Recent entries

    Dragonsteel 2023 ()
    #801 Copy

    Questioner

    I was wondering if the Skybreakers' armor spren... what spren they are?

    Brandon Sanderson

    Well... Do you have any guesses?

    Questioner

    Stormspren?

    Brandon Sanderson

    No, not stormspren, good guess. Any other guesses?

    Gravitationspren. We're going with gravitationspren for them. So you should see some little hints of that in future books.

    And this isn't too much of a spoiler 'cause we will be releasing all of these when the RPG comes out, 'cause you gotta know how you get your armor when you play the RPG.

    Dragonsteel 2023 ()
    #803 Copy

    Questioner

    You talked about how Hoid would never want to go near Nightblood. If he were to be in proximity to Nightblood, would he be, like, Force-pushed away? Like, he wouldn't be able to get close to him?

    Brandon Sanderson

    No. He would not want to touch him. The thing about Nightblood is... Hoid's one of the few who knows exactly how dangerous this thing is. And beyond that, Hoid depends so much on the memories that he has in his Breaths, and that would be one of the first things that would get sucked out by Nightblood. So if he were to touch Nightblood, he might lose centuries. And this is a big deal to Hoid. So, yes, he could theoretically pick up Nightblood. It would just be a lot more disastrous more quickly for him than it probably would be for others.

    Dragonsteel 2023 ()
    #804 Copy

    Questioner

    Now that Skyward and Reckoners are over, and it seems like Apocalypse Guard is never gonna get written, is there anything you can tell us about the connection between their multiverses?

    Brandon Sanderson

    I've kinda been playing loose and freaky. Multiverses are annoying, right? When I wrote Steelheart, I realized, "Ah, multiverses are annoying." And the more I worked on Apocalypse Guard, the more I realized I didn't want to lean into this. And I'm glad I didn't, because as certain media properties have shown us, multiverses are just real hard to juggle and keep any sense of weight or value to the actions of the characters. And so, one of the reasons I didn't want to release Apocalypse Guard is I want to rethink all of that. I do prefer things like I did in Frugal Wizard, where I'm like, "There are certain stable realities. It's not an infinite number of realities; there's an infinite number of possible realities, but some of them are solid. Some of them are real." So you can find alternate versions of yourself, just not an infinite number of them.

    So that's one of the places I was going with that. And Apocalypse Guard did lean into this and start to progress that idea. I think one way you could do a multiverse (kind of have your cake and eat it, too) is just be like, "There's not four billion versions of you. There might be seven." And things like that, that are what we call stable, and "real." Which allows you to kind of play with that idea of multiple versions of yourself without everything going out the window in terms of... You know, you guys have seen Rick and Morty. It doesn't matter if we die or if we mess up the plan. There's another one over there. We can only do this an infinite number of times. So, that was one of the things I was playing with, there.

    And then, multiverses are just, like, so overdone. Everything Everywhere All At Once did the best one, and we don't need to even try. But that movie is proof you can still have emotional connection and power in a story that is about alternate versions of yourself. And so it is possible.

    So what's the connection? I do kind of have in my head that each of these non-Cosmere properties kind of are on the continuum with this multiverse and are shades of one another, and Apocalypse Guard was gonna kind of be jumping between them. But whether or not we'll get to that, I don't know, because I certainly don't want to have Skyward be ruined by the existence of multiverses. I like how Skyward turned out; the whole series, I'm really proud of. So that's the question mark in the back of my head.

    Dragonsteel 2023 ()
    #806 Copy

    #1 Taln Fan

    Who in the Cosmere could beat Taln in a fight back when he was in his prime?

    Brandon Sanderson

    Depends what level of abilities he has access to. If you're saying access to full abilities, I don't know of anybody who could beat him in an actual one-on-one.

    Dragonsteel 2023 ()
    #807 Copy

    msyverw

    So, what's up with Canticle? You've got the sunlight, it appears to be Invested and then the planet's core is trying to suck it up. And you know, where does it go after it does that, and...

    Brandon Sanderson

    Yeah, Canticle was built for a very specific purpose by a very powerful being in the Cosmere, that I will someday get to. You're going to see some more stuff like this. Basically, megastructures that imitate planets or other sort of heavenly bodies.

    msyverw

    So it's not like some avatar of Autonomy or something like that?

    Brandon Sanderson

    It's not an avatar of anything, it was built for a specific purpose, yes.

    Just wait til I get to the Grand Apparatus, you're gonna love that. What was that voice that talked about a future Cosmere planet? Hmm!

    Dragonsteel 2023 ()
    #808 Copy

    Questioner

    My question is about biology and genetics. We've seen that magical systems rely on *inaudible* genetics, like allomancy, or spiritual DNA. Can we use *inaudible* CRISPR to either weaponize or take someone's magical ability or give them a magical ability?

    Brandon Sanderson

    Kind of. The in-world version of this is Hemalurgy, as you already know. There are methods that would do this, but straight genetics alone with CRISPR wouldn't do it. You need the spiritual component for these to work, almost assuredly. You might be able to use CRISPR... no, I don't think there are any of them it would work on. Is it possible you could make someone into a kandra? That may be possible, right? But I'm not 100% sure on that.

    Questioner

    Can you use CRISPR with Ashyn viruses or bacteria?

    Brandon Sanderson

    Probably not, but that's more likely. I'd have to think on that. I'm gonna say "probably not" for now, but we'll minorly RAFO that. Good questions.

    Dragonsteel 2023 ()
    #809 Copy

    Questioner

    What would happen if a Mistborn ingested anti-lerasium or anti-atium, assuming they don't explode?

    Brandon Sanderson

    If you are not highly Invested yourself, and you get the anti[-Investiture], it's not gonna be a fun time. You won't explode, but it will kill you, almost assuredly. Not a fun time, but not an explosively not-a-fun-time, just a regular old not-a-fun-time. Maybe a little bit like pouring molten metal down your throat.

    Dragonsteel 2023 ()
    #810 Copy

    Questioner

    Is there a specific reason as to why Hoid cannot Skip, but Nomad can?

    Brandon Sanderson

    Yes, there is a specific reason for that. I'll get into it someday. Let's just say the Skipping started because of a certain event, that probably I won't write a book to talk about, but you will get an answer to that someday I hope. So it's a RAFO, but a RAFO with a little bit of a promise.

    Dragonsteel 2023 ()
    #811 Copy

    Questioner

    Is Hoid able to use soulstamps?

    Brandon Sanderson

    Hoid is working on how to figure out how to use soulstamps. As you have seen so far, he has not figured out how to make that work. But he only just barely managed to get access to Selish magic systems. He's working on it.

    Dragonsteel 2023 ()
    #812 Copy

    Questioner

    Is Mraize a Sleepless?

    Brandon Sanderson

    Mraize is not a Sleepless, despite the scar. Sometimes it may be something I use to indicate someone is a Sleepless. It's an excellent question, but I can go ahead and let you know Mraize is not a Sleepless.

    I'm glad somebody asked that, because I realize now if I ever give a scar to somebody they're like "oh that means Sleepless," but not always. Sometimes scars just mean you've been in a lot of fights.

    Dragonsteel 2023 ()
    #813 Copy

    Questioner

    Nomad was able to overcome his Torment. Would someone else be able to do something similar using soulstamps?

    Brandon Sanderson

    Yeah, this is theoretically possible.

