Recent entries

Questioner

So what about the things you left out when you finished-- What was the one thing you wish you could have gotten in there most?

Brandon Sanderson

Most that I wish I could have gotten into The Wheel of Time? My favorite sequence that got cut, writing-wise, was the sequence where Perrin travels in the Ways and defeats Machin Shin with the Ogier. It's a beautiful sequence, it came out really well. The problem is reading the book you don't miss it because it was a big deviation. So I'm not sure if I wish that one would have made it into the book.

I tried to get Rand engaged, and that one I think-- I think as a whole a lot of people are confused when they come to me and wish that they could have known a little bit more about that relationship and I tried to have the three-- I tried to write a scene where the three women weave a bridal wreath together to give to him and Harriet did not like that scene because she thought it might contradict Rand later wondering if any of them would follow him, which is a scene that Robert Jordan wrote. I didn't think it contradicted but since we had that scene from Robert Jordan and since Harriet-- She's the boss, I was happy to cut it according to her wishes. I miss that one.

Questioner

Is there anything-- Is any of that going to be in the Encyclopedia coming up and are you doing anything with it?

Brandon Sanderson

I am not doing anything with it. It is all Harriet. In fact when Robert Jordan and she signed the contracts for it it was always going to be her project and not his.

Questioner

So what are your thoughts on the Wheel of Time pilot?

Brandon Sanderson

The Wheel of Time pilot? I... think... See this is kind of on the record because of the recording. I think the actors and the director are to be praised for doing so much with so little time. I don't think it should have been made and I don't think it is a good direction for The Wheel of Time to be going. But that is in part because I know Harriet was not pleased with it.

Questioner

You have said you are an architect, so I was wondering if the plot twists at the end of the book, did you have those at the beginning?

Brandon Sanderson

I would say most of the time I have them at the beginning but sometimes during the writing I rebuild my outline to do something different. You always have to be open to that I feel as an architect, to rebuilding your plot for when the creative process takes you in a different direction.

Questioner

I'm a physical chemist and I'm reading your book [The Way of Kings] right now and at some point you have someone studying flamespren and what they saw, that's one of the fundamental tenets of quantum mechanics--

Brandon Sanderson

Yes.

Questioner

So you got that from quantum mechanics?

Brandon Sanderson

I did get that from quantum mechanics.

Questioner

How did you come across that and decide to incorporate that into your epic fantasy?

Brandon Sanderson

Well The Way of Kings' magic systems are based on the fundamental forces. That was the original idea and the extrapolation from them. I'm fascinated by quantum mechanics and I have worked them into the way that-- Remember in my worlds, my books, the magics are a new branch of physics, in these worlds. And so they interact with our normal physics, it's not like they are ignoring them, so they obey the laws of thermodynamics, even when they appear to be breaking them, and they interact with quantum and all the stuff. It's just very natural that they are going to, to me if that makes sense? It would be weird if they didn't interact with them.

Questioner

You know how usually you read a good book and it will change your perspective on some aspect of life, do you ever finish writing a book yourself and-- From your own writings do you ever "Ah I've never..."

Brandon Sanderson

It's usually the research I do. Like when I'm like "I need to get in the mindset of this type of person" and I go read about it. I see the world in a different way after I become immersed in that.

Questioner

So what character have you written that was the hardest to imagine or get into?

Brandon Sanderson

Jasnah was very hard originally, and that took a lot of research into the mindset of people who think differently from myself. In The Wheel of Time books Aviendha and Tuon are both very different cultures so getting into those.

Questioner

How was it writing Mat? Was it pretty easy or--

Brandon Sanderson

No, Mat blindsided me. Mat I thought would be easy because Perrin and Rand were and I grew up with Mat, Perrin, and Rand, right? But the thing is Mat is a really hard character to write, meaning actual-- you look at him, he says one thing, he does a second thing, but he thinks a third thing. And so there is a lot of contrast to him and I just started writing him naturally and I wasn't getting all of that contrast because I was like "Oh I know who Mat is. Mat's my--" But he was saying the things that he never said, if that makes sense? I got his actions right but I flipped what he said and what he thought. It was actually really hard to get him down.

