Questioner
Is the sword given to Szeth at the end of the book [Words of Radiance] related to Nightblood from Warbreaker?
Brandon Sanderson
It's the same sword.
Questioner
It is?
Brandon Sanderson
Mmhmm.
Is the sword given to Szeth at the end of the book [Words of Radiance] related to Nightblood from Warbreaker?
It's the same sword.
It is?
Mmhmm.
Is Hoid from Elantris, the same Hoid from The Stormlight Archive?
Yes.
I love Writing Excuses and I'm actually going on the Retreat this year. I think the cruise is a good idea.
See Mary did the Steampunk cruise, and she just kind of asked "Wait a minute, what are people paying for this?" and it was less than we had to charge them for the retreat at her house, because of all the food and stuff we had to do. We were like "Wait a minute, you can do this for the same price or less? Why are we doing this at her house?"
Cruises are a blast.
I've been on several and I've enjoyed everyone of them.
The Alaska cruise has been one of the best experiences of my life. So it's going to be good for writing and inspiration.
My cruise story is the Taravangian interlude [in Words of Radiance] was written on a cruise with my family. I sat on the little balcony to our room typing while everyone else went off and did stuff where there were people. And I was by myself and it was great.
I am very convinced that Adolin, with the events that happen with the last book. You're sending him down a like a dark path. Is he possibly going to be a-- *questioningly* Antagonist? Protagonist?-- A bad, eventually? Or is he--
I'm going to say this, the things that Adolin did do not contradict some of the moralities on Roshar, in fact they follow them directly. Some of the moralities on our planet would say what he did is the right thing to do. I think treating it as a "dark path" is too reductionist to say. There are people who would seriously argue, and they would have a good argument, that what Dalinar was doing by leaving Sadeas around was a good idea. And then there are other people who would say "You know what Sadeas did was a challenge and it was rightly then responded to" and then there are people who would say it was absolutely immoral. So, it depends on your philosophy.
What would Honor say? Well, Honor's dead, so-- *lots of laughter* You know Honor would not have been behind that action, but Honor's dead.
My question has to do with the color of Shallan's eyes currently, because we've noticed over the books that Kaladin's eyes, as he's continued to use his Surge, changed to lighter and lighter blue. Whereas one could argue that Shallan is farther in her Ideals than Kaladin is, yet her eyes have not changed at all.
Right, 'cause they were already light.
'Cause they were already light? So it only affects lightness or darkness in the eyes, not necessarily any other color?
It's not like it is-- It's not like it's saying "Light minus 50%".
It's not like Honor is blue and--
No. It is not. It is just kind of the way that the changes the Stormlight is making the body and certain people are already descended from people who had repeated, over time, changes by the body which stopped physically... That's not to say that all lighteyes that's where they came from. There are some that are natural mutations.
So, could you give us some examples of how the ideals that spren represent work in other magic systems, like we have Forging where you get plausibility, or Returned how they're beautiful or any other systems?
Okay, one more time on that.
Okay, so you know the ideals the spren are manifestations--
Yes.
How-- Do those have impacts on other magic systems?
Yes, yes, in the same way the Returned- that's the exact same system at work there.
Is it the same reason why the Lord Ruler has to die of old age, and why you can't heal yourself into being an octopus or something?
Um... Yes, that is all connected in the exact same way.
Okay, so it's all like these highfalutin Spiritual ideals?
Yes.
And are there like, median Cognitive ideals that gradually kind of influence these, or--
Yeah, they transcend between the three. I mean the original concept for the Three Realms is Platonic philosophy.
So it goes up *makes absurd reverse-waterfall hand gesture*
Yeah, it goes up and it comes back down. A lot of the Cognitive is-- So like, the Cognitive has a bigger effect on how you can heal and things like that. Does that make sense?
Yeah.
But the power to heal is a actually a Spiritual thing.
So it's like the Spiritual says "I want to be like this" and the Cognitive is like "Okay I'll try really hard to be like that, but I have a limit."
Right. Right. Filtered through how you see yourself, yeah.
When you finish a book how do you celebrate?
I usually, unless I have a really tight deadline, I pick a video game and I play the video game. Usually once a year I'll do that and I'll take like two weeks off and just play through a game.
I like that idea. I'm trying to finish up my master's thesis and deciding what I can do when I've finished it.
Oh okay, I don't know if you can take two weeks off. I can.
Well I've already told my boss I'm going to take three weeks off. But I'll probably go somewhere.
