crawl out of the window, and start walking. No night farmer would stop a yoki-hijo. She should have felt ashamed at the thought, but she was full up with shame at the moment. A cup filled to the top can’t hold anything more. It just spills out the sides, then boils on the floor.

    She wouldn’t leave, but that night, she wished she could. Wished she could escape the prison of her ceremonial nightgown. She wasn’t even allowed to sleep as a normal person. She had to be reminded by her very undergarments what she was. Chosen at birth. Blessed at birth. Imprisoned at birth.

    I… A voice said in her mind. I understand…

    Yumi started, spinning around. Then she felt it, from deep below. A… A spirit. Her soul vibrated with its presence, a powerful one.

    Bound… It said. You are bound…

    Spirits understood her thoughts. That was part of her blessing. But they very, very rarely responded. She’d only heard of it happening in stories.

    I am blessed, she thought toward it, bowing her head, suddenly feeling extremely foolish. How had she let her fatigue drive her to such insane thoughts? She’d anger the spirits. Suddenly, she had a terrible premonition. The spirits refusing to come at her performances. Villages going without light, without food, because of her. How could she reject such a—

    No… The spirit thought. You are trapped. And we…we are trapped…like you…

    Yumi frowned, stepping back to the window. Something was different about this voice. This spirit. It seemed…so very tired. And it was distant? Barely able to reach her? She looked up to the sparkling sky—and the bright daystar, stronger than them all. Was…the spirit…talking to her from there?

    You work so hard, the spirit said. Can we give you something? A gift?

    Yumi’s breath caught.

    She’d read that story.

    Most cultures have something similar. Some are terrible, but this wasn’t one of those places. Here, the boons of spirits were always associated with wonderous adventure.

    She didn’t want adventure, though. She hesitated. Teetered, like a stone unbalanced. Then, in what was the most difficult moment of her life, she lowered her eyes.

    You have already blessed me, she said. With the greatest gift a mortal can have. I accept my burden. It is for the best of my people. Forgive my idle thoughts earlier.

    Very well… the distant spirit said. Then…could you give…us a boon?

    Yumi looked up. That…never happened in the stories.

    How? she asked.

    We are bound. Trapped.

    She glanced toward the corner of the room, where a spirit light—the spheres touching to turn the light off for sleep—lay on a counter. It was identical to those she’d made earlier today. One light sphere, one dark. Trapped?

    No, the spirit thought. That is not our prison… We…have a more terrible…existence. Can you free us? Will you…try? There is one who can help.

    Spirits in trouble? She didn’t know what she could do, but it was her duty to see them cared for. Her life was to serve. She was the yoki-hijo. The Girl of Commanding Primal Spirits.

    Yes, she said, bowing her head again. Tell me what you need, and I will do whatever I can.

    Please, it said. Free. Us.

    All went black.

    Chapter Seven

    Painter wound through the next set of streets, tracking the nightmare as the rain tapped him on the head. The trail was difficult to follow; the dark whisps seemed to vanish in the haze of the rain. He had to backtrack twice as the streets grew more narrow, more winding, around through the huddled tenements of the city’s outer ring.

    Deep in here, the hion lines overhead were as thin as twine, barely giving him enough light to see by. It got so bad that, eventually, he decided that he’d likely lost the trail. He turned to return home, passing a slit of a window he’d neglected to glance through just earlier.

    He checked it this time, and found the nightmare inside, crouched at the head of a bed.

    The room was lit by a faint line of teal hion tracing the ceiling, making shadows of the room’s meager furniture and frameless mattress, which held three figures. Parents that the nightmare had ignored. And a child, who made for more…tender prey.

    The little boy was, perhaps, four. He huddled on his side, eyes squeezed shut, holding to a worn pillow that had eyes sewn on it—a poorer family’s approximation of a stuffed toy. The use indicated it was loved anyway.

    The nightmare was tall enough that it had to bend over, or its head would have hit the ceiling. A sinuous, boneless neck. A body with a lupine features, legs that bent the wrong way, a face with a snout. With a sense of dread, Painter realized why this one had been so difficult to track. Virtually no smoke rose from its body. Most telling, it had eyes. Bone white, like drawn in chalk, but deep. Like holes going deep down into the skull.

    This barely dripped darkness from its face. It was almost fully stable. No longer formless. No longer aimless.

    No longer harmless.

    This thing must have been incredibly crafty to have escaped notice this long. It took ten feedings for a nightmare to coalesce to this level. Only a few more, and it would be fully solid. Painter stepped backward, trembling. It already had substance. Things like this could…could slaughter hundreds. Things like this had destroyed entire towns in the past, most recently one known as Futinoro, destroyed only thirty years back—the most recent such tragedy.

    This was above his pay grade. Quite literally. There was an entire specialized division of painters tasked with stopping stable nightmares. They traveled the land, going to towns where one was spotted.

    The sound of a small sniffle broke through Painter’s panic. He ripped his eyes from the nightmare to look back at the bed, to where the child—trembling—had squeezed his eyes closed even tighter.

    The child was awake.