    Soulstamps are one of the easiest ways to play with spiritual DNA and spiritwebs and stuff like that, so yeah.

    Dragonsteel 2023 ()
    #814 (not searchable) Copy

    Brandon Sanderson

    <Dyel> had the most unusual of visitors. That was not uncommon in Iri these days, now that the owners had returned. They walked the streets with bodies bearing patterns, like they were painted red, white, and black. But these visitors were not of the owners. These visitors were different.

    The three sat at a table in her shop, on the far side, near the cubbies on the wall where her grandfather—before his murder—had put shoes. They huddled around their table, and when they’d come in, they’d pretended they were from “the east.” But <Dyel> knew accents, and these men were not from the east. Besides, their clothing was very strange, particularly the tallest man, with the long white coat and the strange spectacles peeking from his pocket.

    She hovered in the doorway to the kitchen after delivering their tea, listening in, hoping her mother wouldn’t notice her loitering.

    “Are you certain this is the right time?” asked the tall man, the one in the coat. He had skin like he was from Azir, with short black hair and muscles like a soldier. She could almost believe he was from the far east, where terrible men were said to be the fiercest warriors. And he had the height to maybe fit in there. But he liked sugar in his tea. What kind of fierce warrior liked sugar in his tea?

    “Of course I’m not sure,” said the tubby one, who was constantly scowling. “The device is always unpredictable, don’t you know?” This one was Azish, perhaps, and completely bald. Older, shorter. Again, he wore odd clothing for this region. Most people she knew went around without shirts, and only <bandlo> for the women. He had on robes beneath the cloak. A cloak and colorful robes, in this weather?

    The tall man grunted, then sipped his sugared tea. The third of them sat quietly. A Shin man, maybe, of middling height, but also balding, with lighter skin and more normal clothing, for an outlander. Shirt and trousers. He didn’t talk as much, but he watched things. She knew people like that.

    Lest they think that she was observing them, <Dyel> busied herself with other tasks for a short time. Cleaning tables, standing by the door to give welcoming smiles to those who passed on the street. She liked that part. Looking at all the different kinds of people that were part of the One. She also liked smelling the ocean air. Though they were too poor to have a shop in the best part of town, the breeze still carried crisp, salty air inward to them. A gift of experience she could add to the One.

    Outside, an owner walked past, a hulking figure with carapace and eyes that glowed red. There was some discussion—were these singers, these owners part of the One? Were they part of the grand connecting experience that unified all people? Or were they something else? <Dyel> thought they must be the One. It wouldn’t be the One unless it—God—encompassed everything. Every person a piece of it, extended out into the cosmere to live a different life and bring back enriching knowledge. Her mother didn’t believe that, but <Dyel> did. Because if she did, then grandpa Ym was always with her, and she with him, because they were the same.

    “Serving girl,” one of the men called, “could I get another?”

    She started, then hurried back to the table with the three strangers, her hair aflutter. She kept it long, only trimmed it when Mother forced her to. She was Iriali, and golden hair was her heritage.

    She quickly refilled the men’s cups, though the thoughtful one—the quiet one—sat a sphere on the table. Her breath caught. A full broam? She looked to the man, who had a round friendly face. He nodded.

    She snatched it up, the azure light inside making her skin glow. But Mother would insist she ask, so reluctantly, she spoke.

    “Would you like some change?”

    “No,” he said, still smiling. “Thought wouldn’t mind if you answered a question or two.”

    She shrugged. “Sure.”

    “Have you ever seen,” the man asked, “a strange collection of lights that moves across the wall or floor, though you can find no source reflecting it?”

    <Dyel> felt an immediate spike of terror. She nearly dropped the teapot. She’d suspected they weren’t what they said, but this? This?

    “I’m sorry I have to go I forgot my mother wanted me to check on the biscuits stay as long as you want thank you for the tip we’re closed now good bye!”

    She scampered into the back room, now kitchen and living space transformed from her grandfather’s workshop. She put her back to the wall, heart thundering, and tried to breathe in and out. He was back. The murderer. What to do?

    Find Mother.

    But Mother was gone. <Dyel> searched the entire shop. Wasn’t hard, considering how small it was, and found nothing but a note: Back in fifteen. Watch the shop.

    Oh no. No no no no no no no.

    She scrambled and found a knife—for spreading butter—then she hid in the corner holding it, trying not to be too loud as she cried and trembled. Until they darkened the doorway. Three men, two shorter, one taller.

    <Dyel> yelped despite herself, holding out the knife. The three looked almost bored, as if killing her would barely bother them.

    The tall one looked to the thoughtful one. “Look what you’ve done, Demoux,” he said, gesturing to her. "I told you you should keep quiet about that!”

    “I need an intelligent spren to study,” he said. “They keep telling me no!”

    “Perhaps that’s because you keep saying you want to study them, isn’t that so?” the grumpy one said. “We certainly frightened fewer people when your translator didn’t work.”

    The tallest man walked up to <Dyel>, then knelt beside where she knelt, trying to force herself back against the wall, her skirt getting twisted and crumpled, the rough grain of the wood pressing against the skin of her back, except where she wore her <bandlo>. The man considered her.

    “I’m sorry,” he said, “to have—”

    The back door slammed open, and there was her mother, frantic, in loose trousers and <bandlo>, a glowing mane of hair that was radiant with the light of the setting sun. She seemed alarmed, wild-eyed, then she saw the three strangers. Her Shardblade materialized a second later, bright and silver. Their family’s hidden secret, kept quiet since it had manifested a few months back. But few secrets mattered when you burst into the room and found your twelve-year-old daughter frightened by three assailants.

    “Woah,” the tall one said, leaping backward.

    He was the one, the killer named Darkness!

    “Woah!” He pulled something from his belt, something he brandished like a weapon, though <Dyel> had never seen a weapon that was just a small tube of metal.

    Strange lights followed as the grumpy one smashed a sphere on the ground, somehow cracking it. Stormlight flowed up around him, and strange symbols formed in the air. Mother leapt in front of <Dyel>, sweating, holding her weapon in two hands.

    “We knew you’d come back,” Mother said. “We knew you’d come for me once you heard!”

    Mother’s voice trembled. <Dyel> crawled forward and grabbed her around the legs, terrified.

    They all stood quietly in the room until the thoughtful one, the Shin man said, “What the hell is going on?”

    “We know about you,” Mother said, inching backward toward the door. “I spent months trying to find the tall Makabaki man who killed my father! I spoke to the families of the others you killed! We know what you are, what you do, murderer!

    <Dyel> cowered. Mother kept trying to inch them toward the door. Strangely, though, the tall man—the murderer who had killed her grandfather—relaxed, lowering his… strange weapon. The bald one lowered his hands, the strange glowing lights around him evaporating.

    “I told you you looked like him.”

    “I do not," the tall one said.

    “You kind of do,” the thoughtful one said.

    “Just because he and I are both dark-skinned?” the tall one said.

    “I’m dark-skinned too,” said the bald one, “and no one says I look like him.”

    “You’re silver most of the time, Galladon,” the tall one said, depositing his weapon back in his cloak. “Look, I’m not the murderer you’re worried about. That’s Nale, the Herald. I’m just a traveler.”

    They both watched him in terrified quiet until Mother, strangely, cocked her head. She dismissed her Blade, which made <Dyel> quiver. Surely Mother didn’t believe the words of this killer?