See traveling, I travel so much for work that I don't really want to go anywhere. I just want to stay home where I don't have to do anything. I played Skyrim, I broke it out over the holidays. I hadn't ever played that one. That's my latest.
So are the rumors true are you [and Pat Rothfuss] going to write a book together?
No, but every time we are on a panel we are like "AH we should write a book together." It's highly unlikely, that we would ever do anything together. Just because our writing styles are so different. Pat's writing process-- It's not so much style it's the writing process-- is so different. But you can hold out hope. Perhaps some day I will have a pitch for Pat or something like that. But I would hate to inconvenience his fans by distracting him with something else.
Can I generally ask what the plot is somewhat like for Wayne and Wax [in Shadows of Self]?
Yeah, so there is a murderer in town who is not human.
Did I read that they were going to make a movie out of Mistborn?
The question is-- Somebody bought the rights. The question is whether they are actually going to use them for anything, and that I can't say. I really like the people who have them.
Would you be involved in it if--
Yes. I would be involved.
How much?
The contracts say I have to be able to go to the set at any time.
You wouldn't be helping writing the screenplay?
Oh I don't write screenplays, it's a different skill. I think you do an expert do what an expert does. But so far they have sent me all of the stuff they've done and I've given feedback and they've taken it. It's a good sign.
In your opinion what percent--
How close?
--that they are going to start it.
15?
That small?
That's high. I think that's very high for this business. My agent says one out of 30 gets made.
So what's the criteria they would--
Investors, if there are people who are willing to give us a 100 million dollars... So if you happen to know anyone willing to sink a 100 million dollars into a film we could do it tomorrow.
I'm 66 in a couple months and I want to make sure I live long enough to read the whole Stormlight--
Alright.
Am I going to?
You'll definitely make it through the first five. The thing about it is I'll break in the middle, but the first five come to a natural climax, and then there's an in-world break of 15 years. Not 15 years away for us but an in-world break. And then I'll do another trilogy. I think you'll make it through them all. I think you'll easily make it, you look very hale and healthy.
Can a Returned like Lightsong go to Roshar and form a bond with a spren?
Investiture interferes with other Investiture.
And they have a lot of it.
And they have a lot of it. That is not-- It's not completely-- For instance you can Push on Invested metal, but it's hard. There's a resistance, the more Invested the harder-- So a bond for instance-- forming a bond-- It's, yeah-- It can be done--
I mean Sazed took two of the powers up, right? But I kind of imagine what he did as a nuclear reaction. Where breaking an atom is hard, unless you are in the middle of a sun. And he was in the middle of the sun. At that point--
There was a lot of stuff going on around him that facilitated.
Yes, definitely. But when you've got that much power you'll-- In other words if there is a lot of power going around, these things become easier.
So, possible but difficult is--
Yes.
Are there any other end-negative magic systems out there other than Hemalurgy?
Yes.
Have we seen either the system or the world one of them is in?
Uhhhh RAFO.
RAFO? As in literal RAFO?
Literal RAFO.
Does Lift turn food into Investiture directly or is it similar to the metals on--
Similar to the metals.
So like a gate?
Yes.
Okay, that's good to know.
She can metabolize-- She can draw-- It's not actually the food, it's-- It's not like the metals, not exactly. It's not-- What she can do is she can metabolize into Investiture instead of sugar. Does that make sense?
Yeah.
We metabolize food into sugar. She can metabolize it into Investiture. Does that make sense?
That makes a lot of sense. So if she eats--
She's got to have a blood sugar spike.
So if she eats like a cake it will give her more Investiture--
Faster. It will give her faster.
Whereas if she eats a vegetable...
Vegetable... More calories is going to equal more. But the better comparison would be a sausage and bread. Because bread is a fast blood sugar spike and the sausage is not. And that's how I'm working in my head. It's kind of a magical version of a blood sugar spike and I have it happen to her faster than it could happen. Like normally you eat a piece of bread and your blood sugar spikes in a half hour, it's going to go faster for Lift.
Hers is like five minutes.
Hers is like five minutes, but a sausage would be slower.
Can a sentient object be created on Roshar? By just-- In a way similar to how the Scholars created Nightblood?
Oh?
No?
No I wasn't saying no I was saying well that's kind of what the Shardblades are.
Kind of.
Mmhmm.
Can Nightblood damage or kill a Shard? Is he that powerful?
Nightblood is not powerful enough for-- *makes weird/hesitant ehhh sound*
Can it damage?