    At this stage, the nightmare could feed on direct terror just as easily as did the formless fear of a dream. It ran clawed fingers across the child’s cheek, leaving streaks of blood from slicked skin—the gesture was almost tender. And why shouldn’t it be? The child had given the thing shape and substance, ripped directly out of his deepest fears.

    Now, the story thus far might have given you an unflattering picture of Painter. And yes, much of that picture is probably justified. Many of his problems in life were his own fault—and rather than try to fix them, he alternated between comfortable self-delusion and pointless self-pity.

    But you should also know that right then—before the nightmare saw him—he could have easily slipped away into the night. He could have reported this to the foreman, who would have sent for the dreamwatch. Most painters would have done just that.

    Instead, he reached for his painting supplies.

    Too much noise. Too much noise! He thought as he slapped his bag down on the pavement and scrambled for a canvas. Lessons he didn’t realized he’d internalized returned to him: he couldn’t wake the people in the room. If the parents started screaming, the stable nightmare would attack and people would die.

    Calm. Calm. Don’t feed it.

    His training barely held as he, trembling, spilled out canvas, brush, and paints. He looked up.

    And found the thing at the window, long neck stretching out through toward him, knife-fingers scraping the wall inside the room. Two white eye-holes seemed to want to suck him into them, pull him through to some other eternity. Before this day, he’d never seen a nightmare with anything resembling a face, this one smiled with bone-white, lupine teeth.

    Painter’s fingers slipped on the ink jar, and it hit the ground before him with a clink, spraying ink on the ground. He struggled to keep his calm as he fumbled for it, then frantically dipped his brush right into the spilled ink.

    The nightmare stretched forward…but then caught. It wasn’t used to having so much substance, and had trouble pulling itself through the wall. The claws were particularly difficult. The delay, though brief, probably saved Painter’s life as he managed to get his umbrella out and opened to shelter his canvas, then started painting.

    He started with bamboo, of course. A…a blob at the bottom, then…then the straight line upward with a swipe. Just the briefest linger then to make the next knob… Like clockwork. He’d done this a hundred times.

    He looked to the nightmare, which slowly slid one hand out through the wall—leaving gouges in the stone. Its smile deepened. Painter, in his current state, was most certainly not invisible to it. And bamboo was not going to be enough this time.

    Painter tossed aside his canvas and pulled the last one from his bag. Nails ground stone as the thing pulled its second hand through the wall. Rainwater actually connected with its head, running down the sides of its grinning face. Crystal tears to accompany the midnight ones.

    Painter began painting.

    There’s a certain insanity that defines artists. The willful ability to ignore what exists. Millenia of evolution have produced in us not just the ability to recognize and register light, but to define colors, shapes, objects. I don’t think we often acknowledge how amazing it is we can tell what something is simply by letting some photons bounce off us.

    An artist can’t see this. An artist has to be able to look at a rock and say, “That’s not stone. That’s a head. At least, it will be, once I pound on it with this hammer for a while.”

    Painter couldn’t just see a nightmare. He had to see what it could be, what it might have been, if it hasn’t been produced by terror. And in that moment, he saw the child’s mother. Though he’d barely glimpsed her face in the bedroom next to her son, he recreated her.

    Turn something terrible into something normal. Something loved. Even with a few brief strokes, he evoked the shape of her face. Stark eyebrows. Thin lips, faint brushes of ink. The curve of cheeks.

    For the briefest moment, something returned to him. Something he’d lost in the monotony of a hundred paintings of bamboo. Something beautiful. Or, if you were a nearly stabilized nightmare, something terrible.

    It fled. An event so incongruous that Painter slipped in his next brush stroke. He looked up, and barely caught sight of the thing running down the alleyway, away from him. It could have attacked, but it wasn’t quite stable yet. And so, it chose to flee, rather than risk letting him bind it into a passive, harmless shape.

    He breathed out, and let the paintbrush slip from his fingers. He was relieved, on one hand. Worried on the other. If it could escape like that…it was dangerous. Extremely dangerous. He had basically no idea how to deal with something like that—and doubted his skill would have been enough to defeat it. Only the most skilled painters could actually bring down a stable nightmare, and he’d learned—painfully—that wasn’t him.

    But fortunately, he didn’t have to do anything more; he’d done enough to frighten it away. Now, he could go and tell his superiors about the experience, and they’d send for the dreamwatch. They could hunt it before it finished its last two feedings, and the city would be safe.

    He left the canvas on the ground beside the umbrella and stepped up to the wall, wrapping arms around himself to try to get some warmth to run through him again. Inside the room, the child had opened eyes and was staring at him. Painter smiled and nodded.

    The kid immediately started screaming. That was more violent a reaction than Painter had been expecting, but it had the desired result: a pair of terrified parents comforting the boy, followed by a hesitant father in shorts hesitantly opening the tiny window.

    He regarded the supplies on the ground—paintings slowly losing their ink to the rain—and the wet young man standing in the alleyway.

    “…Painter?” he asked. “Was it…”

    “A nightmare,” Painter said, feeling numb. “A strong one, feeding off of your son’s dreams.”

    The man backed away from the window, eyes wide. He searched the room, as if to find something hiding in the corners.

