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Brandon Sanderson

Vin Tries to Determine if Dockson is the spy.

This Dockson scene is one of my favorites in the book. I'm a little bit sad that Dockson, like Ham, doesn't have much time for development in the series. In book one, he only got a single good scene–the one that Vin references here. During that scene, we really got a good look at his personality and his inner demons.

Those demons come up again in this scene, where we get to see the haunted worries of a man who has received what he wanted, but then come to realize that he shouldn't have wanted it so badly in the first place. He's a good character, Dockson is–but the only thing I can give him is one powerful scene per book. At least he gets one. Ham and Clubs don't even get that.

By the way, Vin calling Dockson boring is particularly ironic here because during our first introduction to Dockson in book one, he tells Kelsier that he'd 'Grown boring' over the last few years.

Brandon Sanderson

Elend discovers that a well has been poisoned

This poisoned well scene is another one that was added to the book during the final draft. Much like Straff's test attack on the walls, this scene is here to remind you that the armies are out there, that Luthadel is besieged, and that things are not going well for the heroes. I don't want you to forget about the armies just because our focus is on politics for the moment.

Brandon Sanderson

Chapter Thirty-Three

Vin asks OreSeur if the Kandra have a Religion

There is a kandra religion. I'm not going to be able to talk about it until book three, however. The things OreSeur is talking about here aren't really fundamental aspects of it, however. More. . .lore associated with the religion than actual tenets of that religion.

Brandon Sanderson

Smaller notes

Two other small notes. First off, I drew the reactions of the skaa–wanting to go back to having a tyrant in charge–from some essays I'd read about the fall of the Soviet Union and some other modern countries which had received freedom, then wished for the days when things were easier. I think it's a sentiment that makes sense, even if it frightens me a little bit.

Also, only Vin would assume that someone HAS to be Mistborn, just because they happen to be crippled.

Brandon Sanderson

Cursing in the Mistborn Series

I've taken a little bit of criticism from certain readers for the swearing I put into these books. I know that most of you consider things like 'damn' and 'hell' to be very weak curses, if even swear words at all. However, to some people, they can be offensive. Since I didn't use them in Elantris, some readers were surprised to find them in this series.

A writer must choose how to convey his ideas, and it's hard to make a choice that will please everyone. In the Final Empire, using curses like these–rather than just making up ones for their world–was necessary. I feel that a few (if relatively weak) 'our world' curses were needed for this setting, as made up ones just didn't work. The tone they set wasn't right.

Brandon Sanderson

Cett Suddenly reveals himself at the Assembly Meeting

Elend does need to learn a few things still. To be truthful, I think he's too honest to be a king. There are times when, as a king, I think you need to lie in order to comfort your people. You don't tell the dying man that he has no hope for survival. You don't let a man like Cett bully you into admitting that your Allomancer has been manipulating the audience.

But, well, Elend is Elend. He does things the way that he feels he must, even if it gets him into trouble. Actually, in that way, he and Cett are very similar. They do what they feel they must.

Brandon Sanderson

Chapter Thirty-Two

Regarding the line to the effect of: "There are a hundred different courts with a hundred different smaller Lord Rulers" in the Final Empire.

One of the problems created by my writing style is that it's hard to give a real feeling of scope to a kingdom or landscape. When you read something by Robert Jordan, for instance, you get to see a whole world full of peoples and places, since the characters travel all about. I prefer to set my stories in one or two locations, usually a large city, since this lets me focus on the political wrangling, and it also lets me give a strong sense of place to that area.

It was impossible in these books–particularly the first book–to give a sense of how large and varied the Final Empire was. I threw in Spook's street slang and Sazed's cultural references to try to hint at the different ethnicity, but these were only that–hints.

I don't regret the way that I write. However, I am aware of the issues involved in the choices I make. I think that's what you have to do in a book–you make trade offs, choosing to focus on some things and not others.

Brandon Sanderson

Cett's Appearance

Bringing in Cett like this was dramatic, but I hope it makes sense, too. Explanation is coming in the next chapter.

Brandon Sanderson

Elend Nominates Penrod

I hope that this chapter feels thick with some good political wrangling. Elend pulls of some fairly good maneuvers here, especially considering how far he's come. True, he was coached in a lot of what he did here, but the fact remains that he's learning and growing.

