Questioner
Are we going to learn any more about Syl's past, and her former Radiant?
Brandon Sanderson
Yes, you will indeed learn more about Syl's past. And her former Radiant.
Are we going to learn any more about Syl's past, and her former Radiant?
Yes, you will indeed learn more about Syl's past. And her former Radiant.
In The Stormlight Archive, are there any on-screen appearances of dragons in any form?
RAFO. Sorry.
Dragons can be shapeshifters, correct?
They can, yes.
Do they only have a humanoid form they can appear as, or can they appear as many humans?
Depends.
The ten gas giants, are they associated in any way with the Essences, the Heralds or the Knights Radiant other than culturally?
Only culturally.
Do the Tranquiline Halls and Damnation--do the Vorins associate them with the planets that they actually are related to?
They don't.
Roshar's moons, do they have special spren associated with them?
RAFO.
I have a theory that Hoid is actually, perhaps not the good guy we're led to believe? I think he's going to be the big bad guy.
Hoid would, perhaps, agree with you. As he says to Dalinar very clearly.
The rock that Vin has in the beginning of Mistborn--black obsidian rock. What was that? Was that--
That was a memento from an earlier part of her life.
Do you anticipate ever coming back to White Sand?
Yes, I do anticipate it, but no promises. If I do come back to it, it will not be the novel White Sand, it would be a sequel to the graphic novels.
Was Drephrast at the Shattering, and if so, did he play a part in it?
Those are RAFOs.
So you said earlier that color has a lot to do with things and in Warbreaker obviously color is like a big thing *inaudible*. Will that have a relation to anything else?
It will have relations to a lot of things, including the way The Way of King's magic plays out and works.
I'm writing a fantasy book that's like D&D. Do you have any advice for me? I'm about 6000 words.
A lot of great science fiction and fantasy have come from roleplaying campaigns. Not just Dragonlance, but also the Malazan Book of the Fallen started as a roleplaying campaign. And you will find this happens time and time again. Do understand that the things that you guys experience in your roleplaying session that are really funny are probably not going to be funny on the page, because they're funny in the situation, so you have to work on making the characters all work on the page, not as they work in your-- together. Make sure everyone's on board for you lifting and borrowing the stuff for your story. And make sure you don't use any of the Wizards of the Coast trademark things. For instance, you can't use Beholder. That's a trademark thing. But you can use zombies, because zombies are in everything. So learn the difference there.
But just have fun with it. Your job right now, as a newer writer, is just to write and practice. And that practice will teach you how you want to approach your stories as you move forward. And the more you you do it, the better you'll get at it. And the more you'll know what you need in order to make it better. And that can start from anywhere. That can start from a D&D campaign. That can start from a silly song lyric you hear. It can start from fanfic. It doesn't matter where it starts. The chore you have is to practice it and learn what works on the page, as opposed to what works in person.
When you started writing for Wheel of Time, did you find that any of your opinions changed when you wrote the characters, versus--
So, Mat was way harder than I expected him to be to write. I thought Mat would just zip out and be super easy, and I was taken by surprise by how difficult Mat was to write.
Cadsuane had always been my least favorite character, and I was surprised by how much I understood her when I had to stand in her shoes.
Is there any connection or coincidence to the Krell in Skyward, versus the Krell from Forbidden Planet?
Yes... Forbidden Planet is one of my favorite movies. Perhaps my favorite classic science fiction movie. I really dig any sort of Shakespearean interpretation in another medium. So I named the Krell after the Krell from Forbidden Planet.
Back to the callsigns. Did you come up with Jorgen's name first, or did you come up with his callsign first?
The callsign was first. And then the name followed out of some of the linguistics I was using... Yeah, the callsign was first.
What do you wish that you could have asked your favorite writers about writing when you first became a writer? And what do you think they would have said?
This one is easy. I would have said, "How do you finish your book, Mr. Jordan? Specifically: X, Y, and Z that you didn't put in the notes."
Otherwise-- You know, a lot of the things that you do as a writer aren't about what you ask other writers. And a lot of the advice you'll get as a writer won't work for you until you have written. So I wouldn't have known the right questions to ask them until I was struggling through that myself.
Would it make an Allomancer sick if they tried to burn pure silver?
As it stands right now, nothing would happen, because they would know if it did. Good question. Silver has some weird properties, but on Scadrial they are largely undiscovered.
Previously, you told me that Hoid loves bacon. Is there any other thing that you can tell me about Hoid that we won't be able to RAFO?
