Questioner
Is Odium mad about Sazed having two Shards?
Brandon Sanderson
Yes, and scared.
Is Odium mad about Sazed having two Shards?
Yes, and scared.
Dragonsteel, where in the universe is that going to take place?
It's actually first.
Oh really? So it's like a prequel to everything.
Yes, to the cosmere.
So is it going to do the breaking of the Shards?
Yep.
So Stormlight and Breath are both just different manifestations of Investiture.
That's correct.
So Nightblood and Shardblades are both kind of powered by Investiture?
Yes, in fact you can call Nightblood kind of a mismade, evil Shardblade... more mismade than evil but yes.
But a Shardblade wouldn't shear through Nightblood.
Yes a Shardblade would not shear through Nightblood. In fact I wrote Way of Kings first and then I wrote Warbreaker and Way of Kings came out after Warbreaker but in my mind Warbreaker is a prequel to Way of Kings, where I was telling Vasher's backstory.
Oh really, so the Warbreaker we know takes place after Way of Kings?
No, it takes place before, it's a prequel meaning I wrote Way of Kings and then I went back in time and told Vasher's backstory but Warbreaker ended up coming out first because Way of Kings wasn't ready yet.
So do Inquisitors, when they use Allomancy, have to actually ingest the metals?
They actually do. So what is happening is Hemalurgy rips off a piece of one person's soul and spikes it somebody else and so it is basically taking off the piece of someone's soul that makes them an Allomancer and adding it to someone else instead and so then they act as an Allomancer just as it would happen.
I'm not sure if it was duralumin or something but the Feruchemical ability to store Connection, is that how Hoid worldhops? It stores Connection to another world?
It's a good question, it doesn't have anything to do with worldhopping but what it does do is once you have worldhopped you can change your Connection to which planet you are on, which helps you with magic systems.
How does Nightblood work on Roshar?
Well Nightblood feeds on Investiture, which is the general life-force/magic-force in the cosmere and so he can feed on basically any source of magical energy.
And do other magics work on other worlds?
I've been describing it lately more like you see DC current and AC current, where they're similar things but slightly different. It is possible to make magics work on other planets, some it's easier than others.
Miles Hundredlives, is he possessed by a svrakiss from Elantris?
*long pause* That's a RAFO, you are onto something... I wouldn't say possessed, but influenced by something is definitely a possibility. You are not 100% on.
So at the end of Words of Radiance, was that Nightblood?
It is Nightblood! Vasher is in there too if you look for him.
Are they going to be in the next--
You will see a lot more of Nightblood, you'll see a little bit more of Vasher.
Do you have a definite number of how many [worldhoppers] there are?
There are not a set number, I know all the main ones though.
But you are not going to *inaudible*
You'll know them all better by the time you have read more books.
My brother and I disagreed, at the very end of Words of Radiance, the sword that-- Is it the same as in Warbreaker?
Yes it is, in fact Vasher is in the book.
Is that Vasher?!?
No, look for somebody making color metaphors and when they are waking up they feel like they can sense other people's presence and things like that. There is one character who is Vasher. He doesn't go by that name anymore.
And there's one last question if I may: I'm really into swords and such. I couldn't help but notice king Elhokar's Blade. It's just... All the others are ornamented, and they may have some glyphs, but it is the only one where it is explicitly it is told that there are ten fundamental glyphs on it which are the glyphs of the orders. I read some of the chapters from Dalinar from Unfettered II, and I know how he got it for Elhokar. Is there also some more backstory to this Blade?
There's a backstory to every Blade and every one of them is special, that's the problem. But I will be exploring the origins of some of the Blades. Eventually. Not a ton, but a little bit.
As it is ornamented in such a way... Could it be related to a Bondsmith?
Bondsmiths didn't have Blades.
All of them? It's just... Maybe it was just the Stormfather...
No. That's a really good guess. Really good guess. I'm gonna RAFO Bondsmiths because you gonna learn a lot about them in the next book because it's the Bondsmith's book. That's a really good theory, but it's not true.
But maybe there is at least something to it.
But there's a reason to it, why it has all the 10 orders.
So I've been told there is one character who is in each of the series.
Yes there is.
Is that Wit by chance?
It is.
Does he show up in some of the others?
Yes, in this [The Final Empire] he shows up briefly, Kelsier meets with a blind beggar at one point who is introduced by the name Hoid and that is the name Wit uses through most of the books. If you read Warbreaker he's in that one, there is a storyteller who uses dust and sand. He's in most of them Way of Kings is where you see him the most he's not in the other ones nearly as much but he's mentioned by name in most of them.
