Pagerunner and Legionrip
In a nonspoiler Q&A at WorldCon, you talked about a character who was going to die in Wind and Truth in your outline. But that when you got to writing the book, you realized the character wouldn't make that choice and would go a different direction, and so survived.
Brandon Sanderson
Yes. This is a big one. This is the biggest change, I think, I made. I actually saw that email: "What is the biggest change?" It's twofold.
One is boring. I changed Dalinar's flashbacks to being in Book Three, and Szeth's flashbacks to being in Book Five. That's the biggest change, I would say, along with Adolin's increased part and role in the story since Book One. That sent a cascading effect through the outlines. But I was very well-outlined, by the time we got here, that Adolin was gonna do his whole thing that happened in here. The existence of the Unoathed was not in the original outlines; it's a completely new thing. But, I rebuilt those outlines in the years intervening, so you will find them in the outlines, and what not.
The big change that I made when I was working on this book specifically is: Szeth was going to die. So, why did it not work? Well, Szeth was going to be consumed, at the end, by Nightblood. He was going to let himself be consumed in a way that was kind of like a suicide, in order to spit in the face of what's going on and refuse what was happening to him. And as I worked on the outline and I worked on who he was, I'm like, "Szeth, of all the characters, can't be the person who doesn't take the next step." The whole theme of take the next step, I'm like, "I cannot have..." Even though it wasn't a full suicide, I couldn't have heroic suicide at the end of Stormlight Five, even if it was only a sideways one. And I realized during outlining... And this, actually, a beta reader pushed me on this. Not that in any version did they read that Szeth died, but he fully renounced in an early version the Skybreakers. And one of the beta readers (I'll not out them, because I don't want people going to the beta readers and be like "you changed what I would have liked!) pointed out that isn't it stronger if Szeth works to rehabilitate the Skybreakers, rather than just renouncing them completely? And I'm like, "Yeah, that's what Szeth would do." It wasn't something that I had been thinking about, because I had been thinking about Szeth dying until I got to the outline for this book, and then I'm like, "It's not right." So there's not a scene written ever where he did that by the time I was working on the outlines for this book. But you've gotta remember, these outlines stretch back fifteen years, at this point, and I have a much better understanding of mental health and the characters and things like this, and as soon as I got to that in my initial outlining, I'm like, "Wow. This was a terrible idea." And you will see that in your early outlines, because you've grown so much as a writer, and your characters have grown so much, where you're like, "What was I thinking by having Szeth essentially give himself up, give up and get consumed by Nightblood at the end of this book?" Just not a very good idea. It never really was going to happen; I don't think I would have ever done that. But there you are.
Adam Horne
As you've written so many stories, has there been a character that has really surprised you about their change or their growth from the beginning of a book, compared to an end of a book?
Brandon Sanderson
It's hard to say, because surprise is such a weird term. Lot of authors use that, in regards to what happens. What's really going on is, as you're writing, you are making connections, you are getting to know the characters better, you are getting to understand the themes better. Almost no one ends up exactly where you imagined them. But I tend to be more on target than most writers, I would say.
Way of Kings is a cheat, because I knew; I'd written Way of Kings before, and I knew what I'd written wrong. But if you look at the entire growth of the Stormlight Archive, it's obviously Adolin. Everyone else basically ended up where I had imagined they would at the end, in some shape or another. But then we did just change Szeth.
Roberto Serrano 2003
What was the difference between the epilogue you wrote in Wind and Truth over a decade ago that went unused due to timing issues, with the epilogue in the published version?
Brandon Sanderson
Epilogue in the published version is very similar, except Wit was on Roshar. And I realized... And this is another thing that happens to you when you're working on books. Like, you don't always see the conundrums until you're in the thick of it. That conundrum was there; Roshar getting stuck in time dilation, and Wit ending at the end on Roshar, just kind of morose, the same sort of morose feeling that you get from it. He's like, "It's gone wrong. I've messed up again." It's essentialy where Wit is; he's like, "I have screwed this up again. I tried really this time, and I messed up." And he was on Roshar. I had to get him off Roshar in order to get around time dilation timing issues. And that, I actually started making that revision in Oathbringer. I was aware of this conundrum by Oathbringer. I don't think it made it into Oathbringer. My original thought was to have seeding him leaving, getting some cultures offworld of himself to try this out. And I don't think it ended up happening. I was gonna send some with Rock, but I didn't ever write the Rock novella in time. But by Oathbringer, I was aware of this, and working on, "All right, he's gonna have to get off." I mean, Odium would vaporize him the moment he found him anyway, so it ended up working out really well.
The other big revision is: a lot of my editors and many of the beta readers were really worried about how downer of an ending Wind and Truth was. Particularly the editors; this wasn't the beta readers as much, this was the editors. And this is, you know, Tor and Gollancz. And I'm like, "It's a downer of an ending, I know; I can maybe give Wit a little of an upbeat turn." And so the epilogue changed just a tad as I had him do something I wasn't planning for anyone to do until the back five, is realize: Dalinar made a decision that nobody was expecting, but that is, maybe, the best decision he could have, if you think it through. At first, it seems like a pretty terrible one. But having Wit acknowledge, "Okay, this is good. This'll work." And so, that's the other big tweak to the epilogue. Otherwise, it's the same epilogue. It's very similar, it's just location change and then a little tweak of it being more upbeat.