Recent entries

    YouTube Spoiler Stream 7 ()
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    VeryNiceName16

    In Emberdark, we’re told that the only way to go to a planet without a perpendicularity is to use an FTL ship. And in Sunlit, Sigzil says that methods to get to planets without perpendicularities are very recent. Why can’t you just use Transportation to go from the Cognitive to the Physical?

    Brandon Sanderson

    You'll find out more about that when we get there. When we get to the back five [Stormlight 6-10] and we talk about it.

    There's a couple things going on there. Obviously, Hoid does it, so it is possible to do. In these cases, most people, they're mostly talking about large scale- like if a person wants to go there, they can. And we will get to why Transportation isn't an option. That doesn't mean an individual couldn't figure out how to get onto-

    So, just understand that it is possible. They're both kind of wrong; but if you're talking in general terms, there are very, very rare exceptions without FTL. And one of those exceptions is to just bring a whole metric strawberry-ton of Investiture with you, and that will puncture into the Physical Realm if you do it right. It's harder to go from Cognitive to Physical; if you have that in Physical, it happens automatically. Much harder to do. But it happens very naturally in Physical. So if you can get a bunch of Investiture together in the Physical Realm, it will make a hole that you can get through. So, there's ways.

    Adam Horne

    Have you guys mapped out light-year distances for the system?

    Brandon Sanderson

    Yes. Isaac has, but I don't know if we're gonna release that.

    This is a more nuanced question than I've answered before on this. But Transportation, most forms of teleportation in the cosmere, work at speed of light. Transportation works at speed of light. So Elsecalling, Elsegates, work at speed of light. Spanreeds work at speed of light. Most of your uses are speed of light. There are a few ways around speed of light but...

    YouTube Spoiler Stream 7 ()
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    Questioner

    Could Humans and dragons have mixed-species offspring?

    Brandon Sanderson

    Dragons in the cosmere, the Yolen dragons, only reproduce in human form. They can reproduce with other dragons in human form. Like, they don't consider themselves... When they're in human forms, they're not masquerading as humans. They are like amphibians, except they can transfer back and forth. That is one of their forms. And they are anatomically human and can have children with humans. The children who are born are dragons.

    YouTube Spoiler Stream 7 ()
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    Legionrip

    In Sunlit Man there is an incredible amount of Investiture at the core of Canticle. We know that Odium, Ambition, and Mercy clashed near Threnody but that Ambition did not die there. Could Canticle be a grave or tomb for the corpse of Ambition and its Investiture?

    Brandon Sanderson

    It could be, but it's not.

    Legionrip

    It would connect the Threnodites being in both systems. The rings could be intended to keep the Investiture from spilling out into the rest of the system and making it incredibly dangerous to traverse like Sel.

    Brandon Sanderson

    This is a great question and a great theory; but I know where Ambition's corpse is, and it's not there.

    YouTube Spoiler Stream 7 ()
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    ReaderWarrior

    Brandon: What is the difference between ANTI-Investiture and NEGATIVE Investiture?

    Brandon Sanderson

    Let's let the Arcanists-

    What we're calling Negative Investiture is almost all exclusively a warping of the death of Ambition. Anti-Investiture is a very, very similar thing, but it is man-made. And they have similar functions. But the Negative Investiture is mostly self-aware in a very weird way. In a non-

    The Anti-Investiture built by Navani is functionally the same, but not self-aware, not necessarily from Ambition. And that's the distinction in my mind right now. But we'll let the Arcanists drill down on me- there's Argent flipping out. He might have a different definition for it and he maybe can-

    The team of Arcanists might convince me that I should use a different definition . 

    YouTube Spoiler Stream 7 ()
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    javiergzzmtz

    Can anti-Breaths be created? If so, what would happen to a drab who receives an anti-Breath? Would they return to a "normal" state?

    Brandon Sanderson

    Anti-Breaths could be created. Anti-Breaths touching real Investiture would have explosive ramifications.

    I don't think you would get what you want out of that.

    YouTube Spoiler Stream 7 ()
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    Questioner

    Are Moash's crystal spikes a form of Hemalurgy?

    Brandon Sanderson

    Yes they are!

    In fact, (and I've told you guys this before), there's a point in Way of Kings Prime where they are walking through some tunnels to escape from the city (and that city was a partial inspiration for Urithiru; it's what became Urithiru), and they look down a corridor, and behind that corridor is an Unmade spiked to the wall with crystal Hemalurgic spikes. But we don't go over there. It was a seed for book two, that didn't happen.

    Crystal Hemalurgic spikes were in the cosmere from Way of Kings Prime.

    YouTube Spoiler Stream 7 ()
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    Brandon Sanderson

    Rock did leave Roshar. He's off Roshar by the beginning of Wind and Truth. You know that because we've already foreshadowed them being met... Who meets them? MeLaan meets them at the end of the Mistborn Era 2. Yeah, so you know that the Horneaters have left. MeLaan was there. We've seen them. So MeLaan meets Rock, yes. I thought you guys had figured that out by now. 

    No, was it MeLaan? Or MeLaan met Sho Del? No, she met Rock. Didn't she? Yeah. I'm pretty sure I put that in. Maybe I just - She sees redheads, yeah. So you guys did know that. MeLaan met the redheads - MeLaan met the Horneaters.  

    I mean, I remember reading that everybody had guessed it. So don't spread that too much to people who don't want to have spoilers. That's definitely part of the Rock novella.

    So there you are, no more Horneaters. They've all... well not all. There's definitely some left behind. But a Horneater exodus off of Roshar has happened by now. 

    Yeah, and MeLaan was there meeting with Rock. They needed a little help. They were kinda lost. It's easy to get lost in Shadesmar.

    Brandon Sanderson

    MeLaan? No, no MeLaan in the Horneater novella.

    Well are they off by- they might not be fully off of Roshar by-

    So I think what's gonna happen for time dilation is gonna-

    Anyway, there's gonna be weird things where they gotten caught by some of the time dilation. We'll figure it out in the timeline.

    Yeah, that was the Horneaters.

    Miscellaneous 2025 ()
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    Peter Ahlstrom

    Both Infinity Blades are novellas. The second one is longer than the first.

    Dark One (the novel) is now planned to not have sequels, and Forgotten comes before it. And Prophetic Histories does not and will not exist. The graphic novel exists in its own continuity.

    Death & Faxes is a novella.

    Isles of the Emberdark contains Sixth of the Dusk.

    Book of Nails is a novel.

    The Silence Divine won’t be a series, if it ever appears.

    Songs of the Dead is in a trilogy called the Strata Wars, but Brandon is only coauthoring the first book; the other two are just by Peter Orullian.

    If there’s a third Rithmatist book and it doesn’t wrap up with the second one, no guarantees on the title.

    YouTube Spoiler Stream 7 ()
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    Questioner

    What is Seven Layer Free Fall Burrito World?

    Brandon Sanderson

    On the podcast I once discussed with Dan this idea I had for a world where everybody was always in free fall. That there were continents falling though an endless hole. And it was, like, five continents above each other, stacked above; and you could step out of the windshield and essentially be blown upward to others. You could skydive alongside them; you could dive without any sort of magical sort of the things. They were falling at similar to the terminal velocity of a human being, and so if you knew how to manipulate that, you could essentially wingsuit upward or dive downward.

    And Dan named it Seven Layer Free Fall Burrito World. Because you fall through the different layers of the burrito. I don't know why he didn't say, you know, dip. It feels like chip dip. Dip world. But he called it Free Fall Seven Layer Burrito World, so.

    YouTube Spoiler Stream 7 ()
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    Questioner

    What exactly does the Fifth Oath do for Radiant abilities?

    Brandon Sanderson

    RAFO.

    Though, one of the things you should expect is the amount of Stormlight needed, as the bond attunes, becomes less and less to perform certain acts. And that allows you to accomplish things, by itself, that are pretty cool.

    A little teaser: I think Kaladin could reach the moons. They're pretty close orbit, but he could reach the moons by now just with Stormlight he can carry pretty easily. 

    We don't have Stormlight anymore, that is correct. If he had Stormlight, he could. Unfortunately, there is no Stormlight. 

    YouTube Spoiler Stream 7 ()
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    Pagerunner and Legionrip

    In a nonspoiler Q&A at WorldCon, you talked about a character who was going to die in Wind and Truth in your outline. But that when you got to writing the book, you realized the character wouldn't make that choice and would go a different direction, and so survived.

    Brandon Sanderson

    Yes. This is a big one. This is the biggest change, I think, I made. I actually saw that email: "What is the biggest change?" It's twofold.

    One is boring. I changed Dalinar's flashbacks to being in Book Three, and Szeth's flashbacks to being in Book Five. That's the biggest change, I would say, along with Adolin's increased part and role in the story since Book One. That sent a cascading effect through the outlines. But I was very well-outlined, by the time we got here, that Adolin was gonna do his whole thing that happened in here. The existence of the Unoathed was not in the original outlines; it's a completely new thing. But, I rebuilt those outlines in the years intervening, so you will find them in the outlines, and what not.

    The big change that I made when I was working on this book specifically is: Szeth was going to die. So, why did it not work? Well, Szeth was going to be consumed, at the end, by Nightblood. He was going to let himself be consumed in a way that was kind of like a suicide, in order to spit in the face of what's going on and refuse what was happening to him. And as I worked on the outline and I worked on who he was, I'm like, "Szeth, of all the characters, can't be the person who doesn't take the next step." The whole theme of take the next step, I'm like, "I cannot have..." Even though it wasn't a full suicide, I couldn't have heroic suicide at the end of Stormlight Five, even if it was only a sideways one. And I realized during outlining... And this, actually, a beta reader pushed me on this. Not that in any version did they read that Szeth died, but he fully renounced in an early version the Skybreakers. And one of the beta readers (I'll not out them, because I don't want people going to the beta readers and be like "you changed what I would have liked!) pointed out that isn't it stronger if Szeth works to rehabilitate the Skybreakers, rather than just renouncing them completely? And I'm like, "Yeah, that's what Szeth would do." It wasn't something that I had been thinking about, because I had been thinking about Szeth dying until I got to the outline for this book, and then I'm like, "It's not right." So there's not a scene written ever where he did that by the time I was working on the outlines for this book. But you've gotta remember, these outlines stretch back fifteen years, at this point, and I have a much better understanding of mental health and the characters and things like this, and as soon as I got to that in my initial outlining, I'm like, "Wow. This was a terrible idea." And you will see that in your early outlines, because you've grown so much as a writer, and your characters have grown so much, where you're like, "What was I thinking by having Szeth essentially give himself up, give up and get consumed by Nightblood at the end of this book?" Just not a very good idea. It never really was going to happen; I don't think I would have ever done that. But there you are.

    Adam Horne

    As you've written so many stories, has there been a character that has really surprised you about their change or their growth from the beginning of a book, compared to an end of a book?