Oh man, I'm running out of stuff to tell you about Hoid that I can't RAFO because I get asked this enough that I forget what I've told people and what I haven't. I'm particularly fond of his monologue for the fourth book. So, be looking forward to that. It's a little different than the others.
In Skyward, what is your callsign? And what was the process for creating so many callsigns?
My callsign is Mr. Prolific. That probably wouldn't work as a good callsign, but it was my callsign way back when I was in my writing group, my first writing group with my friends.
The process was, actually, I wanted to pick a callsign that used the same sound as their real name, to help people keep them straight. Because you basically have a double number of names in the book. So same letter or same sound, creating it. And I just started with that letter or sound. And then I wanted them each to feel distinctive. If they're all, like, initials. Or they're all one-syllable names, it can be really easy to mix them up. So I wanted some that were two or three syllables. Some that, they wanted to reinforce who the character was sometimes, things like that. That's where I went on that.
The gems on Roshar, are they the same as the gems you and me know, or are they a byproduct of Investiture?
For the most part they are the same as the gems we know, which will ask the question, "Since most of them are chemically identical, other than color, what differentiates them?" and in the cosmere, color is very important, so I'll just leave you at that, but most of them are going to be gems like we have. If you took a ruby from our world to Roshar, it could be Invested by the highstorm.
And spren?
We will RAFO that for now.
In Alcatraz, he mentions a souvenir about a bullet that can pierce steel. Was that nod to Reckoners?
Yes, that's a nod to Reckoners. There's lots of them. If you read the Alcatraz books, there's an Asomedean joke, there's a Spook's street slang joke. The Alcatraz books, if you haven't read them, are kind of me practicing my improv skills as a writer. Every writer, I think, needs to have some measure of ability to outline, and some measure of ability to just "pants it," as we say. And the Alcatraz books, I write completely pantsed. I give myself a list of things that need to be in the book, and I try to work those in as I go. And that ends up with a lot of me making jokes about myself and my process.
Which character arc has been your favorite to write?
I usually don't pick favorites. Because all characters in all the books are like my children. But I will say it was extraordinarily satisfying to write Rand's arc, that I did in Gathering Storm. That was a true delight as a long-time fan of the series. So probably that one.
Do you find it harder to write from a male or female's point of view?
It is harder to write-- The more different someone is from me, the more difficult they are to write. Gender is only one part of that, however, and so some characters who are very like me, but maybe-- maybe a woman, would be easier to write than someone who is very different from me but is a guy. But that's all kind of part of it.
Early in my career, before I got published, I was actually really bad at this; but the main thing I learned from that era of my writing was that I was writing people to a role in the story. It wasn't that I was bad at writing women, it was that I was writing all women as the love interest. Which resulted in bad storytelling and flat characters. And if you start to be able to learn: treat each character they are the protagonist of their own story, treat each character like they see themselves, not as a bit part, but as the story themselves; and start to explore who they are rather than putting them in a role in the story, your characters will get better all around.
Is there anything more significant to Tien's obsession with rocks? Or is that just an example of him being a unique kid?
There is a little bit to the way he's seeing color in mundane things. It's less the rock, and more the things about the world he finds interesting. So I'm going to say it's the second. It's an aspect of who he is; the rock itself is not the important thing.
How many kings have had a Wit?
It is common for a king to have a Wit.
Has Hoid been more than just Elhokar and Jasnah's Wit?
He has been. Most Wits, historically, were a little more fool-like, more court-jestery. Wit does not think highly of that. But there have been others in the past that were more like what he would think what a Wit should be.
How are the floating cities in Ashyn held aloft?
By local magic... So basically, I can tell you how it works, because I'm not saving any secrets here.
One of the diseases gives this power. The reason it's called The Silence Divine is right now, the way I've devised it, is this power also causes hearing loss. So you have this virus that does this weird thing, but also gives you the power. And so there's a conclave of them, a chorus of them that keep the cities aloft. And that's why the book, if or when I write it, I guess it can't be a virus in this case. Whatever disease they have, someone develops penicillin and can potentially cause the city to come crashing down. That was the premise for me, but that means it needs to be a bacteria, not a virus but it needs to be a bacteria that stays with you long, so I have to work out exactly how I would make these diseases work.
Is there a spren for the Everstorm?
RAFO. Good question.
How many people, about, were sent visions by the Stormfather?
The Stormfather? It was less than ten. Fewer than ten.
Are there types of Investiture that the larkin can't consume?
Yes, I would say that there are, but it's going to depend on the state they're in. Pure Investiture, a larkin is always going to probably be able to grab, but lots of people can get pure Investiture. Kinetic Investiture they're are gonna have a good chance at being able to grab, but they can't get everything.