Questioner

You mean how he would say that he was going to avoid trouble and then run straight into it?

Brandon Sanderson

Yes, it's like "I'm going to avoid trouble", he runs into trouble, and he's thinking all the way about something completely separate, and then something else leaves his mouth.

Questioner

I'm a graphic designer and I want to know how you visually communicate-- You have such great visuals in your books...

Brandon Sanderson

Lots of practice. It really is just practice.

Questioner

Do you draw them all? Or do you just tell someone what you need.

Brandon Sanderson

So I have artists. I commission concept art for my descriptions and then... That doesn't always end up in the book. In fact usually it doesn't. For the things that end up in the book I'll often do like a quick sketch and say "make this awesome" or I'll do a paragraph or two of description.

Questioner

I was wondering how you schedule all the books that you write. Do you have adhere to a solid schedule or is it more like you finish a book and go into one you are more excited to write?

Brandon Sanderson

Yeah, at this point in my career I have the ability to have a little more influence over that. I do try to keep to kind of a regular schedule. My publishers have learned I'll turn in what I'll turn in, and then they'll publish it. Because I am more productive if I can jump between things.

Questioner

Did you purposely make the Church of the Survivor sort of like Christianity or not?

Brandon Sanderson

Kelsier intentionally made it like Christianity. In kind of a false way, meaning he read about and had Sazed tell him about religions that were similar and then he built that his own way.

Questioner

Oh so did Sazed tell him about...

Brandon Sanderson

Sazed told him about religions that were similar. I wouldn't say Christianity specifically, but their version and things. So there is a yes and a no.

Brandon Sanderson

I always like to read something that is unpublished. So that is something new that you get only by coming to my signings or going to the internet where people will have inevitably posted it online already. *laughter* It's really exclusive for like the first signing that I do and then after that everybody on the 17th Shard, which is the fan website, are like *hilarious "oooh" sound*

Argent

So you should read something else?

Brandon Sanderson

No... I have to be very careful about what I read because the publisher has certain deals about exclusivity on new releases. Like for instance I can't read any more from the new Mistborn books because Apple has an exclusive release of new material on that and things like that. It's just part of the deals that we do and so-- I also have to make sure that it's not making big spoilers for other books. I have to make sure that it's not containing errors that are glaring continuity errors and things like that. So we are going to read from a novella called Perfect State. This is a novella that I wrote oh about two years ago now and I didn't really L-- get it done. Like I wrote it and then there was something wrong with it and I wasn't sure what it was. I actually finished it a couple months ago. I finally figured out what it was that was wrong.

Questioner

So if you had a character in Wheel of Time who was in the cosmere, who would that be?

Brandon Sanderson

If I had a character in The Wheel of Time who was in the cosmere who would it be? Oh boy...

Questioner

Jain Farstrider?

Brandon Sanderson

What's that?

Questioner

Jain Farstrider?

Brandon Sanderson

Oh Jain? That's a good choice! Jain makes a lot of sense. I was going to say one of the Aelfinn or Eelfinn, 'cause they cross dimensions already. That would be the most likely. But you could totally make an argument for Jain or one of the Heroes having fallen through the portal. I intentionally didn't put any cosmere references into The Wheel of Time. It felt like hubris to do that.

The cameo in The Wheel of Time for me is the sword that Robert Jordan's cousin gave to me out of Robert Jordan's collection, so I wrote my sword into it. So if you look, it's not too hard to find, you'll find Rand get's a new sword. That's my sword. *laughter* I got it hanging on my wall with a little plaque that says "Let the Dragon ride again on the winds of time" and then Robert Jordan's name and his lifespan underneath. It's very cool. It's a katana out of his collection, it's really cool.

Questioner

Do you ever consider going back to some of your earlier work and doing a prequel or expanding the world?