    Brandon Sanderson

    It's hard to say, because surprise is such a weird term. Lot of authors use that, in regards to what happens. What's really going on is, as you're writing, you are making connections, you are getting to know the characters better, you are getting to understand the themes better. Almost no one ends up exactly where you imagined them. But I tend to be more on target than most writers, I would say.

    Way of Kings is a cheat, because I knew; I'd written Way of Kings before, and I knew what I'd written wrong. But if you look at the entire growth of the Stormlight Archive, it's obviously Adolin. Everyone else basically ended up where I had imagined they would at the end, in some shape or another. But then we did just change Szeth.

    Roberto Serrano 2003

    What was the difference between the epilogue you wrote in Wind and Truth over a decade ago that went unused due to timing issues, with the epilogue in the published version?

    Brandon Sanderson

    Epilogue in the published version is very similar, except Wit was on Roshar. And I realized... And this is another thing that happens to you when you're working on books. Like, you don't always see the conundrums until you're in the thick of it. That conundrum was there; Roshar getting stuck in time dilation, and Wit ending at the end on Roshar, just kind of morose, the same sort of morose feeling that you get from it. He's like, "It's gone wrong. I've messed up again." It's essentialy where Wit is; he's like, "I have screwed this up again. I tried really this time, and I messed up." And he was on Roshar. I had to get him off Roshar in order to get around time dilation timing issues. And that, I actually started making that revision in Oathbringer. I was aware of this conundrum by Oathbringer. I don't think it made it into Oathbringer. My original thought was to have seeding him leaving, getting some cultures offworld of himself to try this out. And I don't think it ended up happening. I was gonna send some with Rock, but I didn't ever write the Rock novella in time. But by Oathbringer, I was aware of this, and working on, "All right, he's gonna have to get off." I mean, Odium would vaporize him the moment he found him anyway, so it ended up working out really well.

    The other big revision is: a lot of my editors and many of the beta readers were really worried about how downer of an ending Wind and Truth was. Particularly the editors; this wasn't the beta readers as much, this was the editors. And this is, you know, Tor and Gollancz. And I'm like, "It's a downer of an ending, I know; I can maybe give Wit a little of an upbeat turn." And so the epilogue changed just a tad as I had him do something I wasn't planning for anyone to do until the back five, is realize: Dalinar made a decision that nobody was expecting, but that is, maybe, the best decision he could have, if you think it through. At first, it seems like a pretty terrible one. But having Wit acknowledge, "Okay, this is good. This'll work." And so, that's the other big tweak to the epilogue. Otherwise, it's the same epilogue. It's very similar, it's just location change and then a little tweak of it being more upbeat.

    State of the Sanderson 2025 ()
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    Brandon Sanderson

    Conclusion

    As always, I’m staying busy, as you can see! A few years ago, I was a little concerned about too many co-authored things coming out in a row, and that did hit here. (Would be nice if either Songs of the Dead or Blightfall could have been 2025.  Strange, how these things bunch up.)

    I’m a little less worried than I was, however, after looking at how long these things take. There are no rush jobs on these books; Isaac’s series is still in the works, and he’s been grinding at it for over five years now. Dan’s books are equally long-term, and Peter Orullian’s took maybe... seven years to finally come out? We’re making certain to spend a great deal of time on each one, and I haven’t added new co-authors in all those years, so I think we’re in a good spot. For now, Cytoverse, and eventually a few carefully crafted Cosmere stories. (Like the two Stormlight ones we did for Story Deck, which I suspect Dan will have mentioned in his section.)

    It feels odd to perpetually be in the, “There will be a film or series soon, guys!” waiting room. I feel like I’ve been there for well over a decade now, with each opportunity looking really good until suddenly... nothing. We’ll keep working on it though, and I promise not to let it distract me too much from my own books.  

    To that end, I’ve got to get back to the books! See you all next year, where hopefully you’ll all have been able to read and enjoy The Fires of December.  

    State of the Sanderson 2025 ()
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    Brandon Sanderson

    Part Seven: Projected Schedule

    Okay, this is the place where I update the schedule. These are never very set in stone, as things bounce around a lot in publishing. However, I’ll try to indicate which are more firm and which are not.  

    • March 2026: Hoid's Storybook Collection/The Fires of December crowdfund. (Fulfillment expected end of 2026.)
    • Summer 2026: Songs of the Dead (not a Dragonsteel book, but still worth your time).
    • Early Fall 2026: Brotherwise Stormlight Board Game crowdfund.
    • Fall 2026: Blightfall, Book One of Riftwake. (New Cytoverse series.) 
    • Winter/Nexus 2026: The Fires of December commercial edition. 
    • Summer 2027:  Book Two of Riftwake. 
    • December 2028: Ghostbloods 1
    • December 2029: Ghostbloods 2
    • December 2030: Ghostbloods 3

    Biggest changes from last year are pushing the new Cytoverse novels to start in 2026 instead of 2025, and me being uncertain where Elantris fits right now. I’d love to do the books in between Ghostbloods novels, but with so much Hollywood work this year (and coming up next year) I’m hesitant about committing to getting those ready at the speed I thought likely last year. We’ll see. I also am already starting to feel the call to return to Stormlight, so Horneater (and maybe early work on Book Six) are likely in the next few years.

    State of the Sanderson 2025 ()
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    Brandon Sanderson

    Part Five: News from My Company

    I’m going to hand you off again for some brief updates from Emily, then the different departments at Dragonsteel. Then, after that, some updates from foreign publishers. I’ll be back in Part Seven to wrap things up! 

    Dan Wells

    Hi, everybody! This has been quite a year for Narrative, as you can tell by Brandon’s list of books he’s been working on. For clarity, the projects he lists in his section are books that he writes and I consult on; the projects I list in my section are books that I write and he consults on. And this year that’s been a lot, though I can only tell you about one of them, and hint vaguely at the rest: 

    1. This year we released the double book of Elsecaller and King Lopen the First of Alethkar. Most of the 2025 work on this was done by Editorial and Creative, as the writing was all finished in 2024, but it’s the only book I can name so I’m naming it. Since many people at Nexus asked, I’ll say this: the version of Elsecaller that appears in the double is word-for-word the version that appeared in the Story Deck cards. We would love to expand it into a novella, on par with Edgedancer and Dawnshard, but such a project is not currently on the schedule.
    2. Narrative has three other books in the works at present, with the following maddening hints: two of them are Cosmere, none of them are Threnody, one of them is huge, two of them are already in revision, all three of them are awesome, and one of them is so new and innovative we haven’t even figured out how to sell it yet. And that’s all I can say for now :)

    I’ll leave you with a fun peek behind the scenes. While the Narrative department consists solely of me and Brandon (and my intern, who’s last day is TODAY), we also have what Brandon calls the Council of Wizards, which adds to the group Isaac, Peter, and Karen. We bring in the Council of Wizards when a problem arises in a book and we’re not sure how to solve it–for example, if a book is mostly written but it turns out that the original outlined ending isn’t going to work. We convene the Council of Wizards, and the five of us chew through the problem and offer ideas about how to solve it, what things could change, and what things are working well and we don’t want to lose them. The Council convened three times this year, and it’s always a fun and productive time.

    State of the Sanderson 2025 ()
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    Brandon Sanderson

    Part Four: Film, Television, Video Games

    I wrote up a guide last year you can use as a key to understand the various steps I’ll reference below. We’ll link that RIGHT HERE, but it’s a little long. The short version is that I imagined ten “steps” to getting a film/TV property made, and while they don’t always go in order, and some can be skipped, it’s a rough guide that we can use to keep you updated on things.  

    So read this next part, and if you’re confused, you can read my longer explanation of the steps—or can maybe guess where we are from the fact that there are ten steps, and so properties being on the lower ones means we’re pretty far off...  Which we are on everything, unfortunately.

    That isn’t to say we haven’t made progress. It’s just when something falls apart (which often happens in this realm) you end up starting over from scratch. However, each time that has happened in the past, what we’ve built up next has been with people who have a little more power in Hollywood. In that way, each failure so far has propelled us forward until here, at this point, I’m taking meetings with heads of studios instead of low-level producers.

    I think when it happens, it will be that much better for all the delays.

    Snapshot

    This is now officially dead. 

    This is the one we were closest on last year (at step seven) but it hit a hiccup in June/July, and though the showrunners tried to do a Hail Mary to get it picked up somewhere new, it didn’t work. I got the text today that the rights are being released back to me.

    It’s one of my stronger short pieces, and at least this means we can shop it again for the first time in many years. You can read the story itself in Tailored Realities. (Did I mention this collection is out now?)  

    Step Zero. (Sigh.)

    Skyward

    This had some good motion! Last year, we were hunting showrunners, and we picked them. Last year we were on Step Four, and we technically still are, but we have showrunners, and together we’re writing the pilot. So it’s a pretty-far-along Step Four, which can often be one of the longest to complete.

    Once we have a pilot, we’d need to sell it to a streamer or network, as this is for television, and although I’m working with a studio, the studio itself is not a distributor (i.e., it doesn’t have its own streaming service or network in the US).  So, to manage expectations, it will probably be another year at least before we would be able to announce anything official. 

    Step Four.

    Tress of the Emerald Sea

    Last year I said we were likely going to get an offer on this, and we did—but it wasn’t for an animated feature as I’d hoped.  It was for a television series, also animated. As the proposed budgets didn’t look like they would be where I wanted, I decided to pass. 

    This is the problem, by the way, with animation. A lot of fans want me to do animated versions of my books, and I’m willing—but often, in Hollywood, the money just isn’t there to make these the way I’d like. It DOES happen; Arcane is fantastic.  Unfortunately, this offer wasn’t there, and I decided I’d rather keep ahold of the property as opposed to doing something I felt had a low chance of coming out as I wanted it to.

    Step Zero, unfortunately.

    Mistborn/Stormlight

    As I mentioned, in May I did major pitch sessions with some high-level people in Hollywood, and we received several offers. We’ve had some very promising developments since then, but that’s all I can say at the present.

    I am hopeful that next year, I’ll be able to share some more information. Expect that when any Hollywood deal is completed I’ll likely need to pause writing on Ghostbloods for some time to devote my full attention to anticipated film and television projects (as I have every expectation of being very involved in any adaptations of my works going forward). 

    (Very early) Step Four.

    Video Games

    I’ve started to get some real interest on the video game front, and I feel I’m finally getting  established enough that we can make a Mistborn game happen. To that end, I’ve started talking to some AAA developers.  

    This is at Step One only, but it’s an encouraging One. These rights were tied up with the film rights for the last... oh, six~seven years, so I didn’t get to test the market on them until recently.  

    I’m trying to do things differently this time in an effort to retain control of my video game rights.  I already have interest from some major players in the Video Game industry (who I like a lot). So if you are a decision maker at a AAA studio, or a major independent, and you’ve always wanted to make a Mistborn or Stormlight game... well, you would want to contact my reps now.  

    If you want to throw your hat in the ring, the person to talk to is Matt Sugarman at Weintraub Tobin in LA.