What's your inspiration?
It really depends on the book. If you want to know the inspiration for the Mistborn books, you can google Sanderson's First Law. It's an essay I wrote about how I came up with the magic system. That'll help you see where some of the ideas came from and how I take them and use them.
What about The Stormlight Archive?
Stormlight, the original inspiration was the storm of Jupiter. The big storm that rotates around Jupiter, and I wanted to do something that had a perpetual storm like that.
Where do you come up with your leaders, because they're phenomenal.
It takes a lot of reading and thinking and coming up with who the character is. I don't know how do any of the characters-- they just kind of come, but there is a lot of hanging out on forums where people are talking about leadership positions in the military so I can kind of get a view on how they're thinking. Sun Tzu was very helpful as well.
So there is one part in Alcatraz where he notices that Bastille has red hair and goes "No that's important I can't tell you until later" Is there any significance to that?
Yeah, her dad has red hair so it's a clue that she's the princess because she's the daughter of the king and she dyes her hair because she doesn't want anyone to know.
Who is your favorite character you've written, if you had to pick one?
That's a hard question, I can't pick a favorite character. Dalinar is what I normally say, just because I've been working on him the longest. Honestly, I don't know. It's whoever I'm working on at the time.
Dalinar is a good character, I like Kaladin a lot too.
Kaladin has really worked out well. It's interesting because Kaladin-- the first time I wrote The Way of Kings, in 2002-- did not work and I had to rip him out and try a completely different personality and things for him. So it's cool to see it finally working.
What differentiates a minor Shardworld like First of the Sun?
The amount of Investiture, and whether there is actually a Shard in presence.
I'm assuming there is not one there?
There is not one there.
So it's like a Splintered one from something else?
No what you'll find is that the worlds were all created with a level of-- a little bit of sort of ambient magic. What you'll find in worlds like that is things like, Shadows for Silence and things like this, the magic, it's not necessarily "people with magic" it's you can interact with nature...
So there is inherent Investiture...
There is inherent investiture in every world created but you are going to see-- You aren't going to find Mistborn on a world like that but what you might find is a way there are magic aspects to the setting. Spren could exist on a world like that but they would be like the minor spren, you wouldn't find Syl, but you would find something like lifespren.
Stormlight, I know it heals wounds and stuff like that but can it heal illnesses like colds?
Yes it can.
So if Kaladin suddenly contracted brain cancer...
It's plausible-- it depends, see what it does is it takes your body and makes it align with your spirit, and partially through the filter of how you view yourself. So if you view yourself as sickly, then you won't.
Who is Wit?
He is a character who has been in all of the books so far and is somehow getting between all of the different planets these are taking place on and is somehow surviving the fact that these books are hundreds of years apart.
I have a good idea that he's a Mistborn.
Well he did steal a bead of lerasium.
And he has extra Breath because he said it was easier with perfect pitch.
He did indeed say that didn't he... I will eventually write a book series that is about him, but it is a ways off.
Do you have other minor Shardworlds?
Yeah I have a bunch of them, and which ones are worth telling a story in will depend on when I get around to it whether they're worth it.
How did you come up with the idea for the cosmere? Because I just think it is the greatest idea ever and the more I learn about it the less I realize I know.
It was partially me wanting to do a big fantasy epic that also had room for standalones, I wanted to do both and so the idea of the hidden epic behind the scenes was really appealing for me 'cause it let me do everything I wanted to do.
How did you come up with Shardblades?
Here's the thing, I've seen a lot of fantasy art-- I love fantasy books, right-- and people often depict these enormous swords, which are completely impractical. So one of my pitches for Stormlight was "I want a world where they had to have weapons like they depict in this fantasy art" and I retrofitted it, what would they need these to actually fight? So that was the pitch for myself on Shardblades. And I was also annoyed that the coolest magic swords were in a science fiction story, Star Wars, I want cool magic swords that are not in a science fiction story.
I do have one question, A Memory of Light couldn't be better, except for the Padan Fain thing.
Yeah, the Padan Fain thing is that I have a little bit of regret on that one. That's the one thing-- You see he didn't leave anything about Fain at all. Just completely blank. That was worrisome to me. The only thing he said was "Padan Fain cannot be Gollum" actually, he wrote that in the notes. So I was left with trying to figure out what to do and in the end I feel it just ended up feeling tacked on because there were so many other things I was interested in doing and Padan Fain I had never really enjoyed as a character that much. You are seeing my biases come through on that. Looking back at it I'm like "I really should have done something more with him". That's the big one that I feel I would change, if I could change something.