Vin and Breeze give him a little TOO much credit for getting Penrod to nominate him, however. While Elend hoped that by nominating Penrod, he would get a nomination in return, he wasn't counting on it too much. No, in this case, Elend's basic goodness was simply being manifest. He figured that if not a single one of the Assembly was willing to nominate him to be king, he had no right to nominate himself. Better to let the matter die here than force a vote when nobody was even willing to consider him for king.

Brandon Sanderson

Chapter Thirty-One

Philen watches Elend enter the Assembly Hall

We get a random viewpoint here. No, Philen isn't going to be a major viewpoint in the book. He just fills a role that you'll often see in my books–that of the section given to a random person because I wanted to show a different perspective on things.

In this case, I wanted to show Elend entering the assembly hall, as he would be seen by someone sitting on the inside. This was one of the dramatic scenes that I planned from early on for the book, and it was nice to find a way to fulfill it.

Of course, there's more to Philen's viewpoint than that one image. I also wanted to make him a little more memorable so that the next few Assembly meetings would work better. I've reinforced Penrod a bit, but I worried that Philen would be forgettable unless I gave him a viewpoint. And, since he is a modestly big player in the next little bit of political wrangling, it felt right to let him take the stage for a few moments.

Finally, it was simply fun to write from a brief–but new–viewpoint. Philen thinks very differently from the other viewpoint characters. His sentences are quick and eager, and his internal narrative has a shallowness to it in both sentence structure and content. He's not very smart, but he is rather clever, and those things mixing together–along with his native eagerness–made for an interesting viewpoint to write.

Brandon Sanderson

Sazed talks to Vin about Tindwyl's Past

The other big thing in this chapter, of course, is Tindwyl. As I think I've mentioned, I wanted to include another strong female character in this book. Perhaps with this chapter under your belt, you can begin to understand Tindwyl better. Readers seem fairly well divided on their opinions of her. Some like her a lot, others dislike her violently.

Me, I am quite fond of her. She voices a lot of my own concerns, and represents something that this group of characters needed. A firm voice for stability.

She and Sazed actually have quite the history, which you will discover more of as the book progresses.

Brandon Sanderson

Vin Talks to Sazed about the Deepness

The Deepness. Is it the mists? Vin makes some very good arguments here, as does Sazed. I won't come out and explain who is right and who is wrong right now, but I will note that some people reach this point and feel a little let down.

I'm sorry if the Deepness-mists connection seems a little bit anti-climactic to you. To me, it's a major plot point, and I was surprised when a few alpha readers didn't think much of it. Give me a little bit more time through the series, and perhaps you'll see why it's more impressive to me.

Brandon Sanderson

Chapter Thirty

Sazed Transcribes the Text from the Plate

This isn't the full text of the plate, of course. We'll get to more of it later. I knew I had to work the text into the actual narrative, rather than relying on the epigraphs, since people tend to skip those. (If you do, however, be warned that you will be missing some of the great clues in this book.)

My hope is that by reading these things together, you will see the writings from the epigraphs in a slightly different way. Collected like this, they turn into a narrative.

Brandon Sanderson

OreSeur as the Spy

Keeping OreSeur from acting suspicious in this book was really tough. I still don't know how well I pulled it off, though most alpha readers didn't see his plot twist coming.

The biggest trick was making the reader not suspect him from the get-go. I had to use some very subtle misdirection there. Remember, OreSeur was the one who told Vin how long those bones had been in the room. I think Vin points this out later in the book.

Other than that, I had to keep Vin from ever suspecting him, and have her point out other people she thought were far more suspicious. Sometimes, being a writer feels like being a magician. We have to leave things in full view, yet disguise their meaning, so that the end is dramatic.

Brandon Sanderson

OreSeur's Origins as a Character

Vin and OreSeur are quite well-established by this point. Actually, OreSeur and his character–the OreSeur we deal with in this book, with the conflicts and personality he uses–are one of the items I brought over from Mistborn Prime. (If you'll remember, that's the first stab I made at writing a Mistborn book years back. It was unpublished.) The kandra sidekick was one of the very few things that actually worked in that book. (Too well, actually. People liked him much more than they liked the actual hero of the story, who wasn't a character that appears in any of the current Mistborn novels.) If you ever want to read Mistborn Prime, email me and ask. I'll send you an electronic copy.