    State of the Sanderson 2025 ()
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    Brandon Sanderson

    Part Three: Updates on Secondary Projects

    Elantris, Warbreaker, Rithmatist

    Elantris keeps getting shuffled around, but I’m very close to where I’m going to write the sequel. I’ve been saying that for ten years, but I do think I’ll get to it before too much longer.  Warbreaker and Rithmatist remain on my plate, with books to be written eventually. I feel like I’ve been racing for ten years, and only now do I feel like I have a breather to really look at projects like this.  

    Songs of the Dead

    This book is out in the summer of 2026! It is fully my co-author Peter Orullian’s series now, but he’s going to be on my YouTube from time to time to talk about it, and I was deeply involved in the first book. (Though for time reasons, I won’t be working on the others in the series.) His passion, dedication, and writing has been so wonderful to see, and I hope you’ll all check out the book when it launches. 

    White Sand

    Moving this one to the back burner, as The Fires of December ended up going better than White Sand did last year. (Sorry.)  The prose version of White Sand should still happen, but I was juggling doing several projects last fall, and December just HAD to be written. It’s one of those books I couldn’t get out of my mind, and I decided I had to strike while the iron was hot. 

    Super Awesome Danger

    I got proofs from the team, and went over them! So it’s coming along, though the artwork is taking a while.  

    Other Random Cosmere Projects

    The Night Brigade, Dragonsteel, The Silence Divine, the Grand Apparatus, Mythos, the Aether World book series, Free Fall Seven Layer Burrito World, Caveman Heist, Unnamed Other Ashyn Book... My, my. This list keeps growing, doesn’t it?  That’s how it goes.  Most of these are just idle thoughts, and none are promised.  Many have been on there for over a decade, so I like to drop them into the list when I have something solid in mind, but I won’t be able to get to all (or even most) of them. 

    Finished series

    Legion, Alcatraz, and the Reckoners remain finished, with only Reckoners maybe someday getting a sequel.

    Crowdfunding

    I’m going to send this to some relevant parties for more details, but the short version you already know. Hoid's Storybook Collection in March. Words of Radiance/Isles of the Emberdark is fulfilled! We should also be doing something new and cool with Brotherwise, which you’ll want to read about below, now that the Stormlight section of the RPG is fulfilled. (And for sale in Barnes and Noble, as well as on our respective websites!)

    State of the Sanderson 2025 ()
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    Brandon Sanderson

    Part Two: 2026, and Updates on Primary Projects

    2026 Travel and Releases

    Something new I want to add this year is a look, right up top, at what is coming this year. This is the “Too Long, Didn’t Read” summary for you.  

    First, next year will bring a crowdfunding campaign in March for the Hoid Storybooks. See more below.

    Second, our book this year is The Fires of December. Premium edition in the crowdfund in March, though it’s a full novel and not a picture book, and commercial edition coming in December at Nexus and in bookstores. 

    Third, I am planning to go to the UK in May to attend a convention in London and speak at Oxford. More details below, but the really important point is to note that we are considering bringing the Worldhopper Ball to London with my trip. This is the same experience as Nexus this year—so it’s Mistborn Era One themed, with actors, music, photo-ops with characters, entertainment, and food/drink. It’s quite a production, and expensive to bring, so we’ve got an RSVP form set up for those interested. If we get enough people saying they’d attend (without commitment yet) we will start work on it.  We need to know pretty soon, so please fill this out if you’re considering going.  

    So, if you don’t read anything else in this document, those are the three things I want you to be aware of!  Now, onto the BIG updates!  In depth, because this is me, after all.

    Mistborn

    I basically already covered this one. Ghostbloods is going really well, with the first book mostly done at this point. I’m excited by how it is shaping up! 2028 is a pretty firm release date for this; don’t expect it to move. 

    Cytoverse

    Another great year for progress on the Cytoverse, with Janci officially naming our Skyward follow-up series Riftwake, with the first book (Blightfall) out next September.  I’ve read the second one, and have the outline for the third and final one in hand!  These are turning out great, and I think you Skyward fans are going to love them. 

    Hoid’s Travails

    With The Fires of December announced, we have a new Cosmere series!  Kind of! What I’m calling “Hoid’s Travails” are stories told in Hoid’s voice, about his stops around the Cosmere on out-of-the way planets that don’t have as much directly to do with the large-scale movements of Shards, like you see in Mistborn and Stormlight. 

    Tress of the Emerald Sea and Yumi and the Nightmare Painter are the two other books in the series, but they don’t have specific numbers, as I feel they can be read in any order.  (December takes place before the other two chronologically, though Hoid is telling it to people after he told the other two, if that makes sense.)  

    This gives us two books next year.  Blightfall and The Fires of December (which will be our Nexus book next year).

    If you want to read the opening chapters of December, find them HERE.  If you want to hear me read them to you, find that HERE.  Our premium, illustrated edition will be sold during the Hoid Storybook crowdfunding campaign in March.  My publishers (Tor in the US/Canada, Gollancz in the UK/Ireland/Australia, and Nova in Spain) will be releasing it in December for commercial editions.  (With other languages to follow.)

    More about the crowdfunding campaign below.

    Wheel of Time Leatherbounds

    The Eye of the World leatherbound is incredible. It feels so weighty, tome-like, and special. I think it’s my favorite leatherbound we’ve done so far.

    They are up for pre-order TODAY. They ship early next year, and will ship in batches as we get all of them in from the bindery, which is sending them in waves. (I incorrectly thought we had all of them already; we don’t, but they are coming quickly, and no delays are likely.) From the levels of demand, we are expecting to sell out of the first printing of this book. Probably not immediately, but sometime early next year. We will of course be doing a second printing, but if you want to get one without needing to wait for the second printing to arrive, then now is the time to preorder.  

    If you’d like to get one for a certain loved one THIS year for a Christmas present, I’ve prepared something you can print and wrap up. Find it HERE.

    Hoid's Storybook Collection

    The Dog and the Dragon, The Girl Who Looked Up, and Wandersail are joined by the Chasmfriends in a unique collection of four picture books that I absolutely adore. I mean, look at this artwork by Howard Lyon. How can you not love this little guy?

    It’s going to be a long wait for March, but if you want to sign up now and pre-pledge a little amount, we’ll add a blind bag pin to your order. See more details on the sign-up page

    These are planned to be delivered by the holidays next year, in case you want to get an early start on gifts for 2026. 

    State of the Sanderson 2025 ()
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    Brandon Sanderson

    Part One: My Year

    Here’s what I spent 2025 doing! Reconstructed using the spreadsheet I use to record my progress on books.

    January-December: Work on Ghostbloods (with other stuff)

    Yup, only one entry this time. This year was primarily spent on Ghostbloods. I needed to get the outlines into shape, and write the first book.

    That said, I’m being a little cheeky writing this as one entry, instead of breaking it up as I usually do by month. I did a lot of other things—just none of them took that long individually. 

    A chunk of February was spent doing edits on Moment Zero, the cornerstone story for Tailored Realities. I lost about two weeks (!) to being extremely sick in March, and to having my eardrum burst from a sinus infection. That’s as sick as I ever remember being, and I got barely anything done—which for me is saying a lot.  

    In May, I flew to Hollywood and pitched the Cosmere to all the big studios and streamers. (A little more news about that below.)  

    July was spent on revisions for various things, including The Fires of Decemberand reading Janci’s second book in the Riftwake series, offering my editorial advice and revision notes. In August I worked on a novella that I can’t talk about yet, but it’s not cosmere. Then I was back to Ghostbloods... until I needed to do final, final revisions on The Fires of December in October, all the while making slow, careful, steady progress on Ghostbloods, which I should finish soon.  

    So it was a very busy year full of a lot of random things, but also with a lot of time making sure Ghostbloods turns out the way I want it to.  

    State of the Sanderson 2025 ()
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    Brandon Sanderson

    Introduction

    It’s been twenty years since this all began with the publication of Elantris. I thought the first ten would be the oddest of my professional career, what with the Wheel of Time dominating many of those years. 

    It’s fun to look back at the State of the Sanderson from 2015 and see myself reminisce upon turning forty. Well, another ten years have passed, and these were somehow just as strange as the first ten. Our leatherbound editions really took off (we went from trying an experiment with Elantris to publishing the Wheel of Time itself) as did our crowdfunding efforts (to say the least). We started Nexus, and if this year proves anything, it’s that we don’t need a major book launch to make people excited for the convention. Through all of that, Dragonsteel grew from a company of a handful of friends and family members to... well, a real company, with HR and everything.  

    I still feel incredibly grateful to you all for sticking with me through all of this. I recognize that I don’t always get to the side projects that people want me to, but that’s the price I have to pay to keep being creative. (And to make sure I keep myself excited for writing Stormlight and Mistborn.)

    Looking back twenty years is daunting. I’m halfway through the main plan for the Cosmere, and feel like it’s going great, yet fifty feels more old by far than forty did at the time when it hit me. I’ve now been writing the yearly State of the Sanderson blog posts for longer than my youngest son has been alive. That’s wild.  

    One thing remains constant: I love telling these stories. Ten years ago, I was making jokes about people calling me too productive, and I haven’t had any inclination toward slowing down. If you missed it somehow, I announced Secret Project Six (The Fires of December) at Nexus, and read from it what I think might be the strongest opening for a book I’ve ever written.  

    There’s always another secret... and there’s always another story.   

    Onward to the State of the Sanderson! My yearly way of updating you, and giving a retrospective on my year. 

    Dragonsteel Nexus 2025 ()
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    Questioner

    You've said before that in the second arc of Stormlight that you are going to give us a little bit more about some of the Orders. Do you have specifics on which ones of those we'll see a little more of?

    Brandon Sanderson

    You're definitely gonna see the Dustbringers a decent amount; they're one of the ones that I've just kind of stayed away from on purpose. So you're gonna get some decent amount of Dustbringer. But everybody that we haven't done a lot on, I want to dig into some more. That's the one that's on the forefront of my mind, is making the Dustbringers work and interesting for people.

    Dragonsteel Nexus 2025 ()
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    Questioner

    The trivia mentioned that the cremling blood is purple. I was wondering why that is?

    Brandon Sanderson

    It comes down to some of these things where I was just looking at... Like, I remember reading an article on Why Is Our Blood Red, and what would different colors of blood mean, and certain creatures do have different colors of blood on our planet. I'm just like, "This feels like the natural fit." There's nothing really more to it than that, than just looking at the science and being like, "Well, this is what the natural fit is for it for me." Sorry, there's not a deep answer for you there. It's another "this is what my research said."

    Dragonsteel Nexus 2025 ()
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    Questioner

    What is Rock's favorite dad joke?

    Brandon Sanderson

    It's gonna be a pun in their language that we airsick lowlanders don't get because we don't speak the language. Because everyone's name is a poem, and so you can tell this long poem of someone's name and you can change the end. So it would be something along the lines of "and his name was this," but the last syllable, instead of saying "rock," would be like, "his head was a rock," or something like that. It would be those sorts of things, puns on people's names. Rife for puns on people's names when your name is a poem.