'Cause it's kind of a threat that goes away…
The other one is I would've liked for the viewpoint chapters from Demandred to be in the book instead of separated out and put in that charity anthology [Unfettered], but I didn't have any say in that one.
Did you do the same thing with Kaladin's depression?
Yes I did but that one is a little closer to home, [several people in Brandon's life have depression].
I have depression as well, it's pretty inspiring to me.
I had never seen a hero who had depression and I was like "I need to do a real, legitimate that it's not about their depression, they just have it" Does that make sense? Like whenever I read a book it is all about them having depression. And I'm like "No, your life is not about you having depression, your life-- that is part of your life but--" So it was very important to me that I get that one right.
I just, yeah I just find your book so inspiring so I just really appreciate you doing all this for us.
My background is twenty years of military, and as I've been reading your Way of Kings, I've found that your insight into what it like to be a member of the service, all the mental trials including post-traumatic stress disorder is all very well thought-out and I'm curious how you came across that knowledge.
Lots of interviews and lots of reading on forums. People who post their hearts and souls on-- if you find the right forums, where people are among like-minded individuals, you can watch like a fly-on-the-wall and see what people are saying and how they are feeling. Because I strive for authenticity, that's what I-- whenever someone is feeling I want it to be authentic, and the more far removed from my own experience the better it is, if that makes sense to me, to get it into my books. So I try very hard for that.
In fact I'm going to be suggesting to the Veterans' Administration to use the series for treatment for PTSD. There are literally some things in there I've never seen anyone actually understand or get before. Some of my military friends have just been in absolute tears after reading your book.
That is an honor to hear.
And all the different powers kind of run off the same type of power? Like Breath is the same as Stormlight.
Yeees, they have their own different sort of layers to them. It depends on the Shard that is there and things like that but yes there are little differences but it is more like the differences between alternating current and direct current, they're both electricity. So if you know how to use them.
'Cause Szeth's not going to be getting any new Breaths on Roshar so I was thinking about that.
Hemalurgy, does the person having the metal shoved through them have to die?
It has to rip off a piece of their soul. That normally results in death.
Because I'm thinking you're going a bit into the future, surgery, precise things like that...
It's plausible but-- I mean it would leave the person like-- it's ripping off a piece of their soul. But the same thing happens when you give up your Breath. So you're giving up a piece of your soul. There are-- It's plausible you could take off pieces of a soul without killing the person.
I love that book [The Rithmatist], the world, I'm looking forward to those...
The sequel is going to be very fun, it's called "The Aztlanian", it's taking place in South America.
Where in South America?
Well, I've rebuilt South America so it's kind of weird. The Aztek empire, which is the main name the Northerners have for it, they call it something else. The problem is I shrunk the planet, so I had to smash South America and Central America a little bit into each other so the islands that they are is it South America? Central America? What is it?
So is it Spanish-speaking? Or...
No, the Spaniards got fought off, they actually speak Nahautl.
No Portuguese or Spanish? It's all...
There are a couple Portuguese/Spanish islands but-- They grabbed a few of them but the main empire speaks Nahuatl.
I just started Part 3 [of The Final Empire?] and I actually went over to your booth to ask them because I was confused. There are different symbols for the Allomantic metals but I only recognize one of them here. Why are there different symbols you don't know about at the beginning of different parts?
Part of it is they don't know all the metals yet, in the books, and so that's a hint. Part of it is because that their writing system is more than 16 letters and so there are symbols that do not represent a metal, necessarily, or an Allomantic metal so they can-- They write with them as well. It is both a writing system and each symbol is a metal.
In Warbreaker how did you come up with the idea of using colors for magic?
You know it's the goofiest story. A lot of them have really awesome stories and this one is just goofy. In this one I had written Elantris and written Mistborn and they are both kind of dark and my editor said to me, I kid you not, "Your next book needs some color to it" and I said "Oh I'll do a color-based magic system then". And that's where it came from.
What were the Allomantic metals based on?
The Allomantic metals were based on two main concepts, magic that feels one step science one step superstition so I was reading things like alchemy and I wanted something that was one half chemistry, one half alchemy. The idea of eating the metals and metabolizing them was really interesting to me because it's kind of almost scientific but not really. That mixed with me wanting to have a thieving crew have different powers that would help different members of a crew and I built the powers to match people like Ham and Breeze.
