Questioner
So when Hoid gives Kaladin the Worldsinger flute and then he kind of just leaves it behind... Is that making a reappearance or was that kind of like a "Kaladin, you dope" moment?
Brandon Sanderson
RAFO.
So when Hoid gives Kaladin the Worldsinger flute and then he kind of just leaves it behind... Is that making a reappearance or was that kind of like a "Kaladin, you dope" moment?
RAFO.
The moons of Roshar. Inspired by the Dragonriders of Pern?
If it was, it was unconscious. But, more, it was the fact that I had three gods on the planet, and I was working with that. But, of course, the moons existed before the gods came.
I wanted to know why in The Stormlight Archive and Mistborn, all the gods were named after human traits?
So this is... all the books are connected. So a long time ago, the premise is, a being... god named Adonalsium was split into 16 pieces, and so the various "aspects" of god, and those aspects are now the gods of all of these things. So there were two in the Elantris world, there's one in the Warbreaker world. Mostly Mistborn and Stormlight is where you'll find out about them.
Preservation, and... I remember Hatred [Odium] in Stormlight.
Yep, Preservation and Ruin. And on Sel, it was Dominion and Devotion, or Love and Conquest were the two.
So all of them are connected?
Yep.
Are the people from Mistborn the people that came to The Stormlight Archive?
Are they the people that what?
In The Stormlight Archive, they discover that the people are not... that humans are not the people that [came to land?]. Are they the people from Mistborn?
No, they're not. They're from a different planet. The people from Mistborn, though, were based on them, in part. See, there's some people that predate what we call the Shattering of Adonalsium, where God was split to all these pieces, and humans predate that. The humans that were on Scadrial were created as an imitation of those.
Two days ago, you read the first chapter of Stormlight 4 and Navani has a homesteward there and he has those rings, lots and lot of rings. Is it maybe... he has...
You're gonna ask if he is a Terrisman, right?
Maybe...
Maybe... RAFO.
Did the old Knights Radiant know the Shin were in possession of the Honorblades?
So... the Knights Radiant are aware of where... most of them are aware of where the Honorblades are.
In the old times?
Oh, I thought you meant the Heralds. Did the old Knights Radiant know where the Honorblades were? I will RAFO that one, sorry. I was thinking, yes, the Heralds knew where their Blades ended up, but I will RAFO the Knights Radiant.
Can a Nahel Bond be stagnant because of a spren's inability to progress? If the spren has a character deficiency they cannot break through or something?
Can a spren cause the Nahel Bond to not progress? This is possible. Not very common but it is possible.
I was wondering if Rayse and Ryshadium, is there a connection like for Aon and Aona, Ati and atium?
For what? For Rayse and Ryshadium? No.
Why is there only one... I mean is there either one Allomantic power or all of them?
What do you mean? Oh, why is that? That was mostly for narrative reasons and for making it easy for the reader to track. And, so, why in world? Just ended up being the way the Investiture split but mostly it was for narrative reasons, it was for author reasons.
I was thinking if it was related to Identity?
Yeah, no. It's mostly for my convenience as a writer.
In the Lighthouse, it seems that it's almost like a fabrial, but not quite, because obviously, it's not a spren, obviously. So, is it like the Cognitive equivalent of what that would be?
So, what specifically are you talking about? Not the light itself, but the thing that Kaladin sees and stuff like that?
Yeah.
No, I wouldn't say that it is. So, I would go a different direction on that.
Can cytonic people potentially use all the abilities from Defending Elysium?
Potentially, yes. So mindblades and things like that. Mostly, I'm kind of pushing people into specialties a little bit more, like I've done with something like Mistborn where you're generally better at one thing than another. So you may see some divisions of powers, but they're all capable of it.
When Zahel worldhopped to Roshar, did he ever do that before Warbreaker?
Yes, in fact Roshar was where the idea for Nightblood kind of came from.
Will you ever write about that?
I will probably reference it in future books and maybe I'll do some flashbacks, but I haven't decided. I'm unlikely to write a book that covers that time period on its own.
So my question is this: So, Investiture is a different [type?] of existence separate from matter and energy, right?