(I've talked about that book in previous annotations. While the book débuted an early version of Allomancy and a couple of world elements–such as the mists coming at night–very little of the book made the jump to the new, professional version of Mistborn. I pretty much just stole the concept for the magic and a few select world items and used them as a starting point for this series. In that way, this trilogy is a kind of sequel to the other Mistborn book, though the plots, world, and characters are very different.)

Brandon Sanderson

Chapter Twenty-Nine

Vin and OreSeur Talk while Vin waits to see if Zane will Come Find her on the City Wall

I hope I'm not overdoing the parallels between Vin and the Logbook author, the previous person who thought that they might be the Hero of Ages. Some readers, in the original draft, thought her supposition (in the next chapter) that she was the Hero to be too much. They wondered where she got the idea.

I'm not trying to imply that Vin is or isn't the Hero. I'm just trying to show Vin's thought process. That's a tough line to walk in these chapters. As a writer, I want the narrative to be deeply inside someone's viewpoint, and therefore show who that character is and how they view the world. However, I don't want that narrative to indicate–certainly–that what the character thinks is actually true.

Brandon Sanderson

Tindwyl Confronts Elend about Vin

Tindwyl's parting words–that Elend might have to choose between Vin and his work–were tough to write. Not because they're true, but because they're a bit clichéd. In the end, I had to admit that I think Tindwyl would bring up this point, and would see it as her duty to make certain Elend thought about these things. So, I had her say these things anyway.

Brandon Sanderson

Vin and OreSeur

Another thing that's going well is the Vin-OreSeur relationship. In fact, because of some of the wedges Zane is driving between Elend and Vin, one of my alpha readers continually joked that he thought Vin and her dog had a better relationship than Vin and her boyfriend.

I don't think that's true–he was reading the book one chapter a week as I workshopped them. I hope, given Vin and Elend's closeness at the beginning of the book, that you can see they still love each other–even if they are under a great deal of stress. That isn't to say that Vin isn't falling for Zane a bit. However, I don't think she's falling out of love with Elend so much as convincing herself that she's no good for him.

Brandon Sanderson

Chapter Twenty-Eight

Elend and Vin discuss his loss of the throne

Elend is going to be tested. That's one of the things I wanted to do with this book. In my previous two novels–Elantris and Mistborn–I gave the heroes relatively easy times. Or, well. . .maybe not easy. However, the fact remains that when they stayed true to their ideals, the things they tried tended to be successful.

I want to show that ideals can be a hindrance. That isn't a reason not to have them, but it is an aspect of trying to do the things Elend is. There are a lot of people out there who will take advantage of a person who tries to do the right thing, and that can make doing the right thing the more difficult choice a lot of the time.

I also like how Elend is progressing as a leader, but I made certain to give a throwback to the old Elend in this chapter so that you'd know he was still there. Vin's observations about this point are quite accurate.

Dalenthas

Did the Lord Ruler have any Hemalurgic spikes in him? It would seem he'd need to for Ruin to influence him, but it wasn't mentioned. Or did his bracers work as spikes?

Brandon Sanderson

His arm bracers, which pierced his skin, were his spikes.

Dalenthas

Was Reen named that specifically because its so close sounding to Ruin, or is that a coincidence?

Brandon Sanderson

Coincidence

Dalenthas

When the Mists come back, will they continue Snapping people?

Brandon Sanderson

No. The mists will revert back to their more neutral state.

Dalenthas

Will we get a map of what the new world? Or do we have to wait for the next trilogy, whenever that may be?

Brandon Sanderson

You'll have to wait, I'm afraid. The future series is still far off. I can't dedicate resources to getting a map drawn up until I begin work on the series officially.

Zchance

I'm surprised no one else has asked but does this new world have atium? If atium was the body of Ruin then it would seem when Sazed took up Ruin's power he would have reabsorbed all of the atium. New atium then would be bits of Sazed's new powers and weaken him with each newly formed bead. It would seem then that if atium exists it would be much rarer, and mean that Sazed would not be able to control this process.

I guess I am trying to understand why he would want to allow any atium to make its way into the hands of people or rather out of his control?

Brandon Sanderson

It's theoretically possible for atium to appear in the future, but right now Sazed has no plans to release any of it to the people. It is, effectively, now something of myth and legend.