Do larkins have gemhearts?
RAFO. You can assume that Rosharan creatures have some sort of gemheart, generally. That is not 100% but you can assume it's a thing they'll have. But I will RAFO specifics.
Do the singers predate the highstorms?
The singers and the highstorms are-- The highstorms-- Let's say no. Trying to decide which one came first. They were created, right? But the highstorms were created as part of Roshar, as well. The highstorms predate humans arriving. Highstorms predate the Shattering of Adonalsium.
Has Hoid visited the Nightwatcher and received a boon?
Hoid has spoken with the Nightwatcher.
Is Sja-anat-- Is she wearing a chiton, like a Greek chiton?
I'll RAFO that.
When either Rashek or a Twinborn like Miles, how does he fuel his metalminds? Does he have to actually burn the gold in order to fuel them? Because, I feel like there's a paragraph in here where you kind of explained it, but I feel like you didn't actually say that you had to burn more gold in order to fill a metalmind. Is that how that works?
Yes. You can cross the streams and use one to power the other. But you are using the metal to power your Feruchemy instead of your own-- You're using, basically, the power that's coming through the metal...
So you do have to be burning one the whole time? Sounds good, good to know. So you could just infinitely fill it, basically? As you burn, you just use it to fill it and it just gets-- and that's where that comes from?
Yep. You are burning a metalmind that you've already filled, right? That's the key there. You fill a metalmind, then you burn that, and what that does is it keys the metalmind to the Feruchemy instead. Which normally no one can do because you could-
You can't do both.
Yeah. But if you can do both, you fill a metalmind, you burn that metalmind. What comes out of it is Feruchemical power instead, and you then are filling the metalmind with more.
So Allomancy is fueled by the power of the Shard. So what you're doing is you're powering your Feruchemy with the power of the Shard, instead of your own body. Using their Investiture instead of yours. Which is very dangerous.
Dalinar Ascends, right? Like, right then, there.
I have RAFO'd that. Whether he is Ascending or not is a RAFO.
Okay, because I know he kind of mentions from that, I don't know how to say his name but the older guy who has the Diagram--
Taravangian, yeah. Whether that deserves to be a capital "A" or not is a matter of argument. It can be disputed.
I guess my main question would just be Dalinar's now able to pull Stormlight and give it to people now.
He definitely can. That is a Bondsmith power, so.
That is a Bondsmith power, okay.
That is specifically a Bondsmith power.
Because my roommate was saying well, the Stormfather was surprised he could do that or was the Stormfather surprised that he was able to bridge--
He was surprised by what was happening to Dalinar as a whole.
Oh okay, that's what I thought because I was like, because I felt like the Stormlight, that power would be a Bondsmith power.
Let's say that the Stormfather and Odium were seeing something in Dalinar that, perhaps, the average person watching even who is knowledgeable about Surges would not completely understand... But he will be able to use that power and Bondsmiths in the past have used that same power.
My question was about Hemalurgy. There was a disagreement on the last Shardcast. When spiking a Mistborn to charge a Hemalurgic spike, does it matter how the Mistborn is killed or is what power is stolen based only on the metal?
So you want to place the spike in a specific place.
In the donor. In the recipient, not the donor.
In the recipient. And you want to use the specific metal and so basically if you aren't precise about how you spike, you risk taking the wrong thing within the same family. Some of those, that's not as big a deal, but for some it is kind of a big deal. And so you want to be very precise, you'll get something, but if you're not placing the spike in the right place and going into the right place, then you risk it.
You risk stealing the wrong thing.
Yeah. Now if you're going off of somebody who's not a Mistborn, you can be a little more flexible, but you still have the danger that you're not going to end up stealing the power, you're going to steal something else. So, precision is advisable, how about that?
Yeah. Because the question was kind of specifically about, like, we know that atium spikes can kill-- can steal pretty much any power.
Yes. You want to be super precise with your atium spike.
So, part of the question was like, exactly, if you just killed a Mistborn, you stab a Mistborn in the heart with an atium spike, and you're not placing it immediately--
What do you end up with? You are rolling the dice, let's say. Not as big a roll of the dice as you might think, but you still are. You might not get what you want.
And then when you place the spike on the recipient, if you like tore that spike out again and put it in someone else, you're not going to be able to get more than one power out of it?
No. No, and if you place the spike in the wrong place, then you're going to end up with interference and things like this where the spike might just not work the way you want it to. Taking a spike and putting it in the wrong place in someone is not going to make them have a different power, in other words.
Are you cameo'ing as a [Seventeenth Shard] character, worldhopper, in any of your books?
