Sweetness
Can Demoux burn malatium?
Brandon Sanderson
Interesting theory.
Just after the Shattering (but before they started created humans or something), did all Shards have roughly the same amount of raw power?
Yes. Good question.
So, those things on the inside cover of [The Way of Kings]. Crabwasps, or crabdragons?
(These guys, for clarification.)
They range between the size of a hand to perhaps the size of a small melon. You'll find out more about them eventually. Like most things from Aimia, they're pretty odd, and are also now very rare since the Scouring.
Can anyone with access to Shadesmar learn how to worldhop?
In theory. Getting to Sel is really tough...
Can all Investitures be classified as end-positive, neutral, or negative?
Yes, though in the overwhelming majority of cases, it's end-positive or at least neutral. Hemalurgy really is an oddity in the cosmere.
In your books, we see a lot of really interesting and diverse world elements that make these places and cultures really come to life. What are some of the world elements you've had the most fun creating, and what do you like best about them?
I'd say that the spren on Roshar have been my favorite so far--they are so different, but also so RIGHT. They have a mythological fae-feel to them, but also fit into the cosmere arcanum just perfectly. I also like writing them.
Is the Dor made up of both Devotion and Dominion's power?
The Dor's nature, and why it acts as it does, is in part related to this question.
Did people exist on Nalthis prior to Endowment's arrival there?
Some planets had people before the Shattering.
I asked for a generic cosmere clue.
Hoid has metal he isn't supposed to have.
Do people in the cosmere, besides Nalthis, have Breaths?
No. To elaborate a little more, that's not to say they don't have a life force, because they do. But if someone not from Nalthis were to suddenly gain the ability to become an Awakener, they could not use what they have to Awaken something. That's not to say that they can't receive Breaths though.
why does Marsh have a Feruchemical atium spike?
You'll have to figure that out! RAFO.
Why did Bloody Tan see TenSoon (as the Survivor) and Marsh (as Ironeyes)?
He said that he was not answering any questions on what Bloody Tan saw, or thought he saw.
Oh! Did Ati- We see Elend and Vin in that kind of holding pattern with Sazed at the end, did Ati perish? Or did he also stay in the holding pattern?
Ati perished. He is gone.
How about a confirmation one? We have a secondhand report from Miyabi actually, that says that Hoid was at the Shattering of Adonalsium. Was he there?
Yes he was.
A question that has it's roots in Dragonsteel. When Ruin changes words, is he actually changing words,or is he changing what people see?
Did we canonize this question Peter? I'm pretty sure we did. I thought we answered this one already.
Let's just say that most of the time, Ruin was searching for a place to transition, where he could change what was being trans-transcribed. Or what was being heard, or what was being said.
That's pretty interesting.
So the easiest time for him is when a scribe is writing in a new book, he's copying a new book down, and he just pops in and changes the words.
Okay. That makes sense.
Is there some reason why both Vin and Kelsier are half-skaa, half-noble, both natural Allomancers, both end up overthrowing the Lord Ruler, and have siblings that are seekers.
Both were heavily influenced by Ruin in doing what they were doing. So there is a connection there, maybe not the one you're looking for, but Ruin was looking for talented Mistborn that were easy to manipulate and talented Mistborn tend to come from talented Mistborn lines, and so Ruin is looking for that, and they both end up fitting that role. And the thing is, is that the half breeds ended up being easier for him to manipulate and easier lost in the shuffle of things, so they weren't paid attention to as much by the Ministry, because the Ministry didn't know about them.
So it's mostly coincidental for what Ruin's trying to achieve
Why did OreSeur signup for Kelsier’s plan. Was he forced to because of his contract? Or did he actually want to do it?
All kandra want to be back in the Homeland. That said, OreSeur, he as a kandra, likes challenges, and was a real method kandra, a lot of them are, but he truly was. And you can see that in him. So for him, the contract and the role he plays...
Are more important than what he actually wants.
Yeah. Even though he had spent all this time doing this stuff. So he was part of it, but for him, his role was being this person. If I may.
That's interesting.
Here’s an interesting one. Why do some Breaths flare when people die? Vasher mentions it in the book.
I will answer that in the next book, if I ever get to it.
A question related to that. There's an idea going around that all the spren that can Nahel Bond, all Knight Radiant spren are called honorspren, and then Nohadon talks specifically about honorspren. Is that the case? You know, is it just the Windrunner spren, or is it all the spren?
I'm going to deal with this in the next book. So I'll just go ahead and let it be a literal RAFO. It is coming.
*interruption, leading Brandon to lose his train of though*
So what we are dealing with here is that all spren are indeed all pieces of the one who has gone, so those spren are all- except the Windrunner spren, the spren like Syl, have certain umm.
