Steeldancer
And then the final question. At the beginning of Words of Radiance, the assassin Liss, is she Chana?
Brandon Sanderson
*Evil laugh* I will RAFO that. Sorry!
And then the final question. At the beginning of Words of Radiance, the assassin Liss, is she Chana?
*Evil laugh* I will RAFO that. Sorry!
Taln, did he give in to the torture around the events of Way of Kings?
I'm going to have to look at the...So he should have given in to events in the current version of the book right before...Let's just say around Way of Kings. I'm not going to canonize that, though. In the version of Way of Kings that I wrote in 2002, he'd been around for a few years before he showed up in the narrative. And in the current outline, I don't have that be the case, but I haven't written his book yet. So for canon, but it's a Word of Brandon canon, I'm going to say, he's only been around for a couple of months before he shows up at the city.
It's very subtle, but at the end of Oathbringer, when Jasnah goes to find Shallan on the battlefield, she goes to grab Shallan, Shallan's over here as Radiant. She has Shards *inaudible*?
That's a Read and Find Out. I'm being very coy on Shardplate, even though you have seen characters with it in the books before. Because I want to wait until I can do some reveals in viewpoint character.
I will tell you this: You have indeed seen people with Shardplate multiple times in the books. Or at least, the soon aftermath of someone.
Has Kelsier done any worldhopping?
Kelsier is bound to Scadrial the same way that a spren is bound to Roshar, because of the level of Investiture and the type and the way it happened. It is possible to get off-world but he does not know what it is.
What's the thing you're most excited about doing for Stormlight 4?
I've got a really cool thing set up for Wit's epilogue that I've been planning to do for a long time. So the Wit soliloquy at the end is going to be a little extra special.
Is there a set number of them[Dawnshards]?
Yes.
Are you willing to say?
No.
Are you willing to say if they originated in the Rosharan system?
I am not willing to say.
Say I'm excited about this, but I'm going to stake a claim on the panel's official cabbagehead position. Every time I'm on a panel or doing a podcast it is good to have a cabbagehead. Which is, I'm the writer, right? My job is, I've found, to know enough about these things to be dangerous, so if there are writers out there and you're feeling a little overwhelmed by this, here's how I approach it. I, when I was first writing epic fantasy I found out a few of these things, and I'm like, "Oh no, this kind of destroy the types of stories I want to tell."
But the more I learned the more I realized, no, it can shape the types of stories I want to tell it doesn't have to destroy them at all. What I did was I used this kind of rule, that is it takes actually a fairly brief amount of time to become dangerously knowledgeable in a subject. Like say, if you can get yourself 20 or 30 percent of the way there, you know enough to know what you don't know. My goal is to always get myself there with research, usually on pop-history books or pop-medicine books or things like this. Write my stories, and then to find an expert, which I've used extensively, particularly in the Stormlight books, where one of my characters is a field surgeon, that's his training, and go and say "What am I doing wrong?"
Usually, the response I get from the medical professionals is "Wow, this isn't nearly as bad as I thought it would be, you're still wrong about a ton of things. But you don't have to rip apart your story, the fundamentals are there, you know that a gut wounds is really dangerous and often takes a long time to kill. You know about these things and you are trying to deal with them and approach them. I can give you some tips to make it more authentic." That balance has just worked wonderfully well for me.
I actually have a really good resource for you writers out there, if you want. There's a YouTube series done by historical fighting recreationists in the U.K. And a lot of times, if I'm like-- I was writing Oathbringer, my latest book, I'm like, "I need spear versus dagger." Which is, you don't want to be in that fight, but someone got in that fight, and I'm like "Alright, what are his chances, what would he do to actually win?" And I Googled on this YouTube series, which I really love, and lo and behold, they had 20 matches of dagger versus spear with some discussion about what the strategy for the dagger fighter was, and what the strategy for the spear fighter was. They played it out and showed you. The dagger fighter won a couple times, it's totally possible. Grab the front of the spear, yank them forward, get in close range. But it was really helpful. So this is called Schola Gladiatoria, on YouTube. I've been following it for years, and it's really great. You'll be able to find sets of, you, "here's 2 swords versus sword and shield." He also does reviews of historical weapons saying, "Here is what it was used for." He just really likes swords so he buys them frequently and talks about them. Really great resource.
*Inaudible about placebo effect and wound severity*
The placebo effect is a very strong thing. I'm not sure it's ever actually stopped bleeding or stopped an infection. But it can affect a patient's attitude, and willingness to participate in care. So I think it's a real thing, I'm just not sure it applies as much to trauma as to a lot of other illnesses.
Yeah, I've read a lot about it recently because I was really interested. But yeah, it ends when you have this sort of thing, it doesn't do anything here. But the really fascinating thing, if you want to take a little tidbit is: the placebo effect, for what it works on, works on people who know it's a placebo, too.
