Recent entries

    Brandon's Blog 2015 ()
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    Brandon Sanderson

    If [the Elantris Leatherbound] is popular (and it looks like it will be), then we will do the other books. Our goal will be to have them sell at around the same price, and to make them match on the bookshelf, so you can have an entire Cosmere sequence of leatherbound books.

    The goal will be to proceed with the 10th anniversary idea, doing Mistborn: The Final Empire next year, The Well of Ascension the year after, and The Hero of Ages the year after that. From there, Warbreaker would be next. That’s all I’m willing to commit to now, but we would eventually like to do Stormlight in this treatment. (Assuming people like these editions we’re doing.)

    Brandon's Blog 2015 ()
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    Brandon Sanderson

    As I was developing the Cosmere, I knew I wanted a few threads to span the entire mega-sequence, which was going to cover thousands of years. For this reason, I built into the outline a couple of "core" series.

    One of these is the Stormlight Archive, where we have the Heralds who span ages, and which I eventually decided to break into two distinct arcs. Other series touch on the idea of long-standing characters. Dragonsteel, for example, will be kind of a bookend series. We'll get novels on Hoid's origins, then jump all the way to the end and get novels from his viewpoint late in the entire Cosmere sequence.

    With Mistborn, I wanted to do something different. For aesthetic reasons, I wanted a fantasy world that changed, that grew updated and modernized. One of my personal mandates as a lover of the epic fantasy genre is to try to take what has been done before and push the stories in directions I think the genre hasn't looked at often enough.

    I pitched Mistorn as a series of trilogies, which many of you probably already know. Each series was to cover a different era in the world (Scadrial), and each was to be about different characters—starting with an epic fantasy trilogy, expanding eventually into a space opera science fiction series. The magic would be the common thread here, rather than specific characters.

    There was a greater purpose to this, more than just wanting a fantasy world that modernized. The point was to actually show the passage of time in the universe, and to make you, the reader, feel the weight of that passage.

    Some of the Cosmere characters, like Hoid, are functionally immortal—in that, at least, they don't age and are rather difficult to kill. I felt that when readers approached a grand epic where none of the characters changed, the experience would be lacking something. I could tell you things were changing, but if there were always the same characters, it wouldn't feel like the universe was aging.

    I think you get this problem already in some big epic series. (More on that below.) Here, I wanted the Cosmere to evoke a sense of moving through eras. There will be some continuing threads. (A few characters from Mistborn will be weaved through the entire thing.) However, to make this all work, I decided I needed to do something daring—I needed to reboot the Mistborn world periodically with new characters and new settings.

    So how does Shadows of Self fit into this entire framework? Well, The Alloy of Law was (kind of) an accident. It wasn't planned to be part of the original sequence of Mistborn sub-series, but it's also an excellent example of why you shouldn't feel too married to an outline.

    As I was working on Stormlight, I realized that it was going to be a long time (perhaps ten years) between The Hero of Ages and my ability to get back to the Mistborn world to do the first of the "second" series. I sat down to write a short story as a means of offering a stop-gap, but was disappointed with it.

    That's when I took a step back and asked myself how I really wanted to approach all of this. What I decided upon was that I wanted a new Mistborn series that acted as a counterpoint to Stormlight. Something for Mistborn fans that pulled out some of the core concepts of the series (Allomantic action, heist stories) and mashed them with another genre—as opposed to epic fantasy—to produce something that would be faster-paced than Stormlight, and also tighter in focus.

    That way, I could alternate big epics and tight, action character stories. I could keep Mistborn alive in people's minds while I labored on Stormlight.

    The Alloy of Law was the result, an experiment in a second-era Mistborn series between the first two planned trilogies. The first book wasn't truly accidental, then, nor did it come from a short story. (I've seen both reported, and have tacitly perpetuated the idea, as it's easier than explaining the entire process.) I chose early 20th century because it's a time period I find fascinating, and was intrigued by the idea of the little-city lawman pulled into big-city politics.

    Alloy wasn't an accident, but it was an experiment. I wasn't certain how readers would respond to not only a soft reboot like this, but also one that changed tone (from epic to focused). Was it too much?

    The results have been fantastic, I'm happy to report. The Alloy of Law is consistently the bestselling book in my backlists, barring the original trilogy or Stormlight books. Fan reaction in person was enthusiastic.

    So I sat down and plotted a proper trilogy with Wax and Wayne. That trilogy starts with Shadows of Self. It connects to The Alloy of Law directly, but is more intentional in where it is taking the characters, pointed toward a three-book arc.

    You can see why this is sometimes hard to explain. What is Shadows of Self? It's the start of a trilogy within a series that comes after a one-off with the same characters that was in turn a sequel to an original trilogy with different characters.

    Brandon's Blog 2015 ()
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    Brandon Sanderson

    Words of Radiance Tweak

    Moving on to Words of Radiance, as we were entering typo fixes for the paperback of this book, I made changes to a few lines near the end. This isn't anywhere near as extensive as the changes in Elantris, but once again I figure I should be up-front about what I did and why I did it.

    This part is going to have some spoilers for the book, so if you haven't read it, please stop right here. I'll put a number of blank lines here to prevent accidental spoilers. Scroll down if you've finished the book.

    So, in Words of Radiance, I think the scene I worked on the longest both in my head and on the page was the final confrontation between Kaladin and Szeth.

    There was something I wanted to do, and took a stab at it in the text, then backed off because I couldn't make it work. It was important to me that Kaladin refuse to kill Szeth at the end. Kaladin is about protection, not vengeance, and once he realized that Szeth really just wanted to be killed, I wanted Kaladin to hesitate.

    It didn't end up working, and I moved on to a new version and submitted it. But this itched at me, and by the time the book was released, I felt I'd made the wrong choice for that scene. So I've taken this chance to roll it back to the previous idea, and written it in a new way, which I like much better.

    The events are the same, except for that moment. Szeth is now killed by the storm instead of by Kaladin, which I think is more thematically appropriate.

    The question this raises is about Szeth being stabbed by a Shardblade, then being resuscitated. I'm sad to lose this sequence, as it's an important plot point for the series that dead Shardblades cannot heal the soul, while living ones can. I'm going to have to work this into a later book, though I think it's something we can sacrifice here for the stronger scene of character for Kaladin and Szeth.

    Brandon's Blog 2015 ()
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    Brandon Sanderson

    Elantris 10th Anniversary

    First, in relation to Elantris, May is the 10th anniversary of its release, my first published book! In celebration, we've been putting together a 10th Anniversary Edition, which is coming out later this year. It will be in trade paperback form (the paperback format which is more the size of a hardcover), and I'm hoping I can get Tor to print at least a few hardcovers for those who want to get them.

    We've packed this edition with some cool extras. It includes a new foreword by Dan Wells, a retrospective by myself, an Ars Arcanum appendix (as this was the only one of my Cosmere books not to have one), brand-new redone maps by Isaac Stewart, and a very short extra scene. In addition, as I mentioned, we've changed a few things.

    Now, this is the dangerous thing I talked about above. We've seen in certain high-profile films that changes done by the creator many years later are controversial. It's a slippery path. Part of creating a work of art is learning when to let it alone—most writers I know could just keep tweaking something forever. The quote (often attributed to da Vinci) that says “Art is never finished, just abandoned” is quite a true statement.