Damage? Yes. How damaging? Is a subject to discussion. Nightblood contains a lot of Investiture.
Renarin, his visions of the future are they connected to one of his Surges? Both of them? Are they a side-effect of his order?
Umm...
Like I can kind of fit in the two of them...
Alright, how much of a spoiler do you want on this?
All of it.
*Incredulously* Really?
Is that even a question for me?
Do you want to know something secret that you then can't post?
*sighs* How-- Is it something that is going to come up in Book 3--
Yes.
--or later.
It comes up in Book 3.
I'll bear the burden.
You'll bear the burden meaning I can tell you?
I'm going to pause this actually... *Audio paused*
Awakening and Surgebinding, Stormlight and Breath seem really similar in some aspects--
Yes.
--except Breaths seem to stick to things better--
They do.
--than Stormlight. So when you are holding the Breath it doesn't expire when you put it in something it doesn't go away. Can you tell me something about why that's happening?
Part of this is kind of inherent to the Shard and the power it's coming from. I mean the power of Endowment is just going to stick, that's part of the nature of its magic. Does that make sense? But it also kind of has to do with how the ecosystems are working. For instance the Stormlight is essential to the ecosystem of Roshar, it needs to be expended, it needs to get out and-- It's like evaporation, does that make sense?
Recycling? Not the recycling but the cycle of--
Yeah, yeah like the cycle of water. And so just part of the way the nature of it works, it has to get out, it has to leak out, it has to run out. I mean it leaks even from spheres, right?
And when you lash things it's temporary--
Yep. And even though Szeth says that he thought Voidbringers could hold it they can't. Like it is just not the way that it works.
Can they just hold it better?
They can hold it better. It's not permanent. Now there are things that can do it permanently but--
Like the black sphere for example?
Well we are not going to... The black sphere is something different. You guys have guessed what the black sphere is, right?
Well we have some ideas. I support that it holds an Unmade. Am I wrong?
I'm not going to answer that.
But you said--
I'm just curious what the theories are. Book 3 the black sphere is-- Everyone who reads the books will know what the black sphere is by the end of Book 3.
Do you set out to write a specific-- like a teen book or an adult book? Or are they just--
I usually do set out these days. Originally I was not as cognizant of it, but I do think keeping audience in mind is an important attribute of writing. The thing is when you are doing a teen book it's not about writing down it's about dealing with issues, like it's the type of conflicts that really make something a teen book in my opinion. And those conflicts can transcend into adult books but-- I don't know it's just there's a feel for it.
I really like your idea with the whole Mistborn series, taking it further in history and we are both PhD physicists.
Oh sweet.
I always think about that and I was wondering if you were worried about going that sci-fi fantasy route? Like for instance--
I'm not worried about it, I'm just excited... In my mind all of my books are sci-fi as well as fantasy because I'm making weird new branches of physics and trying to adhere to as many of the laws as I can.
Yeah that's one of things I love about how well thought out the magic systems are.
Like I-- You are actually not the first physicists to come through another one came through earlier tonight and talking about the quantum mechanics that are in The Way of King.
At the end of Firefight when it says that if you overcome your fears that the corruption kind of ceases to exist. Does that mean an Epic's weakness is resolved also?
That is a question for the sequel.
So would that imply that maybe David has a power but he doesn't know it because he overcame the water fear?
That's entirely possible... You're asking good questions.
Is there any possibility of the novellas being released in like a bound--
Yeah, we will eventually do-- Tor really wants to do a collection of all the cosmere novellas. So like... *Brandon stumbles over the words* Shadows for Silence, The Emperor's Soul, Sixth of the Dusk. But I was trying to say Shadows for Silence but I almost said Shadows of Self, that's going to be a problem for me going forward, using "shadows" in two. But all of those in one collection is what we're probably going to see.
You are releasing a graphic novel version of White Sand, which one is going to be canon to the Cosmere, the graphic novel or the novel you originally wrote?
Oh definitely the graphic novel. The book I originally wrote has its problems, and I never released it. The books don't become canon until I release them. This will be the canon release of White Sand. I don't think-- If the graphic novel does well we are not going to write novels, I'm going to do the second one as a graphic novel original. That's just how we are going to do it-- is my plan right now. There are things when we went back to it that we tweaked, for instance Hoid's appearance in the original novel was only a reference. He was mentioned by, what did I end up calling him, Eis? Ais, I had both names for a while, it was only a reference to one of his old cases, that's his only appearance. And we're like "Ehh people are going to expect more now". So we are writing in a better appearance for him. Stuff like that, I feel Khriss' character needs better development than the novel had, so we are working on that. Stuff, you know. Things you would do in a major revision.