What's your favorite Magic card to use?
My favorite Magic card is Vesuvan Doppelganger, from the old days.
Were Hoid and Frost some of the older humans created by Adonalsium?
You will find that out eventually… Frost is not a human.
Hoid was once offered a Shard, but he refused it, right?
Yes.
Was it right after the Shattering?
Yes. It was during the events. I wouldn't necessarily say "right after", it was during this process. I would say this is a RAFO before I finish writing at that time. (Not sure if I understood the last sentence right, but I think that's what he said)
And who took this Shard instead?
RAFO.
In Shadows for Silence in the Forests of Hell, they use silver to fight Shades. I'm wondering if that's actual silver or they just call it silver and it's a mysterious metal that's known to fall from the sky.
It's a good question. I have it as actual silver.
Would it be effective, at fighting...if you wanted to harm a spren or seon or other types of Cognitive Shadow?
RAFO.
When you were writing Elantris, did you think of the artwork for all the symbols and stuff as you were writing?
I did, I drew them myself. Those are the only ones that I did the symbols for. After that book, I went and got somebody who knew what they were doing, so they look a little pedestrian compared to the other ones, but I did them all myself.
*Inaudible*
Cultivation and Honor were with the Parshendi, Odium came with the humans. And there was a bit of a reversal happened there.
Suppose you had a full Feruchemist, who got enough Breath to reach the Fifth Heightening. What would happen if he started storing in atium?
Hehehe -- I'm going to RAFO that one.
Does Hoid have a way of checking if people are Invested or not?
He has a way of detecting whether Investiture is being used.
Dalinar has a task to "Unite them". Is it's ultimate purpose applies only to Roshar or it could go beyond Roshar, to the greater cosmere?
This could be interpreted that way.
When you write the books, do you set up the setting and stuff first, because it's an amazing setting.
Yeah, I do a lot of planning ahead of time. I'm naturally an outliner. It's not the only way to write a book, some people do it the opposite way, but I do a lot of outlining.
I have a lot of trouble outlining myself.
Sometimes it doesn't work. There are some writers, that if they outline the book, it actually ruins the book cause they feel like they've already kind of gone through and written it.
Well I'm an English teacher major for little kids and I was wondering what you think, or any advice, on how to make my students life long writers and readers.
When I was a teenager and I didn't like books and a teacher, the first teacher who really took the time to find a book that would match me rather than assigning me a book that they liked, was the one that got me hooked, so I kind of focus on that idea. I tell kids sometimes, books are like shoes, not everyone wears the same kind of shoes and when you wear the wrong size you might think shoes are painful but if you get the right size they make your life way better. Books are kinda the same way so try lots of different things, introduce them to a lot of different things and encourage them to read what they love.
So, my question for you is writing related. I just finished a new first draft in my novel.
I know you! Yeah, ok sorry. It took me a minute.
So yeah, I finished my draft; what was it that helped you when you... cause I recalled hearing on Writing Excuses, you talked about this, how editing was the bane of your existence earlier, you just didn't wanna do that, and I'm finding that too. I dont wanna jump in and fix all the terrible things. What was it that helped you kinda like...
It honestly is the thing that held me back the most. I think it was kinda partially just, getting rejected enough that I realized I just had to learn to do it. That was part of it. Giving myself space after finishing a book, writing something else and then coming back to it when I was feeling kind of fresh about it and exited about tackling it again, that helped a lot. It was also kinda like growing up as a writer, if that makes sense, and realizing I'm not ever gonna sell a book until I could learn to take a good one and make it great and then I just started buckling down and learning to revise.
One of the things I read when I was researching for Stormlight that was really interesting, I kind of dug into, was this idea that practical medicine, particularly through the Middle Ages up approaching the Renaissance, was actually the one that was regarded with fear, superstition, and dislike. Which is why it fell to the barbers. And what we would call the "superstitious physician" was a well-respected position, depending on where you were looking. And it was this weird area where people who were approaching things practically and actually doing what you needed to do, were being ostracized and vilified. It wasn't as bad as being an executioner; that was the worst deal. But there was this sort of thing, that those people stayed-- You did not want your son or daughter marrying into that family, and these sorts of things. It was really interesting.
With the Stormlight Archive, when you created this, do you know everything? Do you know the end of the book at the beginning?
I do, but... You have to be willing to change as you go, as the characters mature and you mature. For instance, Adolin wasn't gonna be a main character in the original outline. And as I developed the first book, I realized I needed another perspective of somebody who could offer perspective on the things that were happening. That was Adolin's perspective. So I brought him in as a main character. So that wasn't in the original outline.