Vaelith

I would like to echo a question that someone beat me to. The way you ended it seemed to leave the door wide open for other books with characters such as Spook and Breeze playing much larger roles. My question is, was the ending planned as just an open-ended ending to make people wonder about what might happen, or was that with the intent of writing more books in mind?

Brandon Sanderson

I like it when my characters live on in people's minds. I have no plans right now to write any more books about Spook or Breeze, though what they do in the next period of time will create the history for the next series. However, there's a chance I'll change my mind on this. However, this ending was not set up for another book specifically. I just wanted to tell the best ending I could, and this is how it turned out.

Peter Ahlstrom

Brandon does want to write more Mistborn books, but not with the same characters. There would be two more trilogies. The second trilogy would be set a few hundred years later, in a modern day–type setting, when the events of the first trilogy have passed into legend. The third trilogy would be set a few more hundred years later, in a future, outer space–type setting.

It's such an audacious idea I wish he would write it right now because I want to read it, especially the third trilogy. But Brandon has announced his next project (pending Tor approval) will be Way of Kings, a 10-volume epic fantasy. He'll sprinkle in a book from another project here and there, so the next Mistborn trilogy might start before Way of Kings is ended, but it will be years yet before there is any more Mistborn.

Kaimipono

But Ookla, he already wrote that one!

Peter Ahlstrom

I know. :)

The real story is that Brandon was writing (or revising?) Way of Kings when Tor offered to buy Elantris. Brandon signed a two-book contract for Elantris and Way of Kings. Then Brandon realized he wasn't in the point in his career yet where he could write Way of Kings the way he wanted to, so while he was supposed to be revising Way of Kings he secretly wrote the first Mistborn book instead, which he then sold to Tor as a trilogy, replacing Way of Kings in the original contract.

But for some reason Amazon already had a listing for Way of Kings, with a release date. Thence the fake reviews.

I've read an early draft of the first book, and it aims to be very epic. (No, Elvis is not involved.) I do wonder, though, whether when it actually comes out, the fake reviews will get attached to its Amazon listing. :)

Brandon Sanderson

This is all true. Note that the book would not be named The Way of Kings. Most likely, I'm going to make that the series name. So I guess the book "The Way of Kings" must be some kind of parallel novel or prequel or something... ;)

Peter Ahlstrom

Oathshards is out, eh?

You're such a tease, Brandon. All these details about the next series will make everyone hungry for it, and then we'll all have to wait.

Of course, any other book you put out in the meantime will still be awesome, so we should be content, right?

Brandon Sanderson

I don't think Oathshards is as strong a name as "The Way of Kings." Plus, that's really what the series is about. 

Questioner

Is there any plans to do anything further with the Elantris universe in the near future?

Brandon Sanderson

There is. The idea is, when the Wax & Wayne books are done, to do Elantris sequels in that slot, where I've been doing them. There's only one more Wax & Wayne book, so it shouldn't be too long, but when we talk about my writing schedule, we have to talk in the scope of years.

Questioner

I really enjoyed The Emperor's Soul when I read it. It's, I think, one of my favorite things that you've written so far.

Brandon Sanderson

Thank you. I've been... I think, "You know, I should write another story about Shai," but then I'm like, "That one turned out so well." It's one of those things where it's like, "Don't ruin it by having a sequel," right? This is so perfect as its own little glimpse of something.

Questioner

How do the characters come to be? I think one of the most interesting, my favorite character is probably Kaladin. How does Kaladin...

Brandon Sanderson

So, Kaladin had an interesting story behind him. I had originally wrote Way of Kings in 2002, and one of the things that didn't work with that draft was that Kaladin's character didn't work. He was called Merin back then. And it's just, personality didn't work. I'd written him too much like a classic apprentice kid on the battlefield who distinguishes himself, it was just too standard of a kind of fantasy storyline. And so I'm like, "Who is this person?" I needed more depth for him, so I added the whole "His father's a surgeon, he's trained as a surgeon" thing. That was one of the first big pillar I added to add more depth to Kaladin, was "All right, he's a surgeon, but he's been forced to go to war." The kind of field medic who also learns he's really good at killing people. That was, like, the first big thing that I got for Kaladin.