    Dragonsteel Nexus 2025 ()
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    Questioner

    In the world where short content gets more popularity, are we gonna get more of a short novels, and are you gonna experiment with a genre?

    Brandon Sanderson

    I go in kind of surges with this, with short content. Like, you saw a bunch of novellas in the early 2010s, and the late 2010s. And then I stopped doing them quite as much, as I got more excited by the Secret Project-length books, which are novel-length rather than short-length. I can see it swinging the other way for me. You just get kind of waves of artistic intent. And you're like, "I wanna try this; I wanna do this." Obviously, lately, I've been every excited by writing in Hoid's voice; I really enjoy it, so suddenly there's another Hoid book. But there's no telling when I might get excited by doing some other short piece. And I do have the second novella about Shai I want to write someday. So, maybe we will get to that next time novellas become a thing that I feel like writing.

    Dragonsteel Nexus 2025 ()
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    Questioner

    What is something you're really excited about that you haven't been able to fit into your plans yet?

    Brandon Sanderson

    Do you know how many books? There are so many books that I want to write that I haven't been able to write. And at various points, I get excited by them. And then when it comes to sit down to actually write a book, sometimes another book shoulders in and muscles in to the front of the line and gets written, because that's how art works sometimes. There are a number of them that I really do want to write. Like, I read from Kingmaker at one point, at one of these things, which is a Cosmere story, another Hoid story that I couldn't quite make work. I still want to write that one; it's set on First of the Sun. And I'm really excited by that. Will I be able to write it? I'd say the one that I have gotten closest to the most number of times would be Silence Divine, which is set on Ashyn. Gotten so close, and I just have never felt right when it was time to sit down and write it. It's really hard to say what I'm most excited about. And I'm not allowed to get too excited by things when I'm writing something else. I don't want to be like "squirrel!" and then suddenly no one gets a book. You only have the first chapters of thirty books.

    Dragonsteel Nexus 2025 ()
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    Questioner

    When you were writing Mistborn, was there any rhyme or reason for how you decided which metals would be associated with which allomantic ability?

    Brandon Sanderson

    Yes, it was by vibes. That very scientific method of vibes. But there's more to this story, because when I was playing with this and talking to my writing group at the time and showing them stories, I'm like, "Technically we can use mercury; because you burn it away." And nobody liked that; they're like, "Brandon, you can't use lead or mercury. People are just gonna get distracted by it." So the vibes on those were wrong, even though allomantically, if you're burning it away, it doesn't really matter; you're not gonna get lead poisoning because you're an allomancer. But mostly, it just kind of felt like vibes.

    Part of it was making the metals that are a little less in common use, or a little more valuable, pushed into the we're-not-gonna-use-that-every-day. Like, if coinshot was burning gold, I think that people would be like, "But you're burning away this valuable metal!" When all of them are valuable allomantically. Like I said, it was vibes. It was just like, what feels right?

    Dragonsteel Nexus 2025 ()
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    Questioner

    What cosmere magic system would you say would work best with the concept of having a magic staff that in some way enhances your magic prowess?

    Brandon Sanderson

    Like a wizard's staff? There are several (you haven't really seen them yet) that would work best. Of the ones you've seen... I mean, you can store a whole bunch of Breaths in a staff, but there's really no reason to do so. You're better off having your Breaths in a cloak, or something, for that. What is the best one? I'm not sure if there's really a good one that I've talked about, yet. I got some. I mean, you can keep your Stormlight in a little sphere on the top, like Gandalf kept his pipe, right? Wizard staff, not really a big cosmere thing, I'm gonna be honest. We'll see. I mean, Painter had his thing; you can draw on the sand or on the ground with some of them; if you were practicing AonDor, maybe it'd be nice to have a big staff. So let's say AonDor, because you can draw stuff with a staff. I don't know why you would want to do that instead of in the air, but I don't know. You could. It's a question I've never been asked before; it's actually a good question.

    Dragonsteel Nexus 2025 ()
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    Questioner

    I know that there's not that much information that we have on Darkside. Is there a way that the two types of Investiture complement each other in there?

    Brandon Sanderson

    Yes, when we've done our worldbuilding... So, Isaac really fleshed out the magic from Darkside. Because White Sand, I wrote during an era where I didn't know where the Cosmere was going. The first day I really understood the Cosmere was when I was writing Mistborn; everything before was kind of prelude. So when Isaac was working on the graphic novel of White Sand, he's like, "We really need to flesh out this magic system for Darkside." So we had several long meetings, and he designed something, and we know how it dovetails together with the magic on Dayside.

    Some day, he might write a book sequel to White Sand. We'll see; I told Isaac that one's his, if he wants to write it.

    Dragonsteel Nexus 2025 ()
    #139 Copy

    Questioner

    The Kholin family is very spread out. Like, it's definitely fleshed out. So I was wondering if there was any non plot-related stories about the Kholins?

    Brandon Sanderson

    Yeah, there's plenty. I always do a lot of background; I mean, I'm a worldbuilder, and things like that. You have to be careful not to put too much in, otherwise your story becomes about a story that happened before. And so, I stay away from that. I've gotten a lot of it in; I haven't gotten everything. You will see more in future books, but only tidbits here and there.

    Dragonsteel Nexus 2025 ()
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    Brandon Sanderson

    The next one [in the Hoid Storybook Collection] is The Girl Who Looked Up. So, The Girl Who Looked Up took a little extra work, because if you've read the book that it's in, the story isn't actually finished. And it gets finished a couple of different ways, and neither of them... they're subject to interpretation. So I sat down with The Girl Who Looked Up, and I actually wrote the actual story, the complete version of The Girl Who Looked Up. And this one is kind of in-between. Meaning this one, it's set... It's a Hoid story, there are nods to it being in Roshar, there's things about it that you'll look at it and say "Oh, Roshar." It's meant to be a little more artsy, a little more whimsical, and that sort of thing. I'm loving how this one's turning out.

    Dragonsteel Nexus 2025 ()
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    Brandon Sanderson

    Well, I really enjoyed writing Tress of the Emerald Sea and Yumi and the Nightmare Painter. And I thought, "There are more terrible things that have happened to Hoid in the cosmere." So this is now a series. This is the Stories of Hoid's Travails. In which terrible things happen to Hoid, and he tells you a story about it. My reading from tonight will be from The Fires of December. And you might be wondering, "December? That doesn't fit in the cosmere." It'll make sense once I do the reading.

    Where did this book come from? This book is one of those books that I was not planning to write. It is one of these books where I was working on the outlines... I actually wrote this end of last year. So I was working on the outlines for Ghostbloods, I was getting primed for writing Ghostbloods, I was finishing up some various things, and I was just... I wasn't planning to write this book, and then the book kind of came to me. And I don't like to speak mystically about books. That's not how I am. But this is one of those ones where I'm like, "I'm supposed to write this book. I need to write this book. I have to write this book. I'm going to ignore my family during the holidays and write this book." (They're used to it.) And it turned out very special. I'm very excited to share it with you. It is called, like I said, The Fires of December. It is a Novel of Hoid' Travails, and I'm just gonna launch into it.

    Brandon Sanderson

    Chapter One

    The girl was born in the last cold hour of the last cold day of the last cold month of an unseasonably cold winter. Her mother, so very pale from blood loss, was a woman with beautiful dark brown eyes of the storied variety which made people say that within them you could see the very stars. She held the babe close beside the hearth’s angry flames and named her after the month, imagining the peace of a gentle snow that muffled sounds and cares, for the child was even then abnormally quiet and refused to cry.

    It was a different word in their language, naturally, but I shall use a translation and call the child December.

    The mother kissed her babe and whispered her love, even as those stars faded from her eyes, seeming to join the teardrops as they fell. For all her love for the child she’d borne, the mother was soon forced to depart for a grave cut shallow in the frozen earth. The girl would never know her mother’s vibrant smile or soft voice; when picturing her years later, December could summon only the image of a solitary gravestone. People did say that December had inherited her mother’s eyes, quiet and thoughtful, with a sense you could see lights deep within. 

    The mother was an outlander who had come to the town as a youth working a ship, then stayed through chance of fate. There was talk in town that she had fled from somewhere far away, though she never said where. The father had been a passing sailor with the charm of a sonnet but the moral character of a limerick. As the mother was not native, no next of kin were available to take the child. Fortunately, the people of Rivershore were as pragmatic as the town’s name and had provisions for children like December. The town reeve allocated a small stipend from the orphans’ fund to pay for a wet nurse to raise December to age five, whereupon she was fostered by the innkeeper and his wife.

    At the inn, December was not exactly treated as a member of the family, but neither did she go without affection. She had a bed in the corner of the common room with the dogs, which was not an insult as you might imagine, for the family bed was overripe with children clinging to the vine. The dogs kept December warm, as did the family’s barn cat, who had seventeen secret entrances into the house, and soon discovered that December was the only one who didn’t periodically throw her out. If one were to wonder at December’s general affinity for animals over people, this childhood corner was a likely culprit.

    Not that the girl was rude or impersonable; she merely had a way about her. (If you are unfamiliar with the terminology of rural folk, this polite descriptor indicates oddness or quirkiness.) December’s way was to stare. You’d catch her watching the inn’s patrons, her brown eyes dancing with reflected light, and you would wonder what it was she had noticed that you had not. Though she would never have described herself as unhappy, sorrow was her heritage, and she spoke its tongue without accent.

    When December was young, society knew what to do with her: call her “girl” and set her to sweeping floors. A fosterling child was to be nurtured but also made to labor—for in the kingdom of Mountaincrest, as in most lands with harsh winters, active appetites best manifest active hands. Remarkably self-aware as a child, she quickly learned this role and performed it willingly.

    As December grew, people continued to refer to her as “girl,” but their tones changed, and the word delivered a different connotative payload. The eyes of young men followed her, only turning aside if noticed. Upon seeing this, the innkeeper’s wife set December to serving tables—which was effective at increasing patrons, for while she was not of the chatty type who usually drew customers, there was something fascinating about December: an almost ethereal, even unobtainable, magnetism.

    Part of her mystique, certainly, was due to how she looked. Pale of skin, even beyond the norm for the region, she had thick black hair where blond was common. She wore it unbraided, falling just past her shoulders. When it blew in the wind, it would move in clumps instead of frizzing, making her seem as if she were wearing a dark hood to shade her eyes. Her features were angular, her forehead high, her eyebrows wide and wild, her cheekbones prominent, her nose slightly pointed like the cut of a diamond. It was a face composed in a minor key.

    Society knew what to make of her at this age, for Rivershore was (again) a pragmatic place. It attracted single men from along the river to work the nearby mines, and could not afford to discard a young woman simply because of a questionable heritage. As she grew older, December began to understand the reason for this attention, because—again—her defining feature was becoming her ability to hear that which was not said. She went to her foster mother and asked if she could perhaps move to the kitchen instead of waiting tables, as she wished to avoid being watched in such a way.