    However, Elantris needed some attention. When I wrote it, I didn't have access to a good cartographer who could make the continuity of my crazy map-based ideas for the story work out. I did my best, but it never quite clicked. The maps didn't match the story, and the conceptualization of the ending was always kind of vague because of this disconnect.

    Well, I have Isaac now, along with Peter who is really, really good with the minutiae of this sort of plotting. We've made two kinds of sweeping changes, then, to the text:

    Map Continuity: We've had to shift the locations of some buildings and events as we've figured out a scale for the maps and for the city. We've tweaked the ending; the events are the same, but where certain things happen has been changed to fit. (Over the years, many of you have asked me about this, and I've had to admit that we just got it wrong.) This shouldn't change the story in any significant way except that now it actually makes sense, but I thought you should know.

    Language Changes: Peter has done a very, very thorough copyedit, and has made some stylistic changes to remove some of the quirks of my earlier prose. (Extraneous commas, for example.) Again, this shouldn't change the story in any significant way except to make it more readable.

    State of the Sanderson 2014 ()
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    Brandon Sanderson

    Introduction

    Hello, all! I recently turned in Shadows of Self, the new Wax and Wayne Mistborn novel. (And, well, something else too. More on that below.) In addition, tomorrow is December 19th—known with fondness as "Koloss Head-Munching Day." Also my birthday. (I'll be 39.)

    This seemed like a good chance to take a step back and give you all a long-form update on what I've been doing lately, and where I am looking for the future. I like to be accountable to you, my readers, for what I'm doing. You are the ones supporting me in this, my lifelong dream of being a professional writer.

    2014 was an excellent year for me. Words of Radiance has been very well received, and enthusiasm for the Stormlight books is very high. As this series is my baby, it feels awesome to see people getting to know characters like Dalinar and Kaladin, whom I've known for decades. At the same time, I've been jumping back into teen books again after the Alcatraz books. (Which kind of fizzled back in 2010 or so, though we're planning a relaunch.)

    Having two publishers made for a very challenging tour schedule. I've been away from home far more than I want to be, mostly because of the need to add more touring (along with things like school visits and appearances at teacher/librarian conferences) for Steelheart and The Rithmatist.

    I'm still struggling to find a balance I like. On one hand, I enjoy visiting you all and going cool places. On the other hand, my real love is writing the books—and I don't want to get so busy that the stories fall by the wayside. Anyway, the following is an account of my 2014 writing experience for those who are curious.

    State of the Sanderson 2014 ()
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    Brandon Sanderson

    That's the list of things people often ask me about. Unsurprisingly, I have other projects in the back of my mind. For example, I have two more Cosmere series that will need to be written before we can get to the third "big" Mistborn trilogy. (The sf one.) But that's the long, long-term plan.

    For now, my goal is to get Calamity and Stormlight 3 finished. As always, I appreciate all of the enthusiasm you show for this crazy thing that I have somehow managed to do with my life. Thank you for sharing my books with others, and for being willing to try the more unusual projects (like Legion) that I do.

    I feel humbled to have a great crowd of fans who are willing to put up with my eccentricities as a writer—particularly my desire to not work on just one project, but to have an entire body of varying stories. You guys are awesome. May you have a happy holiday season, and do go munch some heads tomorrow in my name.

    Brandon

    p.s. If you aren't on the newsletter mailing list, please consider signing up! In the summer, the newsletter included exclusive looks at some of the Stormlight 3 scenes I was working on. We plan to do more of this sort of thing in the future. As always, if you include your city, we'll send you notifications when I'm going to be doing signings in the area.

    State of the Sanderson 2014 ()
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    Brandon Sanderson

    Silence Divine (this will be renamed sometime)

    I did readings from this on my last tour (you can probably find them on YouTube; it was the Words of Radiance tour). I only have a few pages done, playing with the primary concept. (Diseases grant magical talents for as long as you have the disease—you lose the power when you get over it.) This one has probably been downgraded from full novel to novella, as I feel that something more Emperor's Soul-esque will do a better job with the themes I want to explore.

    State of the Sanderson 2014 ()
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    Brandon Sanderson

    Dark One

    This is a series I've talked about for a long, long time about a boy who discovers he's the "Dark One." Basically, it's the classic epic fantasy story told from the eyes of the dude destined to try to destroy the world instead of save it. I've made good progress on the setting, which is going to be awesome. I wouldn't be surprised if this is the teen series I do once the Reckoners and The Rithmatist are both done.

    As a note for fans, this is a Cosmere story.

    State of the Sanderson 2014 ()
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    Brandon Sanderson

    Elantris sequels

    The Emperor’s Soul is now two years old, so it is probably time to get back to Sel and do some more there. We should be releasing a trade paperback of Elantris in the next year or two, with revised (and new) maps and a better Ars Arcanum. (Read: an Ars Arcanum.)

    The full sequels will need to be finished before I can do the contemporary (1980s tech) Mistborn novels because of behind-the-scenes Cosmere bits, so I will do my best to find a place to squeeze these in. At the very least, I will write them following the end of Stormlight 5. So, these are distant, but not too distant.

    State of the Sanderson 2014 ()
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    Brandon Sanderson

    Next Projects

    I've now begun Calamity, last of the Reckoners series. My goal will be to rough-draft it over the next three months. I have a tour between now and then (for Firefight) and a trip to Taiwan as well, so who knows if I'll make that deadline. We'll see.

    Once that is done, I will dive into Stormlight 3. I'm still waffling on whether this will be Szeth's book, Eshonai's book, or Dalinar's book. The original outline calls for book 3 to have Szeth's flashbacks, but I am feeling that another character might match the events better.

    I did some exploratory scenes for it this summer, though these may or may not end up in the actual book. I have been tweaking the outline, and am starting to feel very good about it. Writing the book should consume the entire rest of 2015, with a 2016 release. I do plan the Stormlight books to be an every-other-year thing.

    Follow along starting next spring as I write the book and post updates on my website. I'll even try to do some screen capturing with Camtasia as I write, for those who are interested in watching for them.

    That wraps up current and finished projects. 2014 was partially about me getting my feet underneath me after finishing The Wheel of Time and going right into Stormlight 2. I've caught my breath now, and feel good moving forward.

    And, speaking of moving forward, it’s time for a State of the Sanderson tradition—we're going to play "What about the sequel to this book I love, Brandon!"

    Here comes the big list.

    State of the Sanderson 2014 ()
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    Brandon Sanderson

    What I spent 2014 doing

    January–March 2014: Firefight

    Though I had hoped to have Firefight (The Reckoners 2) done long before January, the touring last year made that impossible. It snuck over into 2014, which is why you’re getting the book in January 2015 instead of the originally scheduled fall of this year. In March, I also did the Words of Radiance tour, which really cut into my writing time.

    April 2014: Legion: Skin Deep

    In April, once all the chaos was done, I took the time to finish up Legion: Skin Deep (sequel to Legion from a few years back), which I’d been working on during plane flights the year before. If you haven’t checked these two novellas out, you might want to consider it! They’re very fun, though the second book is not yet out in the UK and associated territories such as Australia and New Zealand. (Note that in those territories, Legion 1 and The Emperor’s Soul were released together in a very handsome paperback.)