You know, I haven't really wanted to do that, I'm not sure why. If we did movies, I would want cameos. But I haven't cameo'd myself in the books. I was tempted more in Wheel of Time than in my own books. But, I think since we already have this connection thing happening with Hoid and stuff, I don't want to imply that I am Hoid or something like this, if that makes sense. Clive Cussler did that, it was always fun to find him in the book. I don't know, it's never been something that I wanted to do.
There's just kind of a Where's Waldo for him.
When I first started this, I wanted Hoid to be a real thing, so I was putting this in. I feel like if I started doing cameos for me also, one would be silly and one would not be, and it'd kind of confuse the--
Is Hoid like-- Would you say he's generally well known in Silverlight? Most people know who he is?
Yes. Yes, I would say he is fairly well known in Silverlight. If you went to your average person in Silverlight and said, "Do you know this guy?" odds are they would know. There are some people who wouldn't, but odds are they would.
Hoid references a place [in The Traveler] where, there's a presumption in the question, presumably he thinks he might be able to restore something he's lost. As of Oathbringer has he visited that place?
*hesitantly* Visited the place?
Visited the pace he thought he could restore?
I won't say a hundred percent if it's a place.
Where did he hear about it from?
Hear about what? Give me the exact line, if you would.
Yeah, I can look it up for you. "Besides, I've heard of a place... it doesn't matter, I don't care."
Okay, so he has visited that place he is referencing, but the place is not what he wants to restore.
Thanks for the clarification. Who did he hear about it from?
I will RAFO that.
Would Dalinar or Kaladin like Kelsier?
You know, I think they both would have their issues with Kelsier.
'Cause he's more of a rogue.
It would really depend on what situation they were in. But I think Dalinar would not approve of his methods. And I think Kaladin would empathize with him, but at the end would not approve either. To Kaladin he would probably represent the things that Kaladin kind of wishes he would do, but is too moral to do. And that would be a dangerous thing for Kaladin.
Is Dalinar Unity because he's the combination of all three Shards, through the Thrill, the boon and curse, and the Stormfather?
So, I'm leaving that as a RAFO, Read and Find Out, but that's a very good theory.
So at the end of Sixth of the Dusk, there's those people that travel in space.
Yes, the Ones Above.
Are those people from Silverlight?
I have not revealed where they're from, but they are from a place you have seen before.
Moash killed a god? One of the Heralds?
He did. One of the Heralds. And trapped his soul so he couldn't be reborn.
That's what it is. Trapped his soul, didn't actually kill him?
It's killed him-- It was like, extra killed. The Heralds are bound to a cycle of rebirth that happens-- that they wanted to make sure didn't happen that time.
The Skybreakers, are they from the old Radi-- the old Shard?
Yes, they've still been around. Not all of them. They aren't still alive-- The ones back then are not still alive, but they have an unbroken chain. The only Order that has that. They're the only one that didn't abandon their Oaths.
What happened to Rand? He's not dead?
So Robert Jordan wrote everything from Rand stumbling out of Shayol Ghul until the ending, with the exception of the Perrin scenes, which I added to that epilogue. Harriet says--his wife--says he sat laughing to himself as he wrote the scene with the pipe, but he did not tell her what it means.
Pipe?
The pipe where he-- he lit the pipe just by thinking about it.
That's also something-- he's using the Tel'aran'rhiod power to light it in the real world?
I do not know. Now, I have my theories. I think that because Rand touched the Pattern directly, when he was doing what he was doing, that he now has influence over the Pattern.
So he can change and manipulate things? But he's-
That's what I think, but Robert Jordan didn't say, and he did write those scenes himself before he passed away. So, I wrote the actual Last Battle-
All of it? That was so epic.
Yes. So he took over-- where he left was right when Rand stumbles out. The Last Battle chunk before that was me. He wrote Mat in the Tower of Ghenjei... He wrote most of Egwene in The Gathering Storm, and then little snippets of Egwene all the way through. Perrin was almost one hundred percent me; he didn't leave much on Perrin. With Rand, he wrote little chunks here and there...
So I do not know. Now, I can tell you that there in the notes that when the balefire streams, when they crossed, intertwined [Rand's] soul with Moridin's soul. And one thing that his assistant said is that the [soul] that wanted to live found the body that was going to live, and the [soul] that wanted to die found the body that was dying. And that's what happened.
They swapped bodies because he had this thing-- Why didn't he go in and say "hey everybody?" ...He didn't want to be with his family and friends anymore?
I think he probably came back-- He just needed a break. I'm pretty sure that he eventually let them know, but he just needed a little time. So, but I don't know for sure.