The other thing was the big tragedy that happened in his past, followed by the big tragedy involving the Shardblade led me down that path. And the last thing I added was the depression. This was, like, seven years of evolving this character before he actually came together. Characters are hard for me to put a finger on, because I usually write them by instinct. I'll write a chapter from their viewpoint, see how they see the world, step back. And I'll usually throw that chapter away and try it several times until I get the right... soul, cast in the role, if that makes sense. I can talk a lot more about other things, but character is trial and error until someone feels right.

The more distinctive you can make a character's viewpoint, the stronger, I feel, it will come across. When I feel like it's really working for me is when I can write a few paragraphs and say, "No other character that I've ever written could have written those paragraphs, just in how they describe the world."

Questioner

Can we expect a Cosmere Avengers?

Brandon Sanderson

Yes and no. You can expect crossovers between the planets. My goal is not an Avengers-style, one character that you... like, if it were a true Cosmere Avengers it would be like, "Oh, we're going to have this character from this series, this character from this series," that's not what I'm going for. I'm going for more of a clash between the cultures and worlds. There will definitely be characters that you know that end up involved in that. But it's not, I'm not shooting for an Avengers-style thing, I'm shooting for more... It's more like imagine Star Trek, and retrograde back to all of the stories you're telling on the separate planets before they meet each other. Less Avengers, more "We're going to have an intergalactic... thing, going on." These are all of the origins of the cultures and peoples that are going to be involved in that. And since there are some immortals around, you will see people.

lookingglass (Paraphrased)

I asked him to write something about the Nightwatcher.

Brandon Sanderson

The Nightwatcher isn't the same as Cultivation.

lookingglass (Paraphrased)

I asked him to tell me something about Nazh and Khriss.

Brandon Sanderson

Khriss is Nazh's employer. He gets the worst end of the deal.

lookingglass (paraphrased)

I asked him what Sazed was up to.

Brandon Sanderson (paraphrased)

He said he was "Harmonizing".

Questioner

So, when I was reading this, Prof's power manifested, and I'm just curious, Limelight, that became his name. Were his powers green before he met David?

Brandon Sanderson

Yes. So, they picked the term "limelight" in part because his powers were green.

Questioner

But didn't David already plan to call him Limelight before? When David initially came up with the plan for getting over Steelheart, he already had the name Limelight picked out?

Brandon Sanderson

I don't think he did. But if he did, we'll just say happy coincidence. Prof did not use the name Limelight before that point. They started using it as the way that they were going to... yeah.

Questioner

Are we ever gonna find out about all ten Surgebinders?

Brandon Sanderson

Yes. In fact, each book is kind of dedicated to a Surgebinder. Each embossing is one of the orders.

Questioner

Specifically to?

Brandon Sanderson

Yeah, the *inaudible* that are in the...

Questioner

*inaudble*

Brandon Sanderson

Yeah.

Questioner

What led you to want to write a fourth Wax & Wayne book?

Brandon Sanderson

Right, when I wrote Alloy of Law as an experiment, then I said, "Oh, I really like this series, this turned out really well. I will now plot a trilogy with these characters." So, Alloy is the outlier, where I view Shadows, Bands, and Lost Metal as a trilogy. And this is, like, the prelude to the trilogy. And I do think that because... this was an experiment, I really think it was a good experiment. I'm better when I have more of a framework, so I think these two [Shadows and Bands] turned out stronger than this one [Alloy], because when I have a framework, but... at the same time, you need to always be trying, experimenting, new things as a writer.

Questioner

I was gonna ask you for advice on writer's block.

Brandon Sanderson

Advice on writer's block, all right. My experience is that with writer's block, write anyway. Even though you don't feel like it ,you will write yourself through the writer's block nine out of ten times. And if you don't know what to write, that's not a problem. The way to get out of writer's block is to start your subconscious thinking about it. So, if you like to say, "Ninjas are attacking." Just do something. Write it the wrong way first. A lot of newer writers have a lot of trouble with writing something that's not gonna end up in a book, when they know it's broken. But if you write it anyway, your subconscious will be like, "Oh, what was wrong was, I had the wrong viewpoint for this." Or "Oh, I really need to be pushing from this character's motivations" or something. And if you just write this chapter poorly, you'll get that. And, one out of ten times, you'll do that, and you'll be like, "What was I worried about? This chapter turned out great! I should have had ninjas attack. This is how my book is now." Best thing is to do that, and kind of turn off your internal editor and just learn to go.

How do you get past writer's block, Isaac?