    We will eventually have regular hardcover copies of Legion 2 available. That will probably come sometime in the first half of next year. Our contract with Subterranean Press, who produced the very attractive limited edition hardcovers of Legion 2, says that we’ll wait until their edition sells out before we release a competing one.

    May 2014: The Aztlanian (Rithmatist 2)

    Next, I dove into research for a sequel to The Rithmatist. This is going to be a tough book to write, as it takes place in a fantastical version of Central and South America, and deals with things from Aztec (Mexica) mythology. (In The Rithmatist, a lot of the geography is shifted around in bizarre ways.)

    Dealing with another group’s culture in this way is rife with opportunities for stuffing my foot in my mouth, and so I wanted to be very careful and respectful. This meant spending time devoted exclusively to doing extensive research. I didn’t actually get any writing on the book done, though I read some very excellent history books.

    (As an aside, if anyone out there is an expert in the Aztec/Mexica culture—particularly if you yourself are a Native American—I’d love to have your help on this book.)

    At the end of the month, I decided I needed to do way more research than a month afforded, so I put the book off for now. I still intend to write it, but I need more time to do it right.

    June 2014: Alcatraz

    Having spent a month with no writing, I wanted to jump into something fun and quick to refresh me before moving on to my next book. So, I dug out my outline for the Alcatraz series and at long last did a rough draft of the fifth book. These are fast, fast books to write—as I improvise them—but they are very slow to edit.

    I finished the book, and am pleased with it, but I have no firm date yet for when I’ll be publishing it. Tor is rereleasing the series starting next year with new covers and extensive interior art. I believe these launch starting about a year from now. (If you want them before then, your best bet for getting them is the UK omnibus of the first four.)

    I’ll want to release the fifth one once the series has been rereleased, so maybe summer 2016. If you’ve never read these, they are very different from my other work. They’re bizarre and sarcastic comedies that are self-referential and offer commentary on fantasy as a genre along the way. Those who love them absolutely love them. Those who don’t tend to find them insulting. That dichotomy alone is part of what endears them to me.

    July–December 2014: Mistborn

    The last half of the year was dedicated to Shadows of Self, the new Mistborn novel. And I have a confession to make.

    I also wrote the sequel.

    Now, before you start wagging your finger at me for being a robot, there was a really good reason I did what I did. You see, I was having real trouble getting back into Shadows of Self. I had written the first third of it in 2012 between revisions of A Memory of Light. (I was feeling Wheel of Time overload.) However, it can be very hard for me to get back into a book or series after a long time away from it. (This is another issue with the Rithmatist sequel.)

    So, jumping into Shadows of Self was slow going, and I found it much easier to go write the sequel to refresh myself on the world and characters. That done, I was able to move back to Shadows of Self and finish it up.

    So a week or two back, I turned in two new Wax and Wayne Mistborn novels. They’re titled Shadows of Self and Bands of Mourning, and Tor decided to publish them in quick succession: the first in October 2015, the second in January 2016. So, if you have read the original trilogy but haven’t tried The Alloy of Law yet, you might want to give it a look! From the beginning, I’ve planned Mistborn to be a continuum series, showing off Allomancy in different time periods. I think you’ll find the Wax and Wayne books to be fun, quick reads—and they introduce some very, very big things coming in the Mistborn world.

    There will be one more Wax and Wayne (early 1900s-era) Mistborn book. Back after I finished The Alloy of Law, I sat down and plotted out a trilogy with the same characters. The Alloy of Law was more of a happy, improvised accident. The follow-up trilogy is meant to be more intentional. So in the end, we’ll have four total. (The final one is tentatively called The Lost Metal.) From there, I might jump to the second “big” trilogy, which is 1980s tech. Or I might dally a little more in something 1940s-era instead. We’ll see.

    Amusingly, doing these two Mistborn books together totaled only about half as much writing as a Stormlight book. Perhaps you can see why it takes even me quite a long time to finish Stormlight novels. (And it’s why you might want to lay off Pat Rothfuss a little. I believe The Wise Man’s Fear was even longer than Words of Radiance.)

    Tor did their announcement about these books earlier today. You may now commence wisecracks about me secretly writing extra novels when nobody is looking.

    Brandon's Blog 2016 ()
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    Brandon Sanderson

    Any of you who haven't read the Evil Librarians series might want to duck out here, because I'm going to talk about the big reveal at the end of the fifth novel. This is a post that's been brewing since 2006, so I'm eager to talk about it—but anyone who has read stories like Secret History will know that I like to brew surprises over the long haul. I'd rather you discover this on your own, by reading the series. I've posted before my pitch on what the books are about, and why you might like them.

    For those of you who have read up to the fifth book, it's time to give a behind-the-scenes look at what happened with this series.

    If we look back to 2006, we can find the seed of the first [Alcatraz] book in a writing prompt I wrote out for myself: “So there I was, tied to an altar made from outdated encyclopedias, about to be sacrificed to the dark powers by a cult of evil librarians.”

    Great first line to a story. I typed it into my phone while at a meeting one day, and quickly became enthralled by it. I'd been reading a lot of middle grade, and wanted to try my hand at something in the genre. I discovery-wrote the story, mostly as a writing exercise—and as a break from the Mistborn series, which I felt needed some breathing room before I could work on the next book.

    The story turned out great. Quirky, sarcastic, and fun. So I sent it to my agent, and he liked it too. It took us only a few months to get four offers. Each of the editors we were talking to wanted to know, what was my vision for the series?

    And this was tricky because the first book had left me in a bit of a conundrum. You see, a big theme of that first book was a character telling their life's story and warning everyone that he wasn't a hero, that things ended poorly for him. And yet the series was lighthearted and fun, full of humor and wackiness. It didn't have the dark tone of Lemony Snicket, despite the main character's insistence that he was no hero.

    I felt I'd promised the audience a fun reversal—that Alcatraz would end up being a hero, even if he didn't think he was one. This was tricky though, because I had the feeling that if I ended it that way, it would be too obvious. Somehow I had to have an ending that justified Alcatraz thinking he was a huge failure in life, but at the same time indicating to the reader that he was actually heroic.

    And that's when I hit on a structure that would let me do this. I pitched the following to the various editors interested in the books: I'll write a six-book series that I tell everyone is five books long. The main character will write five, and the fifth will end with the disasters he predicted. This will show exactly why he thinks of himself the way he does.

    But then the sixth book will be from the viewpoint of his bodyguard, continuing the story and giving the real ending.

    I felt this would work because it played into the themes of Alcatraz being honest about his past, mixed with his feelings of failure. But it would at the same time let us have an ending that wasn't quite so much of a downer. All it required was that we remain quiet for six years or so (it ended up being ten) about the secret sixth book. (In the intervening years, if people asked me if book five was the end, I tried to always answer, "The fifth book is the last one Alcatraz will write.")

    Some of the editors loved this idea, and others didn't like it at all. One who loved it was Susan at Tor, who is now publishing the books—so yay!