Yes.
So, does entropy apply to Investiture?
Yes... It does, with some caveats, but yes. It works a little differently, but it does apply. You should be able to apply all three laws of thermodynamics with... accounting for a third state of matter, energy.
So you said, so the only two ways to really worldhop are Cognitive Realm or FTL.
I did not say that, I said...
So there could be another way?
Yes. I said, if you couldn't use Shadesmar, is there another way. I did not say there are only two ways.
Okay, so there could be more than two ways?
Yes.
Okay, thank you. That's the answer I was looking forward to.
If you took Nightblood into the Cognitive Realm, what would he look like?
RAFO, and yes, he has been taken into the Cognitive Realm before.
More specifically, would he stay a sword or would he give himself a sort of...
That's a RAFO... that's the RAFO. Just make sure when you go through that perpendicularity, he's in a sheath. Otherwise, bad things happen.
There would be a difference, you say?
Yeah, bad things would happen if you took Nightblood through.
What kind of spren is Maya?
Maya is a cultivationspren.
One. Can there be Nahel Bonds with more then ten types of spren because we have ten Orders.
Meaning, are there other possible spren that could form other Orders of Knights Radiant that are not the ten? This is theoretically possible, but that is basically what you could argue is happening to Renarin. So now if you want to say... if you want to throw out the exception of spren who were one of the ten who got changed, then this is theoretically possible but right now currently wouldn't work.
So, Shadows for Silence... Threnody, or Hell at least, is based off of Judaism, right? And Shade sounds a lot like the Hebrew word for demon, Shedim. Is there a relation?
Yes... yes. But it's not an in-world reason, it's just in my brain, right?
Okay, so I was going to ask like... do they have chicken legs, which is how [Jewish demons are depicted]
No, they don't. But, you know, things like She’ol [Hebrew word, the Jewish interpetation of the afterlife in certain texts] and things like that, they're in the back of my head - mostly because of Stormlight. I would say, I hadn't thought about it before, but that's definitely an unconscious influence on me. But they do not have chicken legs.
I have a follow-up question about Nalthis and synesthesia. How would having a lot of Breaths affect the Heightenings of someone with chromesthesia, which is a form of synesthesia where you... light and color. I mean, sorry, sound and color.
Okay, so you hear sounds and you see colors?
Or vice-versa, you hear color and see sounds.
Okay, you hear colors and you see sounds... So, what did I say before?
You said that it would affect it in different ways, but you didn't say how.
Alright, so... See sound and hear color... *struggling* I'd have to think about it, honestly. I don't think I can off the cuff that one.
Will we be seeing Szeth training the Radiants in the future?
So... Szeth will be sharing some tips, but I don't know that you'll see him training. He starts the next book in jail, so... yeah...
If an Elantrian were to tattoo someone with an Aon with the intent of it working...
Could that work? Yes... you could make that work. There is some trouble with moving some Aons around, so it's gonna depend on how you're building and things, but you can make that work.
So, about Feruchemy. If someone takes, for example, a copper metalmind, fills it with memories, and then a tin metalmind, fills it with senses, then melts them together into a bronze metalmind, would you be able to tap anything from it, and what?
If you made an alloy of them, you would not get anything out of them. You would know there's Investiture in there, but you wouldn't be able to pull it out.
Even if it's your own?
Even if it's your own, yup. They would interfere with each other to the point that you wouldn't be able to get anything out. Sorry.
First of all, did Mormonism play a role in building the Cosmere at all?
It certainly did... Not really a conscious one, but my faith really influences who I am. Like, one of the big tenets of my religion is this idea that we're all gods in embryo that are then growing up to be like our Father. And so you can see in the Cosmere, it's really about the power of God given to men and what they do with it and how it kinda messes things up if it's not done right. I think that's probably deeply influenced by my religion.
What is your favorite relationship between two characters?
Favorite relationship? Oh boy... Adolin and Kaladin. That was a lot of fun to write, because they're such different people, but they're really good for one another.
So, who is the character you're most proud of?