Isaac Stewart

How do I get past writer's block? Caffeine. What I have found is I just have to bully through it. Reread what I wrote before, think about things, maybe do some bullet points of what you've seen that came before that, where I wanna get. Sometimes I skip ahead and write a scene that I really want to write.

Brandon Sanderson

Yeah, that helps, too. Or saying, "Okay, the scene that I'm trying just isn't working, let's just put it in a completely new location that's exciting and interesting to me."

Isaac Stewart

If you have several different points of view, try a different point of view for that scene if that person's there.

Brandon Sanderson

And if it's the "I don't know what to write at all" writer's block, then just do something silly and goofy, 'cause you're practicing your skills, right. If a pianist doesn't know what to compose, they'll just sit down and play something to get themselves going.

Questioner

When will we visit the Spiritual Realm like we have done the Cognitive Realm.

Brandon Sanderson

Yes, you already have, briefly when Elend transcended and burned atium with duralumin.

Questioner

Miles spoke about people in red and gold, is that to do with Lightsong's colors is that connected in any way?  

Brandon Sanderson

Okay he spoke of people where?  

Questioner

While dying, Miles spoke of people in red and gold--

Brandon Sanderson

Oh red and gold.  

Questioner

Is that to do with the fact that Lightsong's colors are also red and gold?

Brandon Sanderson

No, good question.

Questioner

The broadsheet in Shadows of Self, is that a face or a mask?  

Brandon Sanderson

*silence*

Questioner

Okay.

Questioner

In Rithmatist there's a Tower in Nebrask, why don't the Rithmatists just build a big moat of acid around it?  

Brandon Sanderson

You'll see, when I get there. They have tri-- Number one, a big moat of acid is really hard, you think about how much acid you would have to get in there? It's got to be enormous. Because remember the Tower moves.  

Questioner

Okay, didn't know that.

Brandon Sanderson

Yes, the Tower moves, and so there's this huge swath they have to keep defended, it's enormous. But that's one of the big things, the other thing is you can't just leave them there because they will find a way across, 'cause they know how to cross boats and things now. Because they can get between the islands.

Questioner

[Mraize's] cosmere treasure room had a white tree branch-like thing, is that the bones from Sel?

Brandon Sanderson

It is not from Sel, it's from Yolen.

Questioner

So, what happened to Shallan's family? As in--her brothers--the things that happened to Shallan's family, is that related to the black sphere from Gavilar that Szeth hid in Jah Keved?

Brandon Sanderson

It's vaguely related but not specifically.

Questioner

Sazed's obviously Harmony now, if he connected with the other Shards would he become the original Adonalsium 'cause all the intents are morphing, or would he--

Brandon Sanderson

There are theories that would happen, there are theories it would destroy him.

TheMalhamBird

Has Jasnah had any wards before Shallan, or is Shallan the first?

Brandon Sanderson

Jasnah has-- See I think she had one other ward, it didn't go well. That was a long time ago.

TheMalhamBird

How much attention should we be paying to Highprince Hatham?

Brandon Sanderson

Moderate.

Questioner

Have you ever thought about writing a horror novel?  

Brandon Sanderson

A what?  

Questioner

A horror novel.

Brandon Sanderson

You know, I've had little, vague things about, but never anything big enough. Like I'm most attracted in horror to the kind of cthuloid, dark eldritch style stuff, so if you saw a horror novel from me it would be along those lines probably.

Questioner

In Shadows... did we see a Shardpool? And was it Harmony’s or some other mysterious god who...  

Brandon Sanderson

So where do you think it is in Shadows?  

Questioner

In one of the newspaper articles.

Brandon Sanderson

I am RAFOing that, the whole newspaper article. So the newspaper articles, who knows what’s going on in them. They're tabloid-ish so maybe, maybe--

Questioner

How did you come up with the idea of windspren?  

Brandon Sanderson

Windspren in specific? I was thinking about the way the wind is often anthropomorphized, right? It's treated as if it's something alive. And that, for years, just stuck in my head. For a while there were only four windspren, one for each of the quadrants: the north spren, the south spren, the east spren, the west spren, or the west wind and things. But eventually I split them into many more, because I was working with the honorspren and things like that.