    My initial pitch for the release of book five this year was to have a little envelope inside the back cover that you opened and found a note from Bastille, saying she was going to write the last book. However, that proved to be a problem. First, it's easy to lose a card from an envelope, which meant that library books and secondhand books risked having the true ending get lost. Second, it seemed like it would just be too much for people to resist opening early. We ended up going with a folded-over page at the ending, which at least can't get lost. (And in the ebook, Bastille's note is at the very, very end, past all the footnotes, like a post-credits scene.)

    So what does this mean for the future of the series? Well, two years ago I posted a screenshot of my folder showing all of my books in order. It hid a secret project, scribbled out. People assumed this was Secret History, and I didn't disabuse them (as I was working on it at the time). But it's actually Evil Librarians Six, which I've done a bunch of work on. I'm not sure when I'll have it out, but it won't be too long. (I will probably finish it sometime next year.) I'm tentatively calling it Alcatraz Bastille vs. the Evil Librarians: The Worldspire. (Yes, Alcatraz's name will likely be crossed out on the cover, with hers written over it.) Originally I'd named it Alcatraz vs. His Own Dumb Self, but I think that might be going too far.

    Thank you to all the fans who have kept with this series over the years. It's because of you that I went through all the trouble of buying the series back from the old publisher, when they decided to end it at four books. And it's because of you that we have the gorgeous new Tor editions, finally with cover art that fits the books. (Not to mention the awesome interior art.)

    But book six WILL be the last. You can trust this, because it's me saying it, not Alcatraz. 

    Brandon's Blog 2016 ()
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    Brandon Sanderson

    A lot of people have been asking if this is the end of the Reckoners. It is. The trilogy is finished, and came together wonderfully. However, as you all know, I'm unlikely to leave an ending without some hints of where the characters would go in the future.

    I don't currently have plans to do a direct sequel series, but the next project I'm planning is in the same universe. This is a new trilogy in the works with Delacorte (the publisher of the Reckoners), and it's the unnamed project I talked about in my State of the Sanderson post in December. It's scheduled tentatively for a 2018 release, and it's called The Apocalypse Guard.

    Here's the pitch:

    Over a decade ago, people started manifesting strange, incredible powers. One side effect of this was an awareness of alternate dimensions—some of these powers could reach into other realities, other versions of Earth. Though infinite dimensions are present, most of these are unstable, existing only as vague possibilities.

    A few of these worlds, however, are stable. These real, alternate versions of Earth are sometimes very, very different from the one we know. And a bizarrely large number of them, it turns out, are doomed. And so the Apocalypse Guard was founded: an organization of thousands of scientists, engineers, and extraordinary individuals who save planets.

    They comb the dimensions searching for stable worlds to contact. When they find one that is facing some kind of cataclysm, the Guard either finds a way to save the planet, or evacuates it. The process can take years, but so far the Guard has saved some dozen planets—though it has lost half as many to utter destruction.

    Emma is the Guard's coffee girl. On summer internship at mission control, she gets to witness—from a safe distance—their activities. During the events surrounding the rescue of a planet, however, a shadowy group attacks the Guard and throws it into chaos. Emma finds herself cast through dimensions to be stranded on a doomed planet the Guard had been planning to save. Cut off from mission control, woefully inexperienced, Emma has to try to meet up with the Guard or find another way off the planet before cataclysm befalls it.

    In the tradition of the Reckoners, The Apocalypse Guard is a fast-paced, action-oriented story with roots in comic book traditions. This one is a little more science fiction and fantasy than it is superhero, and it will dig deeper into the mythology begun in the Reckoners. It is not a sequel to the Reckoners, in that it has new characters and a new story, but it might help answer some questions left by the end of Calamity.

    It's going to be a little while before I write this. Stormlight 3 takes precedence currently, and after that I'm thinking I should probably write the sequel to The Rithmatist. However, I've been mulling over this new series a lot, and even went so far as to commission some concept art.

    I've only done this before with the Stormlight books, having Ben McSweeney (who ended up becoming the illustrator for Shallan's sketchbook pages) do concept roughs for the characters, so I could have them as kind of a quick reference for how the characters look.

    This was really handy, and so I had it done for The Apocalypse Guard as well. We put the characters together in an action shot, though keep in mind that this was mostly for my internal reference (and kind of as a proof of concept). This isn't the cover art, and isn't intended to be a finished "movie poster" for the books. More a cool piece of concept art trying to nail down character looks and outfits.

    Anyway, enjoy!

    Art by Kelley Harris – Check out her website and Deviant Art Page!

    Brandon's Blog 2017 ()
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    Brandon Sanderson

    On tour, I did a reading from what up until now was listed as "Mystery Project" on my website. If you missed the newsletter explanation, I've pulled the book I was going to release next year (The Apocalypse Guard) because it needs more work. Instead, I've turned my attention to something else—and after a furious bout of writing, I'm confident in where it's going. So it's time to announce Skyward.

    Like Steelheart and its sequels, this is a kind of borderline YA/Adult project. In the US, it will be published by Delacorte Press (publisher of Steelheart) in the Young Adult section of bookstores, while in the UK it will be published by Gollancz (publisher of almost all my books) in my main line, shelved in the science fiction/fantasy section of bookstores.

    I've mentioned Skyward before in summaries of stories I'm working on, but haven't said much about it. I started noodling with the ideas in 2012, I believe. (The year that the Write About Dragons recordings of my lectures happened, where I mentioned it briefly—but not by name.) The first outline thoughts are dated summer 2013. It's a book I've been wanting to write for a long time, and it finally came together this year.

    It has its roots in some of the very first books I ever read as a young man getting into fantasy. Like many young readers, I was captured by books about dragons, specifically books about boys who find dragons and learn to fly them. These have been staples of the fantasy genre for some fifty years. For me, it was The White Dragon by Anne McCaffrey and Dragon's Blood by Jane Yolen. For others, the "boy and his dragon" story that captured them was Eragon, or How to Train Your Dragon.

    I've always loved this story archetype, but I've never written anything using it. This is in part because…well, it's a familiar story. Too familiar. I wasn't certain I could add anything new to it. So I left it alone, letting ideas simmer, until in 2012 something struck me. Could I mash this together with a flight school story like Top Gun or Ender's Game, and do something that wasn't "a boy and his dragon," but was instead "a girl and her starfighter"?

    Skyward was born, much like Mistborn, with me taking two ideas and mashing them together to see where they went. And they went someplace incredible—I grew increasingly excited about the project, as I saw in it a chance to both play in a space I loved, and do some very interesting things with story and theme. It wasn't until this year that I got the personalities of the characters right, but I really got excited when I found a place for this in the lore of stories I'd been creating.

    The official pitch is this: Defeated, crushed, and driven almost to extinction, the remnants of the human race are trapped on a planet that is constantly attacked by mysterious alien starfighters. Spensa, a teenage girl living among them, longs to be a pilot. When she discovers the wreckage of an ancient ship, she realizes this dream might be possible—assuming she can repair the ship, navigate flight school, and (perhaps most importantly) persuade the strange machine to help her. Because this ship, uniquely, appears to have a soul.

    As I've played with Skyward over the years, I tried to pull it into the Cosmere, then found it didn't work there. However, it is in the continuity of something I've written before. Something that isn't the Cosmere, and isn't the Reckoners. And no, I won't say anything more for now.