Nohadon mentioned that "All the spren aren't as discerning as honorspren."
So there has been dissension among them about who gets to call themselves honorspren, if that makes sense, and there is some disagreement among scholars about which ones are really, you know "This is what defines an honorspren".
But the spren you are running into are all *inaudible* of either Honor or Cultivation, or some mixture between them. And you can usually tell the ones that are more Honor, and the ones that are more Cultivation. That should be able to be *inaudible*.
There is a debate on what to call Shallan's Symbols, so we don't have such an ambiguous term for it .
The Symbolhead?
Yeah, the Symbolhead, Shallanspren.
*laughter*
We don't really know what to call them.
Do I want to canonize this yet?
You don't have to canonize it yet.
I don't know if I want to canonize it yet. But I will say this. They are spren, that should be pretty obvious. They are the spren connected to what Shallan is capable of doing. But I don’t know if I want to canonize it yet. Truthspren is as good a name as any, and I would suggest you use that until further notice.
In Well of Ascension, there are two strange "voice in the head" experiences. One of them is with Sazed and Marsh are fighting, and Sazed realizes that he can burn the metal rings that are now in his stomach. But the other one is with Elend, when a voice comes, and he's not sure where it comes from. It says something like "If you have a dagger, the only way to win is to go in for the kill"
That one, where it came from, is – I know what you are searching for, but it's actually just an old *inaudible* from weapons training. He's just dredging- he's not sure where it came from because he never thought he would need any of it, he thought he was just going to be a scholar. But his father did have him trained in weapons, so it's just instinct that he got from one of his old mentors in fighting.
So there's nothing to see there, so no, he's not *inaudible*
Okay. We were just wondering if it was Preservation, or Kelsier.
Nope. Unfortunately, no. I do that on occasion, but this time...
Wayne's ability to mimic and create accents is used to great effect in the book, and Michael Kramer really shines in bringing these accents to life in the audiobook. Did you have a sense when writing the book that these could be challenging—and rewarding—scenes when read?
I certainly did. The thing is, I'm not good with talking in accents myself—I can hear them in my head, but I'm atrocious at trying to do them. So while I was writing the book, I was thinking in the back of my mind, "I really hope that poor Michael can pull this off." It was a lot of fun to write Wayne's accents. I'm writing in a world that isn't our world, but the Mistborn world is a bit of an Earth analogue. I intentionally used themes that make it an Earth parallel, which is different from my other worlds. So you can have a character who kind of has a light Cockney accent or something like that, but it's not our world so it can't exactly mimic that accent. So it's already a challenge in that respect. I do think Michael did a fantastic job.
How much did you focus on writing The Alloy of Law as a starting point for readers who were new to Mistborn? Was it hard to balance writing for new readers versus wanting to give your existing readers a "welcome home"?
It takes place hundreds of years after the trilogy, so there was enough that I had to bring longtime readers up to speed on that it felt very natural to write the book as a potential new starting point, just because the world had been updated so much.
That said, I did make sure to slip in lots of fun things for those who had read the original trilogy, that are callbacks or that show how the world got updated and how it grew. I was conscious of the book possibly being a new starting point, but it's more that it felt natural for what the story required, as opposed to me sitting down and trying to force the book to be a new starting point.
Michael Kramer is, other than Elantris (Jack Garrett), Warbreaker (James Yaegashi), and the Alcatraz series (Ramon de Ocampo), "the voice of Brandon Sanderson" when it comes to audiobooks, handling narration on The Wheel of Time, the Mistborn trilogy, The Way of Kings, and now The Alloy of Law. What makes him such a well-suited narrator for your books?
I feel there's a fine line to walk between performing too much and not enough. When I like to listen to an audiobook, I don't want to hear just a dry read. I like a subtle shift in character voice and tone when someone is speaking, so that you can get a sense of it. But I don't like it performed so much—particularly for my own works—that it takes you out of the story. Having listened to the Wheel of Time audiobooks, as that is one of the main series I've listened to in my life, I really wanted Michael Kramer for some of my works. So I asked for him by name.
Last time we spoke, we were talking about the 45-hour audiobook for The Way of Kings. Each of the Mistborn books came in at 25-30 hours, but The Alloy of Law comes in at a tidy 9 discs. Did you set out to write a shorter book?