Brandon Sanderson

Did I ever consider going back to one of my previous books and doing a prequel or expanding the world? Yes, I will be doing these things. The Cosmere Sequence. So if you are not familiar my epic fantasy books, so anything that doesn't mention Earth, they're all set in the same universe. So Elantris, and Mistborn, and Way of Kings, and they all have crossover characters that you can spot if you look really closely, that are interfering. So there will be some parallel stories that show what some of these other people were doing behind the scenes. There will be a series that starts it all off, long before the first books happen, and then there will eventually be--

Mistborn kind of forms the core of this. I pitched Mistborn to my editor as an epic fantasy trilogy, followed by an urban fantasy trilogy, followed by a science fiction trilogy--a science fiction trilogy where they've learned to use the magic system to make space travel possible. That was my original pitch. The Alloy of Law was actually a happy accident, and so we've added a fourth one in, an early industrial era. I'm actually doing four of those, because I really fell in love with them. So you'll be getting two more of those, one in September or October and then one in January. And then the final Reckoners book should come sometime early next year like probably April or May and then the new Stormlight book will be in the fall. So yay Stormlight. *cheers*

Questioner

How do you consistently create compelling magic systems?

Brandon Sanderson

How do I consistently create compelling magic systems? Well you will maybe want to read Sanderson's Three Laws of Magic, which are basically each essays on this. The short answer is I look for something awesome and what that means is I look for something no one else is doing, or a ramification of a magic system that no one else is using and I extrapolate from it. As a reader of fantasy, who loved fantasy, and still does, for many years I got very tired of seeing the same two or three magic systems in every book that I read. It was really frustrating to me as a writer because I felt fantasy should be the most imaginative genre, it should be the most distinctive and different. And so it was bothersome to me that there weren't enough people doing interesting things with magic and so I just started doing it myself.

Questioner

When you develop a character, like as the change over time, does it come naturally or do you have to force it?

Brandon Sanderson

As I develop characters and they change over time, does that come naturally or do I have to force it? For me it comes very naturally. I do a lot of planning ahead of time on my plots and a lot of planning ahead of time on my settings. I do less on my characters. I cast people in roles. I start writing someone in this role and I see what becomes of them in the first few chapters and if I'm not liking that I put it aside and cast someone else in that role and write for a few chapters and then set that aside until I find a mix that I like and then it is a very natural progression as I write them. That's just the way that it works for me. It's a matter of practice making that happen.

Questioner

How do you decide who lives and who dies? Do you know before or is it up to the characters?

Brandon Sanderson

How do I decide who lives and who dies? I just decide based on the demands that they make to me by their character arcs and the risks they want to take. I don't ever feel like I'm killing characters off, I feel like I am writing the stories that need to be written the way they have to be written. They often are planned out ahead of time, I'm an architect as a writer, I come up with an outline and then I hang my story on it. But characters have veto power over the story, if they decide they want to go somewhere else. If who they are growing is somebody the story demands-- I say they decide, it doesn't really happen that way for me. If when I'm writing the story I'm like "This character would not make this decision. I either need to put in a new character in this place or I need to rebuild my outline to match who this person is." And both of those have happened to me. Usually I'm not replacing the character except in the early parts. Usually if I like the character enough as I'm going I replace the plot.

Questioner

Where did you get the idea for the Reckoners series?

Brandon Sanderson

Where did I get the idea for writing the Reckoners series? I almost got in a car wreck. I was driving to a book signing and I was late and somebody cut me off in traffic. And it was like-- I had to slam on the brakes and things like that and I thought-- At that moment I'm like "You, person in front of me, are so lucky I don't have superpowers, 'cause if I did I would blow your car up right now. BOOM" It's a great Michael Bay effect, like it explodes and I drive through the smoke. It was really awesome; I remember it. And then I was immediately horrified, right? I'm like "Here I write all these books about people protecting the world with their powers and what would I do if I had them? I'd be blowing up people because they inconvenience me." *laughter* And this is where the series came from, I thought about that the entire rest of the drive, which was about another hour. And I thought "What if-- What could we do if people just started manifesting superpowers and-- You couldn't throw them in prison, or if you did they'd just break out. You couldn't defeat them with the armies. What would the society do if there were legitimately super-powered individuals?" It's kind of the same tactic that Watchmen took, if you've ever read that, but it kind of goes the other direction with "They are all evil, what do we do?" That was the origin and I wrote a whole book series about it.

Argent

Are there, or will there be, unicorns in the cosmere?