    The goal right now is to have Skyward done in time for a publication date of November 6, 2018. We'll see if I can meet that deadline! I'm optimistic. As always, you can follow along on the progress bar on my website. Look for a cover reveal and chance to pre-order soon!

    Brandon's Blog 2017 ()
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    Karen Ahlstrom

    I knew I'd have to deal with it sometime, and it finally caught up with me today. My Master Cosmere Timeline spreadsheet has far too many relative dates, and not enough absolutes.

    Roshar's date system

    The biggest reason I have put it off is that the date system Brandon made up is both supremely logical and at the same time totally crazy. A year has five hundred days, but there's also a thousand-day cycle with different highstorms around the new year. In each year there are ten months of fifty days each. The months are broken into ten five-day weeks. The date indicates what year, month, week of the month, and day of the week it is and looks like this: 1173.8.4.3. It is impossible for me to do the math in my head to decide what the date would be 37 days ago, so I don't use the dates in my reckoning, and only calculate them as an afterthought. This dating system is also a hassle because two weeks in our world is almost three weeks there, and a month there is almost two of ours, and when writing Brandon doesn't even pretend to pay attention to those differences.

    Day numbers in The Way of Kings

    But then we have to talk about my relative date system. The timeline of The Way of Kings is a mess. The story for Shallan starts more than 100 days earlier than Dalinar's storyline. And Kaladin is roughly 50 days different from that. So for that book I had to pick a day when I knew there was crossover between the viewpoints and work forward and back from there. So a date in The Way of Kings might be marked on my spreadsheet as D 23 or K-57.

    Day numbers in Words of Radiance and Oathbringer

    For Words of Radiance I started over at day 1 for that book. Those numbers count up until the new year which is day 71. Oathbringer starts just after the new year, so I used the day of the year for my book-specific day number. Of course switching systems at the start of each book made it hard for me to calculate just how many days there were between events in WOR and OB. So I put in another column which indicated a relative number of days counting before and after the arbitrary date of the end of WOR.

    Flashback dates

    The next problem I dealt with were the line items that say something like "five years ago" for their date. With more than a year of onscreen time from the first chapters of The Way of Kings to the end of Oathbringer, it's really necessary to note that it's five years before what event with a solid date. Once I have a date to assign to it, I also have to decide how exact the date is. When I come back three years from now I will need to know whether this date is firm, or if it would be okay to put it three or four months on either side.

    Putting it all together

    When Peter found an error in the spreadsheet one day, I decided to match a serial number to each date after the year 1160 (which makes for easy calculating), and make that my absolute day number from here until forever (though I'll probably still make a book relative date, since it's a useful way to talk about things with the rest of the team). To find the Roshar dates from the serial numbers I made another spreadsheet with a vlookup table for the dates and serial numbers, then translated all the dates from the three books into that single new system (finding several more errors as I went).

     

    Brandon's Blog 2017 ()
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    Karen Ahlstrom

    I just finished the timeline for Oathbringer, and thought you might like to hear about the process. (Spoiler warning: There may be tidbits of information in this article about the plot of Oathbringer, but I have specifically made up many of the examples I use, so you can't count on any of it as fact.)

    I know that some of you think, "Brandon posted that he had finished writing Oathbringer months ago. Why do we have to wait until November before it's on the shelf at the bookstore?" This is a natural question. I asked it myself years ago when I heard similar news about a Harry Potter book. The timeline is one small part of the reason, but it will give you a small glimpse of what is going on at a frantic pace here at Dragonsteel trying to get the book ready to go to press.

    You may know that I'm Brandon's continuity editor. I keep records of every character, place, spren, and piece of clothing to name just a few. The next time a person appears, I make sure they have the right eye color and eat the right kind of food. There's so much more to it than that, but it gives you an idea of the level of detail I try to be on top of.

    Another thing I track is the timeline of each book. I have a massive spreadsheet called the Master Cosmere Timeline (I can hear some of you salivating right now, and no, I won't let you peek at certain corners of it).

    In some of Brandon's books, there are a few main characters who spend most of their time together in the same place. For those books, the timeline is simple. Take The Bands of Mourning for instance. It's about four days long. Nobody goes off on a side quest. The timeline only takes up 32 lines in the spreadsheet because there are that many chapters. On the other hand, the current spreadsheet for the Stormlight books has over 1100 lines.

    Here's a sample of the timeline spreadsheet. The white columns are the dates, which I have an entirely separate post about. In column F we have an event that happens in the book. Column E tells how long it has been since the last event. Then I have the quote from the book that I used to justify the timing, the chapter the quote appears in, and whether the event happened on the day of the chapter, or sometime in the past or future.

    The timeline for Oathbringer starts on day 4 of the new year, and ends on day 100. (Which, for those of you who keep track of such things, makes the date 1174.2.10.5). My day count could change by a day or two here and there, but I'm pretty happy with how I got the different groups of people to all end up in the same place at the same time.

    Why bother? Well, sometimes Brandon writes a flashback and someone is looking at a cute baby. It's important to tell Brandon that this particular kid wasn't born for another four years. A character might think to themselves, "It's been a month and a half since I was there," and though it has been 45 days, a month on Roshar is 50 days long, so it hasn't even been a single month. Brandon often glosses over those conversions in early drafts.

    The most important purpose, though, comes when two groups of characters are apart for some length of time. Let's take Kaladin and Dalinar in The Way of Kings. Kaladin was running bridges for battles where Dalinar and Sadeas cooperated. Were there the same number of days in Kaladin's viewpoint between those battles as there were in Dalinar's viewpoint? The answer is no. I was assigned this job after that book was finished, and as much as we squashed and fudged, there is still a day or two unaccounted for. An interesting tidbit from The Way of Kings‘ timeline is that Kaladin's timeline has 50 days in it before Dalinar's starts. Chapter 40, when Kaladin recovers from being strung up in the storm, is the same day as the chasmfiend hunt in Chapter 12.

    Going back to Oathbringer, sometimes I'm amazed at the power I have. As I go through the manuscript, I can take a sentence like, "He spent four days recovering," and simply replace the word four with two. Brandon gives me a general idea of how long he wants things to take, and I tell him what it needs to be to fit. It's a big responsibility, and sometimes I worry that I'll mess the whole thing up.

    Oathbringer is the first book in the Stormlight series where I worked with a list of the storms from the start. Peter tried on Words of Radiance, but Brandon wrote what the story needed and expected us to fit the storms in around that (A perfectly reasonable process, even if it makes my job trickier). In Oathbringer though, the Everstorm and highstorm are each on a much stricter schedule. We need such exact timing in some scenes that Peter (with help from beta reader Ross Newberry) made me a calculator to track the hour and minute the storms would hit any given city.

    Yet another thing we needed to calculate is travel time. How fast can a Windrunner fly? How many days does it take to march an army from here to there? Kaladin might be able to do a forced march for a week, but what about Shallan or Navani? How long could they manage 30 miles a day?

    Hopefully now you can see why we've needed months of work to get this far, and will need months more to get it finished in time. At some point, we're just going to have to call it good and turn the book over to the printer, but even though you think you want to get your hands on it now, it will be a much better read after we have the kinks worked out.