    Uma appeared a second later, sliding up the wall, a collection of lights like those scattered by a prism. Except none existed here. She made a kind of shimmering pattern that she said was unique to her.

    “It’s alright, <Dyel>,” Uma said. Her voice was quiet, like the sound of glass when a cup vibrated in the hands of a musician. “I told your mother as well. I know the Herald Nale by sight, the one called Darkness, and this is not him. I suspect he is from very distant lands indeed.”

    Oh. <Dyel> carefully stood up behind her mother, her heart still pounding, likely the same as all of them.

    Until a moment later, the thoughtful one said, “Can I study you?”

    “Umm,” Uma said, “no?”

    “I told you to stop phrasing it like that, Demoux,” said the one called Galladon.

    “I don’t want to lie to them,” Demoux said, gesturing.

    The tall one cleared his throat. “Perhaps we should be going.”

    Mother eyed them and was still tense. <Dyel> realized why. Yes, this was not Darkness, but she’d still burst into the room, likely after hearing her daughter cry out, and had still found three strange men in a part of their shop where no customer was allowed.

    “Mother,” <Dyel> whispered, pointing, “they knew. They asked me about Uma.”

    “How?” Mother demanded.

    “We didn’t mean to frighten the girl,” the tall one said, with a placating hand forward. “We simply heard rumors. We’re scholars and like to study spren.”

    “See?” Demoux said. “Baon uses it!”

    “Baon is not an example of how to be in any way tactful,” Galladon said. “Crazyfools, all of you.”

    What a curious word, smashing two together like that. He stepped forward, and though he had been the grouchiest at the table ordering drinks, he made his tone polite now.

    “I’m sorry we frightened you. We will go now, with your leave, Radiant.”

    Mother looked down at <Dyel>, then sighed, looking back at the men. “I have a letter for you.”

    “…What?”

    “What?”

    “Mother?” <Dyel> asked.

    “You remember when that odd woman visited last month?” she said. “She left me a letter, it’s in my nightstand. Please fetch it.”

    <Dyel>, confused, did as she asked. Mother remained eye to eye with the three strangers. <Dyel> did remember that woman, the one who wore too many rings, and who had helped for several weeks at the local charity hospital. A healer skilled with herbs, and whose room had smelled of fish, from the creatures she had caught in the Purelake, then dried. She’d come for tea each morning, but had left a few weeks ago. Apparently not without leaving something.

    In the nightstand beside the table they shared, <Dyel> found a sealed envelope. And on it was drawn roughly the profiles of the three men. These three men, except with quite comical exaggerated proportions. She’d have found them amusing if she weren’t so tense.

    What an odd experience from the One. How had the woman known? But then, <Dyel>’s life had been turned upside down ever since Uma had arrived and her mother had started glowing sometimes. Unique experiences indeed. She cherished thinking of it that way, as she’d been taught. So many didn’t believe these days, but she did, for Grandfather’s sake.

    She scampered down the stairs and handed the letter to her mother, who tossed it to the men.

    “I was told,” Mother explained, “I would know who to give this to.”

    The tall one, Baon, caught it. He eyed the others, then slit it open with a pocket knife. “It’s from him,” Baon said.

    “Of course it is,” Demoux replied. “Right as we’re leaving. You think he wants to tease us back, make us keep wasting time?”

    “What,” Galladon said, “does it say?”

    Baon closed the envelope. “It has only his signature. And a crude depiction of male genitalia.”

    “From the Trickster Aspect?” Mother said. “He was here too, last year.”

    “Of course he was!” Demoux repeated, then sighed. “I’m ready to be off this rusting planet. What about you two?”

    “Yes, please,” Galladon said. “One of the eldest beings in the cosmere, and he has the mental age of a thirteen-year-old.”

    “If this man ever returns,” Baon said, “keep your distance. He isn’t terribly dangerous, but things around him always are. When he’s spotted, innocents get hurt. It’s inevitable.”

    Well, of course. He was the Trickster Aspect, spun out of the One to create chaos. But you couldn’t just insult him by not serving him tea when he asked.

    A ding came from Galladon’s pocket. “Time,” he said. The three men nodded to the two of them, then started out. Baon hesitated by the door.

    “Things might be chaotic in your city for a little bit, but it will pass. Best stay inside.” Then he too left.

    <Dyel> hugged her mother. Because they were alive, tense though it had been, but also because she was worried. Not just because of what Baon had said. Because it meant Darkness had not yet come, and they still needed to fear him.

    Outside, people started shouting.

    “I will look,” Uma said in her tinkling voice. “Stay strong. I do not know yet what this is.”

    Mother nodded and grabbed <Dyel> and led her up the steps as Uma went out the door. Their shop was part of a larger building, four stories high, and they helped keep it tidy and fix things. Which meant Mother could take them up the access stairway all the way to the roof. There they burst out, and found what was causing the chaos.

    Cusicesh the Protector had risen from the bay. The great multi-armed spren made only of a column of water. It had risen high in the air, larger than usual.

    That was all? <Dyel> relaxed. She’d seen Cusicesh many times. This was nothing to fear. But why, then, were so many people pointing and crying out? Why were so many people running?

    “It’s the wrong time of day,” her mother said, staring across the rooftops toward the bay.

    Cusicesh, breaking tradition from the way he normally acted, waved his hands out to the sides, palms toward the city. And then, before him in the bay, the air split in a glorious radiant font, a column of light.

    “The gateway,” Mother whispered, “to the Land of Shadows. Honor’s gateway. Oh, Father, Mother, ancestors become one! <Dyel>, it’s time! Run and fetch the traveler packs, it’s time!”

    <Dyel> froze. Time? The traveler packs? All good Iriali kept them, of course, in case they needed to leave, but that was mostly a formality, unless…

    It was time?

    “PEOPLE,” Cusicesh spoke.

    That spren never spoke.

    The voice was deep and vibrated the city, somehow loud enough to make her soul shake, but not so loud it hurt her ears.

    “IT IS HERE. I AM TO BE YOUR GUIDE FOR THE FIFTH JOURNEY.”

    Time. That meant time to continue the Long Trail. Time to find the Fifth Land. Finally shocked out of her reverie, she went running for the travel packs, terrified that this great day should have come during her life. The One was certainly testing her with new experiences. She wished there were a way to explain that she was filled up with them, that she’d rather experience some peaceful days, without owners returning to the land, or her mother starting to glow, or the call to the Long Trail itself occurring.

    But it wasn’t to be, as when she met back with her mother, Uma had returned. Mother was crying.

    “We will try,” Mother whispered to the spren, who brightened the floor of the rooftop. “We will see, see how far you can go. Come, <Dyel>. We mustn’t miss the call. The gateway will not remain forever, and boats are already rowing out to meet it.”

    And so she went with her mother. Found their way to a boat with only their travel packs. Joined with the light of the gateway, which she thought briefly must be like rejoining the One when she died. She emerged into a place of shadows with the leaders of their kind, who had already begun preparing caravans to cross the darkness. Other portals, she heard, had opened all across Iri, one in every major city. Nearby, she did spy the three strangers passing, Demoux complaining about the “odd behavior for a perpendicularity of this nature.”