Brandon Sanderson

Are there, or will there be, unicorns in the cosmere? I have no specific plans for unicorns currently. *laughter* But there are unicorns in The Rithmatist so if you--

Argent

Well--

Brandon Sanderson

*apologetically* They're drawings... *laughter*

Questioner

Do you ever write like two versions of a scene in a book and if you do how do you decide which--

Brandon Sanderson

Do I ever do two scenes in a book--

Questioner

Like two versions--

Brandon Sanderson

Two versions of the same scene. I do it quite frequently. Every book there will be a couple times. Usually what happens is I'm writing a scene and I'm not pleased with it and so I put it aside and I write it again the next day. And usually letting me subconscious work on it means I end up fixing it. About one out of ten times I start writing it and I realize "It was right the first way, why am I writing something new?" And then I just go back to the book, and it wasn't that the scene was bad it's just I had a bad day. And sometimes you do, no matter what you write you are going to think it stinks. How do I decide? It's very instinctive, I've never had one like "These are both equally good". Always I know one of them is not working. In fact the best way to get over writer's block, I find, is to write the scene anyway, have anything you can think of happen--even if it doesn't make sense in your story--so that you get the scene out, and then attack it again the next day after you have had time to think about it.

Questioner

Where there any specific fantasy books that you read as a child that inspired you to write fantasy?

Brandon Sanderson

Yes, excellent question. I was not a reader until I had a teacher, eighth grade teacher--this is true--Ms. Reeder. *laughter* Yes, it's really true, R-E-E-D-E-R, was my teacher in eighth grade and she gave me a fantasy novel for the first time and convinced me to read it. It took a little work on her part because I was not a reader. It was Dragonsbane by Barbara Hamley, a kind of classic standalone epic fantasy-- And it's standalone because the sequels she wrote twenty years later when she was really depressed are very different. They're worth reading but they don't feel like sequels. Dragonsbane's a fantastic book. All of Anne McCaffrey's books were next to that in the school library, like in the card catalogue, under the title so I went to them next and they had a huge influence on me. I would say those two were the biggest. And then Melanie Rawn's books were next to those, so I read all of those.

And then the first book series I discovered on my own, when it wasn't already finished, was The Wheel of Time. Wheel of Time, the first book came out about a year after I got into reading fantasy novels and I found the big one on the shelf and was like "Oooh that's a big book. *laughter* I'm going to read that big book." And I had no idea what I was getting myself into. *laughter* Now lots of Wheel of Time fans can say that, they didn't know what they were getting into. I trump them, okay? I really didn't know what I was getting myself into in picking up that first Wheel of Time book and reading it.

Questioner

What is the favorite character you have written?

Brandon Sanderson

What is the favorite character that I have written? I would say Perrin, from The Wheel of Time. Because I can't pick my own characters, because they don't feel like I'm-- They are my favorite while I'm writing them, whoever they are. But Perrin was my favorite Wheel of Time character and when I got to finish The Wheel of Time he was the character that Robert Jordan left the least amount of notes on. In fact there was one sentence, for three books-worth, about him. And so I got to take him and-- Really Perrin was the one I had the most influence on through the course of those three books and it was very special to me him being my favorite character and being able to do that.

Questioner

Do you draw from any kind of like specific set of life experiences for your writings? Or is most of it just from your imagination?

Brandon Sanderson

Do I draw from a specific set of life experiences for my writing or is it just from my imagination? I would say my imagination is fueled by my specific life experiences. So the answer is both. Everything I see can become a part of my books, but at the same time sometimes it's just a happy accident.

People ask about Steelheart, the bad metaphors. One of the things about the main character is he is really bad with metaphoric language, comically bad. That happened on accident, I was writing his viewpoint and I'm like "This character is dry, he needs more of a soul, he needs more life. How can I make him work?" and I accidentally wrote a bad metaphor. That happens a lot when you're writing, you know, purple prose and bad metaphors just come out when you're not looking. It's like they sneak out onto the page and you're like "That was really bad". Then I paused and thought "Well, let's go ahead and leave it in *laughter* and run with this." And it was great because it became a metaphor for David's metaphor-- kind of coincidentally or ironically or whatever-- that bad metaphors become a metaphor themselves because he became the character who tries too hard. He's really earnest and he's going to get stuff done but he's trying a little too hard. And that's where the bad metaphors come from, he over-thinks them. He tries too hard to put something together and it ends up as just a big mess. But his earnestness comes through it, and that became his character and it works really well. But that one's just an accident.