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Introduction

    We are approaching Koloss Head-Munching Day—the day of the year that happens, by utter coincidence, to coincide with my birthday. (December 19th.) I'm turning forty this year, which isn't as dramatic for me as it might be for some others. From the way I act, people have been joking for the last twenty years that I was "born forty." I guess I'm finally just catching up.

    It's been almost twenty years since I finished my first book. I can remember joking with my friends in college (whom you might know as Lieutenant Conrad from Mistborn and Drehy from Bridge Four) that by forty, we were all going to be rich and famous.

    The thing is, I always intended to make that dream happen. Not necessarily for the "rich" part or the "famous" part, neither of which interested me a great deal. I just knew that without a solid, stable writing career, I'd never be able to make the Cosmere happen.

    Perhaps that's where this whole "born forty" thing came from in the first place. I basically spent my twenties writing, slavishly trying to figure out how to craft stories. Friends would tell me to relax, but I couldn't, not when these dreams of mine were so big. It should be mentioned that despite what our society would like to believe, hard work doesn't always equate with success. For me, luck played a huge part in my being able to sit here and type this out for you.

    Still, here I am, and I honestly can't imagine things having gone better. People often seem bemused by my productivity; when I get together with fellow authors, they sometimes jokingly refer to me as "the adult" in our group. I get this—for a lot of them, writing is more of an instinctual process. Sitting and talking about the business side of things, or their goals for writing, flies in the face of the almost accidental way they've approached their careers. And it works for them; they create great books I'm always excited to read.

    However, sometimes there's also this sense—from fans, from the community, from us authors in general—that whispers that being productive isn't a good thing. It's like society feels artists should naturally try to hide from deadlines, structure, or being aware of what we do and why we do it. As if, because art is supposed to be painful, we shouldn't enjoy doing our work—and should need to be forced into it.

    If there's one thing that has surprised me over the last ten years, it's this strangeness that surrounds my enjoyment of my job, and the way my own psychology interfaces with storytelling. People thank me for being productive, when I don't consider myself particularly fast as a writer—I'm just consistent. Fans worry that I will burn out, or that secretly I'm some kind of cabal of writers working together. I enjoy the jokes, but there's really no secret. I just get excited by all of this. I have a chance to create something incredible, something that will touch people's lives. In some cases, that touch is light—I just give a person a few moments to relax amid the tempest of life. In other cases, stories touch people on a deep and meaningful level. I'll happily take either scenario.

    Almost thirty years ago now, I encountered something remarkable in the books I read. Something meaningful that I couldn't describe, a new perspective, new emotions. I knew then that I had to learn to do what those writers were doing. Now that I have the chance to reach people the same way, I'm not going to squander it.

    I guess this is all a prelude to a warning. I'm working on a lot of projects. Many of these tie together in this epic master plan of mine, the thirty-six-(or more)-book cycle that will be the Cosmere. Even those books that aren't part of the Cosmere are here to challenge me in some way, to push me and my stories, to explore concepts that have fascinated me for years.

    These last ten years have been incredible. I thank you, and I thank God, for this crazy opportunity I've been given. I don't intend to slow down.

    I'm not embarrassed to be "the adult." Even if I've only just hit the right age for it officially.

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Conclusion

    Well, don't say I didn't warn you that the list was big.

    It's been quite the year. Lots of travel, lots of meeting people and signing books. My tenth year doing this. I've spent the last decade kind of looking at myself as one of the new kids in the fantasy market, but I suppose it's time to admit that I've become—albeit not a member of the old guard—one of the genre's more established names.

    As always, you make this possible. Here's looking to another excellent year. Merry Christmas, and a Happy Koloss Head-Munching Day, to you all.

    Brandon Sanderson

    December 2015

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Projects in Development

    Aether of Night

    Another of the books I wrote around the time of Elantris, and another one that's not half bad—but still in need of a solid revision.

    I'll likely do something with it someday. In the meantime, if you want to read it, you can send us an email to ask for a copy. (Consider it a thank you for getting this far in this huge post.) I'd ask that you'd consider signing up for my mailing list when you do email me, as that's how I get the word out on when I'm doing signings and when I have cool new things to release. But that's not required in order to get the book.

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Projects in Development

    Soulburner

    This is an outline I developed last year during a lull—a kind of space-opera-fantasy-hybrid like Dune or Star Wars. The setting is awesome, one of my favorites. Very distinctive.

    I don't have a story for it yet though. I'm just putting it on here so that you know that wacky things are still bouncing around in my head, looking for a way out. It's not something I'm going to release anytime soon, but if I ever do, you can point here and say, "Hey, I saw this first!"

    Status: No Projected Start Date

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Projects in Development

    Silence Divine

    This story (which is the one about a world where catching a disease grants you magical talents) is another perennial State of the Sanderson participant.

    I did some work on a short story in this world a while back, and liked it, but didn't have time to finish. (This is the thing I did readings from during the Words of Radiance tour, I believe.) It's set in the cosmere, and I have plans to someday write this—but I'm not sure when I'll do it. Could be a long way off still.

    Status: On Hiatus

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Projects in Development

    Death by Pizza

    I had a nice breakthrough on this book recently, making the main character far more interesting. (For those who don't know, this is about a necromancer who owns a pizza joint.) However, this remains a very out-of-left-field project for me, and something I did mostly for fun. (I have a nearly complete draft of the entire book.)

    I don't anticipate doing this anytime soon, though I did briefly consider it as an alternative to the new YA series listed above. It's still just too strange for me to want to do right now. Perhaps eventually.

    Status: On Hiatus

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Projects in Development

    Dark One

    A perennial favorite on the State of the Sanderson is this YA series about a boy who discovers he's the Dark One, a figure from prophecy fated to destroy the world. My outlines are looking okay for this one, but it doesn't feel like the right time to do it. I pitched it to my editors at Random House along with the new YA series above, and we all agreed the other project was a better follow-up to the Reckoners.

    Dark One is bound to get done someday. That day isn't now.

    d No Projected Start Date

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Projects in Development

    Adamant

    Some of you have heard readings from, or seen excerpts of, this epic science fiction series that I've been working on. I finished one novella in the world, and am pleased with it, but I have no immediate plans for writing the rest. Perhaps I'll feel different once Stormlight is done and I'm satisfied with it. (It's always possible I'll need a break between projects where I can do something very different.) We shall see. I have no plans to release this in 2016.

    Status: On Hiatus

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Projects in Development

    These are projects you might have heard of, but for which no solid evidence of them ever being released is out there. On occasion I might do readings from them, and I might tinker with them—but I don't have much specific to tell you about release dates.

    New YA Series

    I am developing a new YA series to be released after the Reckoners with the same publisher. I can't say much about it right now, though we will probably do some announcements regarding it during the Calamity tour. If all goes well, the first book of this trilogy will be the third shorter novel I write between Stormlight 3 and 4.

    I always need to have something new to be working on, if only in the back of my mind, to help prevent burnout. I'm excited about this series right now, and actively working on the outline. But I won't be digging into writing it until next summer or fall, depending on when Stormlight Three is done. So I don't expect a release for a while yet.