    Mother settled her down on some blankets to wait as she went to find their position in the caravans. <Dyel> clutched her pack to her chest, stunned by how fast it had happened. Stunned to realize that her time in the city, with the shop, was over.

    And so she whispered a quiet farewell. It was time to leave Roshar.

    Forever.

    Dragonsteel 2023 ()
    #816 Copy

    Questioner (paraphrased)

    what inspired Lift?

    Brandon Sanderson (paraphrased)

    (inaudible, there was a cultural influence), then he said that he wanted to have a teenager to kind of represent teenagers for his goal of representing everyone possible.

    Dragonsteel 2023 ()
    #818 Copy

    Lightweaver2 (paraphrased)

    Does Rysn have a Torment?

    Brandon Sanderson (paraphrased)

    She hasn’t had the Dawnshard long enough for it to change her spiritweb enough.

    Lightweaver2 (paraphrased)

    Will she?

    Brandon Sanderson (paraphrased)

    She may not call it that, but the Dawnshard will change her spiritweb in drastic ways.

    Dragonsteel 2022 ()
    #823 Copy

    Questioner

    If you were to attend a dinner party with your characters and have three to five of them who would you pick?

    Brandon Sanderson

    Who is least likely to get into trouble and cause disaster?

    Audience

    Lift! Lift!

    Brandon Sanderson

    Lift? No, not Lift. No, not Lift.

    Audience

    Dalinar! *several inaudible recommendations*

    Brandon Sanderson

    You're naming all sorts of people that danger follows like a cloak! Alright, Alright. Let's put Harmony there because if something does go wrong having a god around is handy. Let's see, 5? ... We are going to do Steris because she'll be well prepared for everything. And then we will go with Dalinar, because I want him to maybe be able to meet Harmony, which would be kind of fun to see how that goes down. Jasnah because I'd like her to meet Harmony, that would be really interesting. And then I would pick one of the accountants from The Lost Metal because they're unlikely to cause anyone to come hunting them to destroy the room.

    Dragonsteel 2022 ()
    #824 Copy

    Questioner

    If Steris, Rock, and Lift had to prepare potatoes, how would they prepare them?

    Brandon Sanderson

    This is actually pretty easy because Lift would get there without her potatoes, right? Now, she probably ate some of them, she probably just lost the others, she maybe gave some of them away to people who needed them. She's not going to arrive with any potatoes. If you give Lift a sack of potatoes it's on you. You can know the potatoes went to good places. She probably tried to feed one to her chicken, it probably didn't like it very much, mine doesn't, but she tried.

    Rock is going to make something delicious because it's a challenge to him. He's not familiar with a potato, he's like what do I do with this thing? He's going to figure out how to make something very very very cool with it.

    Steris is going to buy a recipe book. She's going to make every potato dish in there, in case you don't like the one that she made. 

    Skyward Flight Livestream ()
    #826 Copy

    Brandon Sanderson

    So, Peter and Karen's daughter, I guess multiples, two of the daughters or many all three. But I know for sure Bridget, is very eager about creating a slug. Because boomslug Dallin, my son came up with. So I'm like we could maybe do this. They want a remote viewing slug. 

    Janci Patterson

    Remote viewing?

    Brandon Sanderson

    Yes, a slug that creates a little thing you can see through to another location. That's what they have come up with.

    Janci Patterson

    That's awesome. Do they have a name for it?

    Brandon Sanderson

    They don't have a name for it. But they want us to canonize it and tell them which of these slugs is the remote viewing slug.

    Janci Patterson

    So I have, and I don't know what happened with Defiant, I have a list of all of the slugs that I- yeah.

    Brandon Sanderson

    So it wouldn't be any of those.

    Janci Patterson

    So probably it would have to be a different colored slug. So if they have a recommendation of what color slug they would like.

    Miscellaneous 2023 ()
    #827 Copy

    Noxilicious (paraphrased)

    In the past, you've mentioned how Skyward was originally intended to be part of the cosmere. Were cytonic abilities originally going to be an Invested Art, or were they developed after the creation of the cytoverse proper?

    Brandon Sanderson (paraphrased)

    Slight correction, Skyward was not going to be part of the Cosmere. It was specifically Spensa who was going to be in the cosmere. The story she was going to be part of is still cosmere-relevant, and we will still see it, but we'll see the replacement for Spensa instead. The cytonic abilities were developed afterwards, as we see in Defending Elysium.

    Skyward Flight Livestream ()
    #828 Copy

    Questioner

    Would you be willing to tell us what the rainbow slug's power is?

    Brandon Sanderson

    Do you have the notes handy?

    Janci Patterson

    I know what it is.

    Brandon Sanderson

    Okay, you can say what it is.

    Janci Patterson

    That's the illusion slug. So in my mind, that's why it's a rainbow, it's not real, it's an illusion.

    Brandon Sanderson

    It's creating an illusion of itself, yeah.

    Hero of Ages Q&A - Time Waster's Guide ()
    #829 Copy

    FirstRainbowRose

    I just wanted to add in my two cents and say it was absolutely brilliant... and I think I'm starting to be able to breath again (crying that much hurts)...I also really loved that there's an "cameo" for Kelsier at the end... that made me really happy to see.

    Brandon Sanderson

    Glad you liked the book, Rainbow!

    You may want to note that the moment Preservation dropped out and let the last of his consciousness die, someone was waiting in the Cognitive Realm to seize the power and hold on for a short period until Vin could take it up more fully. You'll find him using it to whisper in moments of great stress in the book, to one person in specific in two places. (I'll bet someone on here has already found them.)

    He never could just let things well enough alone....

    General Reddit 2021 ()
    #830 Copy

    Brandon Sanderson

    I've come to the mindset that there are two general ways to approach adaptation. One is to try to be very faithful to the actual text, and the other is to redo almost the entire thing for the new medium, while trying to keep the soul of it the same.

    I've actually written treatments of Mistborn that do both of these. As an exercise, I did one more recently (for the screen) where I threw out every scene from the book and asked myself, "If I were doing what was absolutely best for a film, but telling the same story, how would I have written this?"

    That treatment for that screenplay was very different from the book, while at the same time still being the book--same soul, same characters, same basic plot beats. But no actual scenes from the book except Vin/Elend on the balcony. Everything was approaching the story from a cinematic viewpoint--and I found that in a lot of cases, this new treatment was stronger.

    There is, of course, a continuum between these extremes. But it taught me a lot about adaptation. And the Wheel of Time I saw tonight was absolutely worthy to be called the Wheel of Time, even though a lot of the scenes were new.

    My perspective is, perhaps, skewed by my experiences. I tend to be someone who LIKES seeing film and television adaptations do new things. That doesn't prevent me from, as a producer on this, warning Rafe of places where I think the fans will prefer he stay closer to the source material. (Indeed, there are lots of places where I would prefer that he did.) But it does let me appreciate what he's doing, and how well it works. And a part of me likes that I can go and treat this as something new, rather than just a clone of something I've already read some two dozen times.

    YouTube Livestream 24 ()
    #831 (not searchable) Copy

    Brandon Sanderson

    Dragonsteel: Chapter One

    The lumberman’s son was born into a world of magic. Perhaps others would not have thought so, but to a young boy full of curiosity and wonder, the forest was a place of enchantment.

    Jerick saw magic in the growth of the great pines, seeds barely as large as a pebble eventually becoming monoliths, with trunks so wide that when he hugged them, pressing his check against the rough bark and stretching his arms to their fullest, his fingertips still didn’t touch at the back.