Questioner

How does it feel to be now known as a mentor to younger writers?

Brandon Sanderson

How does it feel to be a mentor to younger writers? Well I think the fact that I've taught a university course on How to Write Science Fiction and Fantasy for ten years, I kind of had to get used to that pretty early. I took over the class because they were going to cancel it because there was no one else to teach it. The teacher who had been teaching it retired. And so I stepped in and took it over and I still teach it to this day. My requirement being that I get to post the lectures online. So if you want to read them-- err watch them, you can watch them at brandonsanderson.com/writing-advice. Or you can ask for one of these little cards that has my url on it when you come through.

How's it feel? It feels pretty cool honestly. I like interacting with new, young writers. I like helping them out. I'm really proud of like Brian [McClellan] and Janci [Patterson] who've gotten published. *aside to the booksellers* You have Brian's book right there? It's really quite good. He's one of those ones I really can't take credit for, because he came through and he was writing awesome stuff and so I told him like the business side. Here's how you go get published. Some of the other ones, I've been able to give them pointers on their actual writing, that I think have helped out. But I think with Brian he was there already, he just needed the boost to get into the industry.

It feels pretty cool.

Questioner

Hemalurgy is mentioned as something that has "broad implications." But that's of Ruin, right? (Or now it is of Harmony.)

Brandon Sanderson

Yes, but don't take the "of Ruin" and "of Preservation" too strongly, but yes.

Questioner

But, I mean, somebody couldn't just walk along with a metal spike on, say, Nalthis, and stab 'em and now they have the power, could they?

Brandon Sanderson

If they knew where to stab them, yes, they could.

Questioner

Anywhere in the cosmere?

Brandon Sanderson

Yes.

Questioner

You can stab someone and get their power?

Brandon Sanderson

Hemalurgy has been built in such a way that it rips off pieces of the soul. If you can rip off the right piece of the soul and attach it to somebody else, it will change your Identity, and it can rewrite anything that's attached to your soul. Identity, Connection, it can rewrite Investiture, all of this stuff it could potentially do.

Questioner

And do the things you stab people with—are they always metal or does that depend on the planet?

Brandon Sanderson

No, that's metal, that's—

Questioner

*inaudble*

Brandon Sanderson

Well yes, you could make it do something like that. That is totally possible. But the metal— Yeah. Anyway.

Questioner

With the other Shards you kind of have to be near that Shard to get that—there's no Allomancy.

Brandon Sanderson

To get it, yes. To have that part of your soul. But, for instance, Allomancy would work on other planets. The only one that's going to have trouble working on other planets, right now, are the ones on Sel because of the way that the magics are built.

Questioner

Did every Order of Knights Radiant have Ryshadium?

Brandon Sanderson

The Ryshadium were a separate not always-- not just associated with Knights Radiant.

Questioner

Did every Order have Shardplate?

Brandon Sanderson

Every Order was capable of it.

Questioner

Did every Order of Knights Radiant have Shardblades?

Brandon Sanderson

Every Order was capable of Shardblades.

Brandon Sanderson

...the Diem had been investigating, does that make sense? One of his former faces. So you're not supposed to be able to spot him. Like early on I was really planning Hoid to be-- When I write the parallel novel you'll be able to see "Oh" these things that he had his fingers on. But that's why in Elantris he's barely even in the book. Same thing with Mistborn. But then people really liked it and I was having a lot of fun with it and so in Warbreaker I expanded his part. And I'd always planned for him to be a big part of Way of Kings when that came along. *audio obscured* But in the graphic novel I think we're going to give him an expanded role, just because people are expecting it so much.

Questioner

My first question is about Shallan and whether what she does with her drawings and the deserters in Words of Radiance, kind of changing them, is at all similar to what Shai does in The Emperor's Soul?

Brandon Sanderson

Umm, that's a good question. There are similarities, but only so much that The Emperor's Soul is cosmere and is relying on the same foundation of magic. But good question. Are you getting at me saying you've seen somebody do it before?