I thought it was super cool, going in, the chase between Slayer and Perrin.
I had a lot of fun with that scene.
...Also, you told me last time I saw you, that Tel'aran'rhiod is basically-- Is that kind of where you got the idea of the parallel universe in the other books?
Yeah, Shadesmar. Shadesmar you can tie directly back to my love of Tel'aran'rhiod. It's kind of mixed with that in my love of some ancient Greek philosophy things that are not that important, but yeah.
I was wondering if there was ever a time where you wanted to write but you were too afraid to, or if you've always just been writing?
No, as a teenager particularly, I was very nervous about my writing. I would hide my writing from my family. I was so embarrassed of the idea that they might find it and read it, and things like that. Early on, I didn't ever show my work to people. I wasn't scared of writing, but I was scared of letting anyone see it. As I got older, I got around that. I got over that, but it was kind of hard.
Aether, is that how you say the book? ...Aether of Night? Is that going to get published at some point?
I will probably bring that into the mainline Cosmere. Right now, it's not in continuity because I've changed enough things about the way that Shards work, and things like that. The aethers themselves are in continuity. Mraize has some aether-- some bits of aether, in his little collection. They are in continuity somewhere, but I haven't dropped them into the actual continuity.
Alcatraz! Sounded as though there was gonna another book. Probably not by Alcatraz himself?
Yes, by Bastille. I've written half of it. After I wrote about half of it, I realized I wanted a little help with the voice from a friend of mine who's very good at voice. So I've been letting her look at it and offer some tweaks and suggestions. Just 'cause I want it to feel like Bastille, but it felt too much like Alcatraz when I wrote it. Like I said, it's about halfway done, 25,000 words are done and good. We just need to tweak the voice. It's probably gonna be called "Bastille vs. the Evil Librarians." It will give the real ending, not the ending Alcatraz thinks it should have.
Before you started on all of your books, did you already have an idea of how they all came together or was it a sort of--
I did by the time I was writing Mistborn. But the thing you have to know about my career is that I wrote thirteen novels before I sold one. So, in a lot of those early novels I had no idea what I was doing, that's how authors are. By the time I wrote Mistborn, which was book number fourteen--it was the second book published--but I really had an idea of what I was doing then. Elantris had to be retrofitted a bit to fit into it, because Elantris had been written when I was still figuring things out, but by Mistborn the whole thing was coming together and I had quite a good idea of what I wanted to do.
Hoid, Yolen, are you working on Dragonsteel?
Working on, is kind of vague term for me knowing I'm going to write it someday, but it comes after The Stormlight Archive.
I have so many questions about Hoid, I'm always googling it, I know people are asking you, but--
I came up with a really great idea, finally. For years-- so the first story I-- okay not the very first story, because the very first story I wrote is Dragonsteel right? So, the first Hoid story I ever wrote, I was seventeen and I wrote a story about Hoid on a planet, trying to figure out how the magic works, to investigate it, to see he wanted to bring it back and use it in his larger plot.
There, seventeen years old, the cosmere didn't really exist then. But the idea of a guy who went to different planets and investigated their magic and tried to figure out how it works, was. I wrote a whole chapter of him trying to work out how this magic worked on this planet. I had it in the back of my head and I actually just came up with an idea of how to use that.
I have a question about the epilogue in The Way of Kings. You have Wit give this interesting, kind of philosophical-- sermon-thing on novelty. I wonder, what do you think about what he's saying, do you--
Usually those little things that Wit will do, he does one at the end of each book, are things I've thought about. I don't always one hundred percent agree with Wit. He tends to hyperbolize in order to make a point, but I do think it's really interesting that novelty is so important to us. Even if you did something independently, but come up with it after someone else, then it's not considered as great an art, right? Which is really, really, really interesting if you think about it. And I love that idea, and I like talking about that sort of thing, so these-- All of Wit's little monologues--there's one, like I've said, at the end of each book--is something I think about, but he goes off in his own direction sometimes.
I've used that little monologue in some philosophy class that I've in, such as philosophy of art.
I did take a-- I took a lot of philosophy classes, if you can't tell, during my undergraduate years. I was quite fond of philosophy. Though the philosophers were all really needed to learn how to write. Man, those guys just, I mean, paragraphs like this that don't really even say anything. I love the ideas, but man, they could use editors. But, yeah, I enjoyed my philosophy classes, and I really liked philosophy of art in particular, it's very interesting to me. The whole Oscar Wilde's intro to Dorian Gray is my favorite speech on art, that all art is, by necessity, useless. Stuff like that really, really gets me going.