And for instance, the ending of Book 2, with Kaladin, was actually originally the ending of Book 3. So I ended up switching those around. So things like this happen.
Books 4 and 5, my dividing line, where those two divide, is not really strict right now, and so one of the things I'm doing in outlining is saying, "Let's make sure Book 4 feels like a book, rather than half of a book that Book 5 ends."
How far are you into the Cosmere stuff, like how much more can we expect?
There are 10 books of Stormlight, around 12 Mistborn, 3 Elantris, 2 Warbreaker, 1 Threnody, 3 Dragonsteel.
I have a question, because I really like Magic: the Gathering. What set are you collecting right now?
I'm always kind of collecting some of everything. Right now I'm building a Theros cube, so kinda working on that. It's just, I have all my old ones so I'm just like, "Eh, I'll build a cube out of these", so I've just been putting that together, and then I've been building this really weird one that's a commander cube. So I'm grabbing specific cards from here and there and putting them together.
In the last [Alcatraz book], why did you make everyone die?
So Alcatraz is making things out to be a little worse than they really are. Because he wanted to end the book on a sad note, because he always promised everyone he would. That's why Bastille feels she needs to write the real ending. The next book should not be nearly as grim as Alcatraz wants you to believe everything is. That's why she wrote that little secret ending. So keep your hope up: it's not nearly as bad as Alcatraz wants you to think it is.
So, I created a magic system that's pretty easy to grasp at first. But I realized I have aspects of it that are very complex I'm having trouble tying to my novel. I was just wondering if you've ever run into these kind of problems with your magic systems.
Yes, though I kind of like it. A magic system that looks simple, but you can dig into deeply, is a good magic system to me. If you can write it so that some characters just use it surface-level, and other characters start to ask these deep questions, you'll be able to do something for everyone. People who just want to read it and enjoy the adventure and the mystique of a fantasy story can. Those who really want to dig in can dig in. I would say don't worry, don't stress it, that's actually a really good thing.
Have you ever played Dungeons and Dragons?
I have. I played a whole lot of 3.0 and 3.5. A little bit of Second Edition when I was younger. And a little bit of Fourth. But mostly 3.5 was my game.
I'm supposed to ask how Odium and Honor's Investiture could be so similar.
Odium and Honor, like a lot of the Shards, can be considered to have a similar theme. But that is very common among the Shards, in my opinion.
I'm just curious, there are 16 Allomantic metals, 16 Feruchemical metals, there are 16 Shards of Adonalsium. Are there 16 surges?
No.
So there's no correlation?
10 is an important number on Roshar.
How do you keep everybody straight? Do you use a program like Scrivener?
I use something called Wikidpad, a personal wiki. Just like Wikipedia, but only on my computer. And then I have a continuity editor, and her job is to go, after I've written a book, and put everything from the new book into it, into the wiki. And then to also warn me of continuity errors that I've made.
I wish I could say I did it all perfectly, but I don't. I still make a ton of mistakes. We catch most of them. But you can see, like, the Mistborn books have way more continuity errors than Stormlight, because I didn't have her back then. And so, we're doing the leatherbounds, they have to come to me and say, "Uhhh... this person walks, like, five times as far as a human being can travel in this amount of time. Maybe we need to move this building across the city," and stuff like that.
How's Nightblood going to react to Szeth's spren?
Hmmmm! I'll give you a RAFO on that, here's your card.
What kind of books do you like to recommend to people who ask? What's your favorite book to read?
I have a Goodreads account that I tend to post books I've liked up there. Basically, the ones that I like, do I write about. So that's a good place to go.
Growing up, my favorite authors were Anne McCaffrey, Barbara Hambly, and Robert Jordan. And David Eddings. Nowadays, I tend to like stuff that's a little more... fantasy that's a little more avant-garde, doing different things. Because I've read a lot of great stories that have the more traditional hero's journey stuff. So the stuff you'll see me liking now tend to be things like N.K. Jemisin, doing weird things. But I like a wide variety of things.
I'm curious, how much interaction do you get with the people who narrate the books out loud?
So usually I record pronunciation guides and send them to them on a tape recorder. And usually I pick them beforehand. My tape recording doesn't always get there in time. So if their pronunciation's wrong, it's usually my fault, and not theirs. Because it just means that we haven't gotten that recording done by the time they need it to record. But I like to pick my own audiobook narrators. And when I can, I like to meet them.
So you don't have in a say in who's cast?
I don't. I can always offer my opinion, and hopefully they would listen to it. But usually, as a writer, you just don't get say in that. When someone's spending $200 million making your book into a movie, they're writing the check, so they get the final say.
I just found out today that you have a charity called the Lightweaver Foundation.
I do.
What are you trying to accomplish with it?