Questioner

I talked to Alice.

Brandon Sanderson

So you have seen what she does before, but that is not what I was pointing at. It's someth-- No one is going to expect it.

Wetlander

The bit with the bandits out there, and the deserters, and she [Shallan] convinces them to all go... Was she doing Lightweaving? Was she doing Transformation? Was she doing some combination?

Brandon Sanderson

She was... You have seen what she was doing before, done by another character.

squirenonny

Was there any particular reason that you are looking at doing Mistborn in the 40's?

Brandon Sanderson

Just because I want to see-- It's where I feel excited by a story and if I go all the way to the 80's, which I’m going to do eventually, we lose the Age of Exploration, my last shots at it. I think in the 40's we could still have a shot at Age of Exploration even though it's well past that, you know what I mean? The last remnants of my chance of doing that, I think. The exploration hits late here, but by the 80's they're launching satellites, right? The world is known. So if I want to do one more thing before then I could do-- The thing about the Mistborn world is that it is mostly uninhabited.  It's like an Earth-sized planet where most of the continents have no people. That’s really exciting from a storytelling aspect.

squirenonny

So my friend wanted me to ask, after we both read Firefight, is there anything you can tell us about Instabam?

Brandon Sanderson

Instabam, oh. What do you want to know about Instabam?

squirenonny

Powers or anything.

Brandon Sanderson

See facetiously in my head I had Instabam have power over instant potatoes, but I'm probably not going to do that. But that is what I had in my head when I wrote that name. Yeah, instant potatoes, "Poom". Can cook food at the snap of fingers. I don't know what their powers are. I didn't work that out.

Squirenonny

Okay.

Brandon Sanderson

You can say instant potatoes if you want.

Questioner

So I was reading that one of the worlds, I think it was Yolen, is going to be a disease oriented magic?

Brandon Sanderson

It's not Yolen, it's Ashyn...

Questioner

How does that work?

Brandon Sanderson

Viruses and bacteria, various strains of them, have evolved in-line with the Investiture on the planet to grant you a magical ability when you catch the disease, because they want you to stay alive long enough to--

Questioner

To transmit it.

Brandon Sanderson

--o transmit it. So it becomes part of the transmission vector. So you have superpowers or whatever-- You can fly as long as you have the common cold, but when you get over it, you can't anymore.

Questioner

Is the guy he took his name from related to Hoid?

Brandon Sanderson

Define related.

Questioners

Blood related.

Brandon Sanderson

I'm going to RAFO that.

Questioner

So the one thing I've been wondering since the one statement where he [Hoid] said he didn't want to watch Roshar fall, but he would. Has he seen any worlds die?

Brandon Sanderson

Yes, he has.

Questioner

Is Hoid a dragon?

Brandon Sanderson

Oh I will give you a RAFO card. You're very good, Have you read Dragonsteel?

Questioner

I have not but--

Brandon Sanderson

Don't read it, it's bad.

Questioner

Okay then. I am just-- What? Okay then. That's awesome. We have some ideas but-- Hoid is amazing. I figured he was really old but it's cool knowing for sure that he's exceptionally old.

Brandon Sanderson

He is one of the oldest people in the cosmere, but he is not the oldest.

Questioner

Ahhh...

Brandon Sanderson

The person he is writing a letter to is indeed older than he is.

Questioner

Could someone bond with two spren and wield two swords?

Brandon Sanderson

It is theoretically possible, but the spren aren't going to like it.  So you are not going to see it very often.

Questioner

I was actually wondering if you'd do space opera? *audio obscured*

Brandon Sanderson

There will be space opera in the cosmere. There'll be quite a bit of it actually. The only space opera I've written currently has not been true space opera. I don't know if you've read my two science fiction stories. They're both free on my website. And they're a little more social science fiction, though they take place far future, kind of space opera-y. They're not cosmere right now-- Err they are not cosmere. But I will eventually write full-blown space operas. They're going to be awesome.

Questioner

What is a sparkflicker and what are they used for?