I knew I wanted to do more in the Mistborn world, and for a long time I played with writing a short story. The short story that I tried to write didn't work; I tossed it aside after maybe a thousand words, and began working on a different story. I can usually judge what the length of a story will be, and I knew this one would be longer, but I wasn't sure how long I would want it to be, or whether I should make it a full-blown novel. So I wrote what turned out to be three or four chapters' worth, and at that point I decided, it was a big enough story to can make a novel of it. I knew it wasn't going to be the same length as the original Mistborn books, but I felt okay with that, because for a long time I've been wanting to start writing some—I don't want to say shorter, but quicker, faster-paced stories; thrilleresque, maybe a little more pulpish. I just think of it as a fun book, that doesn't require quite as much of an investment of time and energy for the reader as something like The Way of Kings—which I love, but I want to be doing a variety of things. So writing a shorter book was intentional, but I kind of slipped into it.
A lot happens before this book opens—how did you pick an opening for Wax's story, leaving so much of the backstory with Wayne (and others) to be picked up and absorbed on the fly?
I usually like to start my books in medias res to an extent. It brings across the sense that I want to portray, which is that the characters all existed before the book started, and the characters continue—those who survive—to exist after the book ends. That helps with the sense of immersion. Granted, each book tells about a very important chapter of the characters' lives, and there's a distinct beginning, middle, and end to that chapter, but if the beginning or end are too hard and fast, it feels contrived to me. So I do this with all of my books.
It's usually harder to figure out a starting point than you might think. I often have to revise my beginnings very heavily. This is no different from my other works; in the Mistborn books I've had to do this often. The prologue for [The Alloy of Law] was actually written to be the prologue to a sequel, and after I wrote it, I thought, "No, that needs to go in this book." We did a lot of shuffling around at the beginning of this book to find the right starting point.
I believe you create merchandise for The Way of Kings and Mistborn. How's that going? Do you ever see people wearing your stuff out in the wild?
InkWing Arts (link here) is the business my wife Kara and I have put together to showcase the artwork I've created for Brandon's worlds. Right now we primarily sell bookmarks and t-shirts, but watch in the future as we add patches, art prints, and games. The goal there is to make cool things based on cool worlds. It's been a lot of fun to interact with fans in this way.
I mostly see the shirts at Brandon's signing events. But my eleven year old son came to me the other day and said he saw someone wearing one of our shirts at the grocery store. He thought that was pretty cool. So did I!
What are some of the books you've been a part of, and what exactly were you in charge of?
I’m responsible for all the maps and symbols in the four (so far) Mistborn novels as well as all the symbols, chapter headings, maps, color end pages, and Navani's notebook pages in Brandon's Way of Kings. (The other artwork in the book was done by Michael Whelan, Ben McSweeney, and Ben Call. I'm thrilled to be showcased in the same book with these amazing artists.)
On the design side of things, I've been designing self-published books—covers and interiors—for a while, but recently had the luck to get into the business professionally with the book design for Bryce Moore's YA novel, Vodnik. I've also done covers for some ebook re-releases of some science fiction and fantasy classics from the 80s.
In addition to Brandon's maps, I've also worked on maps in the re-release of Robert Silverberg's Nebula-winning novel A Time of Changes and the upcoming reprint of his very-enjoyable Downward to the Earth.
On a similar note, The Way of Kings has a lot of symbols associated with different aspects of the book. Were you involved with creating those, and if so, how did you design them?
I created forty-plus symbols for The Way of Kings. Many of these are found in the color charts in the hardcover version of the book (link here). My absolute favorites are used at the beginning of each Part (one of them is debossed on the book's hardcase beneath the dust jacket). I used Arabic word art and the shard blades as inspiration for these. Many of the originals were drawn on an iPod Touch and later brought into Photoshop for clean up.
I know some of us have heard the story of how you came up with the symbols for Mistborn, but tell those of us who haven't how they came about.
I'd drawn about a half dozen pages of symbols inspired by my first reading of the book. Pages with dozens and dozens of tiny, intricate symbols—maybe someday I'll write a post about the process: Failed Allomantic Symbol Designs. But nothing was really working for me or Brandon.
I'd collected a lot of reference material for the steel inquisitors—nails, railroad spikes, those sorts of things—and one day when I was looking at a picture of a rusty pile of bent up nails, I saw the symbol for iron. It was a Beautiful Mind experience. The symbol just jumped out at me. Glowing and everything.
After that initial experience with the symbol for iron, it was easy to come up with the others. The bent nail part eventually became the crescent shapes used in the final book.
You've been involved with some pretty big projects over the last few years. Tell us what it's been like working on the art for novels such as the Mistborn trilogy and The Way of Kings.
Writing, art, and book publishing have always been my biggest interests, so working on these great books has been very fulfilling.