I'm trying to find ways to give away my money.
Excellent!
It's less that I'm trying to funnel money into it from other sources. Sometimes, we sell things or do things that I want to do for charity, but mostly it's, so far we've put a library in the homeless shelter in Salt Lake and we've donated a bunch of books to schools and prisons and libraries. When someone comes and says, "Hey, can you donate to this thing," I just funnel it through the charity. It basically exists to give away my money.
So...all the 3 Way of Kings books begin from a different person's perspective in the past. Who're you doing next time?
Let me see...so Gavilar is last, so he's not fourth. I think it's Navani, but I'm not 100% sure. Yes, I think it's Navani, but I will have to look at what I've got in my notes. The 4th one's been the wild card. I always went with Szeth first and Gavilar last.
Have you ever met Michael Kramer and Kate Reading?
I have met Michael Kramer. I haven't met Kate. I've met Michael, he came to one of my signings. They live in the D.C. area, so he came and did the reading for one of my signings.
How would you handle dragons?
Dragons, I feel, are inherently cool. And they're one of those things that, personally, I think you can just get away with without having to, like, make your own. I'm tired of orcs, but I'm not tired of dragons. So if I were gonna handle dragons, they'd feel like pretty classic dragons.
I'm a bit of an aspiring author myself. How would you deal with ADHD writer's block?
Some things I know that work for some writers... Do you like hiking? Do you like walking? Because I have known professional writers who have trained themselves to write by talking into a microphone, in order so that they can be walking somewhere, and kind of being visually stimulated while they're writing. I wish I knew better how to write, like, ADHD.... How do you motivate yourself to do other things? Is it a reward mechanism? Is it a short burst sort of thing?
The issue that I have is that whenever I sit down to write, I sit down, and I'm either just sitting down and writing for five minutes, and then I get bored and move on, switch over to playing video games or surfing the web. I do a lot of thinking about what I want my world to do, stuff like that, but I don't actually have an outline.
Have you tried writing longhand, when you're away from the internet, getting a notebook, going out somewhere, writing in a notebook. That helps a lot of people who are getting distracted by the internet frequently, if there's just no internet to get on. And sometimes it works really good because you also are writing it, and can be, like, "You know, it doesn't have to be perfect while I'm writing in the notebook. I'll make it perfect when I transfer it to the computer." That gives you permission to be free. I don't know that you need to have an outline. Like, Stephen King never uses one. It's a tool that works for some authors and doesn't for others.
When is Dragonsteel coming out?
Dragonsteel is a looong way off. I have to finish Stormlight, and the next Mistborn trilogy after this one first.
Do the Natan people live longer than normal humans, because they have Aimian blood?
*Hesitant* Yes...Let's say, you are theorizing in a good direction.
You told someone that Nan Balat likes to hurt things. Like, a supernatural tendency to hurt things.
It's more along the lines of, "He has suffered some...enhancement of a psychological issue through supernatural effects."
It's not an Unmade thing?
RAFO! Good question! That's basically a confirmation, isn't it? *teasing laugh*
Book six is halfway done, Bastille is writing it. She's doing a very good job; I'm quite excited by her version. It involves lots of stabbing things and Bastille making fun of Alcatraz. It's turning out really well and I think you're going to like it.
How do you do go about worldbuilding for religion?
It's a little bit of a mix between the way I see religions work in our world, and trying to find a fantastical version. Something that couldn't really actually exist in our world, 'cause that's part of why I write fantasy. So what could people worship, what methods of worship could they have, that kind of echo things in our world, but aren't actually anything that could ever exist here. We did a Writing Excuses podcast on worldbuilding religion that you might find handy. If you Google "Writing Excuses Religion," we've got a podcast for you.
Hoid was at the Shattering of Adonalsium?
He was there, yes.
Was he Adonalsium?
He was not. Good question.
Is there a lady in the future for Kaladin?
That is a Read and Find Out. Let's just say Kaladin is historically not that great on relationships but he has not given up on trying.
Now that Wax is a major part of society, are people trying to copy his coat?
That, you will see in the next book! You'll have to wait and see!
I thought with that one, I wouldn't get that!
Wax has had an effect on the fashion industry.
Is Wit a remnant of Adonalsium?
No. Good question.
I thought I had it figured out! I figured he was going around collecting himself. Getting all the different *inaudible*.
No, he is not a remnant of Adonalsium. Good question, though.
Are we going to find out more about Hoid in the next book?
Yes, but only little bits and pieces until a little later. The further we get along, the more comfortable I will be giving you Hoid stuff. Particularly in Stormlight. So yes, but it's a tentative yes.
How did Marsh survive? When everybody was hiding in the caves, you never explained where he went. Do you know?
Oh, I do know. He has his ways.