    “Being watched, December,” the foster mother explained, “is the point. The dressmaker does not hide his wares in the back of the shop, but hangs them in the window.”

    This metaphor never sat right with December, but she could not find the words to object. Regardless, she did not return the attention of the young men as they came in rising numbers for meals at the inn, trying to engage her in conversation, bragging or otherwise working to draw her eye. She served them, but did not linger, and did not smile.

    Now this was not from lack of interest on her part, conceptually. There were some young men she’d admire from afar, at least when she couldn’t hear them speaking. It was the situation, the expectation, that she rebelled against. The fact that none of these men seemed interested in her so much as in the idea of her. The coin the young men spent on meals and drinks kept her foster parents from pushing her for a few years past when a young woman in their society was expected to have found a match. 

    In this, she began to feel strangely alone. She wanted to do as was expected, and she did like men—just none of these men. Perhaps, she reasoned, she was being too picky. If she was not a dress to be hung in the window, then she did not know what she actually was. 

    She continued in this uncertainty until one day when Bark lingered after dinner. He was a thick-armed brute who had been appointed assistant foreman in the mines primarily because nobody wanted to pick a fight with him. He was a dinnertime regular at the inn, as he had no wife to fix it for him at home. In December’s experience, he was as sharp as mud and as thick as topsoil, but he paid his tabs on time, so the innkeeper and his wife were fond of him.

    This night, after eating his usual dinner of stew and fresh bread with his usual hunched posture, he sat a long, uncomfortable time. Finally, he took December’s foster mother by the arm as she passed.

    “When is the girl’s birth date again?” Bark asked.

    “Tomorrow. She’ll be twenty-one.”

    He grunted. “I’ll come calling.”

    “I’ll see that she’s ready.”

    There.

    That rising scream, as if from a rat pinched in a closing door, in the back of December’s mind.

    She quieted it, telling herself that she misunderstood Bark’s intent, and distracted herself by taking the order of an odd stranger who had come in on the river that afternoon. The town often got strangers, though not many were as strange as this one; they were, instead, an ordinary kind of strange. Merchants, sailors, the occasional fine lord or lady from the capital, where they wore vibrant clothing of garish colors. These sometimes traveled downriver toward the distant plain where the blood river eventually evaporated.

    (Don’t worry—the river wasn’t made of human blood. That would be highly impractical; I mean, imagine the clotting. Besides, it would take thousands upon thousands of humans to make a river of blood this size, but here it was accomplished with just one demon.)

    Regardless, this new stranger was strange. He had pure white hair, despite not looking much older than . . . Well, his age was difficult to place. Certainly not twenty. Certainly not fifty. Yet of all the options lined up between, he didn’t fit any of them. He wore bright colors like a lord, but his were in patches, and somehow even more loud. Each alone would have been garish; together they gave the impression of an overturned vegetable cart, its wares smashed together. (I will note that this time, my awful costume was not influenced by any lack of personal taste, but was rather inflicted upon local jesters by royal tradition.)

    The stranger had refused the evening stew for the meat it contained, and sat idly humming to himself and writing with a quill in a small book. He was quite handsome and had a prominent nose, which I would prefer be described as “incredible”—and I’ll have nobody suggest otherwise, since it’s both my nose and my story. (You wouldn’t be hearing this if something terrible hadn’t happened to me during it, so kindly pretend to show at least some hint of empathy.)

    “Sir?” December asked. “Would you like something to drink?”

    “No thank you,” I replied.

    That was it. She withdrew, and we did not speak again during her lifetime. You might have been expecting more from me: a tale, some advice, at the very least a joke. Well, you’re in the first currently, the second isn’t until the end, and you won’t find the third until you brush your teeth later. None of the three were for December, because I didn’t find her relevant. She went about seeing to other customers, and I retired for the night.

    I didn’t have any idea how important this woman was, but I’d like you to be better informed. To accomplish this, the next sequence will go on longer than you might think requisite. I ask your patience: these details are relevant, I promise.

    When the doors to the common room were finally locked that fateful night, December tried to find her bed quickly. By this point, the innkeeper had made for her a place in the storage room where she could string a hammock and have some measure of privacy. Unfortunately, she could not avoid her foster mother, who refused diversions and continually steered the conversation straight toward Bark. With the repetition of a quilt made from a single fabric, she told December that Bark was an important man, would provide for her well, and that she should listen to his offer when it came the next day. The implication was that her options, from delaying so long, were limited—and she would never do better than this one.

    You’re probably expecting December to run; it’s how these stories normally go. The young heroine sneaks out at night to find her fortune, leaving the town and avoiding marriage to a man clearly her inferior. Alas, in the real world, such escapes are too rare. December, spilling tears in her pillow that night, acknowledged the truth: she hadn’t the money or knowledge to travel, and she’d well overstayed her welcome. 

    Her foster parents did love her. They had kept her on long past getting money from the reeve for her upkeep, but they also were practical people. It was time, her foster mother explained, to move on. The next phase of December’s life had cued with obstinate firmness; even her hammock needed to be given to one of the couple’s older grandchildren, who would be taking December’s place in the serving room.

    December and Bark were married two weeks later. It would have happened sooner, had the poor reeve’s wife not choked on a breakfast sausage, necessitating a funeral and a little time before a wedding. December was not happy with the marriage, but the other options for a husband weren’t any better. Nobody in the town—not even December, despite delaying this long—considered no husband to be a valid choice.

    She tried her best to learn her new role, to make a home of a house and find love from a lover. All was, if not pleasant, tolerable for the next few years, though news from upriver was unsettling. Something had happened at the capital a few months after the wedding. The stories coming downriver were disturbing, tales of the demon making a fire in the sky—and of a war for the throne, the king dead, betrayed by one of his dukes.

    Such distant troubles, both theological and political, were of little immediate relevance to such a small town. Though only a month away from the capital by riverboat, Rivershore was a great distance from it philosophically and mentally, in the same way you might find a prologue quite distinct from the rest of the story. December had her own issues, because it soon became quite clear that she could not have children. At least, none manifested, and in these sorts of societies, they never wonder if it’s the man’s fault.

    (In this case, it was indeed due to an ailment of December’s, but that wasn’t possible to confirm with their technology. A doctor occasionally came through town to provide medicines and train the local midwives, but he was unable to find the reason.)

    Losing the option to have children can be, for any couple, a deeply personal situation, and difficult for many. It should be approached with nuance and understanding. Unfortunately, Bark was not capable of nuance because words with that many vowels in them sounded foreign to him. Instead of making the right choice and assuring December she was no less valuable because of a medical ailment outside her control, he grew increasingly difficult over the years: at first sullen, then simmering, then eventually turning to shouting and raving.

    During these years, December would often find herself walking the banks of the river, away from a house that had not only failed to mature into a home, but had instead evolved into a kind of prison.

    Now, I did promise you an explanation of this river, and I keep my promises—save where it’s narratively more interesting to break them. The three blood rivers were the defining feature of the kingdom of Mountaincrest, and one flowed past the town: a waterway wide enough for even the largest barges, but not so deep you could navigate a true oceanic vessel through it. December could see the other side easily, and the gentle current allowed a modestly accomplished swimmer to reach the opposite shore without difficulty.

    Assuming they’d been willing to step into the blood.

    Thick, with the consistency of paint, the demon’s blood was safe to touch, though most people in rural towns avoided doing so. December tried once or twice, and was surprised to discover that it refused to stick to her fingers, running off as she pulled them out, leaving her skin perfectly dry. Conferring with others indicated this happened when anyone touched it.

    The river was that mysterious shade of violet that was quite nearly black. It had a glossy sheen, not unlike oil. During those lonely years, December would look upriver, imagining the distant corpse in the capital that bled out this highway, and wonder if what the priests said was true, if a prophet had truly come to save the land three centuries before. She imagined his sword, said to still be lodged in the demon’s beating heart, holding it imprisoned like a pin held a butterfly to its board.

    If it was indeed true, what should she make of the newer stories saying the demon was free? Would the prophet return? If so, would he do as he had last time, healing those who were afflicted with diseases?

    Society was no help with her problem, because for once it didn’t know what to do with December. Children it cared for. Maidens it presented like dresses in the shop window. Mothers obviously had a clear purpose. But what to do with a woman of the age and in the position of a mother, but who just . . . wasn’t one? And likely never would be?

    The people of the town alternated between commiserative and uncomfortable. When she complained of Bark, they said they understood . . . but she wasn’t certain if that meant they understood her situation or his. She therefore stopped talking to them, instead seeking the river and sometimes the birds that flew along its length. She thought this must be the most lonely time of her life: living in a house with a husband who was growing to detest her, ignored by people who lacked words to comfort someone whose problem they deeply feared.

    She was wrong though, for it could indeed get worse.

    One night in her twenty-fifth year, Bark came home drunk. It was another of his bad nights. He’d gone searching again for Winter’s Cache, a vein of silver he insisted that he and an old friend named Tap had happened across years ago while hiking the foothills. He often went looking for it when the inn and tavern turned him away for being too rowdy. Well, Tap had been killed in a landslide before December had married Bark, and she’d never believed in this mythological cache—a reasonable opinion considering Bark had searched ten years without yielding fruit. In fact, such searches only seemed to have one result: to ruin his mood even further.

    Dinner was cold, as it was nearly eleven when he arrived. He blamed her. Not just for the food. She quietly began warming the stew while he raved about why he thought she’d been cursed with a barren womb: claiming that she’d secretly been a whore and caught some disease. What else would one expect from a bastard daughter of foreigners?

    December quietly placed his food in front of him, then gathered her coat to leave, intending to walk the chill darkness while he ranted himself to sleep. That night, instead of letting her leave, Bark stood and seized her by one arm. She looked at his hand, a horror rising within her, and time itself seemed to recoil at what they all knew was coming: a step that Bark—despite his yelling—had never yet taken.

    He hit her.

    A backhand across the face, with the force to throw her against the doorframe.

    Now, Bark was the sort of man who expected certain things from those he abused. He was big enough and important enough that when he hit you, you either stayed down, or you came in screaming and earned yourself a full thrashing. He was unprepared, therefore, for the stare.

    December, looking up from the floor where she’d fallen, affixed him with that gaze of hers. Eyes like the night, with . . . what seemed to be distant stars deep within, or fires on a far-off hill. An expression with a striking lack of fear. No tears, despite the reddening cheek where she’d been struck. There was a dare, a confidence, in the way she stood back up, smooth and graceful as a mountain cat, holding his eyes the entire time.

    In that haughty, perilous silence that followed, Bark somehow knew that if he hit her again, the demons of night would claim his soul.

    He let her leave.

    It was wintertime, a season that oft overstayed its welcome in Rivershore, and December had no recourse but to return to the inn. There, she begged her former foster parents for a place to stay. They listened to her, comforted her as the tears finally came, and gave her a cold cloth for her cheek. But they did not offer to let her stay, for they had an older granddaughter living with them, and the unspoken fear was that whatever ailment December had might spread.