I get the manuscript early on in the process, print it out, and go through the whole thing with a pencil, marking it up with notes about artistic details and tiny maps marking places in relationship to each other. Then comes my favorite part of the process: working with Brandon and his assistant Peter to make sure that my vision melds with Brandon's vision for the book. We usually do a lot of revisions and emails to get to the point where we're all happy with the results. I cannot say enough good about Brandon and Peter; they are both gentlemen to the core.
I just finished The Way of Kings and have been told it will be a 10 book series which makes me worry when it's done I'll feel like I do about AMoL right now.
If it helps, it's two five book arcs. The first five will draw to a natural conclusion. (Kind of how Mistborn one comes to its own conclusion, then two and three are in another arc.)
How many Shardworlds are there? Only seven? (Sel, Nalthis, Scadrial, Roshar, Yolen, Taldain, and whatever planet The Silence Divine is on [Ashyn]?)
He said he has a set number in his head but that he didn’t want to say it because he might change his mind. Essentially he doesn’t want to make the number of worlds canon yet.
Does Roshar have a magnetic field?
Um, Roshar, magnetic field, yes, it does. Yes. Yeah it does
You said at one point that it is all one plate--
Yes.
--that there's no tectonic activity. What is the interior of the planet like?
That’s a good question... You're not going to get an answer on that one. It's a weird planet, let's just say that. It's a pretty weird planet
Are the diamonds naturally occurring?
Yes, but most are going to be-- They aren't-- all gemstones are naturally occurring, but most of, many or most of, the gems they are getting they are getting from creatures that grow them, not from the rock. Though there are mines on Roshar, you just have to-- most of them are on the leeward side of mountains, where the crem isn't being deposited.
So, diamond mines are about tectonics--
It was a created planet, keep that in mind.
And I have one more question that sort of relates to The Wheel of Time, which I’m reading right now. So Shai in Emperor's Soul has a couple of different personas, right? And some of them have versions of her name. Were she to create a version of herself that is as chaotic and evil as possible, an embodiment of chaos that is capable of reaching throughout the multiverse and--
Oh Shai'tan! *laughs* I did not think of that, there you go Shai, that's where she came from.
The most powerful character ever apparently.
That's right. *laughs* Shai, the Dark One.
Has Jasnah had any wards before Shallan, or is Shallan the first?
Jasnah has-- See I think she had one other ward, it didn't go well. That was a long time ago.
How much attention should we be paying to Highprince Hatham?
Moderate.
When we get to Era 4, are we going to see a Gasper/Lurcher EVA specialist?
You will see all kinds of things like that, yes.
Have romantic relationships ever occurred between surgebinders and their spren? And if so what were the results?
That is a RAFO.
Does each Shard have the same quantity or quality of Investiture?
Um, yes. They were equal proportions originally, how about that.
We've seen different Shards have different prophetic abilities--
Yes.
Is this a result of the Shard itself, the wielder, or a combination of the two.
More the Shard.
Have we-- I think you mentioned in a previous signing that we'd already met one member of every Order of the Knights Radiant.
Yes, I think you have.
My question is, have we met two Edgedancers? And is one of the Dustbringers a viewpoint character?
One of the Dustbringers is eventually a point-of-view character.
Haven't been yet?
No, not yet, I don't think. But it depends if you count the Heralds as members of their order.
I don't.
Oh, see I would, because they're kind of heads of their Order. If you don't count them you have not met some from every Order.
Have we met someone from the Dustbringers?
Well-- Dustbringers are really complicated. Really complicated. So that's the weird one. Okay? So let's shelve that one. You'll see why it's really weird later on.
What's [Wayne's] effect from his Twinborn abilities?
I don't think I've released that yet.
[Wayne] seems to impersonate other people--
That also is just him. There's nothing really supernatural going on, he's just really good at this.
Wayne, his inability to pick up guns, is there anything else to it or is it just psychological?
It's just psychological, and you'll see Shadows of Self, we talk about it a little bit. It's post traumatic stress disorder.
The separation of the Rose Empire and the Jindoese, is that connected to Devotion and Dominion's Splintering?
Vaguely.
How exactly is the Moon Scepter linked to the Dor?
The Moon Scepter is-- I suppose I can canonize this, now. Okay you're getting one out of me. So the big thing about the Moon Scepter that it was-- It is a Rosetta stone for the [Selish] magics. Meaning it translates them from one to another, and what the different symbols mean, does that make sense.
The Second Letter, Frost mentions a gemstone, is that in the Moon Scepter?
No, good question. That is a topaz, which was associated with him for a long time and had some mystical properties.
There's a WoB on Theoryland that if Hoid was tempted by a Shard it'd be Endowment. Why is that?
There's a word on Theoryland that if he was tempted by a shard it'd be Endowment? Things in his past, that make sense. Will make sense once you know him more.