    He heard magic in the wind, which blew whispers through the branches, dropping cones and needles to the ground like a rattling waterfall.

    He tasted magic in the fruits of the wilderness, berries both sour and sweet, musty pine scents that tickled the back of his nose.

    He felt magic in the forest’s life. A group in which the lumberman’s son included himself. Like the branch rat, the wolf, the rabbit, and the deer, Jerick was a creature of the woods.

    His first steps had been taken on a floor of pine needles. His home, a simple hut constructed from those same trees that surrounded it. The lumberman’s son knew other, less fortunate children who lived in a village a short distance down the river, a place where the mountainside tapered and the trees fell away into a broad plain. Here, people lived cramped together, their houses huddled like frightened rodents or birds too young to leave the nest. Other lumbermen lived in this village, taking carts or boats each day to the lumbering camps.

    Jerick could not understand these men. They worked with the forest, yet it did not intoxicate them like it should. He did not know how they could leave the beautiful woods each day, instead choosing to live in a place so crowded and suffocating.

    Jerick had friends in the village. They didn’t see things the same way he did. When he showed <Cenn> and the others a tree older and stronger than the rest, they would shake their heads, not understanding its strength. When he found a large fish swimming in the river’s sheltered shallows, its bulbous, unblinking eyes regarding him with an unasked question, the other boys would only try to catch it. When Jerick wondered how the clouds could move in the air when there seemed to be no wind, the others would ask him why he cared.

    So, though trips to the village were exciting, Jerick was always glad to return home. Home to his mother, who would be finishing the day’s washing. Home to his forest on the mountainside, where he could listen to the pines rustling, <fallow owls> calling, and twigs crackling, as opposed to the silence caused by men yelling to one another.

    He loved to accompany his father into the woods. The lumberman was so tall and broad-chested, he seemed almost to be one of the trees. Rin’s arms were thick and rough with hair, his tough axe-calloused fingers like ancient roots, his beard like a thick gathering of pine needles that poked and scratched Jerick’s skin when they hugged. His father had deep, understanding brown eyes and wide lips that were usually parted in a contented smile.

    As far as Jerick could tell, his father was the only person alive who understood the forest better than Jerick himself. Rin could tell the strength and quality of a tree’s wood simply by rubbing his fingers across the bark. He could see birds nesting high in branches that Jerick had assumed were only shadows. And he could always find sweetberry bushes to sate a growing boy’s appetite.

    More importantly, the forest seemed to accept his father. Jerick soon came to understand that this was because his father respected the woods. “Look at the trees around you, my son.”

    (By the way, I’m not gonna do the dialect. I had dialect in Dragonsteel. People from the rural areas don’t say the word “the,” they just say “ta.” So, “Look at ta trees” is what they would say. But I’m not gonna do the dialect.)

    … his father would instruct as they walked together. “Man can be born, grown, and die in the time it takes one of them to get so high. They’ve seen the likes of us come and go.” That would be all he said for a while. Rin didn’t speak much, not like the other lumbermen, who always seemed to have something to say and not enough people to say it to.

    Rin was a King’s Man and cut lumber for the king’s shipping. Like the other lumbermen, Rin used a shiny bronze axe to do his work. The most important possession he owned; bronze was rare. The only other piece of metal Jerick’s family owned was his mother’s bronze cooking knife. Jerick had heard men in the villages speaking of a new, stronger metal that had been discovered recently in the south, something called mountainsteel. They said its name came because it was the same color as mythical Dragonsteel. But to Jerick, it was all the same. He had never seen either one; bronze was good enough for lumbermen.

    As soon as he was able, Jerick followed his father to the lumbering camp. After a few weeks, the burly men welcomed his presence, and he was allowed free rein of the camp, where he watched, thinking of questions to ask his father as they travelled home. He wanted to know what made the men’s arms so big. Why the trees fell the way they did. And what the lumbermen did with all the branches they cut off the trunks. He wanted to know why the King needed so much wood. And how long it took to float all the way down the <Trerod> river to the palace.

    Some of the questions, his father could answer; others, he could not. Some things, Jerick simply noticed and asked no questions. Most of these had to do with his father. For instance, after felling a tree, his father would dig two holes and drop pine seed into each one. The others did not. Every day when the work was done, his father would start a small fire of green pine needles sprinkled with pungent witherdust and let it burn among the trees slated for the next day’s lumbering. The smoke would trigger a reaction in the pine larks and <cheps>, and they would fly or scamper away, taking their young with them. The other lumbermen would scoff at his father’s precautions. But Jerick watched with pride. Actions like these, and dozens like them, were where the lumberman’s son learned the most important lesson his father ever taught him: all life was precious.

    Such was Jerick’s life up until his eleventh year. He wandered the forest, helped his mother with cleaning and baking, ran chores in the lumbering camp. To him, there could be little else to life; he was content, and he wanted nothing else.

    His father, however, had other plans.

     (I consciously did a bit more of a storyteller’s style for this. You can see; that first section’s basically omniscient. This was always kind of meant to be a story that Hoid was kind of telling after the fact. You can kind of see hints of that in some of these sections. Other sections go more into the third limited. But you can imagine that sequence that I just read you all being said by Hoid to people who want to know about what happened and how everything came to be.)

    “Jerick, son, go fetch your mother some water.”

    “Yes, Father.” It was dark outside, and his mother had little need of fresh water, but Jerick complied quickly. His father made few demands; when he did, the lumberman’s son did not question. He did, however, run quickly, so he could return to listen outside the door.

    “The boy notices things, <Martle>,” his father was saying. “He’s quick of mind. The other day, <Javick> and Henry hadn’t been watching the angle properly as they cut. That tree would’ve fallen the wrong way and could have killed a man. Jerick saw the error in an instant. He pointed it out to them. A boy barely two hands old speaking lumberin’ to a pair of men who’d been cuttin’ trees their entire lives. He has more questions than I can answer; though sometimes he answers them on his own.”

    “And what would you be havin’ us do about it?” his mother asked. Jerick could imagine the slight frown on her face as she asked the question, her broad frame seated on the floor beside Rin. His mother was practical in all respects, evaluating everything on its ability to be used. When Jerick asked her a question, the answer always came in the form of another question, usually asking him what he would do with the answer if he had it.

    “There’s that new school in the village,” his father explained. “They say the king himself ordered it built.”

    “I’ve heard of it,” his mother said hesitantly. His mother disapproved of anything that broke with tradition.

    “I’d take the boy to it once a week. He’d be able to learn.”

    “What could he learn that would do him any good to lumberin’?” his mother asked.

    “Probably nothin’ at all,” his father admitted.

    “’Tis an unnatural thing, Rin. It won’t last long; the people won’t put up with it. Schools are for nobbles and kings.” (I used “nobbles” instead of “nobles.” We had a nice little vowel shift in this.) “Not for lumbermen.”

    “I know, <Martle>. There was silence for a moment.

    “Well, then,” his mother said, “as long as you understand that, I doubt there’s any harm in it. Just be sure not to let the boy get a wrong thinkin’ about it. Learning could spoil him.”

    “I doubt anything could be spoilin’ Jerick,” his father replied.

    And so, the lumberman’s son went to school.