I had a question about White Sand, we both read the draft of it, it's going to graphic novel. What's your involvement with that? Are you kind of passing over the draft?
We passed the book to the writer, the writer is sending us scripts, and we are commenting on them and things like that. There are a few big changes I've made to the story, that it needed, and things like that. But we are letting the script writer write the scripts and then we are reading them over.
Is Dalinar clean-shaven or does he wear a beard?
It depends on the day, and the time. Dalinar is clean-shaven through most of the books you have seen.
That's what I thought but he thought not.
The audiobook reader just gives me an impression of a wizened person with a well-kept beard.
Let's see if I've got... if I've got enough internet...
I get the impression that Sadeas has a creepy mustache from the audiobook as well.
Beards are not in fashion in Alethkar right now.
Which is why Kaladin shaves it off.
Let's see, Way of Kings, I've got the artwork I used as-- *shows secret canon drawing* So there is the concept art we used for Dalinar.
How many of the Mistborn do you plan on writing still?
Mistborn, when I pitched it to my editor, I pitched it as a spectrum running from an epic fantasy series eventually arriving at a space opera, with Allomancers on spaceships. So we have several hundred more years of history. So right now I'm doing a few more Wax and Wayne books, the Alloy of Law era. Then we will jump forward, I've got a modern trilogy that's going to be like 1980's level technology. And then maybe near-future and then full-blown science fiction space opera.
The magic in The Emperor's Soul, is that the only magic you've written that there is a Spiritual part to it in your magic trio?
Umm... All of them have some little dabbling in it, it is the most related to the Spiritual Realm-- Of the ones I have shown, certainly it is the most related.
So was The Emperor's Soul before Elantris?
It's after.
So are you going to write a book that explains what happened to the [Rose Empire] then?
You will find out more about it eventually, yes. But it's not my main project right now. We'll see how it happens eventually.
I actually have a weird question. From the Mistborn series it says there are 16 Allomantic metals but then you go into Alloy of Law and the 16 are listed there, minus the atium and another one, so are there really 18 metals?
Well, you see those two were not really metals. Those were pieces, fragments, of a god.
I thought that might be it but the symbols are the same above them from-- the atium symbol is the same as--
No, it's a different symbol, it might be reversed though.
My one question is how do you make it so writing isn't work, because if I'm writing for work I don't write as well. How do you get in the mind set?
You know for me, taking a walk before hand, listening to some awesome music, and just imagining why this scene is going to be awesome and the emotional impact of it really helps. But at the same time writing is always going to be a little bit work and there is no getting around that. I mean, it's hard sometimes and so-- I don't know. For me I've enjoyed it more as it has become work and I can devote more time to it and things like that. But... Try that.
Just get in the mood...
Listen to music and put myself in that scene, what it feels like, what it sounds like, smells like. Just put myself here and think about what is going to make it incredible and I'll get really excited about writing it. Excitement translates I think at least for me onto the page.
So I've recently been able to absorb a lot of your library via audiobooks, and I was wondering how much involvement you had in the acting in those.
I try to pick voice actors that I like, because I do like audiobooks. So Michael Kramer and Kate Redding because I asked them to *cheers* We do try to send them pronunciation guides but sometimes we're so slow they have to record first. So, for instance, a lot of the changes in pronunciation between Way of Kings and Words of Radiance were because we got them a pronunciation guide too slowly. They did it the best they could starting out, and then-- yeah. But I love their interpretations, and I tell them "Interpret the characters how you feel they should be interpreted, rather than how I tell you" because just like with the cover artist, if you give them too much you stifle their inspiration.
In Mistborn Elend carried dueling canes.
Yes.
And I didn't understand why people would be scared of sticks. So is a dueling cane a deadly weapon, a melee weapon, *inaudible*
Yes, they use dueling canes in martial arts on Earth, so you can look up-- look for these. They are sticks about <two feet?> long, made of a hardwood, and, I promise you, if hit with one of those, it's going to hurt. So yeah, I mean you can go find my references for various types of dueling canes in various martial arts. They are real things. But we needed a weapon that was not metal and that was the best one, I felt.
How do you come up with all the different worlds, the magic systems, the religions, the-- everything. How do you come up with it?