So a lot of your books are very cinematic in nature and lend themselves very well to other forms of media and I was wondering if you had to choose what would you do-- video games...
I would want to do all of those.
All of the things?
Yes, I would love to do a big cross-media sort of deal. Whatever I can get away with, right? So we're doing a White Sand comic book right now, you probably know about that. White Sand, my unpublished novel, we're doing a graphic novel of that. I'm working hard to get the movies made, I will do anything I can get made. Just because I love storytelling in all its different weird varieties.
There's the Mistborn dice game, do you know of anything for The Stormlight Archive? If they're ever going to do something with that?
I think the thing we are going to do with Stormlight Archive-- We're going to try a chasm assault board game. Where you put together chasms and bridges and things like that. That's what we think would work really well. We have a developer-- well game designer who wants to do one of those so we're going to work with them and try to get it made.
How did you sort of develop and write the character of Vin? 'Cause her upbringing is so different from anything we-- that I have experienced and I'm guessing you had a similar experience. So did you have a model or somebody you could talk to?
I-- Not really. Now I did have two sisters, which helped, but my sisters were not raised in such a manner. It is more just trying out personalities, like I talked about in my speech until I got one that worked. Lots of practice if you want to be a good writer, lots and lots of practice. Try writing people very different from yourself and try to get them right. Give it to people and have them see if anything "Yes this feels right" and things like that. Just do lots of practice.
Do you get a cameo in one of your books when it gets adapted to a movie?
Yes, we actually had it written into the contracts that I get to have a cameo.
Where did you come up with the idea for Allomancy?
It's a combination of several things. One is I started with wanting a group of powers that would complement a gang of thieves. So I designed the powers to work within the roles of a thieving crew. The burning metals came from reading about biology and metabolism and it felt very natural to me because that's how we get our energy as human beings. The whole connection of the metals and the visualization stuff came from mixing the periodic table of the elements with alchemy. All of those things kind of spun together to make it.
Assuming that it's possible-- There are alternate Physical Realms, is Shadesmar common between them?
Yes... They don't always call it Shadesmar.
Sure, but there is one Cognitive?
Yes. There's one Physical too if you think about it.
Well... Between the books...
Yeah but there's one Physical-- There's one universe, it's all the Physical Realm, just like there is one Cognitive Realm.
The symbols before the chapters [in The Well of Ascension], are those alloys for the god metals?
No, the symbols before the chapters are the same symbols as in the first book from a different era. Same thing for the third book, they are the exact same symbols from a different era.
Is there any possibility Vin and Zane are half-siblings?
Is there any possibility? No.
Was Vin's mother under Hemalurgic influence?
Vin's mother was under influence of Ruin.
The epigraphs from The Hero of Ages say this: "The point, however, is that people with unstable personalities were more susceptible to Ruin's influence, even if they didn't have a spike in them. That, indeed, is likely how Zane got his spike." In the annotations Brandon confirms that the same applies to Vin's mother.
In, I believe it was, Well of Ascension, when Hoid-- Vin was going to talk to Hoid and get information but she sensed something.
Yes, she did.
Can you reveal anything about that.
Nope!
Okay.
But you can have a RAFO card... Do you have a theory?
No, I don't.
Spidey-sense.
The clues are all there. They're very obscure.
*theorize*
*mock-annoyed* Stop theorizing! I shouldn't have said anything.
Can someone be sacrificed for both Hemalurgy and the magics of Dakhor simultaneously?
So this is going to require the soul being ripped apart, so it depends on what pieces of the soul are left and how easily you can capture them. That's a theoretical possible-- possibility... Know that most of the horrors of Dakhor are twisting a soul not stealing a soul.
Can Hemalurgy steal other manifestations of Investiture?
Yes. If it is part of the soul, Hemalurgy can steal it.
How did Kaladin heal his Shardblade wound without the power of Regrowth?
That's partially a RAFO. Remember that healing in the cosmere usually has to do with how you view yourself. And as long as there is some outpouring of Investiture you are usually capable of healing. More the weird thing is not that Kaladin healed it's that Szeth couldn't.
Will Scadrial actually develop internet?
Um... We will see, won't we?
If you could live on any one of the worlds, which one would it be?