    The scholar was the most fabulous creature Jerick had ever seen. (No, that’s not Hoid.) His robes were made of cloth, not furs or skins, and they were a red as deep as the colors of the setting sun. More amazing, his hair was a pale yellow, like the mane of a light-colored horse, rather than deep black like everyone else. His beard was not bushy and wide like that of Jerick’s father, but it was straight and stiff, about a handspan long, and only came out of his chin. It was pulled tight and wrapped with thin strings, making it ribbed, like a bale of hay. The beard almost resembled a slice of bread, with the short end glued to the bottom of the man’s face, and made his chin seem like it was a foot long. His head was covered with a tight cowl that stretched across his forehead and hung loosely against the back of his neck. And his eyes were dissatisfied as he stepped from the chariot, a wonder in itself, and regarded the village.

    Jaw moved slightly, and his face pulled tight, as if he had suddenly tasted an extremely rotten, bitter fruit. Around his neck, Jerick could make out a gleaming castemark; the mark of a man’s rank in life. It was made of gold, rather than the plain wood of those like the lumbermen.

    “Bow, lad,” his father ordered. Jerick complied, joining the rest of the village in bowing for the strange man.

    “Why do we bow, Father?” he mumbled as he lowered his head.

    “Because the man’s of nobble blood, boy,” Rin explained.

    (I’m not gonna do all the accents, but he says “formers” instead of “farmers.” Sound change. The whole idea is that the nobility accent is shifting away from the way that the accents of the lowborn are, which is kind of this fun thing that happens in linguistics. And this is one of the things that causes vowel shifts, where you’ll often see different vowels getting replaced over time. I find that sort of thing very fun. I’m probably not going to read that to you. But you can see it when you read the book.)

    “Lumbermen and farmers must bow before anyone higher than them, whether it be a merchant, a noble, or even crafters.”

    The idea seemed wrong to Jerick, but he said no more. People were beginning to raise their heads, and, for the moment, he was more interested in viewing the odd, brightly-clothed scholar than he was in asking about the nature of the caste system.

    “Classes will begin at noon,” the man declared in a high-pitched voice. The words sounded odd, as if the man couldn’t form them properly. They were sharp and separated; not smooth and comfortable, like what Jerick was accustomed to hearing.

    “What’s wrong with his speakin’?” Jerick asked, furrowing his brow in confusion.

    “That’s how nobbles are speakin’, boy,” his father explained. “They’re not the same as lumbermen. They think differently. They have learning. You’ll get used to it. Now go play ‘til noon; since we’ve come to town, might as well see about gettin’ my axe sharpened.”

    Jerick nodded, his eyes seeking out <Cenn> and <Yon>, two of the boys that he usually played with. However, as his father walked off toward the smith’s, Jerick turned away from the boys. He was still more interested in the scholar than anything else.

    The man was speaking softly to <Millen>, head of his father’s lumbering camp. <Millen> was a short man with graying hair. His head bowed practically to waist level, and he was bobbing subseqiously. Jerick had never seen such behavior from the foreman before. Eventually, <Millen> gestured for the scholar to follow him. The man nodded to his several companions: two packmen and younger woman that Jerick hadn’t noticed before. She must have also been a noble, for her hair was light and luxuriously long, not cropped short at the shoulders or pulled up in a bun. The scholar reached up his hand to help the woman from the bronze chariot. She looked distastefully at the ground, though Jerick couldn’t understand what she found wrong with it. It was, after all, just ordinary mud.

    <Millen> led the four to a house at the center of the village. Jerick had noticed the building earlier; it had been a storehouse, but that had been emptied and its walls washed unnaturally clean by the efforts of a dozen workmen. He’d wondered what it would be used for. Not the school; a building on the other side of town had been prepared for that. It couldn’t possibly be a place for the scholar to live; it was far too large for that. What would one man, even four, do with so much space? It was so silly an idea that Jerick only gave it a passing thought.

    As the five people disappeared into the building, Jerick made a decision. He ignored the calls of the other boys, waving for them to go on without him, and wandered over to the structure, looking as if he were interested in the pile of stones beside the front path. His interest soon changed to a small beetle, a large leaf, and several other objects that progressively brought him closer to the building, until he was standing just beneath the window, admiring a snail as it climbed up the whitewashed wooden wall.

    Though his eyes followed the snail, his ears stretched to catch more of the noble’s strange words. He jumped in surprise as the door opened and <Millen> and the two packmen left. Determined not to run away, Jerick focused his eyes on the snail and tried to look engrossed. The men paid Jerick no heed, and he congratulated himself on his strong nerves, then thanked the snail for remaining so calm, as well. The small creature continued to slide along, completely oblivious to Jerick or its own part in the subterfuge.

    Calming himself with a few breaths, Jerick concentrated again. His efforts were rewarded, and soon he could make out the whiny, snappish voice of the scholar speaking within. “I spend an entire year training in <Trexados>, the grandest center for learning on the continent, and my reward? Forced exile to an insignificant mud pit on the far side of the kingdom.” His strangely accented words sounded less authoritative than they had before. It almost resembled the voices of the younger boys who pled to be allowed to play with Jerick’s friends.

    “Calm yourself, brother,” a second, feminine voice soothed.

    “I cannot and I will not calm myself, <Willan>,” the scholar snapped. “You cannot feel what an outrageous appointment it is. Tomorrow, that chariot will carry you back to <Emory>, leaving me to be forgotten. He must hate me.”

    “Perhaps he simply wants someone to teach the people here.”

    The scholar snorted loudly. “Teach lumbermen and farmers? <Willan>, be rational. What purpose could that serve?”

    “I do not know,” the woman confessed. “It seems ridiculous. But he did appear sincere when he gave you the instructions.”

    “It must be a move by House <Strathan> to discredit us,” the scholar declared as if he hadn’t heard his sister’s comment.

    “Discredit us?” The woman’s voice was now amused. “Brother, no matter how much your trip to <Trexados> inflated your pride, you can’t possibly have deluded yourself into thinking you’re important enough for house politics. You’re the fourth son of a second son. Be glad the family didn’t decide to send you off to the Eternal War and be rid of you.” (That’s where the Shattered Plains are in this book.)

    There was no reply to that comment, but Jerick could feel the dissatisfaction seething through the wall.

    “So, what will you teach them?” the woman eventually asked.

    “As little as possible. The philosophy of the Three Realms of existence is far beyond them. Perhaps I’ll teach them some tricks of mathematics or history, things that might actually be practical in a place like this.”

    “Reading?”

    “By the Lords, no!” the scholar replied. “You know what damage that could do?”

    “The king implied that’s why he was sending you,” the woman noted. “How will you get around it?”

    “Reading requires materials, <Willan>,” the scholar said with a self-satisfied tone. “Look around this town. I doubt you will find a single scroll of text.”

    Jerick waited patiently for the conversation to continue, but either the two had decided not to speak further, or they had moved to another part of the building. Sighing, Jerick realized how little of the conversation he’d understood. None of it made sense to him.

    One thing was clear; the scholar had spoken to the king himself. And that made him an important man, indeed. Jerick had heard stories of the king and knew from them that only important people ever spoke to the man directly.

    Reaching up, he allowed the snail to slide onto his hand, then rose from a squat to walk away from the building. He placed the snail on a shrub he often saw them eating, then wandered off in the direction the other boys had gone.