I would say, I am most proud of Dalinar. I spent a lot of time getting Dalinar to work. Either him or Sazed, both of them were very difficult at times to make work.
We wanted to ask if you know... if you can tell us the age gap between Kelsier and Marsh?
Kelsier and Marsh? Like... four years, yeah.
When are you gonna finish the Scribbler [The Rithmatist] - and just by the way I'm a huge fan, and like all of your books are amazing.
Thank you so much!
Uh, so Scribbler we will probably finish... eventually but I don't have a specific date. It's a side project, it has to squeeze in between the other books. When I feel a little ahead on something, that's when we'll see me doing it.
Is that how you work? Just whenever you have strength you just...
Well, normally I'm very good at planning all of what I'm writing and the books that are coming, but side projects like that... like, I will finish Stormlight 4, I'll write Wax and Wayne 4 and I'll write Skyward 3, and then we'll see if I have time right then, and if I do I'll slide in a side project and if not I have to go straight to Stormlight 5. So like, Stormlight, Mistborn, Skyward right now are the things I have to have deadline on and be regular. Side projects is whenever the time happens.
In Elantris, we know the Shards Aona and Skai influenced the large religions, Shu-Korath and Shu-Dereth. When Odium came to Elantris to shatter... to Splinter them, did he make the [Jeskeri] Mysteries cult?
[...]
Oh, the Mysteries, the Jeskeri Mysteries? I'll RAFO that for now.
The prequel on Hoid, will it be your longest book?
I do plan it to be kind of long, so we'll see how long, "Kind of long," is but yeah.
Two questions. First of all the twist where Wax shifts from-
One person to-
Exactly. Was that preplanned?
It was preplanned. That is based off of I have a good friend that when I first met them they were very very off putting because they are on the spectrum and I didn't understand people on the spectrum, and as I got to know them I understood how great they were, and I wanted to have the reader experience that same reversal in the books.
Did Hoid lose anything or anyone else because of the Shattering?
Yes, but a lot happened because of the Shattering.
When will we see a continuation for the Kelsier story?
You'll see a little glimpse of it in Wax and Wayne 4. Otherwise, you're gonna have to wait for either [Mistborn] Era 3, or if I manage to do a Secret History 2. Which I can't promise that I'll be able to do.
Secret History was I think my best part of the Mistborn series.
Oh. Thank you. I do want to do one, but we're gonna have to see where the time... where deadlines fall and stuff like that.
I’m absolutely in love with the world I’ve created and have spent years in its building—magic systems, political systems, cultures, races, etc.—but I feel it is not original enough to warrant publication. I have, to a certain extent, trapped myself in the tropes of fantasy—mid to late 13th-century setting, races based off the classics of orcs, dwarves, and elves, and unwittingly I created a nation of people who I fear will be compared to the Seanchan in their intent, if not their culture.
The storyline itself is very original (with the exception of the Seanchan-esque nation), and the few people I’ve spoken to about it have said it sounds exciting.
So I guess my concern is this: do you think I have a legitimate concern in that my work may be perceived as unoriginal and therefore not worth publication? Or can writing style and an original storyline make up for that fact?
My experience has been that writers worry about this more than they should. Now, that’s not to say we shouldn’t worry about it at all—but generally, readers are a little more forgiving of us showing our influences than we think they will be. The Wheel of Time has some very Tolkien- and Herbert-inspired sections, and is generally considered to be a highly original setting, even if it’s true that the Aiel are inspired by the Fremen.
Harry Potter wasn’t actually that original an idea; wizard schools have been a staple of middle-grade fantasy for years. But her combination of everything together was amazing. So I think you can absolutely take tried-and-tested, well-worn tropes and combine them into something that is greater than the sum of the parts.
My suggestion to you is to write the book. I think that, because you’re aware of this possible problem, you’ll naturally take it in different directions. Then give the book to some readers and try very hard not to predispose them toward what your fears are. After they read the book, let them give you feedback. If a lot of them are saying it feels derivative, maybe see if you can make some things more your own. However, most likely they’ll say something like, “This feels like the Seanchan, but in a good way.”