Good question. It's a bigger question than I can really answer right now. But I can give you a few tips and I can point to places where I've answered it better. I've written three essays called Sanderson's First Law, Second Law, and Third Law... Those explain my theories on magic systems, that'll help you a lot. The real thing I'm searching for is conflict. I want to have interesting conflict to each world element that I'm spending my time on. Spend your time where there is going to be conflict. If you've got a story where the conflict is all religious and the character's religion is kind of an intersection between religion and something else, spend your time building your religions. Make them interesting, work things into them. But maybe you don't need to spend all your time building the linguistics for that world. Spend your time as the author on the things that are going to be full of depth and conflict and importance to the characters and don't worry about everything else. Unless you want to pull a Tolkien and spend twenty years preparing. Which-- I mean, you can do. I can't complain about the way Tolkien did it. But I prefer to be able to release a book every year as opposed to every twenty years.
So you've written a lot of books. Of all the books that you've written, which do you look back gives you as the writer the most personal satisfaction?
Oooh, wow. Satisfaction. See I like all of my books for different reasons so picking a favorite is impossible, but you were smart and asked for something more specific than favorite. I would say finishing The Wheel of Time brought me the most satisfaction. Starting reading those books when I was fourteen and then having it be such an enormous challenge and then having it be well received and not screwing it up-- because I was really worried I would screw it up. And for the majority of people I didn't screw it up, for some I did, there are a few that really didn't like it. That's fine. But for the majority of people I didn't screw it up and for myself I didn't screw it up. So at the end of the day I'm very satisfied those books turned out as well as they did.
My question is, your stories are so intricate and huge and I-- maybe it's because I'm not as genius as you are *Brandon makes a funny face* but where do you come up with these ideas in the first place. Like are you given a vision by the Stormfather, or-- *laughter*
So here's what I say to this, if you think I'm naturally a genius go read the story I wrote in high school. I posted it on my website and it is terrible... It's a matter of practice and a lot of spending time working on these sorts of things. This is kind of what I wanted to do my whole life now, so I practiced to be able to do it. And it's a good thing I took off because I would be worthless otherwise. I mean I did go to college, I did get a Master's degree, but all the other people in the Master's degree were running right and left to get into PhD programs and being on Student Council/Government or things like that. And meanwhile I was just writing stories. I didn't do any of that stuff. And so I'm very lucky that it took off.
I do have my own wiki, which you can't find, it's only on my computer and my assistants' computers to keep track of all this, because it has grown to the size that we need tools like that. In fact Peter Ahlstrom's wife, Karen Ahlstrom is the keeper of the wiki and her job is to go through my books and keep the wiki updated and make sure that I'm not contradicting myself.
So we know a Shardholder who used up his mind to imprison another Shard.
Okay, yes.
Can a Splinter use up its mind?
Something that small probably will not be able to accomplish the same thing.
Okay. But it could...
There is possibility that it could for something smaller.
The Lord Ruler, sixteen-- all sixteen metals, full metalminds, and can compound versus Rand at the end of A Memory of Light *laughter/cheering*
...At that point probably Rand. Sorry. *cheering*
But the Lord Ruler has luck, he can Compound luck.
He can do a whole lot of stuff. Now if it's the Lord Ruler during the moment of Ascension, it's the Lord Ruler, but post-Ascension? No.
Will we ever get to see or experience the Cognitive Realm on any other planets to the extent that we have on Roshar?
Yes.
Are there inhabitants there like there are in Shadesmar?
Yes.
If you're burning atium, can you predict the trajectory of an atium (atium, not aluminum) bullet?
Atium? Yes. But aluminum... Maybe not so much. *sly smile*
Will the main characters in the sequel to The Rithmatist still be Melody and Joel?
Yes, there will be one new character, but it will be them and her.
Do any of the Shardworlds have knitting on them?
Have knitting? Yes.
Which ones?
Which ones have knitting? So, Threnody definitely has knitting. I would say that you are likely to find it on Scadrial as well. You are less likely to find it on Roshar.
If you created a Forgery where someone was killed, would that person stay dead or would they wake up when the stamp wore off?
Umm ok. So you, in order to kill them, would have to Forge them to death, right. You can't just like-- for instance, if you rewrote this table so for whatever reason it believed that I was dead, it wouldn't affect me at all, it would only affect the table, because if you rewrote the table to believe it had been carved a certain way and I was the carver, I wouldn't remember doing that. So the Forgery affects only the item. If you stuck a stamp on me that forged me to be dead, I think that would probably be-- Depends on what you do to me, but it could go either way.
It would have to be be believable wouldn't it?
Yeah it would have to be believable, but it could go either way. Depending on how you created it, and what was going on. It's a good question.
I did not come up with it!
Yeah, it is a good question... That could create some interesting paradoxes also.