    “I frightened it away,” Painter said. “But…this was a strong one. Do you have family in another city?”

    “My parents,” the man said. “In Fuhima.”

    “Go there,” Painter said, speaking words he’d been taught to say in such a situation. “Nightmares can’t track a person that far—your son will be safe until we can deal with the horror. There is a fund available to help you during this time. Once I register what happened, you’ll be able to access it.”

    The man looked back at the child, huddled in his mother’s arms, weeping. Then the man looked back at Painter—who knew what would come next. Demands, asking why he’d let the thing escape. Why he hadn’t been strong enough, good enough, practiced enough to actually capture the thing.

    Instead, the man dropped to his knees, bowing his head. “Thank you,” he whispered. He looked back up at Painter, tears in his eyes. “Thank you.

    Huh. Painter blinked, stammered a second. Then found his words. “Think nothing of it, citizen,” he said. “Just a man doing his job.” Then, with as much decorum he could manage in the rain—and with hands that were still trembling from the stress—he gathered up his things.

    By the time he finished, the family was already packing their meager possessions. You’d forgive Painter for walking a little swiftly, often checking over his shoulder, as he wound back through the narrows of the outer ring. He had the feeling of one who had just been in a crash between two vehicles, or who had nearly been crushed by a falling piece of stone dropped from a construction site. A part of him couldn’t believe he was still alive.

    He breathed a sigh of relief as he stepped back out onto a larger road, and saw other people moving through the street. People up for the morning shift, heading to jobs. The star was low in the sky, just barely visible over the horizon, down hanging right at the end of the street.

    He looked toward the foreman’s offices. But he suddenly, Painter found himself unnaturally tired. His feet like clay, mushy, his head like a boulder. He teetered. He needed…sleep.

    The nightmare would not return to the city tonight. It would run to the shroud, regenerate, then slink in the following…night. He could tell foreman…in the morning…

    He sluggishly, mind a haze, turned toward his apartment. It was near, fortunately. He barely registered arriving, climbing the stairs, and walking to his apartment. It took him four tries to get the key in, but as he stumbled into his room, he paused.

    Dared he sleep? The family…needed his report…for the funds…

    What was happening to him? Why did he suddenly feel like he’d been sucked of strength? He stumbled to the balcony, looking out, at the star. Then, he heard something odd. A rushing sound? Like…water?

    He looked up.

    Something came from the sky and hit him hard.

    All went black.

     

    Painter blinked. He was hot. Uncomfortably hot, and something was shining in his face. A garish light, like from the front of a hion-line bus. He blinked his eyes open, and was immediately blinded by the terrible, overpowering light.

    What was (lowly) going on? He’d hit his head, perhaps? He forced his eyes open against the light and pulled himself—with effort—to his feet. He was wearing…bright cloth? Yes, a silken kind of nightgown, made of bright red and blue cloth.

    Beside him lay a young woman. You’d recognize her as Yumi.

    She opened her eyes.

    Then screamed.

    Secret Project #2 Reveal and Livestream ()
    #1299 Copy

    simonthekillerewok

    In the 2019 and 2020 State of the Sandersons, you talked about a Secret Standalone Cosmere Book. Is this that? Or is that something different?

    Brandon Sanderson

    That's something different.

    simonthekillerewok

    Also, in Livestream #22 in November 2020, you were looking through the cloud archive on your phone and you mentioned there was a Secret Project manuscript there. Was this the book you were referring to? Or is this also something else?

    Brandon Sanderson

    Something else. That one was Kingmaker, which I did a reading of, that didn't work. That's the one I was referencing there. Not one of these, but a different one entirely.

    And the other one is still, yet, an unannounced different one that someday I will announce. I will tell you a little bit about this thing. You'll know when it comes. It is projected at 200K-300K words. It is set in the future of the Cosmere. And it's more beastly and epic than, perhaps, a lot of my other side projects are.

    Daniel Greene Interview ()
    #1300 Copy

    Daniel Greene

    Almost every other fantasy franchise I can think of that's on the scope of a Cosmere (like Forgotten Realms, Warhammer) has multiple authors contributing. The Cosmere, though, is your child; is there ever gonna be a foreseeable future where you will let someone else's pen enter that space? Or this is the Sanderson sphere?

    Brandon Sanderson

    I have said that I will let Isaac write in this. And if you don't know who Isaac is: Isaac is my longtime art director, friend, and now creative director at my company. And he has always had a writing bug; he's written six or seven novels. And he's asked if he could write a Mistborn novel; and I said yes. And if that comes out, and it's publishable quality, I've said he can publish it. Either with my name, and I work on it with him; or if he just wanted to publish Mistborn novels just as Isaac Stewart, I told him he would be allowed to do that, too, because he's been a longtime collaborator and helped me a lot with the visual development, and things like that.

    I can see a world where I let select individuals come in and kind of do their own thing. It doesn't matter as much that it has my voice if it's their story in the Cosmere, if that makes any sense. Where something more like Steelheart, I'm like, "It's continuing my series; therefore, it should try to do some of the same things that I have been doing in the main series.