    General Reddit 2023 ()
    #832 Copy

    Clowdtail12

    I was just wondering if Sando [Brandon] has ever said what was behind the very ornate door under The First Capital [in The Way of Kings Prime]?

    Brandon Sanderson

    An Unmade was behind that door, spiked with crystal spikes to the wall, holding it and preventing it from going anywhere. I believe I talked about it on a stream somewhere.

    This was very, very early Hemalurgy--and some of the things I was planning there are no longer canon. You probably could still spike an Unmade to bind it to the Physical Realm, though, so that part remains viable.

    Words of Radiance Los Angeles signing ()
    #833 Copy

    Dawnshard (paraphrased)

    So I asked Brandon at the LA signing if he could tell us about a shard that we don't know anything about (including the survival shard) and he said that there was a shard that isn't on a planet. Now I think this means that the shard is either on an asteroid, or a star. It could also be floating in space or on a moon and influencing from a distance. I will repeat it is not any shard we already know about.

    YouTube Livestream 58 ()
    #834 Copy

    Questioner

    With the success of the Kickstarter and those editions of the books, do you think there's any chance of a nicer edition with RP coming available upon the release of future books?

    Brandon Sanderson

    Yeah, that's something that we've talked about. People seem to want an edition in between the regular release in bookstores and the leather bounds. Some people prefer the leather bounds, some people would like something a little bit more like these Dragonsteel editions we've done, so we have had talks internally. The thing is, maybe this is something we'll need to do a poll on. I don't want to overwhelm people with editions, and I don't want to inspire this feeling like you have to own every edition, right? And so, do I want to for instance do yet another release of the Mistborn. Cause we have Mistborn hardcover, paperback, leather bound, and trade paperback, and then a separate YA edition. Do we do yet another? But having a Mistborn trilogy that would look good on the shelf with your Dragonsteel editions of the Secret Projects is appealing to me at the same time, so. <We'll maybe run> a poll, but we would like to hear kind of from you guys, what do you want, how many of you want it, how many of you would feel overwhelmed by product fatigue. There's always the joke about Skyrim, how many different releases of Skyrim can we have? I know I feel that sometimes, like Street Fighter, which I used to play with a kid, and people were like, yeah there's like 80 different versions of Street Fighter 2.

    YouTube Livestream 58 ()
    #835 Copy

    Questioner

    Now that you're 75% through the first draft of Stormlight 5, how are you feeling as you are quickly approaching the end of the front half of the series? Are you looking forward to the mid-series break and having time to work on other projects? Thank you for your time.

    Brandon Sanderson

    I am really looking forward to the mid-series break. I don't think more so than I am at the end of any other long, difficult write. Each of the Stormlight books I am happy to be done when I am done. I think you'll find me more so next year when I've been having to do revisions a ton. But I am looking forward to that break. That said, I am very fond of Stormlight, and I don't feel that fatigue right now, as much as I might have anticipated. I think part of it is the way I am writing it. Letting me, basically I go through one group of viewpoints, and then I start back over. It's keeping it kind of refreshing to me, and I get to have that build to a climax experience multiple times. It's also helping that I'm really looking forward to seeing how people respond to some of these things that I'm doing. But yeah, I'm looking forward to the break. I'm looking forward to going back to do some Elantris work. I'm looking forward to writing the next era of Mistborn, since that ones been planned for a long time, and Wax and Wayne kind of got in the way, even though I love Wax and Wayne, of doing this one. This ones been out lying for way longer than Wax and Wayne, and so it will be nice to be able to get to that.

    General Reddit 2023 ()
    #837 Copy

    Angemon175

    When Adonalsium Will Remember Our Plight Eventually came on page did anyone else immediately think of Good Omens and Thou Shall Not Commit Adultery Pulsifer?? That was my first thought and couldn't stop laughing, I hope it's an homage

    Brandon Sanderson

    It kind of is, kind of isn't. I first became aware of this quirk of puritan societies because of Pratchett, but it was Constable Visit-The-Infidel-With-Explanatory-Pamphlets that did it, actually.

    Truth is, these kind of names were very rare (and kind of odd) in actual puritan societies, but they're just too deliciously interesting to not riff off of. Single word puritan names, like Faith or Justice, were far more common. (Including Silence, which I used after I actually encountered it doing genealogy of puritan Americans.)

    New York Comic Con 2022 ()
    #838 Copy

    Questioner

    In Dawnshard, we see a mural of Adonalsium being Shattered.

    Brandon Sanderson

    Yes.

    Questioner

    It’s, like a circle that splits into four parts, and those four parts also split into four parts.

    Brandon Sanderson

    Yes.

    Questioner

    So I’m wondering if there’s a way to group the Shards in terms of being, or…?

    Brandon Sanderson

    I would encourage people to be trying to figure this out.

    Shardcast Interview ()
    #839 Copy

    Argent

    Staying with Yumi, since we're asking the big questions here. I want to talk about the big machine, the father machine.

    Brandon Sanderson

    Yes.

    Argent

    There are some really interesting what feel like intentional parallels between it and Nightblood.

    Brandon Sanderson

    Yes.

    Argent

    There's smoke involved, there's eating of souls, there's a whole bunch of things. So what I do want to ask is: one, was the father machine Awakened using Breaths, using Nalthian Awakening? Or are you using Awakening as Lightweaving or Bondsmithing which is an overarching system in the Cosmere?

    Brandon Sanderson

    It's the second. This wouldn't exist in the pre-space-age as much; by space age there's a certain terminology that is going between... basically it's starting with the arcanists and moving to the general population. What certain themes in the Cosmere magics mean. And so when Hoid says "this is an Awakened machine" his audience understands what that means. It does not necessarily mean Breaths Awaken, but Breaths are one of the main ways that people see things be Awakened. You should be noticing those parallels, but that's a term that in the Cosmere is becoming genericized to mean un-living object being given some measure of sentience and even sapience by application of Investiture, Commands, and these sorts of things. By this point they've all interacted with various Awakened machines of sorts in the future Cosmere. They know what this means. They've talked to an Awakened computer.

    Argent

    Interesting! Very interesting! That's what I was hoping you would answer. Because Awakening is such a cool term for Awakening an object, right!

    One notable difference between the father machine and Nightblood other than them using different magic systems to be Awakened is that the Machine was able to somehow draw people's souls at a distance, which seems EXTREMELY broken to me.

    Brandon Sanderson

    Yeah. I had to let... This is going to be a pretty special circumstance for this book. But yes. It is pretty broken. You wouldn't want this to be... this could be very dangerous in the wrong hands. Don't expect this to be very commonly used in the Cosmere.

    Argent

    Was that a side effect of the magic system that was used to Awaken the machine, or was there something else going on?

    Brandon Sanderson

    This is a side effect of what Virtuosity did and the bit of Virtuosity in all the people allowing the Machine to have enough of a plausible Connection to them to draw upon them.

    Argent

    Ok. Interesting. I will think about this while I pass the ball back to Matt.

    Brandon Sanderson

    Yeah. This is me pushing just a little bit hard on the boundaries of what is possible. It is possible, but it it is pushing further than I normally would on the bounds of what that can do.

    Tampa Bay Comic Convention 2023 ()
    #840 Copy

    Red the Windrunner (paraphrased)

    We have now seen Midnight Essence on Lumar and as part of the Unmade on Roshar, should we assume that all the other Unmade have connections to Odium’s other conquests like maybe Sja-anat and Ambition?