Brandon Sanderson

Oh good question... You'll be interested in this. Sparkflickers are-- Herdazians, their fingernails are stone. A sparkflicker is so they can start fires. They're actually flint-and-steel-ing. So a sparkflicker is a fire-creator using their actual fingernails.

Questioner

So they don't have a martial application?

Brandon Sanderson

...Not really. I mean the sparkflicker, no. The nails? Yes, if your fingernails are rough. But there is a deep implication to that that I don't think people have quite picked out yet.

Questioner

Can you, if you're really good at iron and steel, Push and Pull on something in the same space?

Brandon Sanderson

Yes you can.

Questioner

Do Allomantic Pushes and Pulls generate friction?

Brandon Sanderson

Do they generate friction. So... *sighs* I've had to ask myself this because if they didn't generate friction certain things that I do in the books wouldn't happen. I assume if you've seen the physics of it you've noticed. I have to go with yes. But the physics of it I'm a little wishy-washy on. I mean it's pretty obvious from the way I do things that they do.

Questioner

Yes! I have won the argument on the 17th Shard.

Brandon Sanderson

I mean, you've seen the science of it, right? You Push things up and they stay there. And so if they didn't generate friction, two people couldn't both Push on a coin to hold it in place, but it does get held in place.

Questioner

I just won a 17 page argument.

Brandon Sanderson

But I have to tell you... Peter is going to have to break his brain making the physics of that work. But I mean, it's canon. I put it in the books so it’s not like we can just ignore the fact.

Questioner

Is Cultivation the same thing as the Nightwatcher?

Brandon Sanderson

They are related but they are not exactly the same. It's more like the similarity between the Stormfather and Honor.

Questioner

So with the cosmere, do you come up with stories and see if they fit? Or does the cosmere  kind of lend itself to stories already?

Brandon Sanderson

It's mostly the first. *audio obscured* When I come up with a story I'll ask, "Does this fit the cosmere?" and if not-- Like, for instance,  this one, that I read tonight [Perfect State], just doesn't fit the cosmere. I don’t want to be doing far-future science fiction stuff yet in the cosmere, and when I do, virtual reality is not a cosmere thing. So I can't write that as cosmere. Or the Rithmatist which I bounced back and forth. Would have been, could have not been. I just eventually decided it didn't fit the story. When things do fit, I put them in.

Questioner

Is that a really exciting moment? Or just sort of "Ohhh that's nice"

Brandon Sanderson

Yeah, it's just like that. I like all my stories.  The Cosmere-- One of my rules for myself is "The Cosmere is not my entire body of work" because then I would just be shoehorning  things in and I've found sometimes when authors create a multiverse they shoehorn everything in. Stephen King did this, Asimov did this. It doesn't work. I think if it is an intentional thing I'm deliberately doing, then it gains more power, it's cooler than if I were trying to make everything connected.

Questioner

You talked a little about short fiction, what do you think about flash fiction?

Brandon Sanderson

Flash fiction I think is awesome, and microfiction. I'm terrible at it. I've tried a couple times.

I've got a good friend... Eric James Stone, he's won a Nebula Award, and his business cards have a story on the back. That's the coolest thing ever isn't it?  I want to steal that and do that but every one I come up with is junk. I mean it takes like eight pages to write my name, so…

Questioner

We hear a lot in The Final Empire about various titles and such from the Steel Ministry. Can you give us very little as to their actual structure and what they do...

Brandon Sanderson

Yeah I can talk about this.

Questioner

They only thing you can't is the ranks.

Brandon Sanderson

So the Steel Ministry, in the Mistborn books. The interesting thing I considered when I was writing them was "What is the purpose of the priesthood when god is there in the palace and everyone knows it? And if you disobey you just get your head cut off." So what do you do? I made the Steel Ministry more government, like the post office is run by priests. And a lot of what priests do is witness official business, take your money for doing so and give you a stamp that "Yes I witnessed this" and things like this, but they also run all the public works. It's not like they're cleaning the sewers themselves but overseeing the sewers, overseeing engineers, most of the engineers who built the city plans would be obligators.

Which by the way you named didn’t you? There he is, Nate Hatfield was in my writing group for many years. We were driving to writing group once and I wanted a cool word for a priest, because I was just using priests in the original version of Mistborn.  I'm like "I need a great word" and he-- How did you even come up with that word?