    You and I both know this to be complete foolishness, but please remember we’re speaking of rural people without access to modern learning. Ignorance is our natural state, and while those who have avoided it by turn of fortune need not suffer its continuance, we should be understanding of those still afflicted, same as with any hereditary disease. The innkeeper and his wife gave December a warm meal, a handful of coins, but were forced by their own fears to turn her out again. She pulled her black coat close and purchased a spot to sleep in the warehouse by the dock, where sailors without the coin for the inn were known to sleep.

    She lived there for three years, taking what work she could find. Sewing, washing, carrying water. Hard work, made more unbearable by the ultimate humiliation: the day Bark actually found the Winter’s Cache, a pure vein of silver just as he’d described, and the corpse of his old friend Tap nearby. The discovery of a new vein was cause for great celebration in the city, and the man who found it was granted a huge payment of the king’s bounty, as provided by the reeve.

    (The reeve, it should be noted, did not tell anyone that, with the increasing troubles upriver, taxes hadn’t been demanded for years. He had plenty in the reserve, but that was its own deeply troubling problem.)

    This payment made Bark the most wealthy man in the town, and an immediate celebrity. The old mine running out had been a constant source of worry for the people of Rivershore, but a new one—of silver no less—meant decades of stability. Never mind that the river was growing darker, losing its violet beauty, taking on a sickly blackness. Never mind that December wondered what had happened to the lords and ladies in their colorful clothing, and that strange man with the white hair who—for reasons she could not explain—she remembered so distinctly.

    For now the town celebrated their new future. Bark was elected mayor and married the innkeeper’s granddaughter. Though his marriage to December had never been officially annulled, these things could be ignored for a man of such stature. The fact that Bark’s new wife soon bore him children humiliated December, for it revealed an accidental truth he’d said about her, which seemed to reinforce the accompanying lies.

    Spurred on by this victory, one of Bark’s key policies in years to come was making December’s life a living hell. He created laws forbidding migrants and anyone with foreign blood from taking most kinds of work. He gave speeches saying such a step was necessary to protect the town from the refugees pouring in from the capital (which they said had been burned to the ground) and the grand cities near it, still in the grips of the succession crisis years later.

    In truth, Bark’s law was targeted straight at December—a contest of wills to force her into the type of work desperate women provide for a society that pretends it isn’t to blame. She refused, for dignity was her only sanctuary, and if she took that step, it would confirm the stories he told about her in the eyes of the townspeople. Instead, she took training from the doctor during a visit to the town, during which he stayed for three months before going upriver to provide aid to the war-torn lands. He would not be seen again in Rivershore.

    Doctoring, fortunately, was not a job on the list a migrant was forbidden: otherwise the traveling doctor would have been included in the prohibition, something the town could never condone. In this loophole, December defied Bark. Nobody would pay her for midwifery, as if their fallopian tubes would magically disappear because of fraternization with a woman who lacked them.

    After successfully helping a calf be born, however, she was able to find occasional work until, at last, Bark also made this illegal, arguing that only those with a license should be allowed to handle the town’s animals. Without regular ships bringing supplies, he reasoned, Rivershore was on its own for feeding itself. Animals were too valuable to be trusted to the hands of the poorly trained, the migrant, or the foreigner.

    That night, huddled in her little corner of the warehouse, December found herself too tired to cry. She thought for certain this was the most lonely a person could feel. She was, unfortunately, wrong again.

    The next morning, she realized she had three choices: starve, take the work Bark demanded, or go to the only person in town not afraid of him. Holding to this glimmer of hope, she visited the town reeve.

    It was technically a lord’s position—a (very, very minor) nobleman appointed by the king to represent the crown in Rivershore. The mayor and town council provided most leadership; the reeve collected taxes, administered official paperwork, and judged serious crimes. The current reeve was the son of the reeve who had placed December in the inn as a fosterling, and was ten years her senior.

    He was also a widower.

    His love for his deceased wife, Rema (the woman who had passed on December’s twenty-first birthday) was well known. He had never remarried, but had three children, all boys, the youngest of whom was now twelve. The middle child, at fifteen, was often caught causing trouble in town because the reeve’s duties kept him busy and unable to properly parent. The eldest child was seventeen, and though almost an adult physically, was far from it mentally. He was kindly and eager, but short a few letters of the alphabet—in the way that involved nature giving him extra A’s, T’s, C’s, and G’s to make up for the deficiency.

    December, now thirty, visited the reeve with a proposition. She needed a home. He needed a wife. Neither wanted a relationship in the traditional sense, but he was known to be both sensible and goodly. This plan was nothing if not sensible. The reeve, she could tell, had never considered this possibility—but he did not laugh, draw back, or curse her out as her worst fears had imagined.

    Instead, he asked a single question: “Two bedrooms?”

    “Two bedrooms,” she said.

    “It shall make Bark very angry,” he noted, rubbing his chin.

    “I’m sorry.”

    “I’m not,” he said. “That is an advantage of the proposal.”

    In that, December had true hope for the first time that this might actually work.

    It did.

    December’s stare shamed the middle son, who returned to his schoolwork at her insistence. He was expected to be learned, unlike most of the town, and December in turn learned letters and numbers to help him. The boys’ tutor had dropped off books during her final visit before vanishing like so many did these days when they traveled upriver. December’s love worked on the youngest son, who had been drifting without direction. He took to his tutoring with renewed vigor, quietly helping December figure out the lessons so she could help the middle son. Finally, December’s kindness worked for the oldest son, who had desperately wanted more attention from a parent, and soon became her persistent companion. He was an “imbecile” according to the doctor’s diagnosis, but strikingly kindhearted, and proof that whatever kind of stupid Bark was, it was more determined than deterministic.

    During this time, December discovered she had a talent for learning, and over the following decade, she devoured the reeve’s books. She even, to his surprise, began helping him with housing contracts and taxation numbers, which were in constant need of updating now that it seemed there would be no further direction from the capital. Ships had stopped floating down the river, which was now dark as a mire and barely flowed. In particular, December took on a project of quietly helping her once foster family (the innkeeper and his wife) turn their business profitable. The lack of customers from the river had hurt them soundly, and they’d started relying on a subsidy from the reeve. Helping them was a struggle that took years of December’s effort: changing prices, offering more food options, shifting focus to serve the needs of the town and visitors from closer towns, but was eventually successful.

    During this time, December and the reeve maintained two bedrooms, but became quite friendly with one another, to the point that—remarkably—December found she was coming to love the man. The way he would put his hand on hers as they talked of his work, or the casual brush of his fingers on her shoulder, indicated that something might be changing for him as well.

    So confident in her new life was December that when she saw Bark’s wife hurriedly shuffling through town with a brand-new bruise on her face, she intervened. It took months of quiet support, counsel, and urging, but one day the mayor got up and found that his second wife and their two children were gone. Moved to the next town over.

    Bark stormed into the reeve’s house, ranting. “I know it was you,” he shouted at her. “I’ve seen you talking to her!”

    The stare worked on him again, though her three stepsons—now well-grown and possessing physical strength that Bark had lost in his years no longer working the mine—were their own deterrent. When they burst in at the shouting, Bark started to withdraw.

    As he did, he muttered to December, “I should have killed you when I had the chance that night.”

    “You wouldn’t dare,” she hissed.

    “If only you knew,” he said, and this time it was his eyes that took on a deadly cast. “If only.”

    December was shocked. It sounded like he was claiming to have killed before, but who? There were no unexplained . . . 

    “Tap,” she whispered. “Your old partner. He found the silver vein, and you killed him before he could claim it. But you’re a fool—you didn’t get the location from him first. That’s why it took you over a decade to find it.”

    (In truth, Bark did see the vein once. Tap showed it to him, and Bark murdered him there, then carefully covered the body with rocks to indicate a landslide. But then he got lost on the way back to town and couldn’t find the location again.)

    He said nothing, instead leaving with a smile and a glare. December stuck close to her stepsons for the next few months, but the mayor’s anger eventually cooled. All proceeded relatively well, with her stepsons finding brides, save the oldest, who remained her attendant. There was laughter in the reeve’s home: grandchildren, warmth, and even budding love.

    Then, the sickness came.

    It had been building for years, though nobody in the town had been aware. The river’s curdling following the deadly events far upstream finally reached poor Rivershore. You might have read about similar plagues in your own histories, but here it was arcane in nature—caused not by common disease vectors, but by the deadly river itself, turned poisonous.

    The youngest son and his family were first to go. Wasting away, bodies covered in lesions. The scant books and medical knowledge left by the doctor were no help, for this was not an ailment that mundane learning could counter. It moved through Rivershore like a creeping mold, killing family, after family, after family. Some fled. They died in the wilderness. Some boarded themselves in their homes. They died in their beds. Some cried to the Prophet. They died in the church. It left only one in ten, and those who survived carried scars the rest of their lives.

    All but December, whom the sickness dared not touch.

    She and the reeve buried his youngest son, his daughter-in-law, and their baby—and that day, something broke in the man. He was next to go, and December’s hopes of a future with him were drowned as if in the depths of the river. His middle son and family followed. Then last of all, the eldest son, with his sweet disposition, joined the darkness that enveloped not just the town, but the entire kingdom.

    December buried each family member herself, for there was nobody in town with the strength to do so. The graves took her multiple days to dig, placed in a line beside her mother, and when she finished the last she collapsed into tears that did not abate for many hours. But then . . . she was hale, and there were so many suffering. If you need testimony to her character, know that December—despite her hatred—even brought soup to Bark in his sickbed, then changed his clothing and washed him. He died two days later, alone in his grand mansion.

    Some might have found this a victory; December, now in her fifties, was too wise to gloat over such a terrible situation. She did what she could for the sick, and slowly, those chosen by fate recovered. But it was a broken people who came out of that summer and tried to survive the resulting winter, with nine out of ten people in the ground, the hearts of the living having largely joined them.

    December traveled to nearby towns and suggested consolidation, lest they all starve. The people struggled on, as they tended to do, after the river finally dried up completely. They had no news of what had caused it to fail, but they could guess. The demon must truly have escaped his bonds; what else could explain such terrible events?

    That winter, many who had soldiered through the plague fell to the cold. December, who had worked so hard for them all, was treated differently than she ever had been before. For while society had been uncertain what to do with a mother with no children, it did understand the quiet, solitary, elder woman who possessed knowledge and wisdom that ordinary people avoided. They did not welcome her—indeed, they whispered about how she had not so much as gotten a cough from the plague, and how she was the only woman they knew who could read. How she was not afraid of the angry nor cowed by the epithets of the superstitious.

    In truth, she was too old, too tired, and too heartbroken to care for threats. Over the next few decades, she took up residence in a home on the hillside where the old mine had been. The struggling town focused on farming and their animals; silver, and even iron, were of a different time, when there had been a king who needed jewelry and weapons. People finally accepted December as the only living midwife. They would bring her to their wounded livestock, and even accept her mediation in disputes—for as the reeve’s wife, she had some modicum of royal authority.