    Status: Outlining

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Tertiary Book Projects

    Cosmere Short Fiction Collection

    For a while I've been thinking that I need to collect all the various pieces of Cosmere short fiction and put them into a single collection, for those who don't like hunting around for them.

    This might be the year to do that. If Stormlight doesn't make it into 2016, we might be able to get a collection (with a Stormlight novella) out by the end of the year instead. Something to tide you over, at least, until book three comes out.

    If we do this, my goal will be to have it include every piece of short fiction from every source up until now and bind it together in a handsome hardcover that will look nice on the shelf next to your other books.

    This will give you multiple options for the short fiction, if you want to collect it. We will continue to do our little two-novella collections (like the Perfect State and Shadows for Silence double that we just released.) So if you'd prefer to collect those in the smaller size, I anticipate everything eventually being released in that format too. However, if you'd like one thick tome, every ten years or so you should see a bigger collection.

    More on this as it develops. Right now I'm toying with the title Arcanum Unbound, and would love to include a star chart of all the cosmere worlds in it.

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Tertiary Book Projects

    Legion

    I owe people another (and final) Legion novella, and I plan to do this as well. Novellas aren't as big a commitment as novels, obviously—that's part of why I do them. But I don't know when I'll squeeze this in, with all the things I'm doing right now. It could happen literally at any time—but I don't expect it in 2017, to be honest.

    Status: On Short Hiatus

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Tertiary Book Projects

    Warbreaker

    While some characters from Nalthis have made appearances in other books, I still don't have a specific timeframe for when I'll go back and write the second Warbreaker book. (Titled Nightblood for the time being.)

    I know a lot of people really want this book, and I intend to do it, but I have to find time for the Elantris sequels first. So you're unlikely to see it until Elantris is finished. (Sorry.)

    Status: On Hiatus

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Secondary Book Projects

    White Sand

    For those who don't know, this is a book I wrote around the same time as Elantris—but which I didn't ever sell. Once I was published, I considered releasing it, but felt it needed a solid revision before I could do so.

    Well, that revision was delayed time and time again, until the point where I decided I probably would need to just rewrite the book from scratch if I ever did release it. An interesting opportunity came along a few years later, however, and that changed my perspective. You see, the comic book company Dynamite Entertainment had come asking if I had anything, perhaps an unpublished novel, that would make a good graphic novel.

    This seemed the perfect opportunity to make use of White Sand. I didn't have time to do revisions, but another writer could take my words and adapt them (really, what the book needed was a trim anyway) into a graphic edition. We said yes, and started into the process.

    I've said before, Dynamite has been excellent to work with. Rik Hoskin, the person hired to do the adaptation, is a fantastic writer—and he really managed to preserve the core of my story, using my own dialogue and descriptions, while cutting out all the chaff. The artist Julius Gopez, the colorist Ross Campbell, the letterer Marshall Dillon, and the editor Rich Young have all done a fabulous great job.

    The novel is big (no surprise), so it's going to be released as three graphic novels. The first of these is almost ready, and we're expecting a release sometime next year.

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Secondary Book Projects

    Alcatraz vs. the Evil Librarians

    Here's another one we've been able to clear off my list. With Tor republishing the first four books of this series throughout the spring next year (starting in February), I am at last able to get the fifth book (and the final one Alcatraz will write) out to you fans.

    The new art for these editions has me very excited. For once I think we have covers that indicate to readers the tone of the books. Book Five should be out in the summer, though I believe Tor is scheduling it for August instead of June. It is written, and I'm doing final edits on it right now. (In the evenings after I feel I've hit my wordcount goal for Stormlight.)

    If you haven't read these books, give them a browse once they come out again in the spring. They're very fun, but very different from my other books. They're insane, fourth-wall-breaking comedies, so they're certainly not for everyone. They have been an excellent way for me to blow off steam and refresh myself between longer, more ponderous books.

    Status: Book Five Completed!

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Secondary Book Projects

    The Rithmatist

    Book two of The Rithmatist (called The Aztlanian) is another thing on my schedule that I need to get to soon. If you didn't read last year's update on the book, I tried writing this—and found I didn't have a strong enough grasp on the historical period and culture to do it justice. So I stopped and did a bunch of research, but by the time I finished, I needed to be back to work on my main projects.

    Therefore, I've slotted this in after Stormlight 3 as well. Hopefully it won't get pushed back again. Usually I try to do about equal in pages to a Stormlight book between Stormlight books. That gives me room for three smaller books. Right now plans are for these three books to be The Lost Metal (Wax and Wayne 4), The Atzlanian, and a new project. (See below.)

    Status: Delayed, but maybe coming soon

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Secondary Book Projects

    Elantris

    I do still intend Elantris sequels. (And the enthusiasm for the leatherbound edition proves that people are still interested in the world.) Right now, I have them scheduled to be slotted in once Wax and Wayne is done. We'll take a break from Scadrial at that point, go back to Sel and do some Elantris books, then hop back to the 1980s era Mistborn series.

    This slots an Elantris sequel into the spot between Stormlight books 4 & 5. It is coming, just more slowly than I'd once hoped.

    Status: Delayed, but coming before too long

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Main Book Projects

    Mistborn

    And speaking of Mistborn, how is Scadrial doing? My current plan is still to have the Mistborn books stretch throughout my career, establishing stories in different eras of time with different sets of characters.

    The original pitch was for three trilogies. The Wax and Wayne books expanded this to four series. (You can imagine Wax and Wayne as series 1.5, if you want.) This means there will still be a contemporary trilogy, and a science fiction trilogy, in the future.

    I have one more book to do in the Wax and Wayne series, and I'm planning to write it sometime between Stormlight books three and four. Until then, Wax and Wayne three—The Bands of Mourning—comes out in January!

    Status: Era 1.5 book three done; book four coming soonish

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Main Book Projects

    The Reckoners

    The last book of the trilogy is complete, revised, and turned in. It's coming out in February, and is—indeed—the ending.

    I have not closed the door on doing more in the world, but it will not be for a while. If I do return, it will be like a Mistborn return, where the focus of the books shifts in some way and I create a new series. I like leaving endings as endings, even if the world and some of the characters do progress.

    I'm extremely pleased with the last book. I look forward to having you all read it, and I am grateful to you all for supporting this series. There were voices that told me something outside the Cosmere would never sell as well as something inside—but this series is neck-and-neck in popularity with Stormlight and Mistborn. It's a relief, and very gratifying, to see that people are willing to follow me on different kinds of journeys.

    Status: Completed!

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Main Book Projects

    The Stormlight Archive

    Stormlight is going very well. I'm working on Book Three, which I'm calling Oathbringer. (That is likely at this point to be the final title.) This is my main project, and I won't be writing any new prose on other stories until it is done. You can follow the progress bars!

    Release dates for this book are still in flux. Even if I finish it early next year, it could be a year or more until you see the book. The amount of editing, continuity, and art that these books require creates a need for a long lead time. I've told people that Fall 2016 is the earliest they'd see it, but my team has been warning me that's not realistic. We'll see, but for now you should assume on a 2017 release.