Brandon Sanderson

This Jasnah sequence I might release in-between books as just a short little thing, like we did with Mitosis and Emperor's Soul, just to tide people over. It is something that I felt I needed to write so that I knew what Jasnah was doing, because these kinds of events are important to character development and things like this. It didn't belong in Book Two, for obvious reasons. There had to be that question. So I have this, and it's not 100% complete, in fact it's a pretty rough draft. But I feel I can't write Book Three until I know exactly what Jasnah went through.

ChocolateRob

With the Vorin religion split between men and women... do you tend to get women sneaking into the army-- *laughter*

ChocolateRob

This does not happen as much on Roshar as it apparently happens in Terry Pratchett novels. I'm sure that on Roshar they have their legends, 'cause basically every culture has their legends and one thing you have to remember is that whole thing is specifically Vorin. That's Alethkar, that's Jah Keved, that's Kharbranth, and Herdaz to a lesser extent and in there they probably have some of those myths and things like that but I don't think it actually happens that much in Roshar. That's my take on it, but I'm sure that they have their mythology.

Questioner

I was suspecting that the girl Kaladin mentions a few times may have snuck in.

Brandon Sanderson

Oh right, you've got some-- I've left her intentionally vague.

Questioner

..One of things I had difficulty with was coming up with names for the characters and seeing how your names are more than just random collections of letters, a lot of them actually have meanings behind them. I was wondering how you were able to do that.

Brandon Sanderson

That's actually a very good question and number one you should keep writing, even if you feel like what you are writing is a rip-off, it is better to finish that first book and be acknowledging your influences because you want to be practicing. And sometimes it is very useful to lean on something else while you do it. In fact this is how Great Masters did artwork, you can find-- I don't know if you guys know this-- various different versions of the Mona Lisa, we saw one in Spain, my wife and I, that was done by DaVinci's student while DaVinci was painting the Mona Lisa. "Here's what I painted now you do it too"  That was the means by which the Great Masters would train their students, so leaning on someone is just fine. You just can't publish it like that, but it can teach you a whole lot. Don't feel bad about that.

Names, I use two general methods, and this is not going to give it the justice it deserves, I'm giving you the five minute version. One version is I look for the linguistic attribute that is interesting to me that will visually distinguish these people on the page. So when you are coming across them and you see that name, I want you to say "I bet that they're from this country". That is really tough because that means they all have to feel similar but you can't let everyone get confused over who's who and that's the real challenge, it's the getting confused. For instance in Warbreaker I tried using some different things like we don't in our world. In Warbreaker I used repeated consonant sounds, so you get someone like Vivenna, when you see that double v, you are like she must be-- Llarimar, there's a double L, you pronounce them both out. T'telir. And when you get double repeated consonants you are like "Oh they are from this region, that makes sense to me even though they start with different letter there is something to them" The same sort of thing is supposed to happen in The Way of Kings, you see names that are mostly symmetrical. When you see something like Shallan and her name is a derivation of Shalash, who was one of the Heralds and its a symmetrical name. When you see something that reads almost, or does read, forward and backward the same way you are like "They must be either Alethi or they must be-- They've got to be Vorin because that is the Vorin religion influencing this". And hopefully it will give you some subconscious cue when you run across those names and you'll get it.

Now a way to do this that is easier is than doing all of that is going to take a lot of work linguistically is to go get yourself a nice atlas and say everyone from this country is going to have names that are analogous to this region in our world and I am then going to take this atlas and look for these names and use baby names from that culture... I did this in Emperor's Soul, I just picked ancient Persia, I picked people who lived there in this era and what they named their cities there and I'm going to take those words and I'm going to screw with them until it is not actually a word but it feels like it might be one. That way everyone from this region is going to feel like they've got a similar name. Or I can just-- For that book it was much easier because the linguistics were not as big a deal.  I could basically just crib off the bat. And that works very well also.

Sometimes I do it intentionally, Mistborn was supposed to evoke a sense of 1820's Paris, or London, that was what I was shooting for with the grime and the dirt, the ash falling. So I used French names and Germanic names and Spanish names and things like this, so when you run into Vin, Vin is just wine in French and Kelsier [Kelsi-ay] is how they would say-- you can say Kelsier [Kelsi-er] if you want-- and they have Kelsier and Demoux so you can go "Oh this is a French sounding region" so when you get some like Elend and Straff you are like "They are from a different region. They sound like the eat meat and potatoes and they try to conquer Europe periodically, those guys" *laughter* That helps you distinguish the regions very easily.