    It was not enough. Over the next decades, the town evaporated much as the river had. Without the coal shipped in from the river, winters were harsh. Few women of childbearing age remained to provide a new generation. The population withered like crops without water.

    It was during this time that December finally knew true loneliness. Now eighty, she labored to bolster those that hated her. Those who whispered that she must be the cause of all their troubles, for what prophet-fearing town would harbor a witch? She spent nights alone, for her books had been stolen when she was tending a sick child, used as firewood by desperate people who secretly wondered if those spellbooks (actually medical textbooks) were to blame.

    This time December was right.

    This was the most lonely she would ever be.

    For soon after, she died, alone in her frozen cabin, refused access to the floundering warmth of a town she had loved, then succored, then saved.

    You might find this a terrible story to have told. I apologize for its necessity, and hate that it is, unfortunately, not unique. Too many people live lives like December: alienated, rejected. They are often deliberately unseen; their treatment is a blemish upon societies, the type one tries to cover with a makeup of harvest festivals and dances. People like December are in your neighborhood too, likely spending their nights too tired, too lonely, to even weep, for they have nothing left but emptiness.

    No, December’s story was not unique. Except for one daunting fact: for the day after she died, December woke up.

    And found herself fifty-nine years in the past.

     

    Chapter Two

    There is certain dissociation that occasionally strikes a person when they look in the mirror. We grow comfortable with our faces and build a mental picture of ourselves that persists even as our features change with age. At some point, most people have the surreal experience of looking into their own eyes and realizing the person in front of them no longer matches their imagination.

    Usually it comes after years of feeling that something is off. Weight is gained or lost. Skin begins to sag. Noses appear to get bigger, or change shape as natural aging alters the way our features interact with our skulls. It culminates in that distressing event when you must acknowledge that the person you once were will never return. That person is an old picture, as lost to time as the smiles of your forebearers who are trapped with stern expressions in their paintings.

    December is one of the few I’ve known to experience that dissociation in reverse, finding that the old her had somehow vanished, and the young one returned. She put fingers to her face, prodding at skin gone smooth, hair gone black. The spots she expected were gone, stray hairs having vanished from her face. She looked . . . so distressingly childlike.

    “You quite finished?” her foster mother said, peeking in. “Isa needs the bathroom.”

    Her foster mother.

    Over thirty years dead.

    Her foster mother had woken December from her hammock in the inn, a building that—when she’d last visited—had been crowded with four families trying to share heat enough to survive the winter. Outside, the street was bright with sunlight, the river flowing and shimmering violet, and the sky a beautiful blue filled with promises.

    “December?” her foster mother asked. “Dear, are you all right?”

    “What day is it?” December whispered.

    “Your birthday. You’re twenty-one today.”

    Her twenty-first birthday, an impossibility. She didn’t once assume it was a dream, for December was an old woman, and didn’t have time for dreams or fancies. She knew what was real and what was not; she’d lived through enough reality to recognize it as the young do not.

    This was real. Somehow, it was real.

    Her twenty-first birthday.

    That day.

    Possessing of a sudden, single-minded determination, December cast aside her confusion. She could deliberate later. She could be befuddled later. She shoved past her baffled foster mother, striding, then dashing, then scrambling out into the common room of the inn.

    Her twenty-first birthday.

    That day.

    She shoved past Rold, the baker bringing delivery, and—shocked at her sudden, youthful limberness—jumped off a chair, slid across a table, and reached the corner booth of the dining room.

    There, Matin—the reeve, looking so much younger than her mind’s eye remembered him—was beginning to scream for help in terror as his beloved wife lay blue-faced on the tabletop, three young children panicking as their mother noiselessly died.

    That day.

    December hauled Matin’s wife, poor Rema whom she’d known only in pictures and tender memories told by the hearthside, from her seat and pushed her abdomen against the chair, a maneuver in which December had been trained some fifty years ago by a doctor who would vanish upriver. Heaving the woman’s stomach against the wood, December fought against the future. It was as if time itself tried to fight back, resisting her demands.

    Heave.

    This can’t be. What is happening?

    Heave.

    Whatever it is, I won’t let this happen again.

    Heave.

    You deserve better. We all deserve better!

    Heave!

    The offending chunk of sausage launched out of Rema’s mouth. The woman gasped through blond curls that stuck to her face and pulled into her mouth, then pallor retreated from her skin and a healthy rose returned. The children clung to her, children December knew so very well, crying and terrified as their mother slumped into the booth and held them tight.

    “What is this?” Matin demanded. “What have you done?”

    “She . . . she saved me, Matin,” Rema whispered. “By the Prophet’s holy name . . . She saved me . . .”

    The reeve looked to December, displaying none of the kind fondness she remembered from him at the end of his life, when they’d finally grown intimate. To him, she was a stranger, and his expression—more than her own features, more than the impossibly rebuilt town—convinced December that she was indeed back in her youthful body. Matin would never have looked at her in such a way had he remembered.

    He turned and saw to his wife, holding and kissing her, his terror and helplessness consumed by gratitude. December stepped back as people crowded around, asking what the fuss was about, and what the fosterling had done.

    Her foster mother, Gornil, pulled her aside, using her thick hips and solid arms to muscle through the crowd. “I’ve seen that move once,” she explained, “performed by a doctor when I was young. How did you know it?”

    “I . . .” December said, recognizing fear in the woman’s terse tone. Had Gornil always looked so young, with only a touch of grey in her red curls? “I read of it.”

    “Read of it? You can read? When did you learn?”

    December shook her head as a shadow cursed the doorway: the shape of a man with thick arms, a thick brow, and thick ideas.

    “Well,” Bark said, glancing toward the crowd around the reeve and his family. “I suppose we can be on with things, then? I have come to take your hand in marriage, fosterling.”

    “Oh!” Gornil said, hands to her cheeks. “Oh, that’s wonderful, isn’t it, December? The assistant foreman? He has his own house, you know! Oh, let me tell Yordik.”

    “No,” December said.

    “No?” Gornil asked. “I’m not to tell him? You wish to tell your foster father yourself?”

    December searched Bark’s expression for some sign he remembered their last encounter, when he’d been too weak to lift his own spoon. When he’d lain in a bed pungent with the overpowering scent of his own bowels, so terrible it had overwhelmed even the plague’s stench of decay.

    Nothing. He did not remember. He watched her with that same obtuse self-confidence often rampant in the attitudes of men who had never been refused.

    She did him a favor and let him experience something new.

    “No, Bark,” she said. “I will not marry you.” By the demon’s own blood, it felt good to say that after all these years.

    “December,” Gornil said, taking her arm. “Remember what we discussed last night?”

    “It has been a long time,” December said, still holding Bark’s gaze. “I’m afraid I have forgotten, foster mother. Bark, I will not have you. If I were to take a hammer to the head, and have pulled from me every other liberty of sense and reason, I would still have the wits to reject you.”

    He recoiled as if punched. “Slut,” he muttered. “Too busy whoring to accept a good man? Nobody else will have you. You—”

    “Excuse me,” she interrupted, pulling her arm from Gornil’s hands. “I have something very important to do.”

    She left them both stunned and carefully pushed through the crowd around the reeve and his family. Her stare, with eighty years of practice, retained its potency like a fine wine of the most valuable vintage. People gave her room, confused at why they were so eager to obey the quiet word of a person only one day into adulthood.

    “Matin,” she said, forgetting that nobody in the town dared call the reeve by his first name. “Would you join me outside for a moment?”

    “Excuse me?” he said, taken aback. “Fosterling—”

    “My name is December,” she said. “Your wife needs fresh air, not attention, following her ordeal and I have something I need to confide to you in private.”

    “Is it urgent?” he asked.

    “How urgent,” she said, “do you consider a murder?”

    He joined her immediately and thought to himself how odd it was that a woman so young was so self-possessed as to speak to a lord—even a minor lord—with such composition. He should have ignored her fanciful claim, he knew, but something about her . . . 

    Well, she had a way about her. He’d barely paid her any attention over the years, except to check her age and the small sum he paid to the innkeeper and his wife from the orphan’s fund. How remarkable it was, then, that she presented herself in the way of someone educated. How remarkable it was that he listened to her explanation, to the point that he gathered his old bailiff Nathenial and climbed the hillside at her insistence to the place where they found old Tap—dead not by a landslide, as Bark had always told everyone, but by an axe to the head, the wound clearly visible despite the decay.

    “There is a silver vein about three hundred yards that way,” she said, and led them to it by way of proof. Stupid Bark had spent over a decade wandering these hills, and must have passed it a dozen times. “The two men ran across it once when drunk one night, then couldn’t find it the next day. Tap eventually did, and Bark killed him to not have to share the prize.”

    Matin knelt beside the exposed vein of silver, fingers on the metal, bearing the expression he got when he had to do something distasteful in town; he did always prefer to care for the people as opposed to enforce law upon them. He’d do his duty, but she fondly remembered looking through his ledgers from years past and finding copies of letters he’d written to the king every year explaining how the people of Rivershore were fierce negotiators, and how taxes simply couldn’t be extracted in the rates demanded. Matin had quietly been their angel for decades, with nobody the wiser.

    “I’ll need more proof,” he said, standing up. “I can’t judge Bark on one testimony; by the law, I need more.”

    “You’ll have it,” she said, because she knew Bark better than almost anyone did. “Simply tell him that I was the one to lead you here after he bragged to me about killing Tap.”

    So it was that in the common room of the inn that afternoon—a neutral location where the reeve had decided to interrogate Bark—she had the distinct pleasure of hearing her once-husband make the mistake she’d known he would.

    “What?” Bark shouted. “I never told her about that! I swear it! I never told a soul about what I did to Tap, and she can’t prove otherwise!”

    Dear, stupid Bark. Deep as topsoil, sharp as mud, guilty as the demon itself.

    The confession, and subsequent conviction, was the talk of the entire town. December attended the hanging, and while she took no joy from it, she met his eyes as he hanged and was not sorry. You might find it odd that she would respond this way after nursing him during the plague, but any doctor will tell you this is no contradiction. There is a chasm between offering some measure of comfort for the terminal and allowing a murderer to avoid justice.

    As his body dangled, December was struck by a terrible thought. Could she die? If she were to fall right then, would she be reborn this same morning? It was a daunting concept, but she was not inclined to test it. In addition, something told December that her relife was more than happenstance. It would not happen again, because surely she had been given this singular gift for a reason. If she hadn’t intervened, Matin’s wife would have been destined to . . . 

    Destined to die.

    Two days after the hanging, December sat in one of the tables in front of the inn, enjoying her favorite spiced tea, and watched the people of the town walk past. There, Kom the weaver. She’d burned him and his family in a single mass pyre—for by then, she had been too exhausted to dig. There, Kita dashed past, only five years old. December would help birth her first child, only for both to be lost in a harsh winter, exacerbated by the waning coal shipments from upriver. There, the reeve’s three boys: Kamdon, still a baby. Torrent, wide-eyed and holding his mother’s skirt. And Jamek, with his distinctive features caused by his congenital disease, his sweet smile once December’s constant companion.