We are all inspired by the things we read, watch, and love. Learning to take this inspiration and make it into something newly yours is part of the process of becoming a writer. Give yourself that chance, and I think you’ll find a balance you like.
Will we ever be seeing an ancient Scadrian symbol for harmonium/ettmetal. I know it didn't exist back then (as far as we know!) but many fans use those style of symbols to represent Hemalurgy.
I don't think we'll see an official version of the ancient symbol for harmonium anytime soon. I believe, in-world, that the Hemalurgists use the Allomantic symbols for the metals.
Is there, or will there at some point be, a glyph to represent ‘the answer’ to the most important step a man can take?
I suspect a two-word glyph pair for the answer could work, though I don't think we have glyphs for those two words yet.
Warbreaker sequel plans please? I'll get my fill with the 10 year anniversary edition, but I'm itching for more. Thanks!
I plan to get to it--but not until Stormlight 5 is done. (Sorry.)
What about The Lost Metal?
Should be soon. It and Skyward 3 will be my next projects, to be done before I start Stormlight 5.
This got me thinking about the older spren with four genders. Do they look more like the parshmen (dull form), or one of the listener forms?
Almost everything about this needs to be a RAFO, I'm afraid. I'll get into it eventually.
I'm going to release [Dragonsteel Prime] digitally (likely for free) eventually. The thing is, I don't think the book is very good--so I kind of don't want people reading it. And beyond that, there are a few things in it that are cosmere spoilers--AND more than a few things that are no longer relevant to the cosmere.
I realize it's a curiosity, however, to cosmere fans. I just don't feel it's equal in writing skill to my two other unpublished books from that era (White Sand and Aether of Night) despite them also having their problems.
I haven't been able to bring myself to say, "All right, here you all go. Read it" because in some ways, it's way more personal for me than the other weak stories from my unpublished days, because it represents me trying very hard (and failing) to boot up the cosmere, so it's extra cringeworthy for me in that regard.
This just made my night, so thank you! That being said, I feel like you have the kind of fan devotion that would allow for a type of “podcast paywall” or “YouTube patreon” situation where those that would want to learn more could be offered some additional information (like Dragonsteel) without having to make the trip to BYU.
I know I would! And I know I would understand that I’m paying for the right to see a rough draft.
I understand this. I think I'm going to experiment with offering Way of Kings prime first, as that one's not quite as bad. I will say this: eventually, I'll release Dragonsteel. I think it's inevitable that I'll bend and give it to the fans, so you don't need to make the trip, so long as you're okay waiting a few years.
Maybe also drop Mistborn Prime/Final Empire Prime the next couple times there's a gap in your publication schedule?
They're technically accessible through email, but having them on the website would make things easier to discuss, and it seems like an easy way to throw a little red meat at the fanbase without putting in too much effort (and you could stretch it out by just putting up 1 or 2 chapters a day).
Yeah, there is enough serious fan and academic interest in my roots as a writer, that I should probably do this, as you suggest. Let me find the right way to do it.
Maybe you could release a digital anthology of all the Prime/Unpublished works?
I'll consider the right way to do this--but either way, I will start trying to get them out to people.
Can I ask for the sequel of Sixth of the Dusk?
It's on the backburner right now. But eventually.
Would tin make sex better?
Sigh.
Yes it would.
I wasn't particularly interested in writing a [Magic: The Gathering] novel that Wizards [of the Coast] wanted me to write, but I was in a position to write something I found really exciting--supported by their creative team, who helped make sure I was getting the continuity right.
I would be interested in doing something else like this, but it would have to be years in the future. I put off some of my own projects (Wax and Wayne 4, mostly) in order to do this, so I owe my readers some time staying on task and doing what I've promised them I'd do.
But, I guess the answer is, "It could happen." Novellas like this, or even something more. Like, I could see (crazy though it would be) moving to Seattle for a year or so and being part of an early lore meeting on a new world, then working with creative closely for the development of that set and writing a novel tied in. (Assuming they'd have me.) I really like Magic's creative team, and being deeply involved in the lore of a world like that would be a lot of fun.
This would be an AWFUL business decision, of course. So it's not anything I could do in the near future.