If forced to, because I would stay here if I could 'cause internet, internet's really cool, mac & cheese, I like mac & cheese, I like instant ramen. But if I were forced I would pick Scadrial, the Mistborn world, because it's the closest to all of those things, but beyond that it would, post-Catacendre, a very good place to live...
My question was, have you ever written a scene and had it published and then wanted to change one of your scenes?
Yes, I have. There have been a couple of them. There's one at the end of Words of Radiance, when it came time for the paperback I reverted to a previous version of the scene. So yeah you guys will see that when the paperback comes out. One of the ending scenes-- It's a very minor tweak but I had done like four different drafts of this scene and I didn't like the one we ended up with. Even immediately after we sent it in I was like "No that's the wrong one". So we reverted.
Will you post that online?
Yeah, I'll post that online when the book comes out. I'll be like "By the way guys, Warning. There's a change here."
The internet will freak out.
Yeah. The other thing is the ending of Elantris, the spatial-ness of it, and things, I got some of the math wrong. I didn't have Peter back then. And so now that we are doing a 10th anniversary edition I actually had Peter and Isaac, who does all the maps, get together, work out the actual math. The size of the city, the size of the continent, and all this stuff and Isaac's doing a new map and we are changing the text to now match that map. So for instance where it says something is in the original text it will actually move now that we have an actual real map, rather than my MS Paint thing that I was using 'cause you know me and maps. So yeah you nodded, there are a lot of mathematical-- just problems. We've got the new map now and it all works. So I'm glad that it all actually works, once you get the math right. But like the number of steps is way off at the end of that one for instance.
*To Argent/Kurkistan* Have you guys figured that out? Like it makes the size of the planet stupidly big.
When is that coming out by the way?
I'm not sure, we just have to see when we turn it in. I think maybe later this year. Maybe early next year. I wouldn't be surprised if they tried to get it out with one of the Mistborn books, at around the same time.
When it comes to major, pivotal plot twists. Moments where the reader goes "WOAH" or "Oh my god". Are those something you write as starting point or ending point?
What I do is I plot my outline backward, starting with those scenes. And then I write the book forward to those scenes. The reason I can do it that way is because in the plot I don't need to know the characters' emotional state, I can just come up with "This is going to be a great scene". But I have to have been with the characters through the journey to write their reaction to the scene. So I can't actually write it early.
Do you ever listen to your own audiobooks?
I do on occasion. I don't listen to them for long because I will find myself wanting to change things. And that's dangerous...
Do you have a favorite narrator that you--
I do--
Of your books and of other books.
It is Michael Kramer, who did the Wheel of Time books. Which is why I asked for him on my books.
If I may, how do you feel about Graphic Audio?
I, personally, love that they are available but I find them kind of distracting when I'm listening to them.
Too much--
Yeah. I'm glad-- I mean I want to sell as many of them as we can because there are some people who just love them. But I actually love straight reads, like I like Wil Wheaton's reading, where there's very minimal voices.
Well that's because it's Wil Wheaton.
It is Wil Wheaton but I-- I do like Graphic Audio because they use women for women's parts, men for men's parts, which is really helpful. Men doing women's voices in books, and women doing men's voices as readers, a lot of them are like fingernails on a chalkboard for me.
I was curious Mat and then the second-hand man Talmanes... Did you have inspiration for those-- Because I absolutely enjoyed, I laughed out loud multiple times reading those characters. And I wondered--
With Mat it was always just me trying to match Robert Jordan's style, sometimes awkwardly at first but I think I got it down. With Talmanes there was more room for interpretation because I had always-- In fandom people interpret his personality in a lot of different ways, and I was a certain theory because we'd never seen through his eyes. When I did write scenes through his eyes I used my interpretation. There are some people "No that's not how he is". There are some people "Yes I always knew he was like that". But that's how I've always viewed him, with kind of the tongue in his cheek as he's talking to Mat. And I've always loved him as a character because of that. Which is why I wanted to write him and include him. There weren't any notes to use him.
How do you think about reddit or the 17th shard and the Coppermind-- All the different theories going around? Do you ever find one that hits your plot line or something?
Oh yes. I don't change it. I'm just like "There's a smart person.' But what I learned in Wheel of Time fandom was that you can't-- There is madness that lies in trying to change things once someone figures it out. Like particularly with the way that I do my plots, there's foreshadowing so there's someone who's going to be able to figure it out. If they can't figure it out I haven't put in the foreshadowing properly. So almost everything that I've put into the books, somebody knows. Some of them are really obvious and everybody's got it, and I'm okay with that because the people who don't read the forums, a few of them will be surprised, but mostly it will be like "Yeah of course we know this Brandon. Of course we know yada yada yada" I don't--
Go on, go on.