    Brandon Sanderson (paraphrased)

    Midnight Essence is more like Lightweaving in that multiple magic systems will reach the same conclusion. When something is done to the magic to corrupt it, it becomes like Midnight Essence. So while there are similarities between the two and they work the same they may not have the same point of origin.

    Red the Windrunner (paraphrased)

    So there is no meaningful connection between Sja-anat and Ambition?

    Brandon Sanderson (paraphrased)

    You weren’t going to let me off the hook. You are theorizing in a very interesting direction. RAFO!

    Direct submission by Red_the_Windrunner
    Shardcast Interview ()
    #841 Copy

    Cheyenne Sedai

    Stacking and other forms of art, like the TV dramas at the end, attract the spirits, but for some reason, painting doesn't. Could you elaborate on why, and the mechanical reasons behind that?

    Brandon Sanderson

    The painting would. The problem is that the way the painters are doing it, is a little too by-the-numbers. Painter isn't the only one who's just kind of doing it by rote. They have a little bit of... "commodification of art"-commentary going on in this, and things like that. I think the painting could draw the spirits; the painting does at the end. He draws Yumi, right? Which is working under the same mechanics. I think that part of it is proximity, part of it is the mechanical nature of it.

    It is kind of in some ways, I think--kind of off the record--drawing the nightmares, as well as painting the nightmares. Because people are doing this, this is part of why the nightmares are finding their way. And it's one of these things that happen so often in life, that the thing that you're doing in order to stop the thing from happening actually causes it to happen more. It's the American football thing, right? We put helmets on people to protect them, which makes them feel more comfortable hitting each other harder, which causes, actually, more injuries than in sports where people are unpadded. And it's one of those kinds of, "And they're painting the nightmares to stop the nightmares but that's also kinda drawing the nightmares."

    I do think you could draw the spirits with painting. I just think there's kind of a collection of things--remember, what it took from Yumi to actually, legitimately draw spirits away from the machinery. It took how many centuries of practice on her part? I think it's a combination of all those factors why the paintings aren't quite drawing the spirits. And it did, right? Painter drew the spirits. Now, it's telling that he drew the spirits on the job that he wasn't required to do, because his shift was over, and he could've gone home, and he didn't. He went anyway. And that's the time the spirits noticed him. But they'd been watching him already, anyway. I think, in the chronology, if you actually go and break it down, they talk to Yumi before he actually even saves that child and say, "We've been watching someone, we got somebody for you." But that was kind of the straw that turned the camel into a superhero. I dunno, there's a mixed metaphor for you.

    TWG Posts ()
    #843 Copy

    little wilson (paraphrased)

    I saw Brandon at a book signing back in mid-December, and I asked him about the 16 percent deal. He said that Preservation replaced the real External Temporal Metals with atium and malatium (at least I'm assuming malatium, but he didn't mention that specifically. He only said atium). So not-cerrobend and cadmium weren't counted in the 16%. nicrosil and chromium, on the other hand, were. So there are chromium andnicrosil Mistings running around, not knowing that they're Mistings.

    Barnes and Noble Book Club Q&A ()
    #844 Copy

    Chaos2651

    Hemalurgically, atium steals Allomantic Temporal Powers. But, that seems unlikely, since atium is a god metal. It wouldn't fit in with the rest of the magic system. Did Preservation, in addition to switching cadmium and bendalloy for atium and malatium, also switch atium's Feruchemical and Hemalurgic powers with cadmium? Because it seems to me there's not a lot of atium Marsh can use to live for hundreds of years into the next Mistborn trilogy.

    Brandon Sanderson

    Preservation wanted atium and malatium to be of use to the people, as he recognized that it would be a very powerful tool—and that using it up could help defeat Ruin. But he also recognized that sixteen was a mythological important number, and felt it would make the best sign for his followers. So he took out the most unlikely (difficult to make and use) metals for his sign to his followers. But that doesn't have much to do with Hemalurgy's use here.

    Remember that the tables—and the ars Arcanum—are 'in world' creations. (Or, at least, in-universe.) The knowledge represented in them is as people understand it, and can always have flaws. That was the case with having atium on the table in the first place, and that was the case with people (specifically the Inquisitors) trying to figure out what atium did Hemalurgically.

    Their experiments (very expensive ones) are what determined that atium (which they thought was just one of the sixteen metals) granted the Allomantic Temporal powers. What they didn't realize is that atium (used correctly) could steal ANY of the powers. Think of it as a wild card. With the right knowledge, you could use it to mimic any other spike. It works far better than other spikes as well.

    As for Marsh, he's got a whole bag of atium (taken off of the Kandra who was going to try to sell it.) So he's all right for quite a while. A small bead used right can reverse age someone back to their childhood.

    But this was a little beyond their magical understanding at the time.

    Skyward Flight Livestream ()
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    Brandon Sanderson

    As I ended up writing the fourth book in the series I incorporated a lot--you haven't read it yet because it's not readable yet--from the novellas. We almost got the novellas switched to book three, er, book four, and Defiant book five, almost got the publisher to switch that but they were unwilling to do that and they did feel that it was too late in their cycle of publications. But in our head, these are basically book four. 

    Janci Patterson

    I think you're gonna be really confused to read Defiant without it. 

    Brandon Sanderson

    Yeah, I mean, I'm doing my best to make up for that, I will at least in revisions, but right now my writing group is very confused about some things, half of them have read the novellas, and half of them haven't-   

    Janci Patterson

    Oh, jeez, ok.

    Brandon Sanderson

    The ones who have read the novellas are like 'No, no this makes perfect sense.' Why they have kitsen with them in cockpits and why there's lots of different types of slugs. 

    Shardcast Interview ()
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    Brandon Sanderson

    I am fully in Stormlight mode, there is not a lot to tease. We will be doing the Words of Radiance Kickstarter, but like you already know, we pushed that back again. I'm not gonna do another Kickstarter when people are still waiting for their Frugal. I think they've all shipped out, but some people still won't even have received those, I'm not gonna start up a Kickstarter, it just seems a little tone deaf. So we'll be doing that in March, we're coming up with all sorts of fun things for that. You will be able to get Horneater there, you will be able to get a new Sanderson Curiosity, we'll be doing Dragonsteel Prime as part of that.

    Shardcast Interview ()
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    Argent

    If we are looking at very highly Invested beings, we have Yumi, and we are told that she is more Invested than Elantrians, more Invested than Returned. Let's compare Yumi, Elantrians, and Heralds. Who is most Invested, who is least Invested?

    Brandon Sanderson

    Of those, probably Heralds... The thing is, the Heralds varied. How in tune and aligned they are with their oaths, their promise... It wasn't Oaths, but they did promise certain things when they became Heralds. It was pre Knights Radiants, it's not as formalized as Oaths. How in line with the power of Honor, how in line with the kind of natural Investiture of Roshar--which is separate from Honor, Cultivation and Odium--are they, how can they draw upon that. I will call them the least of the three though.

    Argent

    So Heralds on the bottom, and Yumi on top, and Elantrians in the middle?

    Brandon Sanderson

    Yumi on top, but Yumi's very close to an Elantrian. They're within the same conversation. And most of the yoki-hijo were traditionally in the past less, they've gained Investiture over time.