    She had saved their mother, so would never become their new one. Matin’s true love, over which he had cried so many evenings, would remain his . . . and the singular welcoming place in the town for December had, by her own hand, been surgically excised from the future. There was a sorrow to that, a pain in watching him hold another woman, one he loved more dearly than he ever had December. It was a pain of her own design, and she accepted it.

    My family, my children, she thought, are not safe. This town is not safe.

    She went to Matin again and tried to explain what was coming: the troubles in the capital, though she only knew of them from vague, untrustworthy thirdhand accounts. The wars, the succession, the souring of the river—and worst, the coming disease.

    “It begins,” she said, “a few months from now, with fires in the capital and something involving the demon. It will end decades from now with the deaths of almost everyone in town.”

    Matin held to his seal, sitting in the official office of his home, where he took complaints and made his judgments. He looked down at his desk, sloppy as always, and she resisted the urge to straighten the papers and bring his attention to the most important matters so they could converse on how to best deal with them.

    A life she would never have.

    A life . . . she had lived.

    I have that memory, she decided. Those days with him, raising the children, and the peace we knew in grandchildren before the plague. Those memories will never leave me, never fail me.

    She realized she could be content in them. She had been given the privilege of this family for two decades, but the children as she knew them, and Matin as she knew him, belonged to another life, another world. They would never exist here, because Rema lived—so December let go, like giving a dove to the sky, and allowed them to live their new life without her. She waited patiently for Matin to process what she’d told him, knowing him well enough to expect that he’d have trouble believing her, but also that he wouldn’t dismiss such a threat out of hand.

    “What,” he whispered, “are you? A . . . witch?”

    Was she?

    “I don’t know,” she said. “But my dream . . . it’s true, Matin. I know it’s coming. Sure as I could tell you that the Givons will have a boy next year, or that the harvest the year after will be slight, or that the mine won’t give out despite everyone’s fears—at least, it will last until we don’t need it any longer.”

    To this, he lowered his head. “I do not know what to make of this, Miss December. I cannot fathom what you’ve said. I . . .”

    “Give me a letter,” she found herself saying.

    He met her eyes.

    “Introduce me to the king,” she said. “I have . . . what, a hundred gold to my name now?”

    “How?”

    “Discovery of a new silver vein,” she said. “Is that not the payment?”

    He put a hand to his head. “Of course. Yes. A hundred gold . . . The king’s bounty. I should have recognized that. I’m sorry.”

    “You’ve been busy, Matin,” she said, with a smile. “I know you’d have gotten to it eventually. For now, payment, then a letter of introduction.”

    He wrote it, bemused, and December felt the same. A part of her genuinely could not believe what she was about to do, so she didn’t consider it. No more than a leaf considered the wind upon which it was blown. She returned to the inn, gathered her things—such that they were—and left her foster parents with a suggestion to watch out for their youngest grandson, who was not born yet, because he was going to fall in the well behind the property and break his legs just after his fourth birthday. He’d never quite recover.

    Then, her belt laden with the pouch of gold Bark had once claimed, December pulled on her black coat, towing a dark shadow of the future behind her—a cloak, as if made of the space between the stars themselves—as she strode to the docks and bought passage upriver on a passing ship. 

    Matin couldn’t do anything to stop the disaster, not from his quiet town so far from important places. The troubles had started at the capital. The king had died there, so he would certainly find her message urgent.

    Her family might no longer be hers.

    Her town might have rejected her.

    She loved both regardless.

    Therefore December, the fosterling with a second life, would travel upriver to the demon’s corpse itself and speak to the king. Surely he would know how to stop the plague from ever occurring in the first place.

    Brandon Sanderson

    I consider this a bit of a spiritual successor to Tress of the Emerald Sea. Again, it's in that line that I'm kind of calling Hoid's Travails. (Which, they're obviously all about him, and not other people.)

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    TheDJ42 (paraphrased)

    With Hoid having access to AonDor can he make changes to his own spirit web?

    Brandon Sanderson (paraphrased)

    Yes.

    TheDJ42 (paraphrased)

    With AonDor will he then be able to, or has he, undone some of the unwanted effects from the Dawnshard?

    Brandon Sanderson (paraphrased)

    *Passes RAFO card* he hopes so. (Paraphrased) that may be why he was looking for AonDor, the Selish magics are pretty broken and he knows it

    Direct submission by TheDJ42
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    Questioner

    What overlap is there, intentional or unintentional, between Hoid and Tom Bombadil?

    Brandon Sanderson

    I would say that there is a little overlap, but not… I often talk about being the third generation epic fantasy writer. I grew up reading the people who read Tolkien. For instance, I had read Wheel of Time before I had read Tolkien. And so, Robert Jordan was deeply influenced by Tolkien, and a lot of the characters were kind of echoes of things in Tolkien. And I, for instance, I read a lot of the things that also inspired Tolkien before I read Tolkien. So, is Hoid inspired by Tom Bombadil? I’d say no. But I would say that Tom Bombadil is partially, a little bit inspired by some of the fourth-wall-breaking fool characters from Shakespeare, and some of these kind of classic mythological characters like Odin, who kind of feels like he breaks the fourth wall of reality, and things like that. And these are kind of some of the inspirations for Tom Bombadil. And those were some of these same inspirations for Hoid; even though Hoid doesn’t break the fourth wall, he’s one of these jester characters who knows more than those around him.

    So I’d say it’s a slantwise sort of thing, where it’s like I’m inspired by people who were inspired by Tolkien, and they had characters like this. And I’m also inspired by some of the inspirations for Tolkien when it comes to things like that. But I wouldn’t say, when I was designing Hoid, I was thinking Tom Bombadil. When I was designing Hoid, I was more thinking of the fool from Twelfth Night, or things like that, was kind of my Ur example. Or the fool from King Lear, kind of my examples that turned into Hoid.

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    Questioner

    My question revolves around Lift. We found out in Isles of the Emberdark, dragons take some of their nourishment from the Spiritual Realm. Does that have any correlation with Lift’s ability to take Investiture from food, since it was granted to her by Cultivation?

    Brandon Sanderson

    I would say these are analogous. They’re not the same thing, but they’re cousins.

    Questioner

    So is there anything with the idea of her power coming from someone who is a dragon and gave her the ability?

    Brandon Sanderson

    Oh, that connection? Oh, that’s interesting. It was not intentional, if it was. But that is an interesting coincidence. I bet that is, like… I’m gonna go ahead and canonize it. It was not my intent, but it definitely would be in her mind if she was coming up with this. So, yes, canonized for you.

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    Questioner

    Now that we know Shallan is the daughter of a Herald, does that explain her greater affinity for Lightweaving? Or is that just a coincidence? Will that potential possibly be able to passed on to her children?

    Brandon Sanderson

    Her affinity for being extra skillful at the Order she ended up in is influenced by her heritage, but Lightweaving itself? Not necessarily.

    Questioner

    So if any other Herald had a child, they would have better affinity with Investiture in general?

    Brandon Sanderson

    Yes. And also potentially some other side effects.

    Questioner

    And could they get passed on to the children further?

    Brandon Sanderson

    It could be passed on to the children further. It is going to dilute over time, over generations.

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    Questioner

    Lawnark evolution feels a little bit fishy to me. They’re supposed to be an isolated group of humans that evolved feathers, but the timescale of the cosmere? My understanding is not the timescale that evolution could happen.

    Brandon Sanderson

    Be aware of a couple things. The Shattering is not the start of the cosmere. There are long stretches of time, millions of years, pre-Shattering, that existed in the cosmere. Be aware of that, as well. The Shattering is a very important point that happened, and a lot of the planets we’re dealing with, their timescale does start there. But not all of them. So that’s number one.

    And number two, a Shard can influence evolution, if they would so desire. It doesn’t mean that they are actively always doing it, but they definitely could. So you could see some of these rapid progress, X-Men style, of evolution going fast.

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    Questioner

    The question I’m gonna ask is about Vessels that hold multiple Shards. It seems like only one Vessel can hold Shards, as we know it; but can they manifest themselves as multiple Shardic entities?

    Brandon Sanderson

    If they wanted to, they could. So, yes.

    Questioner

    We know that Sazed is Harmony, and he’s struggling. The Intents of the Shards are difficult, and they don’t like each other, so he’s ineffective in a lot of ways. Could Discord be a shadow Sazed that lets him lean both ways, but still be under one umbrella?

    Brandon Sanderson

    Yes, that is one interpretation of what could happen. You might, though, find Discord being him leaning one direction for a while, and then another direction for a while, because balance is very difficult with this. And so one takes over, and then another takes over, and he starts vacillating. And then that’s a bad thing, too.

    But what you’re saying is Discord is that, if he could fully embrace the idea of Discord, it might be a way to actually find a balance.

    Questioner

    That Sazed as we know him would be Harmony, and the shadow Sazed is…

    Brandon Sanderson

    Oh, I see what you’re saying. That is different from what I was thinking. What I was saying, if the majority of the people started to call him Discord, the nature of the fight between them would be a selling point; it’d be a feature, rather than a bug. And it might be a way to win stability. But that would also be dangerous, because then you are the Shard Discord, which is… That would be bad, in some ways.

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    Questioner

    Which magic system is Hoid’s favorite, and why?

    Brandon Sanderson

    It’s one you haven’t read yet, probably. Though he is very partial to LIghtweaving. Very, very partial to Lightweaving. But there’s one you haven’t read yet that lets him see where he needs to be when he needs to be there, and it’s been a very huge resource to him, and he does like that one a lot. It’s a scary one, too, though.

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    Questioner

    On Roshar, women are the only ones who read and write. How do you justify the patriarchal society on Roshar when knowledge holds so much power?

    Brandon Sanderson

    Good question, and I would shoot back to you that, historically, a lot of kings and monarchs and rulers were not literate, either. So we have very good evidence in our own world and society that controlling the people who have swords and can extract money from people around is actually, generally, the basis for rule. And yes, not being able to read and know yourself is what we would look back and say, “Look at this! It’s a liability here, a liability here.” But in the real world, a lot of these people were not literate. And so that was one of my foundational, sort of, I-can-justify-this. Because I know in the real world, you would have scribes that do those things. Of course, those scribes, then, could control things better than the monarchs thought they could. I think it works; it is on a larger scale in Roshar, because it’s taken from them. But I do also think that gives more power to the women who are writers in a way that I find really interesting, and it lets me explore things on Roshar that didn’t happen in our world.

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    Questioner

    There’s a fair amount of music or musical references or instruments or rhythms, specifically. Are there any plans for significant events that you’re willing to share coming up other than what’s already happened involving music or frequencies or resonance?

    Brandon Sanderson

    I do have a little bit more coming in the future, but I’m not ready to talk about it yet.