    What does this mean for my once optimistic "one Stormlight book every eighteen months" goal? The more I work on these books, the more uncertain I am about that. The outline for Oathbringer, for example, took about a year for me to nail down. Considering how many moving pieces there are in these books, it's tough to judge how long they will take to write. And while there are books I can force through if some things aren't right, I can't afford to do that on this series.

    I'll continue to write Stormlight books at as quick a pace as is reasonable. I consider this my main project for the next decade or two, and am dedicated to it. But each book, as I've said before, is plotted as four books in one. So even if I release them once every three years, you're getting four "books" in three years.

    We'll see. I'll try to pick up the pace. In the meantime, I'll try to get some short stories in the world out for you. (More on this later.)

    Status: Book Three in Progress

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    Big List of Things I'm Working On

    Now, let's get to it. Each year around this time, I take stock of my many projects. You can read last year's post here, to compare and see how things have been progressing. (And to see how well I did in my plans for 2015.)

    Thank you in advance for continuing to give me the freedom I feel I need to jump between different worlds. While I know it's frustrating sometimes that I'm not working on your world, the greater plans I have for all this require me to approach things in a certain way. Both for my health as a writer, and to bring about some large-scale awesomeness.

    I'm going to go down the list of projects I'm working on, starting with what I consider my "main" projects. These are getting the focus of my time right now. From there, I'll move on to things that I'm still toying with doing sometime soon.

    Then it gets a little more speculative.

    Enjoy!

    State of the Sanderson 2015 ()
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    Brandon Sanderson

    My Year

    2015 was a bit slower than last year was, as I spent a lot of time editing.

    January–May: Calamity

    The bulk of my writing time this year was spent on Calamity, which I'd been putting off last year in order to write the two new Mistborn novels. Looking back at my records, I finished the last chapters in early May.

    This was interrupted, on occasion, for revisions of various books—and for the Firefight tour, along with a trip to Sharjah in the UAE. Busy times. So busy, in fact, that it's taken me all the rest of the year to give full feedback to the writers who took my class. I managed to grade their papers in May, somehow, but promised them each a personalized look at their final story submissions, which I'm only now finishing up.

    June–August: Stormlight Three

    I did squeeze in some writing time for Stormlight in here, though not a whole ton of it got done. I had to stop for revisions, touring, and travel through most of September and October.

    September–October: Revisions and a Secret Project

    Traveling so much made it difficult to do Stormlight 3 writing, which requires a lot of time investment. So between revisions, I managed to finish a project I've been working on for about a decade now. (Yes, a decade.) You'll see this soon. It's a novella.

    November–December: Stormlight Three Again

    I plan to keep on this one until I finish it, as I'll talk about below. However, if you want to read a little about my writing time in November, you can read this other blog post.

    State of the Sanderson 2016 ()
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    Brandon Sanderson

    Conclusion

    Next year will be a little quiet, following this year's releases. (Which included Secret History, The Bands of Mourning, Calamity, White Sand, Alcatraz, and Edgedancer/Arcanum Unbounded.) Right now it's just Snapshot and Oathbringer. (Which might give you a glimpse into how much work a Stormlight book is. The new one is longer than all of the above stories combined, and then some.)

    As always, thanks for reading.

    Brandon Sanderson

    December 19th, 2016

    State of the Sanderson 2016 ()
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    Brandon Sanderson

    Introduction

    Hello, and welcome! I hope the holiday season is treating you all very well. Around this time each year, I write a blog post called State of the Sanderson. I usually post it on or around my birthday, which happens to be today. (So, happy Koloss Head-Munching Day to you all.)

    These posts run long and are extensive essays that go over what I did during the year, updating you all on the projects I've been working on, then doing a rundown of projects that I'm planning. (Find last year's State of the Sanderson right here.)

    I hope you'll find this helpful and interesting. Storytelling is not an exact science, and things don't always go as planned. At the same time, I believe it important to be up-front with you all. I know what it's like to wait for years to read the ending of a favorite series, and I appreciate your longsuffering support when I jump between projects.

    In teaching my university lectures and workshop, I interact with many, many hopeful and talented newer writers. Their excitement, and worry about the future, reminds me how fortunate I am to be able to do what I love for a living. In the story of the ants and the grasshopper, I get to spend my life making music—but instead of letting me starve in the winter, you bring me in and give me something warm to eat, then you listen while I tell you a story.

    It's strange to consider what might have been. How many plausible variations of life are there where I'm not a professional novelist? Did I hit on the one perfect sequence of events that brought me here, or would I have muddled my way through even if Moshe hadn't agreed to look at Elantris back at a party in Montreal in 2001?

    Though I deal in the fantastic as my daily labor, the scene where I'm not a writer is one scene I have difficulty conjuring. Would I be a professor perhaps? I do enjoy teaching, though only in moderation. (When I had to teach the same class multiple times in a day, I found the experience monotonous. One course a year is just about right for me—exciting, vibrant, and involving new things to teach and talk about.)

    Indeed, early in my graduate studies, I realized I'd never make it as an academic. Ironically, I discovered that doing all the things in my writing program that would prepare me for a good Ph.D. or MFA course (being on the staff of journals, assisting professors, traveling to conferences) would prevent me from actually writing—so I threw all of that up in the air and doubled down on my novels. Some of my colleagues went on to professorships, but I was never really headed that direction.

    For me, it was always write or bust. I don't know what busting would look like—but I do know that, barring something truly insane, it would involve me ending up with a closet full of dozens and dozens of unpublished manuscripts.

    As an aside, for those who didn't hear the story on tour this year, my second son (who is six) has started to figure out what it means that I'm an author. He came up to me a few months ago and said, "Daddy. You write books!"

    I said, "Yes!"

    "You sell them, so we have money for food and our house!"

    "That's right."

    "And when people visit, you give them books from the garage! That's how you sell them!"

    I often give copies of the books to friends who visit, and in his six-year-old understanding, this was how we made our living. But hey, there are worse things to be than a garage novelist with a trunk full of demo manuscripts.

    In any case, you have my sincere thanks for your support! I'm glad we're not in the alternate, dystopian Sanderson timeline where I have a goatee and have to spend my life selling people insurance.

    State of the Sanderson 2016 ()
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    Brandon Sanderson

    Tertiary Projects

    Untitled Threnody Story

    There's a novel in the Threnody system I've been planning for many, many years. Might as well move it onto this list. I'd originally planned it as the arrival of people in hell after fleeing the Evil that destroyed their homeland across the sea, but I'm toying with flipping this around, sending an expedition back to the destroyed continent.

    Either way, a Threnody novel has been part of the cosmere since before I got published, so I'm confident we'll see more from it eventually. If you're confused by all this, might I mention again the value in grabbing a copy of Arcanum Unbounded?

    Status: Very early planning stages.

    State of the Sanderson 2016 ()
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    Brandon Sanderson

    Tertiary Projects

    Aether of Night

    No progress. (Though you can still get a copy of the draft I wrote back in college, around the time I wrote Elantris. Also, requisite request that you sign up for my mailing list. I give some free fiction away on the newsletter every time I send it, and the chapters I set aside as Patreon rewards usually do make their way on here eventually, though many months later.)

    Status: On hiatus (but still part of the Cosmere sequence, with seeds of the story already in other books).