I wonder what a spike would look like in the Cognitive Realm? I can't imagine how you'd spike a spren in the Physical Realm. Hmm. u/mistborn would probably tell us RAFO.
RAFO. :)
The big question is LEGO building considered a Masculine Art or a Feminine Art? Seems like it would be feminine, but it would be extremely hard to do with one hand covered.
It would be feminine, but that WOULD be a problem! So they might have some healthy discussion on it. I suspect that the traditionalists would land on it being a feminine art, but covertly acknowledge that most would be built with two hands, then displayed.
The whole "one handed" thing breaks down quickly when poked with too many actual logical points. Like a lot of real-world sexism.
I hold out misguided hope we may eventually get a sequel with [Obliteration]. u/mistborn are you listening :-) ?
Listening. I'm trying to find a way to do some more Reckoners, now that the Apocalypse Guard fell apart.
Does that mean that Apocalypse Guard will not be done? The last news was that you would do it with Dan Wells!!
Dan did a pretty good revision, but at the end, he felt it was still missing something. We agreed that it might not be right to do now. Maybe someday I'll release it to fans, and see what they think the problem is.
I want a book published of Shallan's illustrations,that would be so awesome.
A collected art book is most likely to happen in the 5-6 gap. Ideally it would showcase every artist and each illustration, plus our many alternate covers, which by then should be well over 100 pieces.
If there isn’t space in that book for the digital ton of ancillary sketches and anecdotes about the work that I’ve been collecting over the past decade, maybe there’ll be a Shallan-focused art book down the line (well, really it would just be a me-focused book, but that amounts to largely the same thing plus extras).
TL,DR: 4-5 years.
Trell the foreman is connected to the religions on Scadrial.
You were the illustrator for Shallan's sketches of Shardblades, right? If so, huge props for Sunraiser - it's so interesting that you chose such an iconic and historically accurate design, yet still managed to ornament it in a believable Shardblade style. I'd definitely buy one for HEMA if replicas existed, which is something I wouldn't say for most fantasy swords.
For those of us who know what that style was used for, it has some odd implications - like the fact that someone at some point was halfswording with a Shardblade, and seeing fantasy authors acknowledge halfswording always makes me geek out! Was this design a specific order from Brandon or were you just tasked with making a more knightly sword for the king and did your own research?
So, there's a few different things going on here.
One is that, way early into the project, I did a bunch of silhouette studies for Brandon so that we could zero in on just how nutty he wanted Blades to be. From those studies he's picked out a few that we referred to when drawing the Blades in Oathbringer, and one of those in particular became Sunraiser.
He did specify that he wanted Sunraiser to be simple and traditional and purposefully in contrast with other Blades. The long ricasso wasn't a call for half-swording in particular, but that doesn't preclude the use of that technique, and it's likely that the original spren that became Sunraiser was probably used by a Radiant with some experience in wielding oversized two-handed blades.
From a Watsonian perspective, it's worth remembering that Shardblades are impractical interpretations of practical tools. Spren made themselves into what they thought swords were, but because of their nature the result became more about the spirit or the concept of a sword than about the requirements of forgery or physics or the practical needs of sticking pointy bits into other people.
Every level [of Urithiru] is about 18 floors, internally. I think we decided each level was about 15' tall, for about 270' in height per tier, but those are loose numbers and may not precisely reflect the final dimensions.
So overall it'd be roughly the same size as the Burj Khalifa right?
Taller, but only by a bit (I say this because I've got a comparison shot somewhere in my internal docs and I remember it being juuuust a bit taller). And significantly wider, of course, the topmost tier is still wider than the Khalifa at its base. Even with the .7G allowance it's a wonder the whole thing doesn't collapse into itself.
Have you read 1984?
Yes, I have.
In your lecture you talked about the three P's: premise, progress and payoff. I wanted to ask you about 1984 because I read the book and was engaged by it and I don't see how the three P's appear in the book, why is it so interesting?
The thing is that George Orwell is very good with setting, he can make very interesting worlds. The progress in 1984 is that of a person losing its mind, the payoff is in how broken he is the end and how his conscience has been shattered.