I don't... *mutters* I think you've figured it out-- But there are things like that. But there are other little things that there are a dozen theories on, and one of them's right.
You are probably going to get that when there's large populations...
There's large populations and there's proper foreshadowing, somebody is going to get it, and I think that's appropriate.
Can worldhoppers travel forwards and backwards in time or are they stuck going forward?
They are stuck going forward. Good question.
So Hoid has to move in a straight line?
He has to move in a straight line. It can squish-- stretch or squish that line but he can't go back along the line.
How much research do you have to do in sciences and technology and history to create a world that is more relate-able if not as believable as they are?
What it takes is a lot of general knowledge, meaning you read a lot of history books, a lot of science books, and this general knowledge that you then incorporate. It's not like I go and say "I need to know more about this thing". I'll do that for characters and some aspects of the worlds sometimes but mostly this is coming from spending 10 years learning all this stuff. Does that make sense?
It makes total sense, and my 10 years of community college will help me write.
Yes it will.
My 120 credit-hours.
120 credit-hours, that's what makes a good writer... That really turns-- You can pick out "Oh that's my linguistics class" and I'd be like "Oh that's my chemistry class. Oh that's the class I snuck into, the psychology class".
How do you come up with the ideas for the powers and the names of the Epics?
The names are actually really hard because comic book heroes, there are so many names they've already used. And so I have to a lot of searching and thinking and it's usually my fifth choice. Lots of looking in the thesaurus for "Alright was a word that is like this one that has been used way too often". The powers I'm look for usually something cool that somebody has done in a movie or a book or a comic book that I don't think they extrapolated far enough. I'm like "No that's not how it would really work. This is how I think it would really work." and kind of taking my own spin on it.
Also what is it about about the Fantasy genre in particular that lends itself to these sorts of questions about the nature of religion?
Well I think that there are a lot of things. One of them is that fantasy is one of these genres where we can take away a lot of the contemporary baggage. For instance, since it is hard to talk about things like the Catholic Church and the religion without getting into the social issues in our world right now, but if you create a fake religion that you can narrow down and focus on one aspect of it-- Fantasy is really good at that. Tolkien did it with racism, let's have an elf and a dwarf and have them interact, and take away all the baggage of civil rights era America or England and instead said "Let's see if these two races can get along".
It's the same reason why I like Star Trek, you can kind of create a scenario and--
But I also think that because of Tolkien and C.S. Lewis having such an influence on the genre you can do Good vs Evil, which lends itself. Like Robert Jordan's works there's no religion there's just a lot of spirituality. So there is no religion because people can actively check and see if God is real, the Creator. The magic is there, it's the proof, they don't need a religion. Which is a really interesting way to approach it.
I really enjoy the systems of religion and the religious questions that you bring up and so I was wondering-- Well first whether in your worlds there is a relationship between the efficacy of religion and the efficacy of magic?
There is but the relationship is not a direct one-to-one parallel. In other words the beings that are worshiped have an influence over the magic. Whether they are actually God is disputed by various people. And there are people who worship things that are not the various beings the magic is-- Does that make sense?
Why would you choose Chicago as a setting?
I grew up in Nebraska, Lincoln, and Chicago was the big city we would travel to. I liked that it was-- This is kind of going to sound weird but it was a big city full of mid-westerners. Like when I went to LA everyone talked and acted different, when I went to New York everyone talked and acted different, but in Chicago it-- they were kind of like a bunch of hokey mid-westerners had somehow built a big city? *laughter* If that makes any sense. So I have always had a fondness for Chicago. It's like the big city of farmers or whatnot. I don't know there's just something about it, the being on the lake and the profile of it and things like that. And I'm a Batman fan and Gotham is Chicago. Chicago was my go-to when I was going to destroy a city in our world; I picked Chicago.
When do you know a book is finished and send it to an editor/agent/whatever, wherever it gets sent?
I would say... that my process is I write the first draft and I do a second draft where I am fixing the problems that I recognized on my first draft. Then I do a third draft where I try to clean up the prose, that's just making the writing line by line better. I try to cut 10% and I just try to take each line and make it tighter. At that point I send it off. But I generally send it-- At that point I send it to my alpha readers, which are my agent and editor for me. If you are doing it I would suggest giving it to a round of readers from friends first. Get feedback from them, then do one more draft and then send it off.