Nate Hatfield

You really want to know?

Brandon Sanderson

Yeah.

Nate Hatfield

Thesaurus. *laughter*

Brandon Sanderson

...There's Nate. You can congratulate Nate on coming up with obligator. And was it you that came up with the Conventicle, or was that Peter? Conventicle was Peter.

Questioner

Is Investiture universal? By that I mean, if an Allomancer got Stormlight somehow could they use that to fuel Allomancy?

Brandon Sanderson

That is always possible, so yes.  But in some case it requires some quote-unquote hacking, like an AC vs a DC current or we've got a 120 Volt and they've got 240. Does that make sense? It might require-- I guess hacking is the wrong term, adapters.

Questioner

Anything you can tell us about Frost?

Brandon Sanderson

What do you want to know about Frost?

Questioner

Everything.

Brandon Sanderson

Then no. I'm not going to tell you everything about Frost. He's still alive.

Questioner

He's immortal?

Brandon Sanderson

Yeah. He can be killed, he's just functionally immortal, he doesn't age.

Questioner

Has he always been able to take the form of that-- *audio obscured*

Brandon Sanderson

Yes. He was born as one.

Questioner

Born as one.

Brandon Sanderson

It is a race.

Questioner

Shardplate. Are we going to find out where that comes from?

Brandon Sanderson

You will eventually find out, but it is not the next book.

Questioner

And my last one, Obliteration, the Epic, is based on an author.

Brandon Sanderson

He is based on an author.

Questioner

It's Jim Butcher, right?

Brandon Sanderson

I couldn't say if it were, with these handsome locks and wearing a trenchcoat, and the goatee.

Questioner

It's totally Jim Butcher.

Brandon Sanderson

Well Jim Butcher doesn't have hair like this anymore. He cut his hair.

Brandon Sanderson

Koloss are something I've been trying to work in for a time. Originally, in the very first draft of Mistborn one, I had them make an appearance in the prologue:

The skaa worked the fields with the lethargy of the hopeless, their motions methodical and listless. Though the sun's light was darkened and ruddied by the ever-present smoke, the day was still oppressively hot. Yet, no skaa man paused to wipe his soot-stained brow–being seen resting by a koloss fieldmaster would invite a whipping.

So, the skaa worked. Eyes down, watching the dirt by their feet, they dug at the weeds–daring not to speak, barely even daring to think. Koloss stalked amidst them, blood-drop eyes alert for signs of skaa laziness.

Obviously, I changed their place in the world drastically. During the drafting of book one, I was still working out what I wanted the koloss to be. I knew they were going to be something monstrous, and as the first draft of Mistborn One progressed, I slowly cut them from the book and decided to save them for book two. As the characters talked about them, the koloss reputation became more and more nasty–and I went so far as to explain that the Lord Ruler himself feared to keep them near human settlements.

So, when it came to plan book two, I put a lot of effort into developing the koloss. I wanted them to be cool visually, live up to their reputations, and work within the worldbuilding and magic of the setting. You'll find out a lot more about them as the series progresses.

Brandon Sanderson

The koloss army was another thing that got shuffled about in this book. Originally, the Luthadel folks discovered its advance pretty early on. All of their discussions, then, talked about the fact that they had three armies bearing down on them.

I pushed back knowledge of the koloss for a couple of reasons. First off, koloss are scary–and I think they deserve to be treated differently from the other two armies. Their appearance can throw a real wrench into things later on, once Elend and company hear about them. It allows for the reader to know something that most of the characters do not, and leads to anticipation and tension.

In addition, it gives Sazed another good reason to exist in the plot. Now he knows about the koloss and nobody else inside the city does. His mission, therefore, is even more vital. He has to bring information back to his friends.

Brandon Sanderson

Chapter Nineteen

Some of my readers thought that Sazed expended far too much of his speed in order to get to Luthadel. I don't agree. What he saw in that village disturbed him greatly. Remember, he's been spending the last six months investigating news of the mists killing people, and now he found an entire village where something like that happened. He's worried and he's eager to get back to Luthadel. In the face of that, the use of his metalminds makes sense, I think.